The Dog Show: Hounds by Hirschfeld
Best known for his charcuteries of Broadway shows, the Al Hirschfeld Foundation presents its latest online exhibition, “The Dog Show: Hounds by Hirschfeld.” Now live at AlHirschfeldFoundation.org/exhibitions through August 15, the exhibition features drawings of dogs by the artists between 1924-2001. Featuring some of the most famous dogs in 20th century media – and some not-so-famous dogs who were well-loved by their humans. Canines take center stage in this exhibition including the artists’ reflections of The Thin Man, ‘Frasier,” “Lassie,” The Wiz, Annie, Gypsy, The Will Rogers Follies and more. Dogs appear in drawings in nearly every category of the artists’ work; theatre, film, television, music, and literature, as well as politics, private commissions, and Hirschfeld’s earliest lithographs. The dogs seen in this show have been sorted by breed, just as they do in the best dog shows. There are breeds from each of the seven American Kennel Club groups represented: Sporting, Working, Terrier, Hound, Toy, Herding, and Non-Sporting. The exhibition is curated by Katherine Eastman, Archives Manager of The Al Hirschfeld Foundation. “Westminster may be over, but this dog show is ready to begin,” says Eastman. “For this exhibition, we’ve searched through the Hirschfeld archive for images of dogs of every size and shape. You’ll learn some fun facts about different breeds. Maybe you’ll even fall in love with a breed and start looking for your next best friend.” Go behind the lines of Hirschfeld’s art with “The Hirschfeld Century Podcast,” nominated as “Best NYC podcast” by the 2020 Apple Awards. A special episode focusing on “The Dog Show: Hounds by Hirschfeld” will be available starting July 19, 2021 from AlHirschfeldFoundation.org/podcasts, iTunes and other popular podcast sites.
Katherine Eastman is the Archives Manager of The Al Hirschfeld Foundation. On her days off, Eastman practices as a Certified Professional Dog Trainer. She brings her two Cavalier King Charles Spaniels, Chandler and Bennett to work every day. You can follow their adventures on Instagram @KatherineAndCavaliers. The Al Hirschfeld Foundation is waiting for her to train them to sniff out NINAs.
The mission of the Al Hirschfeld Foundation is to promote interest in the theater and visual arts by supporting non-profit museums, libraries, theaters and similar cultural institutions. The Foundation fulfills its mission through grants and exhibitions of Hirschfeld’s art . The Foundation maintains an extensive collection of Hirschfeld artworks and lends and/or donates pieces to institutions all over the world. Another primary mission is arts education, which the Foundation does primarily with the Hirschfeld Arts Curriculum. Created in conjunction with the New York City Board of Education, The Hirschfeld Arts Curriculum is an innovative visual/performing arts education program based on Hirschfeld’s art to engage students K through 12 in a variety of arts activities. Our programs encourage writing, reading, researching, observing, movement and performance to learn about the arts, its history, and the opportunities for education and employment in the arts field. The web based Al Hirschfeld curriculum is easy to use, and is intended to be a free resource for teachers and students. www.AlHirschfeldFoundation.org
Al Hirschfeld’s drawings stand as one of the most innovative efforts in establishing the visual language of modern art through caricature in the 20th century. A self-described “characterist,” his signature work, defined by a linear calligraphic style, appeared in virtually every major publication of the last nine decades (including a 75-year relationship with The New York Times) as well as numerous book and record covers and 15 postage stamps. Hirschfeld said his contribution was to take the character, created by the playwright and portrayed by the actor, and reinvent it for the reader. Playwright Terrence McNally wrote: “No one ‘writes’ more accurately of the performing arts than Al Hirschfeld. He accomplishes on a blank page with his pen and ink in a few strokes what many of us need a lifetime of words to say.” In 1945, Hirschfeld celebrated the birth of his daughter Nina by placing her name in the background of a drawing. What the artist described as an innocent prank soon became a personal trademark and national obsession, as he began hiding numerous NINA’s throughout his drawings for years to come. He is represented in many public collections, including the Metropolitan Museum of Art, the Whitney Museum of American Art, the National Portrait Gallery, and Harvard’s Theater Collection. Hirschfeld authored several books including Manhattan Oases and Show Business is No Business in addition to 10 collections of his work. He was declared a Living Landmark by the New York City Landmarks Commission in 1996, and a Living Legend by The Library of Congress in 2000. Just before his death in January 2003, he learned he was to be awarded the Medal of Arts from the National Endowment of the Arts and inducted into the Academy of Arts and Letters. The winner of two Tony Awards, he was given the ultimate Broadway accolade on what would have been his 100th birthday in June 2003. The Martin Beck Theater was renamed the Al Hirschfeld Theater.
Storm Large Brings The Sexual Heat Along With Powerhouse Vocals To 54 Below
Doris Day’s “Que Sera, Que Sera, takes on a hint of sexual subversive overtone as flower child Storm Large makes her way through the audience at 54 Below handing out possies.
If you do not know who Storm Large is, she is a musician, actor, playwright and author, who shot to national prominence in 2006 as a finalist on the CBS show Rock Star: Supernova. Large currently performs nationally with her own band, and tours internationally with the Portland-based band Pink Martini. Large also appeared on America’s Got Talent on June 14, 2021, performing a cover of “I’ve Got You Under My Skin,” which is when I became obsessed.
Large is raw, real, human, and oh so female, and her new show has her explaining her life and how she empathize with all of us during being locked down. Her take on Jay Livingston and Ray Evans “Crazy Train” took on a deeper and more profound epiphany.
Lauper’s and Large’s ode to self-gratification, brought back the 80’s “She Bop“. Large talks between the numbers and we learn how Ms. Large dealt with not performing, in Prince’s “Nothing Compares To You“.
You will never think of Grease’s “Hopelessly Devoted to You” in the same way again after the “Carrie: version Storm maps out. You definitely get a glimpse of the demons that she battles or rather plays with.
Connecting so strongly to lyric and having a range that is unbelievable, Paul Simon’s “Bridge Over Troubled Water,” Shovels & Rope’s “After The Storm” and The Kinks “Strangers” told of heartbreak, longing, loss as Storm played the drums and ukulele. She is multi-talented and it is mind boggling how she is not more nationally and internationally beloved.
A lot of the audience knew Storm’s “8 Mile Wide” from her hit one-woman show Crazy Enough. This song is a female empowerment ode of being who she is and she does not apologize. Despite the song being about her anatomy, this was her father’s favorite song. She sang it to him before he died.
The Hollies “Air That I Breathe” and a song by Storm and her amazing musical director James Beaton, “Angels in The Gas Station” were dedicated to her father. Beaton is also who does Storm’s arrangements including the fabulous “I’ve Got You Under My Skin”, that sadly she did not grace us with,
Playing in her band are musicians that are all stellar in the own rights with Matt Brown on Bass, Scott Weddle on Guitar and Greg Uklund on Drums.
You can catch Storm Large: Loving Storm, tonight at 54 Below and I highly recommend you do. If you have never experienced this super nova you will be glad you did.
Ken Fallin’s Broadway: New York Pops and Marvelous Marilyn Maye
“The astonishing Marilyn Maye sings with the magnificent New York Pops led by Maestro Steve Reineke this Friday evening, March 24th at Carnegie Hall. They are remarkable talents and remarkable people.
Cabaret legend Marilyn Maye takes the stage with The New York Pops for a program of standards and musical theater classics that make clear why she’s been celebrated as one of America’s greatest jazz singers for more than 50 years. Hear favorites by composers who include Porter, Lerner and Loewe, Loesser, and Sondheim, as well as Maye’s special version of “Too Late Now,” which was selected by the Smithsonian Institution for its permanent collection of 20th-century recordings.
The Glorious Corner
WOODSTOCK COVER STARS — (Via Best Classic Bands) — Bobbi Ercoline’s name may not be familiar to most, but millions own her photograph: Bobbi, whose last name at the time was Kelly, and her then-boyfriend, Nick Ercoline, were huddled together under a quilt at the 1969 Woodstock festival when photographer Burk Uzzle snapped their picture. The couple, both then 20, were unaware that their photo had even been taken until several months later, when the three-LP Woodstock soundtrack album was released. They were among friends when they first realized the couple on the album cover was them.
“We were passing the jacket around when someone pointed out the staff with the orange and yellow butterfly,” Nick told AARP in 2019 for the organization’s magazine. “That belonged to Herbie, a guy from Huntington Beach, Calif. He was lost and having a bad trip, and we hooked arms with him until he was clear-headed. Then we saw the blanket. Oh my lord, that’s us!”
Bobbi and Nick only lasted one night at Woodstock, and never even got near the stage. They had given it their all trying to get to the festival, ditching their car when traffic became snarled and walking the final two miles. They spent most of their single day there on the hillside where the famous photo was taken.
Two years later, in 1971, they married. They remained together until Bobbi Ercoline’s death Saturday (March 18, 2023).
Nick posted the news on Facebook: “It’s with beyond great sadness that I tell my FB family and friends, that after 54 years of life together, of the death of my beautiful wife, Bobbi, last night surrounded by her family. She lived her life well, and left this world in a much better place. If you knew her, you loved her. She lived by her saying, ‘Be kind.’ As a School Nurse she always championed the kids … ALWAYS! As a person, she always gave. ‘How much do you really need if you have all you need or want?’ So she gave and gave and gave. She didn’t deserve this past year’s nightmare, but she isn’t suffering from the physical pain anymore and that brings some comfort to us.”
We’ve spoken much over the years about how that Woodstock event was so cataclysmic – culturally; musically; and certainly philosophically. Elliot Tiber wrote beautifully about it in his first book Taking Woodstock – a classic if you’ve never read it.
They tried to re-create it in 1994 and though it was good, it just didn’t have that magical flavor of the first one. I wasn’t at either, but as you can imagine, music from that 1969 concert still lives passionately today. I was, however, at Live Aid and that was my Woodstock for sure.
Not to get too poetic, but I came across a great quote yesterday: It’s worth being older now, to have been young then.
SHORT TAKES — Derek & The Dominoes Bobby Whitlock on Jim Gordon: “Carl Radle and Jim Gordon … Didn’t get any better than that. The only other alternative [for Derek and the Dominoes] was Jim Keltner. And that’s who should have been the guy and who was supposed to be the guy. But it didn’t turn out that way. He was busy. The rhythm section of Carl and Jim propelled the songs we put together. Jim Gordon is the most musical drummer I ever heard. All of the drums were in tune. literally tuned to a key on the piano. Big kit. But Jim had this wonderful ability to interpret the nuances you could feel but not hear. Carl was solid as a rock. A downbeat player and right on it. So, we have Carl who is solid and down and Jim who is up and on it. So, it was perpetual motion” …
Do you remember “Vehicle” by The Idea of March back in 1970? It became the fastest-selling single in Warner Brothers history. A little-known fact is that 14 seconds of the completed master of “Vehicle” was accidentally erased in the recording studio, (primarily the guitar solo), and the missing section was spliced in from a previously discarded take. The song reached #2 in Billboard, and #1 in Cashbox. The album “Vehicle” reached #55 nationally … Dolly Parton sings with Elton John on “Don’t Let The Sun Go Down On Me” on her forthcoming rock ‘n roll album. I bet it’ll sound great, but how many covers of that song has there been? Maybe they should have picked a John/Taupin deep-cut like “Come Down In Time” or “Amoreena.” Just saying … Does the phrase DLYZECOMKIN mean anything to you?
Believe it or not, in one of those crazy-jumble games online, the phrase translates into Micky Dolenz. Crazy, right? See for yourself: https://invasion24.com/2023/03/19/daily-jumble-puzzle-answers-march-19-2023/
… Speaking of Dolenz, he departs Thursday on a Flower Power Cruise; then starts his Headquarters-tour on April 1 in Orlando …
Charles F. Rosenay does the Zach Martin Big Fat American Podcast next week, for his new release, The Book of Top 10 Beatles Lists (KIWI Publishing) … HAPPY BDAY Gia Ramsey!
NAMES IN THE NEWS — Carol Geiser; Bob Meyerowitz; eYada; Andy Rosen; Tom & Lisa Cuddy; Paul Haig; Terry Jastrow; Anthony Pomes; Mark Bego; Charles F. Rosenay; Bill Graham; Kip Cohen; Heather Moore; Charley Crespo; [Robert Miller; John Luongo; LIME; Carl Strube; Jen Ramos; and CHIP!
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