Live From The Hotel Edison Times Square Chronicles Presents, is normally filmed from the Hotel Edison, but today we went Zoom Style. Live From The Edison Times Square Chronicles is a podcast extension of T2C.

Today owner Suzanna Bowling talked with Eileen Bluestone Sherman Eileen Bluestone Sherman is an award-winning author, lyricist, playwright, educator and producer whose career has moved effortlessly between literature and musical theatre. She is best known for the children’s classic The Odd Potato, her National Jewish Book Award-winning young adult novel Monday in Odessa, and Perfect Picture, the musical inspired by the life and art of Norman Rockwell. Her writing also includes The Violin Players and Independence Avenue, while her work as a producer on The Odd Potato television special earned her a Chicago/Midwest Emmy Award.

With her sister, composer Gail C. Bluestone, Sherman forms the musical-theatre songwriting team The Bluestone Sisters, with Eileen providing the lyrics. Their work has attracted an extraordinary roster of Broadway talent, including Lillias White, Judy Kaye, Beth Leavel, Andrea McArdle, Karen Ziemba, Sutton Foster, Elaine Stritch and Hal Prince. Their longtime creative relationship with Tony and Emmy winner Lillias White has extended across recordings and performances, while Perfect Picture has enjoyed productions and recordings featuring some of Broadway’s most celebrated artists.

Sherman is also co-founder and co-producer of The Indie Collaborative, created with musician Grant Maloy Smith to bring independent artists from across musical genres together to perform, exchange ideas and create new collaborations. Through the organization, she has produced events at venues including Carnegie Hall, Lincoln Center and the Drama League. A longtime educator as well, Sherman has taught theatre at Baker University’s School of Professional and Graduate Studies, where she was named Outstanding Professor of the Year in the Graduate Division—adding teacher and mentor to a career built around storytelling, music and bringing artists together.

I am so grateful to Eileen Bluestone Sherman for being with us and sharing his life and career with us.

Live From The Hotel Edison Times Square Chronicles Presents, is normally filmed from the Hotel Edison, but today we went Zoom Style. Live From The Edison Times Square Chronicles is a podcast extension of T2C.

Today owner Suzanna Bowling talks with Frank “Fraver” Verlizzo on his new book Sanity Clause. Verlizzo is an American design artist and Drama Desk Award-winner. He is best known for creating the posters for many prominent Broadway productions, including the original productions of Stephen Sondheim’s Sweeney Todd: The Demon Barber of Fleet Street and Sunday in the Park with George. Prior to that Verlizzo worked for The Blaine Thompson Agency, which at the time was the largest advertising agency for Broadway shows. After five decades as one of Broadway’s most prolific designers—having created over 300 posters that defined the visual identity of the American theater—Verlizzo has channeled his deep insider knowledge into fiction. His debut novel, Scenery of the Crime, garnered acclaim for its “delicious verisimilitude” and authentic portrayal of the 1970s theater scene. His second Sanity Claus, was just released. Published by Camel Press, this latest installment in the Retro Broadway Mystery Series transports readers back to the gritty, glamorous theater world of the late 1970s for a Christmas-themed whodunit where the stakes are as high as the marquee lights.

“For most of my career, I’ve interpreted the ideas of others into two-dimensional graphic images,” shares Verlizzo. “In my second career as a cozy mystery author, I have an opportunity to create my own little ‘village’ populated by fictional characters I’ve come to hold dear.”

Suzanna had the honor of serving with Frank on the Drama Desk nominating committee and is grateful to Richard Hillman for having Frank join with us today.

If Part One of our look at the East Hampton Library’s 22nd Annual Authors Night captured the sheer excitement of the evening, Part Two reveals why this particular summer tradition has become something far more interesting than a glamorous book signing.

Under one enormous tent on August 8, worlds that ordinarily have very little reason to collide suddenly did. Historians sat near novelists. Political insiders shared space with chefs. Architects, journalists, comedians, artists, grief writers and mystery authors met readers face-to-face, while conversations moved effortlessly from the White House to Montauk, from James Baldwin to Sid Caesar, from the Titanic to Tarot.

That eclecticism is the secret of Authors Night. You may arrive looking for one writer and leave carrying the work of someone you had never heard of two hours earlier.

At the center of any gathering devoted to American nonfiction stands Robert A. Caro, whose monumental The Power Broker changed the way generations understood not merely Robert Moses, but the machinery of political power itself. More than half a century after its publication, Caro’s study remains startlingly relevant because its real subject was never simply one man. It was what happens when ambition, government and unchecked authority converge.

Nicholas Boggs brought Baldwin, his major biography of James Baldwin, returning readers to one of America’s most essential literary and intellectual voices. Baldwin’s questions about race, sexuality, belonging and America’s ability—or refusal—to examine itself have hardly grown less urgent.

That examination of America continued with Gloria Browne-Marshall’s A Protest History of the United States, while Eddie S. Glaude Jr. brought America, U.S.A.: How Race Shadows the Nation’s Anniversaries, considering how America’s celebrations of itself inevitably collide with the parts of its history it would sometimes rather leave outside the ceremony.

Jonathan Mahler turned his attention toward another kind of American power in The Gods of New York, exploring the personalities and forces that shaped a city forever negotiating between money, ambition, politics and myth. Nearby,

Julian Zelizer

Julian Zelizer offered The Presidency of Joseph R. Biden: A First Historical Assessment, bringing together the kind of immediate historical examination that begins almost before an administration has disappeared from view.

Former White House press secretary Karine Jean-Pierre arrived with Independent: A Look Inside a Broken White House, Outside the Party Lines, while Don Lemon brought two books examining subjects that have defined much of his public career: race, religion, faith and America’s continuing argument with itself.

Then there was Bradford E. Billet, whose Chaos Reveals It contains enough history for several lives. Billet’s experiences encompass TWA Flight 800, September 11 and his tenure as New York City’s Commissioner for International Affairs, dealing directly with the United Nations and State Department. It is precisely the kind of book Authors Night is made for: you pick it up because of the title and suddenly find yourself standing across from someone who witnessed history from inside the room.

Hassan Nemazee’s Persia, Politics and Prison offered another journey through power and consequence, while Aziz Abu Sarah’s The Future Is Peace turned toward one of humanity’s oldest and most elusive ambitions: finding a way through conflict rather than perpetuating it.

The evening was equally rich in cultural history. David Margolick’s When Caesar Was King: How Sid Caesar Reinvented American Comedy revisits the astonishing influence of the comic genius whose television work helped shape modern American comedy. Carol Leifer, herself part of comedy history and famously associated with the inspiration for Elaine on Seinfeld, took a considerably less solemn approach with How to Write a Funny Speech . . . for a Wedding, Bar Mitzvah, Graduation & Every Other Event You Didn’t Want to Go to in the First Place. Even the title knows exactly what room it has walked into.

Tom Junod brought In the Days of My Youth I Was Told What It Means to Be a Man, while Jay McInerney, forever associated with the literary electricity of New York, offered See You on the Other Side. Amy DuBois Barnett’s If I Ruled the World joined Gayle Feldman’s Nothing Random, Jenna Blum’s wonderfully titled Murder Your Darling,

Amy Chozick

Amy Chozick’s With Friends Like You, Amy Ephron’s Unseasonably Cold

Adam Ross

Adam Ross’s Playworld, and Joanna Margaret’sThe Daughters among the fiction and literary works inviting readers into entirely different worlds.

Then there was one of the titles impossible to walk past without stopping: J. Brooke’s I Can Tell You the Version That Will Make You Take My Side. In an age when almost everyone seems to arrive with a version of events designed to secure allegiance before the facts have even entered the room, the title alone feels wickedly contemporary.

Mystery and suspense were everywhere. David Baerwald brought The Fire Agent, Rachel Ekstrom Courage Death on the Lanai

Tom Clavin

Tom Clavin Vengeance

Alex DeMille

Alex DeMille The Tin Man,

Steve Israel

Steve Israel The Einstein Conspiracy, Chris Pavone The Doorman, Bob Reiss The Impossible Detective

John Searles

John Searles Single Girls, Alyssa Sheinmel Such Sheltered Lives, and Charles Lachman They Shall Not See the Dawn. Aphrodite Jones, long known for examining notorious criminal cases, arrived with Michael Jackson Conspiracy, Jeffrey Sussman’s Mafia Hits, Misses, Wars, and Prosecutionspromised exactly the wonderfully combustible history its title suggests.

The East End itself naturally had its chroniclers. Christy Scott Cashman brought What Happened in Beulah, while David Cataletto’s Kings of the Coast: Montauk kept the geography decidedly local. Jennifer Ash Rudick’s Inside the Hamptons turned the lens on the homes and aesthetic identity of the East End

Michael Gross

Michael Gross’s Treasured Island examined another enclave synonymous with extraordinary wealth.

Architecture and design were particularly well represented. Pulitzer Prize-winning critic Paul Goldberger’s Why Architecture Matters asks us to look beyond buildings as objects and understand how the spaces surrounding us influence the way we live. David Netto’s Rosario Candela & The New York Apartment: 1927–1937 celebrates the architect whose elegant apartment houses helped define Manhattan luxury. Jeffrey Banks brought Storyteller, while

Steven Kasher

Steven Kasher’s Memoir of a Collection: Finding Meaning Through Art explored the deeply personal relationship between collector and object.

Kendell Cronstrom and Alejandro Saralegui

Kendell Cronstrom and Alejandro Saralegui each celebrated Madoo, preserving the extraordinary Sagaponack garden and creative world associated with artist Robert Dash, while Alice Harris and Christian John Wikane’s A Night at the Disco turned the cultural clock toward another dazzling New York institution: the dance floor.

Food, naturally, had its own irresistible corner. New York Times food authority Florence Fabricant brought Salty Not Sweet, while chef Michael Symon offered Symon’s Dinners Cooking Out.

Jenn Lueke, Sabrina Rudin, Ali Rosen

Jenn Lueke’s Don’t Think About Dinner, Ali Rosen’s The Slow Burn, and Sabrina Rudin’s Healthy With a Side of Happy approached the pleasures—and daily realities—of feeding ourselves from very different directions.

There were books about the body and the complicated business of taking care of it. Breast surgeon Dr. Elisa Port offered The Breast Advice

Michael J. Norton

Michael J. Norton’s deliciously irreverent The S** I Heard at Yoga* suggested that wellness culture deserves a raised eyebrow along with the downward dog.

Some of the evening’s most affecting books dealt with what happens when life refuses to follow the plan. Danielle Crittenden’s Dispatches from Grief and Kate Doerge’s Reimagining Grief confronted loss from different perspectives

Susan Klein and Cynthia Schaffner

while Susan Klein and Cynthia Schaffner brought Heart Art. David Biro’s The Unstoppables looked toward endurance, and April Reynolds’ The Shape of Dreams toward the landscapes we construct within ourselves.

Elsewhere beneath the tent were Lenny Ackerman with Moments Out of Time; Nelson Aspen with Kindred Spirits: A Titanic Talk; Andrew Blauner with On the Couch; Karen and Bill Brodsky with Beyond Honor; Judy Batalion with The Last Women of Warsaw; Harriet Newman Cohen with Passion and Power

Ken Davidoff

Ken Davidoff with 101 Lessons From the Dugout; Tom Freston with Unplugged; Luke Goebel with Kill Dick; Bianna Golodryga with Don’t Feed the Lion

Xochitl Gonzalez

 Xochitl Gonzalez with Last Night in Brooklyn; Harrison Hill with The Oracle’s Daughter; Madeleine Henry with The Last Celebrity

Andrew Lownie

Andrew Lownie with Entitled: The Rise and Fall of the House of York

Conner Martin

Conner Martin with The Silver Fish

Lisa Raicek

Lisa Raicek with The Plunge; Deborah Goodrich Royce with Best Boy

Sydney Sadick

Sydney Sadick

 Sydney Sadick with Aim High; Allison Winn Scotch with The Insomniacs; John Seabrook with The Spinach King; Heather Ann Thompson with Fear and Fury; and Jessica Walker with The Secret Astronomers.

Monte Farber and Amy Zerner

Monte Farber and Amy Zerner

Monte Farber

Then there were Monte Farber and Amy Zerner whose books on Tarot are legendary. The longtime creative and spiritual partners arrived carrying a book they wrote 35 years ago, when Tarot existed considerably farther outside the mainstream than it does today. As they pointed out, they were writing about Tarot long before Tarot became a cultural trend. There is something rather wonderful about that. Authors Night is necessarily obsessed with what is new—the new novel, the new biography, the new investigation, the book everyone will be discussing tomorrow. But books have their own clocks. Some explode immediately. Others wait patiently for the culture to catch up with them. Thirty-five years later, Tarot is everywhere. What once occupied the esoteric edges now fills bookstores, social media feeds and conversations about spirituality and consciousness. Monte Farber and Amy Zerner were there before the fashion arrived.

That may be the perfect way to understand Authors Night itself. For all the famous names, beautiful homes, summer clothes and Hamptons glamour, the evening ultimately celebrates something considerably less fashionable and far more enduring. Ideas survive.

They move from writer to reader, sometimes immediately and sometimes decades later. They are argued with, rediscovered, rejected, reconsidered and occasionally understood by an entirely different generation than the one for which they were originally written.

On Saturday night in East Hampton, nearly 100 writers arrived carrying those ideas between two covers and thousands of conversations began.

For one magical August evening, the East Hampton Library once again proved that in the Hamptons, literary stars shine just as brightly as Hollywood celebrities. The Library’s 22nd Annual Authors Night gathered nearly 100 acclaimed writers beneath its signature tent, transforming an East End summer evening into one of America’s most celebrated literary gatherings.

More than a fundraiser, Authors Night has become a cultural institution where readers have the rare opportunity to meet the minds behind today’s most talked-about books. Between glasses of wine, beautifully prepared hors d’oeuvres, and stacks of freshly inked hardcovers, conversations flowed as freely as the evening itself before many of the featured authors departed for intimate private dinners hosted in their honor throughout the Hamptons.

The Library’s 22nd Annual Authors Night once again transformed the East End into the nation’s most sophisticated literary salon, bringing together nearly 100 authors spanning biography, science, politics, fiction, memoir, history, children’s books, and popular culture. Long regarded as the premier literary event of the Hamptons, the fundraiser has become one of the country’s largest and most successful author gatherings, where conversations matter as much as cocktails and where readers stand patiently in line—not for selfies, but for signatures.

Guests filled the grand reception tent, wine glasses in hand, weaving from table to table to meet the authors whose words have shaped conversations far beyond the East End. Books disappeared into tote bags almost as quickly as they could be signed before many of the featured writers departed for intimate private dinners hosted throughout the Hamptons in their honor.

Stewart F. Lane

Stewart F. Lane, Bonnie Comely. James F. Comley

Broadway producer Stewart F. Lane entertained theater lovers with Let’s Put On A Show, an insider’s look behind the curtain from one of Broadway’s most accomplished producers.

Bonnie Comley

Beside him was producer Bonnie Comley, proudly supporting her father, James F. Comley, whose memoir The Ups and Downs reflects on a remarkable personal journey marked by resilience and perseverance.

Neil deGrasse Tyson

Neil deGrasse Tyson

Neil deGrasse Tyson

Neil deGrasse Tyson and Lenny Lane

Neil deGrasse Tyson and Lenny Lane

Neil deGrasse Tyson

As always, one table seemed to have a gravitational pull all its own. Astrophysicist Neil deGrasse Tyson once again proved that science can rival any celebrity attraction. His table remained consistently packed throughout the evening as guests eagerly waited to meet the bestselling author of Take Me To Your Leader, reaffirming that curiosity about the universe remains one of humanity’s greatest attractions.

Bobbi Brown

Bobbi Brown

Beauty entrepreneur Bobbi Brown attracted a steady stream of admirers with Still Bobbi, an honest reflection on reinvention, entrepreneurship, and building a life that continues evolving long after becoming a household name.

Helen A. Harrison

East Hampton’s own Helen A. Harrison brought her signature blend of art history and mystery with A Far Corpse, once again demonstrating why she remains one of the East End’s most respected literary voices.

Patrick Markee

Architectural historian Patrick Markee explored forgotten spaces and overlooked histories in Place Less, inviting readers to reconsider the landscapes we often take for granted.

Valerie Greenberg

Beth Stern, Valerie Greenberg and Cindy Karen

Author Valerie Greenberg offered a timely look at modern relationships and emotional affirmation in You’ve Been Validated, examining our collective search for recognition in an increasingly digital world.

Brisa Carlton

Novelist Brisa Carlton captured old-world glamour and bittersweet nostalgia with Last Call at the Savoy, transporting readers to an era where elegance and heartbreak frequently shared the same table.

Beth Stern

Beth Stern

Animal advocate Beth Stern delighted families with CoCo and Stephen Together, another charming addition to her beloved collection celebrating compassion and friendship through the eyes of rescue animals.

Leslie Gelb

Leslie Gelb book Wake the Bear, is the true story of C.R. Liles, a man who survived more than 30 foster homes, extraordinary childhood abuse and a turbulent life, ultimately finding survival, identity and purpose through his art and his Lakota heritage.

Susan McGuirk

Susan McGuirk’s heartfelt Dear Missing Friend explored the enduring bonds of friendship, memory, and loss, resonating deeply with readers searching for connection in an increasingly fragmented world.

Heidi Evans

Heidi Evans, Josh Getlin

Entertainment journalists Josh Getlin and Heidi Evans drew considerable interest with their eagerly anticipated biography of Liza Minnelli, offering a richly researched portrait of one of entertainment’s most enduring and enigmatic icons.

Peter M. Wolf

Roselie Rachel

One of the evening’s lighter moments came when social media personality Roselie Rachel was spotted enthusiastically purchasing Peter M. Wolf’s fascinating historical work The Etruscans and the Jews, proving that curiosity crosses every generation and platform.

Denise Kiernan

Historian Denise Kiernan captivated readers with Obstinate Daughters, shining a light on remarkable women whose determination helped shape history despite formidable obstacles.

Norah Lawlor

Norah Lawlor

Norah Lawlor

Rounding out this first look was longtime publicist Norah Lawlor, whose heartfelt Mom’s Book of Wisdom celebrates the timeless advice mothers pass from one generation to the next. It was Nora’s first time here and she sold out!

Authors Night has never been simply about autograph lines or book sales. It is about conversations—between writers and readers, ideas and imagination, history and possibility. It remains one of the rare places where intellectual curiosity takes center stage, reminding us that stories still have the power to bring people together.

Stay tuned for Part Two, where we continue our tour through one of the Hamptons’ most beloved literary traditions, introducing more of the remarkable authors and unforgettable moments that made this year’s Authors Night another chapter worth remembering.

At a time when business culture often celebrates disruption, rapid exits, and overnight success, James F. Comley’s The Ups and Downs of Running a Small Business, written with Jason R. Rich, offers something increasingly rare: perspective.

James F. Comley – standing with his book

Published at ninety-five years old, Comley’s book is not the story of a celebrity entrepreneur, a Silicon Valley founder, or a corporate titan. It is the story of a man who built a life, a family, and a company over decades, one relationship at a time.

For more than fifty years, Comley helped transform Embree Elevator into a thriving family enterprise serving Eastern Massachusetts and Southern New Hampshire. Yet what emerges most powerfully from these pages is not simply an account of business growth, but a portrait of partnership. Again and again, Comley returns to the importance of family, particularly the role played by his wife Virginia, whom he describes as his partner in every sense of the word. Together they raised four children while building a company that now spans four generations.

Among those generations is his daughter Bonnie Comley, whose own accomplishments as a producer, entrepreneur, and advocate for the arts reflect the values that permeate the book. While her career led her toward Broadway, entertainment, and philanthropy, The Ups and Downs of Running a Small Business reveals the foundation upon which those ambitions were built—a family culture rooted in perseverance, innovation, hard work, and community. The book becomes not only the story of a business, but the story of a legacy passed from one generation to the next.

What makes The Ups and Downs of Running a Small Business compelling is its authenticity. Comley never presents himself as an expert dispensing formulas. Instead, he writes as a man who learned through experience. Through the collaboration with Jason R. Rich, those decades of knowledge, reflection, and lived experience have been shaped into a narrative that feels both personal and universal. He openly discusses long hours, risk-taking, persistence, leadership, and the importance of maintaining genuine relationships with employees, customers, and suppliers.

In an era increasingly dominated by technology and remote communication, Comley’s philosophy feels almost radical. He believes in face-to-face conversations, loyalty, respect, accountability, and being willing to answer the phone at three o’clock in the morning if a customer needs help.

The book is structured around practical lessons, from managing employees and taking calculated risks to balancing work with family life. At times it reads as a business guide, while in other moments it feels more like a grandfather passing along hard-earned wisdom to younger generations.

Perhaps the greatest strength of the book lies in its optimism. Comley acknowledges that business ownership comes with setbacks, uncertainty, and sacrifice, but his message remains remarkably consistent: meaningful success is built over time and sustained through dedication, integrity, and relationships.

For aspiring entrepreneurs, there are certainly lessons to be found here. But the audience for this book extends beyond the business community. It speaks equally to anyone interested in preserving family stories, understanding the values that shaped post-war American enterprise, or simply hearing from someone who has spent nearly a century observing how life unfolds.

There is something deeply moving about a ninety-five-year-old author deciding that his experiences still have value and that the lessons learned through decades of work deserve to be documented. In a culture often obsessed with what is new, James F. Comley reminds us that wisdom still matters.

Perhaps that is the book’s greatest achievement.

Like the elevators his family built a business around, Comley’s memoir reminds readers that life inevitably carries us through highs and lows. What matters most is the character we develop while making the journey.