Celebrity
The Glorious Corner
ONE DOWN FOR HBO’S THE UNDOING — I watched Sunday’s penultimate episode of their The Undoing, and even though Hugh Grant’s character Jonathan (now on trial for murder) never revealed his thoughts on the murder (which he had promised to do in the previous episode) it was a good episode. Per usual, another tantalizing clue was revealed in the final moments of the show, but with all the cloak-and-dagger machinations, the whole story’s just one big whodunit. Frustratingly watchable for sure. HBO’s guilty pleasure until Succession comes back if you ask me.
Reading some viewer’s posts, it seems that now, anybody in the cast could have done it. We’ll see next Sunday.
Donald Sutherland, so brilliant in last week’s episode, was just seen once or twice and wasn’t even given any dialogue in this EP. Kind of odd if you ask me considering his bravura performance only a week ago.
GRAMMY BLUES — The Weekend was totally snubbed by the Grammys. No nominations at all for his album, After Hours, or any of the hits on it. And, nada for Bob Dylan too. His Rough and Rowdy Ways album was IMO, a classic.
Every prognosticator of the Grammys predicted The Weekend would win Best Album and be nominated in many categories. He didn’t even get R&B nominations. After Hours omission is a scandal. The album sold 1.8 million copies including streaming, nearly 500,000 CDS and downloads.
Also, Alicia Keyes was omitted too.
The Weekend performed at last week’s terrible AMA music awards show, so, that definitely didn’t help.
Lady Gaga’s Chromatica album picked up a few nods but not Album of the Year.
Coldplay, whose 2020 album sold poorly and quickly disappeared from the charts, got an Album of the Year nod.
A pivotal winner in the nominations is Brittany Howard, from the terrific group Alabama Shakes. Her solo debut album, a sales flop, had several nods and deservedly so.
Adds colleague Roger Friedman of Showbiz 411, “The rock category is a total embarrassment. Rock has been so diminished that the nominees barely matter. Many of the “lesser” categories are from people never heard of. It’s quite amazing. If the Recording Academy was going for diversity they also delved into the unknown.”
The Grammys are now a joke. Once, they were a true honor – now, not so much.
And, by the way: whatever became of Deborah Dugan?
IS IT ANY WONDER? — Veteran acts such as Fleetwood Mac, Queen, Creedence Clearwater Revival and Bob Marley are outselling most of the pop acts currently in the USA.
Queen’s Greatest Hits Vol 1 with 24,755 sales, Fleetwood Mac Rumours with 17,319 sales, Creedence Clearwater Revival’s Chronicle: The 20 Greatest Hits with 15,030 sales and Bob Marley’s Legend with 16,370 sales sold more copies than Top 10 pop acts Future & Lil Uzi Vert’s 4,254, Ariana Grande’s 10,896, Harry Styles’ 10,557, Juice WRLD’s 1,560 and Pop Smoke’s 410.
The two biggest physical releases in the USA last week were AC/DC’s Power Up with 114,445 physical sales and Chris Stapleton’s Starting Over with 75,076 physical sales.
Next to no-one is actually buying albums by Future & Lil Uzi Vert, Pop Smoke, Juice WRLD, The Kid Laroi, Lil Baby, King Von and 2 Chainz. They are listening but not buying meaning there is no fan base development.
Christmas albums are also selling more than pop albums right now. Dolly Parton’s A Holly Dolly Christmas moved 18,505 copies, Michael Buble’s Christmas sold 6,083 copies last week in the USA, Pentatonix We Need A Little Christmas sold 17,110 copies and Mariah Carey’s Merry Christmas sold 5,346 copies. The number don’t lie. Physical still sells in the USA but for heritage acts mainly. Hip Hop, R&B, and most Pop releases sales are “phoned in”, quite literally via streaming.
Don Henley said it best eons ago … most of the people making music aren’t musicians. And, he’s right; they’re one-hit wonders …. gone in a flash.
Veteran PR-man David Salidor explains: “In years past, record companies had departments devoted to artist development. That’s why artists like Fleetwood Mac, Creedence, The Doobie Brothers, and Bob Marley are still selling. I think these days, it’s a trickier dynamic between artists and record companies; the companies are a tad too eager for that one-hit wonder and honestly, the companies are not adequately equipped to really develop an artist. Times have changed.”
SHORT TAKES — Monday was the 15th anniversary of the film Rent. Still to me, one of the greatest events ever to hit Broadway. Just extraordinary … As predicted, Jeopardy-winner Ken Jennings will be the first-guest host for the late Alex Trebek. Congrats …
Three wealthy patrons of the infamous Astor Place Haircutters, have stepped forward to fund their moving forward. They will not close. I don’t know who the patrons are, but this is terrific news. Bravo! … Much chatter about the City Winery’s new policy: A $50.00 COVID test prior to entering the establishment. Apparently, the test will take a half-hour for the results. Interesting tactic … but, is it prudent long haul? I’m quite certain that liquor and food prices will skyrocket as well … and, I’m not against that, but is it realistic? And, how will the performers be protected?
Still many questions … Can it really be 29 year’s since Freddie Mercury passed? His work with Queen is more popular than ever … RIP David Dinkins.
NAMES IN THE NEWS —Vinny Rich; Evan Levy; Tom& Lisa Cuddy; Melissa Davis; Anthony Noto; Donnie Kehr; Keith Girard;Adam Pascal; Lee Jeske; JB Carmicle; Andrew Krystal; Jonathan Larson; Deb Caponetta; and, CHIP!
Celebrity
Dexter Has Never Looked So Good: PaleyFest NY Celebrates 20 Years of Television’s Favorite Serial Killer
Jack Alcott, Kadia Saraf, Marcos Siega, Clyde Phillips, Michael C. Hall, James Remar, Uma Thurman, Bokeem Woodbine, and Scott Reynolds attend Dexter: Resurrection & 20th Anniversary of Dexter at PaleyFest NY at The Paley Museum in New York City on October 9.
Dexter Cast and EPs_Panel
Michael C. Hall, Uma Thurman and the cast of Dexter: Resurrection bring a little delicious darkness to The Paley Center for Media.
Michael C. Hall
Twenty years, countless victims and more lives than the proverbial cat. Television’s most compelling serial killer is still making audiences root for the man they should probably be running from. On Friday evening, The Paley Center for Media embraced the darker side of television with a sold-out PaleyFest NY celebration marking the 20th anniversary of Dexter and offering a tantalizing look at the second season of Dexter: Resurrection.
Uma Thurman
The evening, presented with support from Citi, brought a decidedly glamorous collection of television’s morally compromised to the red carpet. Michael C. Hall, the man who made Dexter Morgan an unlikely cultural icon, was joined by Uma Thurman, James Remar, Jack Alcott, Bokeem Woodbine and Kadia Saraf, along with showrunner Clyde Phillips and executive producers Scott Reynolds and Marcos Siega.
EPs_Marcos Siega_Michael C. Hall_Clyde Phillips_Scott Reynolds
Inside the Bennack Theater, fans were treated to an advance screening of the Dexter: Resurrection Season 2 premiere, followed by a conversation moderated by Deadline Associate TV Editor Rosy Cordero. The celebration was also part of a milestone year for PaleyFest NY, which introduced the inaugural PaleyFest Award, recognizing excellence in media and entertainment among its participating programs.
Bokeem Woodbine
For Hall, the enduring fascination with Dexter remains something of a surprise. “Twenty years later it’s mind blowing,” he admitted. “I had no anticipation it would be as broadly appealing.”
Jack Alcott
Yet the appeal is hardly mysterious. Dexter accomplished something few television series dare attempt: it invited audiences into the mind of a murderer and made them care about his survival. Beneath the blood, the carefully controlled rituals and the infamous code lies a character perpetually wrestling with identity, inheritance and the uncomfortable distance between what people are and what they pretend to be.
James Remar
Remar, who plays Dexter’s father Harry Morgan, offered a succinct explanation for the show’s longevity. “It’s complex but it’s believable,” he observed. “There’s a reason why we’re sitting here so fully engaged with these characters.”
Kadia Saraf
That complexity is no accident. Phillips acknowledged that the writers deliberately create seemingly impossible situations, explaining, “We paint ourselves into a corner on purpose.” The objective, naturally, is to keep viewers perpetually off balance. Woodbine credited the writing itself, noting that “what appeals to people is the level of intelligence of the script.”
While murder may provide the spectacle, family remains the franchise’s most intriguing psychological battlefield. Reynolds suggested that each season explores something fundamentally relatable, and Phillips revealed that the new chapter places particular emphasis on the father-son relationship between Dexter and Harrison.
Alcott, who portrays Harrison, sees a young man grappling with an inheritance considerably more disturbing than an awkward family resemblance. Harrison has “got a propensity for violence,” he explained. “He’s nowhere near his father, but there’s something there.”
It is a fascinating premise. Can a father’s darkness become a son’s destiny, or is recognizing that darkness the first opportunity to escape it? For a franchise built around a killer’s elaborate moral code, the question of what passes from one generation to the next feels especially appropriate.
The new season also promises complications for the characters surrounding Dexter. Woodbine hinted at unexplored dimensions of Captain Mixon, acknowledging a darkness within the character that he has yet to fully understand. Saraf, who portrays Detective Claudette Wallace, promised considerably heightened stakes and a season that would be both compelling and unexpectedly affecting.
Thurman, meanwhile, brings her formidable screen presence to Charley Brown, a woman whose conscience may prove as troublesome as her decisions. “Charley is burned by having a conscience and she’s made compromises that she thought she could square away,” she explained, describing the character as “exciting” and “morally ambiguous.”
Morally ambiguous, of course, might as well be the official dress code of the Dexter universe.
Hall offered an equally intriguing glimpse into his character’s evolution. When audiences first encounter Dexter in Resurrection, he explained, the character has recommitted himself to the code that has governed his actions for so long. Unfortunately, “that doesn’t prove to be enough.”
For a man who has spent two decades attempting to impose rules upon his darkest impulses, that admission suggests the most dangerous confrontation may not be with another killer, but with the limitations of his own carefully constructed morality.
There is also a new leading character in the franchise: New York City itself. Siega explained that the creative team wanted to embrace the city’s visual character, declaring there was no “better place to shoot.” With its shadowy streets, restless energy and endless possibilities for disappearing into a crowd, New York provides a particularly seductive playground for a character who has always depended upon remaining unnoticed.
What makes Dexter such an enduring television phenomenon is not simply its willingness to explore violence, but its understanding of the contradictions that make human beings fascinating. Its characters are capable of affection and brutality, loyalty and betrayal, conscience and calculated cruelty. The audience is continually asked to reconsider whom it trusts, whom it condemns and why.
Twenty years after Dexter Morgan first appeared on television, those questions remain disturbingly entertaining. The blood may be fictional, but the moral dilemmas have never been entirely comfortable.
Cordero concluded the evening by congratulating the team on its latest incarnation, apologizing in advance for the inevitable pun: “I’m sorry for the pun but, you’ve killed it.”
For once, nobody needed to investigate the confession.
And judging by the enthusiasm inside the Bennack Theater, Dexter Morgan’s next resurrection may be his most deliciously complicated yet.
G.H. Harding
THE TRIAL OF ALEC BALDWIN — The wattage on Alec Baldwin has definitely simmered down. I saw him a few weeks back in the Hamptons, but other than that, he’s been under the radar. The film Rust, which interrupted everything is out; was minimally shown in May in about 115 theaters and was released on various on-demands. But the powers that be have kept it basically under wraps. Ironically, the few reviews I read noted how good it looked, rather than dwell on the tragic incidents that occurred.
Now, from documentarian-Rory Kennedy comes the film The Trial of Alec Baldwin. Both stories which I’ve posted below say the very first thing you see is a statement saying that Baldwin had no input into the making of the film. I haven’t seen it, but I think everything I need to know has always been disclosed.
Baldwin made himself a target and whatever did really happen; he was in the bulls-eye for certain. I’m sure I’ve relayed this story before, but I had an unfortunate incident with him, but several months later had a conversation with him, at his El Dorado Films, and he couldn’t have been more receptive. Acting? Who knows, but I was suitably charmed.
Don’t forgot, Baldwin is one hell of an actor. Check out his astonishing scene in Glengarry GlenRoss:
What happened was awful, but awful things happen every day, and the truth remains perhaps we’ll never know the truth.
TCM LIVES — Turns out that so far there’s one golden-nugget from the Skydance takeover and that’s is the fact that the TCM channel will remain. Spielberg and Scorsese jumped onboard the channel a few years back and they’ll stay very much involved along with Michael De Luca and Pam Abdy.
I don’t know about you, but I don’t watch everything on TCM, but more often than not they’ll have a gem on.
Clearly Ellison didn’t want tor rattle-the-cages too soon. I’m sure that will come, but just not now. Take a read from Deadline on the story: https://deadline.com/2026/10/turner-classic-movies-skydance-film-group-1237150281/
actor Michael Douglas promo image from his Netflix show The Komisky Method
SHORT TAKES — The Michael Douglas book PR-engine moves ever forward. I just checked Facebook and there were 3 postings from Douglas and his pub-company Grand Central Publishing. As I said last column, I think you can save $46.00 buying the book and just read and listen to everything that’s out. He did Diane Sawyer for ABC; The View; Morning Joe; Jimmy Kimmel; the 92 Street Y; CBS Sunday Morning; LA Times; andDeadline (where ghost-writer Mike Fleming, Jr. in an editor) … what else is left? Actually, as I was leaving my apartment I turned on the Today Show to see Catherine Zeta-Jones plugging her latest TV-movie (Killing Jackie)and she plainly said, she had no plans to read the book. Smart gal …
David Zaslav
David Zaslav, aka Zaz The Butcher, will receives about $600 million, for the Warner Bros sale.
Mandy Patinkin
Amazing … (Via Deadline) Mandy Patinkin really digs Digger. In an effusive video message, posted soon after watching Digger in a theater, the Homeland star implored his followers to ignore the haters and watch Tom Cruise’s ecological disaster movie. Patinkin described Alejandro G. Iñárritu-directed Digger as an “instant classic” and said it was “one of the greatest pieces of film I have ever seen in my entire life.” “This is an incredible piece of work. It puts the heart and soul back into the cinema. Everything we all love about cinema, this is it. Please, please, please, run! Don’t walk, run, and see this film,” he continued. You just know, the tide will turn .. Just in: Pershing Square bar at Grand Central in NYC will close after 3 decades in business. Sad as it was a great spot to wait for Metro North! … Who hasn’t spent time in a good, old-fashioned diner? 200 have closed in the metropolitan area so far. Check out this article on them from the New York Post: https://nypost.com/2026/10/08/lifestyle/nycs-evolving-love-affair-with-diners-enters-a-new-era/?utm_source=facebook&utm_medium=social&utm_campaign=nypost_trending&fbclid=IwY2xjawU15FlleHRuA2FlbQIxMABwZG9mBWJyaWQRMURwUUx2UHRmME9oT05xeTBzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEeDhyVr1Rp_BbBfebFdI2ovl87xm3BGk7uwgnerZv-kSYKIYz3gK6c5kDqN90_aem_az9ap3hQOvpiIueQ9aC-Vg
NAMES IN THE NEWS — Shane Salerno; Andrew Sandoval; Piper Smite; Tony King; John Hughes; Tony Seidel; Bruce Haring; Jane Blunkell; George Harrison; Mal Evans; Dan Zelinski; Steve Walter; Eppy; Tom & Lisa Cuddy; Peter Bart; Judd Bernard; Lush Ice; Chuck Taylor; Elizabeth Neff; and BELLA!
Images on this page have been licensed under the Creative Commons Attribution-Share Alike 4.0 International license.
G.H. Harding
EMMYS TO PRIME — As predicted, the 77-year-old Emmys have been jettisoned to Prime Video. That said, Prime Video had very little impact on the most recent show.
The recent show was good, but suffered from some of the worst writing I’d ever seen. Stephen Colbert boasting that his writers wrote for the show may have been a huge error in retrospect.
Don’t expect a host as marquee-level as Mariska Hargitay next year.
Check out the full story from Deadline:
https://deadline.com/2026/10/amazon-emmys-six-year-global-deal-1237147189/
Green Lantern
LANTERNS FINALE — HBO’s Lanterns finale aired Sunday and after 7 somewhat dismal and heavily re-written episodes from the original comic-lore, ended with a bang. If you’ve been following it as I have, I never, ever would have suspected that Kerry Kane (yes, related to Batgirl Kate Kane) killed Hal Jordan … or, did she?
Damon Lindelof, from Lost and The Leftovers wrote the script and as he has with everything he’s touched, put his rather remarkable stamp on it. Heavily re-written from what the original DC comic was, it enraged hard-core comic fans and delighted others with many pundits comparing the new narrative to what True Detective was like.
Kyle Chandler was great and it’d be awful to see him leave. That said, I don’t think there’s a chance in hell that HBO renews this show … but, anything can happen.
SHORT TAKES —- (via EW Weekly) Miley Cyrus’ new album has suffered a shocking fall from the top spot of the American charts. After debuting at No. 1 on the Billboard 200 last week, the 33-year-old’s latest LP, Bass Persuades, tumbled 156 spots to land at No. 157 on the current chart. The fall is one of the biggest for a No. 1-debuting album in history, surpassed by that of one other act: Bon Jovi, whose album This House is Not For Sale plummeted from No. 1 to No. 169 in its second week of release …
Michael Douglas
I love the so-called surprises in Michael Douglas’ new memoir One Helluva Ride. But there’s been so many reveals, I’m not sure you even have to read the book. Believe me, I know full well what a successful book tour entails, but I can’t even imagine what’s he’s held back. For one of the best takes on the book, check this out from the Hollywood Reporter: https://www.hollywoodreporter.com/movies/movie-news/michael-douglas-book-revelations-1236723340/?link_source=ta_first_comment&taid=6ac57d7ea871e000015a57ac&utm_campaign=trueanthem&utm_medium=social&utm_source=facebook&fbclid=IwY2xjawUzD89leHRuA2FlbQIxMABwZG9mBWJyaWQRMVFmemc0d0JpZzcyT0dUb2lzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEe7fEet4cwDHjNBlS_APTaVxthMJu3K7ZAeIhpZ4R3iZdIPsnPnR08QOPKBt0_aem_cQKCov058dhIZU8gVtsnvg PR-pasha David Salidor had several Douglas-tales to tell when he worked for Douglas’ Third Stone Records, with Doug Morris, Ahmet Ertegun, and Douglas’s own PR-rep Allen Burry and he says they were all fun … From one of the best writers around,
Roy Trakin on Digger: Alejandro Iñarritu’s “Digger” is neither misunderstood masterpiece nor unmitigated disaster, but a white elephant of an art film that has echoes of “Dr. Strangelove” and “Synodoche, New York” and recalls George S. Kaufman’s famed quote about “satire closing on Saturday night.” Definitely worth seeing on a big screen for Tom Cruise’s over-the-top performance and monologue about our need for oil. Its dystopian corporate theme adds an extra layer of irony given the backdrop of Skydance’s birth, making it one of the final Warner Bros. movies before the merger with Paramount. I wasn’t bored, and at $7, it was a bargain … Guess Who Don’t Sue: What artist whose latest record is pressed on red vinyl is lobbying for a new artist-Grammy nomination? It’s funny when most Grammy-voters haven’t even been serviced nor heard the record as the artist’s team most likely didn’t even know that had to happen first … No big surprise Aerosmith is reuniting for a pair of shows at LA’s Hollywood Bowl. Tyler was great as an American Idol judge (seasons 10 and 11 with JLo and Randy Jackson), but I’m sure got very restless with the band somewhat retired … RIP Eva Marie Saint … Happy Bday Heather Moore.
NAMES IN THE NEWS — Al Roker; Sean Hayes; Debbie Gibson; Tom & Lisa Cuddy; Jane Blunkell; Jackie Romeo; David Adelson; Donald Johnson; Paul Morphos; Jim Yukich; Steve Leeds; Deborah Silver; Brad Balfour; Todd Sharp’ Daryl Hall; Ken Sharp; John Hughes; and CHIP!
Images on this page have been licensed under the Creative Commons Attribution-Share Alike 4.0 International license.
G.H. Harding
I COME TO SKYDANCE — Much chatter about David Ellison this week, after buying Paramount and Warner Brothers, and formerly changing the corporate name to Skydance; which was originally just his production company. For the 103-year old Warner’s and the 114-year old Paramount, it was quite a shock. The Warner’s logo remains on the full menu card, along with Paramount (albeit in a smaller format), but still, quite a shock.
SHORT TAKES — The opening of Tom Cruise’s Digger was his lowest opening in 19 years. Sure, it’s di rigueur to dislike it now, but I still want to see it. I mean, it can’t be that bad, can it? Deadline’s Pete Hammond said the film: “is unlike any film coming from a major Hollywood studio in years” and that Inarritu “takes things much further and thus could be one of the more divisive movies for the masses in a very long time.” Early reporting says the movie could lose around 150 million …
Pete Townshend
Pete Townshend: Behind Blue Eyes held its world premiere at the Telluride Film Festival. It’s directed by Frank Marshall (The Bee Gees: How Can You Mend a Broken Heart) and Nigel Sinclair (producer, Billy Preston: That’s the Way God Planned It). The Preston doc was superb, but almost no one saw it and currently the Townshend doc doesn’t have a distributor yet, but should. Townshend remains one of the pillars of rock ‘n roll in my book …
Lizzo
Excellent Willie Geist interview with Lizzo yesterday on Sunday Today, on her new kids book. Towards the end of the interview, Geist delved into the scandals that enveloped her and the fact that they were summarily dismissed. Her career was severely derailed and the powers that be are trying to resurrect it with minimum success thus far. Good dialogue for sure …
We saw a great movie called Tuner. Yes, about a piano tuner, with Dustin Hoffman and a great performance from Leo Woodall (White Lotus), Havana Rose Liu and Alisen Richmond-Peck. It starts out great and ends a little roughly, but rolls on with tremendous heart. Epic for sure. Sharply directed and written by Daniel Roher, it’s quite a tale. There’s even a cameo from our old friend Herbie Hancock! A must-see for certain … Rolling Stone’s Andy Greene at Micky Dolenz’s weekend show at AC’s Borgata … Happy BDay Lindsey Buckingham and Brent Blanchard.
G.H. Harding
KIMMEL IN BROOKLYN — After a wildly, odd interview with Howard Stern this week, where he put down both ABC and Disney, he looked terribly fatigued.
I’ve been a fierce advocate for Stern for years, but I did detect just a touch of wanting to take-a-step-back.
He conquered radio and now I expect him to do the same with HBO/MAX.
Interesting for sure.
Ray Caviano
CAVIANO PASSES — You might not recognize the name Ray Caviano, but he passed this week. Ray had the distinction of being one of the youngest-ever record company presidents in the music business and really unparalleled success back in the 80s. He was the one constant voice behind the disco-explosion back then. The Village People; Br. Buzzard’s Original Savannah Band; Voyage; and Peter Brown … all his.
Ray negotiated this success into a tremendous deal with Warner Brothers commanding a staggering $6 million dollars a year and his own label and staff. His PR-team at the time, which included veteran-PR-meister Howard Bloom, termed him the six-million-dollar man, and it was a great rags-to-riches story. From Madeline Kahn, to George Benson, the B52s, Grace Jones, The Doobie Brothers, Prince to Chaka Kahn, Rod Stewart and Ashford and Simpson, Caviano just scored a staggering degree of success.
From what I remember, all the other-labels modeled what they did after Ray and his christened label, RFC Records; which introduced Venus Dodson; Gino Soccio; The Mighty Pope; and Change, which featured Luther Vandross. He hit the top, no question, but then personal problems got in the way and he was essentially blacklisted.
I never met him, but constantly hear some of his successes and they were indeed cataclysmic as his music lives today. RIP.
SHORT TAKES — Edna Gudnersen, from USA Today fame, wrote a terrific article for AARP on who should be in the Rock & Roll Hall of Fame. No big surprises, but once again she’s hit the nail right on the head. One interesting post simply said: the voters can change it. Take a read: https://www.aarp.org/entertainment/music/rock-and-roll-hall-of-fame-snubs/?fbclid=IwY2xjawUrIH1leHRuA2FlbQIxMABwZG9mBWJyaWQRMU9mVTJENHlUU21yQm8wbHdzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEeCMUfSZdob2E0b7OqMN0tqZbMXfnFz1ib0PrxztT-BeCdBi54rZKmIAL-s50_aem_-r3LegoVNsCszZW3QsX1hQ …
Slow Horses
Wednesday night meant a new Slow Horses and Ted Lasso on Apple+. Surprise. Both shows have been staggeringly lackluster this season so far. U.K.’s The Guardian even termed Horses whiny! The fellow who created Horses, Will Smith, left and it’s become still good, but terribly ordinary and a lot less of Gary Oldman. Sad …
This week the long-expected merger between Paramount and Warner Brothers took place and guess who was installed as boss? The CEO of Mattel. People in Hollywood are sending are their resumes right now …
Ringo Starr
Still more buzz on that Far Out/Todd Rundgren interview. In a further missive, after dissing Taylor Swift, Rundgren now claims that Ringo best-survived The Beatles. Fascinating. Take a read: https://faroutmagazine.co.uk/todd-rundgren-ringo-starr-only-one-survived-beatles/?fbclid=IwY2xjawUqT4hleHRuA2FlbQIxMABwZG9mBWJyaWQRMWlGYWlyRW14Z24wNHIwUEJzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEeH9wqOi0plYRGr801XxzuKtasXnT8D_3b9Dfn_FPCaUOrH88qlWOw_CkfdCA_aem_Hap2wxG63VvIwa5wC0KzGw … And, Chuck Darrow had a great piece on Micky Dolenz for his weekend show at The Borgata in AC. Take a read: https://shorelocalnews.com/when-being-an-architect-was-micky-dolenzs-career-blueprint/
NAMES IN THE NEWS — Anthony Pomes; Fred Goodman; Allen Klein; Paul Bartels; JIm Yukich; Tracy Lords; Bryce Grakal; Ken Sharp; Chuck Darrow; Melissa Davis; Magda Katz; Cori Gardner; Donnie Kehr; Bill McCuddy; Deb Caponetta; Jeff Vogel; Steve Leeds; Ed Steinberg; John Sykes; Tom & Lisa Cuddy; and SADIE!
Images on this page have been licensed under the Creative Commons Attribution-Share Alike 4.0 International license.
My View: HER HEART BELONGS TO BROADWAY ANDREA McARDLE HOLDS COURT At The Laurie Beechman Theatre in Times Square
Dexter Has Never Looked So Good: PaleyFest NY Celebrates 20 Years of Television’s Favorite Serial Killer
The Naked Cowboy’s $150,000 Question: Who Taxes the Art of Busking, and Who Decides When It’s Illegal?
PopUp Bagels Takes a Bite Out of Times Square With Katz’s, Cheesecake and a Little New York Chutzpah
Prince Mario-Max Schaumburg-Lippe & Princess Antonia zu Schaumburg-Lippe Royal Times Square Speech for Durga Utsav!
Store Brands Used to Be the Cheap Alternative. Now They’re Taking Record Market Share.
Dolly Parton’s Broadway Dream Lives On: DOLLY: A True Original Musical Announces Full Cast and a Birthday Opening
The Glorious Corner
My View: HER HEART BELONGS TO BROADWAY ANDREA McARDLE HOLDS COURT At The Laurie Beechman Theatre in Times Square
Dexter Has Never Looked So Good: PaleyFest NY Celebrates 20 Years of Television’s Favorite Serial Killer
The Naked Cowboy’s $150,000 Question: Who Taxes the Art of Busking, and Who Decides When It’s Illegal?
PopUp Bagels Takes a Bite Out of Times Square With Katz’s, Cheesecake and a Little New York Chutzpah
Prince Mario-Max Schaumburg-Lippe & Princess Antonia zu Schaumburg-Lippe Royal Times Square Speech for Durga Utsav!
Store Brands Used to Be the Cheap Alternative. Now They’re Taking Record Market Share.
Dolly Parton’s Broadway Dream Lives On: DOLLY: A True Original Musical Announces Full Cast and a Birthday Opening
The Glorious Corner
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