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The Glorious Corner

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G.H. HARDING

RIEDEL’s BACK — New York’s popular NY Post Broadway columnist Michael Riedel is releasing his second theater book this Tuesday, revealing behind-the-scenes stories of Broadway in the 90’s.  Riedel, who now co-hosts a daily morning radio show with Len Berman on 710 WOR (with our fave Len Berman), calls his latest creation Singular Sensation: The Triumph of Broadway( Simon & Schuter).

 “This second book has been such a labor of love for Michael,” says Riedel’s WOR PD Tom Cuddy.  He has spent over four years researching it, writing it and doing interviews with dozens of A-list Broadway notables, including Hugh Jackman, Andrew Lloyd Webber, Idina Menzel, Patti Lupone, Mel Brooks, Nicole Kidman, Matthew Broderick and Liam Neeson”

Singular Sensation: The Triumph of Broadway, by Michael Riedel covers the Broadway Theater in the 1990’s, a decade during which theater, once New York-centric, became part of mainstream popular culture. The book tells the gripping behind-the-scenes stories of such celebrated shows as Lion King, Rent, Angels in America, Chicago, Sunset Blvd and The Producers.

Top-shelf Broadway-publicist Chris Boneau told me he was interviewed three times for the tome. I read the excerpt in Vanity Fair about the Lion King and it was superb and and illuminating.

The book begins with the saga of Sunset Boulevard, at the time the most expensive show in Broadway history. It looked like a hit, until it collapsed amidst Lloyd Webber’s feuds with LuPone, Close, and Faye Dunaway. Upon learning that she was going to be replaced in the leading role by Close, LuPone screamed: “Glenn Close? She brays like a donkey and her nickname is George Washington because if you look at her in profile, her nose meets her chin.” Ouch!

Jonathan Larson wrote the brilliant Rent, but never lived to see it open. After a dress rehearsal, he returned to his walk-up apartment, put on the tea kettle, and dropped dead of an aneurysm. Riedel writes movingly of Larson’s struggle to write the play, and how, after his death, it influenced a generation of musical theater writers and performers. 

Disney almost pulled the plug on The Lion King, unable to understand how an audience would respond to director Julie Taymor’s ground-breaking puppets. Taymor hastily put together a special workshop just for then-Dosney-kingpin Michael Eisner. He looked at her work and said, “The bigger the risk, the bigger the payoff.” The Lion King went on to gross nearly $9 billion, making it the most lucrative entertainment property of all time. 

Singular Sensation ends with the story of how Mel Brooks turned The Producers, an obscure movie from the 1960’s, into a Broadway blockbuster. But just a few months after it opened, terrorists knocked down the World Trade Center. Broadway was facing an existential crisis. But in just two days, its shows were up and running, a signal to the world that terrorism would never bring New York to its knees.

Singular Sensation charts Broadway’s dramatic comeback after 9/11. Broadway is now facing another existential crisis. It has been dark since March due to COVID-19. 

Riedel has covered the theater since 1989. First with the NY Daily News and now with the Post. For 25 years he co-hosted the PBS-TV show Theatre Talk.

1-2-3 BARRY RIP — Len Barry, the original lead singer for the popular doo-wop group the Dovells, including their 1961 hit, “Bristol Stomp,” died Thursday (November 5). The news was revealed by Jerry Gross, another original member of the singing group. Barry was 78; no cause of death was revealed. Barry later earned a solo hit with “1-2-3” in 1965.

In his post on the group’s Facebook page, Gross wrote, “We lost one of our original members. Our lead singer from 1960 – 1963… has gone on to Rock ‘n’ Roll heaven. In these trying times that we’re living in, with the politics and the virus, and now one more sad moment.”

Gross continued, “Very few people know that we did two reunion shows in 1994 in Syracuse (NY) and Hartford (Conn). We had a fabulous time both on stage, and in the car between the dates. Between Lenny and Mark, the comedy never stopped. It was the best of times.”

“Great being with him again after 31 years. RIP old friend. From all the remaining Dovells. Jerry, Arnie, Mike, and Mark.”

Barry was born Leonard Orisoff on June 12, 1942, in Philadelphia, Penn., performing in singing groups with high school friends. After serving with the U.S. Coast Guard, he formed the Dovells with other members, settling on a lineup in 1961 with Gross, Arnie Silver, Jim Mealey, and Mike Freda. Signed to Cameo-Parkway, they recorded “Bristol Stomp” about teenagers’ new dance step in a nearby blue collar town.

The single reached #2 on the Hot 100, blocked from the top spot by Dion’s “Runaround Sue,” and ultimately sold more than a million copies.

They returned to the top of the pop charts with “You Can’t Sit Down,” which reached #3 in 1963.

After several more singles, Barry left the group for a solo career. He returned to the upper reaches of the pop chart in 1965 with the ultra-catchy “1-2-3,” which he co-wrote, earning a Grammy Award nomination for Contemporary Rock & Roll Male Vocal Performance.

The song peaked at #2 on Nov. 20, behind the Supremes’ “I Hear a Symphony.”

PR-pasha David Salidor’s father Leonard, worked for the long-gone Decca Records, and the Barry record was one of his big projects there. Says David, “I was 11 back then, still figuring out the business, but I well remember the Len Barry-project as being a big one for my father. I even met him on several occasions and found him to be a great fellow. No question he loved the success generated by this record. A stand-up gentleman for sure.”

SHORT TAKES – Rockers On Broadway: Band Together is Monday night; we’re looking forward to performances by Joan Jett and Alexa Ray Joel. This year’s honoree is Billy Porter …

Micky Dolenz

England’s 7A Records (fronted by Glenn Gretlund) will release the next Micky Dolenz solo album, Dolenz Sings Nesmith in the first quarter of next year. Produced by Christian Nesmith, Dolenz started laying down his vocals last Friday in LA. This one should be most excellent …

Dana Gillespie

David Bowie fans should remember Dana Gillespie. Check out this story from the Daily Mail: https://www.dailymail.co.uk/femail/article-8923037/Singer-DANA-GILLESPIE-reveals-bed-hopping-didnt-stop-Bowie-scandalous-memoi … Still no Frampton book from Carla Sacks; we just tried to call his management, Vector; we’ll let you know what happens … Speaking of studios … did you know that when musicians indeed enter a studio these days, they’re now required to bring their own microphones? Make sense … Happy BDay Andy Skurow … RIP Dickie Kline, Atlantic’s greatest ever promo-guy. Gone but never forgotten … And, welcome President Biden and unity over division!

NAMES IN THE NEWS – Steve Kline; Tom & Lisa Cuddy; Randy Alexander; Alan Kaplan; Jodi Ritzen; The Oxfords; William Schill; Andre Ginnane; Zach Martin; Ray K.; Evan Levy; Glenn Friscia; Jim Burgess; Deb Caponetta; and, BELLA!

G. H. Harding is a four decades insider to the entertainment world. He’s worked for record companies; movie companies; video-production He’s worked for record companies; movie companies; video-production companies and several cable outlets. His anonymity is essential in bringing an unbiased view to his writings on pop culture. He is based in NYC.

Book Reviews

Live From The Hotel Edison Times Square Chronicles Presents Four Award-Winning Musical Theatre Writers Who Turned to Writing Books

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I am so pleased to announce our guest for next Wednesday’s show on April 17th are four award-winning musical theatre writers who turned to writing books.

For a veteran musical theatre dramatist, getting a new musical on is rarely easy, even at the healthiest of times. But when a pandemic stops everything cold—and a restless creative spirit is driven to both keep writing and reach an audience—what can be done? Well, four musical dramatists independently decided to meet the challenge head on with the same answer: Write a book! But their creative paths to near- simultaneous publication would be as unique as the rave-reviewed books themselves. And when they realized that their musical theatre backgrounds cast them as an equally unique quartet…they decided to come full circle back to the theatre community …to tell that story…the story of how their incredible books came to be…which in its way is also a universal story; a story for our time. A story of taking stock, taking a deep breath, taking new steps…and turning the page. Here are our writers:

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David Spencer is an award-winning musical dramatist, author, critic and musical theatre teacher, whose work has been produced in the US, Canada and England. His most well-known credits as lyricist-librettist are two musicals in collaboration with composer Alan Menken: The Apprenticeship of Duddy Kravitz, based on the novel by Moredecai Richler (original cast album on Ghostlight Records) and Weird Romance (co-librettist: Alan Brennert; original cast album digital-on-demand from Columbia Masterworks). He made his professional debut writing the acclaimed colloquial English-language adaptation of La Bohème for the Public Theatre; and as composer-lyricist wrote scores and orchestrations for Theatreworks/USA’s young audience versions of The Phantom of the Opera and Les Misérables (librettist-director for both: Rob Barron). His published books are The Musical Theatre Writer’s Survival Guide (Heinemann), the acting edition of Weird Romance (Samuel French)—and, pulpsmith proud, Passing Fancy, an original novel based on the TV series Alien Nation (PocketBooks). He recently completed a draft of his first straight play, Spirit Run (story by him and Jerry James).

David is an ex officio steering committee and faculty member of the BMI-Lehman Engel Musical Theatre Workshop, where he taught for over 25 years, and has also taught at HB Studio, Workshop Studio Theater in New York; and Goldsmith’s College and BML in London.

His book is The Novelizers: An Affectionate History of Media Adaptations and Originals, Their Astonishing Authors—and the Art of the Craft

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 Stephen Cole is an award-winning musical theatre writer whose shows have been produced from New York City to London to the Middle East and Australia. His off-Broadway musical with Matthew Ward, After The Fair, was nominated for the Outer Critic’s Circle Award for Best Musical and was subsequently produced in London to great acclaim. The Night Of The Hunter won the prestigious Edward Kleban Award and was produced in New York City, Dallas, and San Francisco, where it was nominated for several Bay Area Theatre Awards. The award-winning 1998 concept CD features Ron Raines, Sally Mayes, and Dorothy Loudon. Saturday Night At Grossinger’s has had successful runs in Texas (starring Gavin MacLeod), Los Angeles, and Florida. Broadway legend Chita Rivera toured in Casper, and Hal Linden and Dee Hoty starred in the world premiere of his musical adaptation of Dodsworth. In 2005, Stephen was commissioned to write Aspire, the first American musical to premiere in the Middle East. This experience resulted in another musical about the creation of that show entitled The Road To Qatar!, produced to rave reviews and awards Off-Broadway, in London, and at the Edinburgh Festival, garnering a Best Musical nomination. Among his other produced shows are Rock Odyssey, which played to hundreds of thousands of kids for ten seasons of productions at the Adrienne Arscht Center in Miami, and Merman’s Apprentice, presented in concert at Birdland in New York City, followed by an all-star cast album on Jay Records, and an acclaimed premiere production in Sonoma, CA in 2019. Stephen’s latest critically acclaimed musical is Goin’ Hollywood. Stephen’s published books include That Book About That Girl and I Could Have Sung All Night, the Marni Nixon story, currently in development as a feature film from Amazon. Stephen has also written several published stories and his real-life friendships with Ethel Merman and Mary Martin resulted in this, his first novel. Visit www.stephencolewriter.org.