MISTER MUSTO —If you lived in New York City any time between, say, the mid-1980’s to 2017, chances are you read the Village Voice.
And if you read the Village Voice, you almost certainly read Michael Musto, who wrote the gossip and entertainment column La Dolce Musto for the Voice for more than two decades. In it you would find the all the bold names, dipped in glitter and lightly spritzed with acid. It was funny; it was sharp; it was self-deprecating and it was perfectly bitchy.
Musto remains a frequent columnist, TV commentator on pop culture, an occasional B-movie actor and the author of four books, including Downtown and Manhattan on the Rocks. And this week Musto—for whom the qualifier “legendary” has been tossed around liberally and rightfully—is the guest on Brooklyn Magazine: The Podcast.
“The 70’s was a pretty extraordinary time,” he says on the podcast. “When I graduated Columbia, I entered into the world of disco and eventually Studio 54,which was the greatest club of all time. It really was everything it was cracked up to be.”
Perhaps surprisingly, though, he says the current cultural moment is as exciting as any he’s lived through so far—which is saying something as a nightlife columnist who has had no nightlife to columnize about recently. We’ve all been in this together, he says, just as we will be when the city emerges blinking from the darkness of the coronavirus year.
“It’s going to be incredible. It’s going to be beyond the Roaring 20’s,” he says. “The nightlife is going to be better than ever. It might even surpass the 70’s.”
Michael would be a fixture at almost every event. He’d arrive on his bicycle and … observe. To tell you the truth, he was a lot like Warhol – not that I spent all that much time with Mr. Warhol, but Andy observed too.
A buyout must have occurred at the Voice. And it’s amazing that he’s surfaced only occasionally since. Truth be told, Fran Leibowitz may have gotten that show with Scorsese, but Musto’s musings were, to me at least, always much more interesting.
May I suggest Musto as a replacement for Cindy Adams when retirement for the always cheery Adams rings?
Check out Brooklyn Magazine’s pod cast here: https://podcasts.apple.com/us/podcast/brooklyn-magazine-the-podcast/id1541566903
A WHO SELL OUT — Nugs.net, the leading music platform for live concert streams and recordings, has partnered with The Who, UMe and Mercury Studios, for the livestream premiere of their “Classic Albums” documentary The Who Sell Out.
The Who is one of the most influential rock bands of the 20th century with over 100 million records sold worldwide, and the documentary explores its groundbreaking record in detail, including a deep dive into the original multi-track recordings, as well as brand-new, exclusive interviews with Pete Townshend, Roger Daltrey, and album producers.
Fans can tune in to the free livestream on Thursday, April 22 at 6 p.m. PT / 9 p.m. ET at nugs.net/thewho. The episode will be available to stream on demand via Nugs.net, the Nugs.net YouTube page and The Who YouTube page through Sunday, April 25 at 9 p.m. PT / 12 a.m. ET. Streaming is available worldwide with the exception of the U.K. and Ireland.
Initially released in December 1967 (on Decca Records) and described latterly by Rolling Stone as “The Who’s finest album,” The Who Sell Out reflected a remarkable year in popular culture. As well as being forever immortalized as the moment when the counterculture and the “Love Generation” became a global phenomenon and “pop” began metamorphosing into “rock.”
The album was originally planned by Pete Townshend and the band’s managers Kit Lambert and Chris Stamp as a loose concept album including jingles and commercials linking the songs stylized as a pirate radio broadcast. This concept was born out of necessity as their label and management wanted a new album and Townshend felt that he didn’t have enough songs.
The Who Sell Out is a bold depiction of the period in which it was made, the tail end of the “swinging-60’s” meets pop-art mixed with psychedelia and straight-ahead pop. It’s a glorious blend of classic powerful Who instrumentation, melodic harmonies, satirical lyrical imagery crystallized for what was only the group’s third album. The album’s ambition and scope is unrivaled by The Who, or any other act from that period. Within the bold concept, were a batch of fabulous and diverse songs. “I Can See for Miles”, a Top Ten hit at the time, is a Who classic. “Rael”, a Townshend “mini-opera” with musical motifs that reappeared in Tommy, and the psychedelic blast of “Armenia City In The Sky” and “Relax” are among the very best material anyone wrote during the 1960’s.
In keeping with the spirit of the times, the documentary is a visual representation of the album’s concept as a pirate radio broadcast, coupled with extremely rare archival footage, new interviews with Pete Townshend, Roger Daltrey and a host of others, including John Entwistle and Keith Moon in archive. Additional narrative will be provided by filmed interviews with those who were there at the time, attesting to the importance of pirate radio and how pop music and advertising were beginning to feed off each other during the period the album was recorded.
The episode will also cover why 1967 was a pivotal year in popular culture by examining the era’s art, music and social influences, and how The Who Sell Out encapsulated that time but still sounds as fresh and vital as it did upon its release over 50 years ago.
The Who Sell Out documentary was produced by Mercury Studios and directed by Bob Smeaton, the double Grammy award-winning director with music documentary credits that include The Betales, Elton John, The Who, Pink Floyd, The Doors, Queen, Nirvana, Mark Knopfler and the Spice Girls.
To coincide with the “Classic Albums” episode, The Who will release a new super deluxe edition of The Who Sell Out on April 23 via UMe/Polydor, featuring 112 tracks spanning five CDs and two seven-inches, 47 of which are unreleased, including 14 unheard Pete Townshend demos, an 80-page, hard-back, full-color book, including rare period photos, memorabilia (nine posters and inserts), track-by-track annotation and new sleeve notes by Pete Townshend with comments from the likes of Pete Drummond (Radio London DJ), Richard Evans (designer) and Roy Flynn (the Speakeasy Club manager).
The super deluxe package also includes nine posters and inserts, including replicas of 20″ x 30″ original Adrian George album poster, a gig poster from The City Hall, Newcastle, a Saville Theatre show eight-page program, a business card for the Bag o’ Nails club, a Who fan club photo of group, a flyer for Bath Pavilionconcerts including The Who, a crack-back bumper sticker for Wonderful Radio London, Keith Moon’s Speakeasy Club membership card and a WHO fan club newsletter.
This release was of particular interest to PR-pasha David Salidor whose father worked for Decca and his first show, was The Who. Adds David, “My first concert was The Who at the Lido Beach club in Long Beach, Long Island (July 8, 1967). My father had to attend and I tagged along. The band played around a swimming pool, but they were absolutely amazing! Keith Moon with day-glo drumsticks, I had never seen anything like it before. That day, my future was cast.”
David adds that two years back, he encountered Townshend at Donnie Kehr’s Rockers On Broadway, and he says that when he mentioned the incident to Townshend, he denied it had ever happened.
“I was there. I know what I saw,” Salidor added. “It was a long while ago for sure, but it was their third album release and they were playing wherever they could. If he did actually forget, he’s forgetting something I’ll always remember.”
SHORT TAKES — Romeo Delight booked for Daryl’s House on May 15 … and, Steve Walter’s Cutting Room gets back into action too; look for Romeo Delight there too …
We’ve neglected to mention the passing of multi-instrumentalist Joe Lala at 66. Lala helped found the Blues Image (“Ride Captain Ride” in 1970), was a star with Stephen Stills’ Manassas, whose debut album remains a classic and, played with the likes of The Bee Gees, Eric Clapton, Dolly Parton, the Allman Brothers and Herbie Hancock, and, of late, was playing with Firefall. Just exemplary work. RIP Joe … Interesting article on how the covid-stress has affected everyone. It also reckons that many people who look in the mirror don’t even recognize themselves. Crazy, right? Check it out here: https://www.studyfinds.org/body-image-covid-stress/ … Been watching Dr. Oz as the guest host of Jeopardy. At first, I thought he was a little too rigid, but have begun to like him. So far, his ratings are better than Katie Couric, but not as high as Ken Jennings. Sad to report that the show’s overall ratings have gone down.
Next up: Savannah Guthrie and Aaron Rodgers …
Celebrity-scribe Mark Bego sent us a photo (by Jeff Smith) of him with the late-Vic Kastel at Bego’s November 2019 Cutting Room soiree, celebrating his Supreme Glamour tome written with Mary Wilson. I was present and can attest it was a grand event. Bittersweet to think those days may be gone forever … Get ready for J.D. Belcher’s The Inescapable Consequence released on April 23 .. and, how about Miley Cyrus’ performance over the weekend for the final four NCAA games. Amazing for sure. And, I love that she sang “American Woman.” A classic for sure. Check it out here:
NAMES IN THE NEWS — Jack Cool; Tom & Lisa Cuddy; Lush Ice; Andy Rosen; Bruce Goldberg; Evan Levy; Ross Zappin; Joel Denver; Radcliffe Joe; Joe Levy; Joe Lynch; Richard Branciforte; Kent Kotal; Kurt Loder; Steve Walter; Toby Mamis; and, ZIGGY!
The Glorious Corner
CHRIS CARTER — (Via Maz Digital) Chris Carter was 7 years old when his mother bought him Rubber Soul, the Beatles’ sixth studio album, at a ShopRite market in Wayne, New Jersey. Fifty-seven years later, he’s the ultimate Beatles expert as host for 22 years of Breakfast With the Beatles, a radio show carried each weekday on SiriusXM’s Beatles channel and Sundays on Los Angeles’ KLOS-FM. The show is celebrating its 40th anniversary, at the same time that music fans are marking the 60th anniversary of Beatlemania.
We talked with Carter about his unique position: He’s a musician too. Carter played bass in alternative rock band Dramarama in the 1980’s and 90’s. “I loved Paul’s bass playing, but I got into wanting to play the bass from listening to Grand Funk Railroad, Black Sabbath and Alice Cooper records. That really hooked me in.”He was in the right place when he got the job. Carter follows original host Deirdre O’Donoghue, who died in 2001.
The job offer call came just before he went to a Ringo Starr concert. “I knew once I got the job, I would be there ’til I died. This is one of those long-term things and I’m not going anywhere. “Prep keeps it fresh. “I have to handpick 60 Beatles songs a day, or solo Beatles songs, and have them pertain to that day—say, an anniversary or ‘today in Beatles history.’ There’s always something in Beatles history.” On Wednesdays, he spins a wheel to develop a topic for the show, such as “fifth Beatles” or “violins.” “I have to instantly put a set of songs together that matches that category.”
And news events also play a role. When Robbie Robertson of The Band passed recently, Carter made sure to note that by discussing and playing Ringo Starr’s “Sunshine Life for Me (Sail Away Raymond),” on which Robertson and other members of The Band played. “It never gets old. If they handed me a playlist, like they do for so many DJs, and said ‘Chris, play them,’ I would have no passion for that.” He was in the right place when he got the job.
Carter loves to provide tidbits about the songs he plays, so that listeners can experience them with fresh ears. “You’re dealing with 50- to 60-year-old music. If it’s not served up properly, you know, how many times can you hear ‘Hey Jude’? But if you put it in context, like this song was No. 1 for nine weeks. It was the first single over seven minutes long. And it was the first release on their own label. Most Beatles fans, they think they know a lot about the Beatles, but when you give them some information they might not know, then they’ll come back to you and listen again.” He broadcasts in front of a crowd. The satellite radio shows are put together in Carter’s home studio. But many of the shows for L.A. radio are broadcast live from one of three area venues. “I find it fun because in radio you never see your audience. Typically, you’re sitting in a room by yourself with a microphone. You could have maybe millions of people listening, but you don’t know who they are.
“The Beatles are fans. Paul McCartney and Ringo Starr have each called into the show for interviews, but Carter doesn’t have his head in the clouds about it. “They’ve got to sell a solo record. You’re on the radio. They need you for publicity. They know you’re there for them. Even though they’re the gods of the world, they still need you to sell their records.”SHORT TAKES — (Via Deadline) The meteoric political rise of George Santos and the web of fabulist tales it was built on are getting a movie treatment. HBO Films has optioned the rights to Mark Chiusano’s new book The Fabulist: The Lying, Hustling, Grifting, Stealing, and Very American Legend of George Santos, which was published on November 28, 2023. My only comment is, why? If this ever gets made, it will not be a hit. Exploitative? Definitely and not needed at all …
I’ve watched the two episodes of Hulu’s Fargo so far this season and though somehow intriguing, but didn’t I just see this show on Netflix – Who Is Erin Carter? Fargo’s creator Noah Hawley must have been transfixed by Carter. Odd for sure …
Also, just for the record, why was there so much Russian-dialogue in episode 4 of Apple TV+’s For All Mankind without any sub-titles? Clearly this show has suffered some major budget-cuts, but that was a huge error for sure. Ronald D. Moore’s creation started out brilliantly, but has become something like a space-age soap-opera. Sad for sure.
This show was among my favorites … I loved Chuck Lorre’s Big Bang Theory, so I was anxious to see his Bookie on MAX. Sebastian Maniscalco – who I don’t really get at all – left me somewhat underwhelmed. The show’s about a bookie – funny? Somehow it wasn’t. Even a cameo by Charlie Sheen w/o tiger blood was a letdown.
Very disappointed … Joe Cocker-scribe Mark Bego speaks to Zach Martin Wednesday for his NEWHD outpost …
HAPPY BDAY Randy Newman and RIP one of the most adventurous, creative and intriguing women I’ve ever known, Mica Ertegun.
NAMES IN THE NEWS — Kent and Laura Denmark; Steve Leeds; Ira Robbins; Richard Branciforte; Eppy; Barry Fisch; Frank Patz; Bobby Bank; Roger Clark; Edmond O’ Brien; Jonathan Clyde; Richard Johnson; James Edstrom; Tom & Lisa Cuddy; Kent Kotal; Bob Kaus; and BELLA!
TAP 2 — (Via Rock Cellar) Doubling down after a May 2022 report that indicated everything was a go for a sequel to 1984’s classic comedy/music industry satire This Is Spinal Tap, filmmaker Rob Reiner has now confirmed that plans are taking shape in a big way.
Not only is the sequel on tap (pun intended) to begin filming in early 2024, but Reiner recently told comedian/podcast host Richard Herring that “everybody’s back” for the sequel. This no doubt refers to principal cast members Michael McKean, Harry Shearer and Christopher Guest, though Tony Hendra (who portrayed the band’s manager, Ian Faith, passed away in 2021).
The U.K.’s Guardian notes that the plot will reportedly center on Faith’s death, after which his widow inherits a contract that requires the band to do one last concert. Reiner is also due to return in the character of film-maker Marty DiBergi, a figure supposedly based on Martin Scorsese, who had directed celebrated music documentary The Last Waltz in 1976.
What’s more, Reiner also spilled the beans that appearances from Sirs Paul McCartney and Elton John and Garth Brooks are in the works too, among what one must assume will be a million other amusing cameos. After all, a film as beloved and influential as the original This Is Spinal Tap counts pretty much every living musician as a fan (give or take), so you know the sequel will hold nothing back when it comes to the entertainment factor.
In the podcast, Reiner also talked about This Is Spinal Tap’s remarkable afterlife, culminating in selection for the National Film Registry in 2002, after its initially unfavourable reception on its first release. “To wind up in the National Film Registry, that’s bizarre,” Reiner said. “We previewed it in a theatre in Dallas, Texas, and the people didn’t know what the heck they were looking at. They came up to me afterwards and said, ‘I don’t understand, why would you make a movie about a band that no one has ever heard of, and they are so bad? Why would you ever do that? Why don’t you make a movie about the Beatles or the Rolling Stones?’ I would say, ‘It’s satire,’ and I tried to explain. But over the years people got it, and started to like it.”
Personally, I found the 1984 original movie just hilarious. Aside from a great send-up of the music biz, the cameos were just fascinating: Paul Shaffer as PR-man Artie Fufkin; Dana Carvey and Billy Crystal as ‘mime’ waiters; Fred Willard; Anjelica Houston; Russ Kunkel; Danny Kortchmar and Fran Drescher as promo-gal Bobbi Fleckman … all just inspired.
Reiner’s on a roll – his Albert Brooks doc Defending My Life is sensational. A must-see.
Maybe an update of The Monkees’ HEAD next?
SHORT TAKES — Mark Bego’s Joe Cocker tome hit #4 on theAmazon charts this week. Here’s a great review from Goldmine on the book by their Lee Zimmerman: https://l.messenger.com/l.php?u=https%3A%2F%2Fwww.goldminemag.com%2Freviews%2Fjoe-cocker-book-shines-light-on-unfortunate-undercurrents-of-a-stars-career&h=AT2zaG2QKuxuHdpJO1nPHKaiO7IWkbAHCBRAeq3m4-J45axSc_wBott7ABve8Wcd7GpQC13gybDWb2Hale6D809pTdtqqmpDoxC4u6FLA7SNNJ2jHbVKKpSaH1kxX4Ide1AyXDJXSZL2idNWvOch4A
… Micky Dolenz sang “Silly Love Songs” at Monday’s Troubadour benefit for Denny Laine and our spy said he really rocked it. Maybe a Dolenz Sings McCartney album is next? … So, Merriam-Webster’s word of the year is authentic? Interesting choice for sure …
Writer and reporter Pablo Guzman passed this last weekend. An original member of The Young Lords, Guzman was a fierce fighter and brilliant writer. On Fox 5/Good Day NY for decades, he most recently was a reporter at WCBS. Here’s the Daily News take: https://www.dailymail.co.uk/news/article-12799071/Legendary-NYC-news-anchor-Pablo-Guzman-dies-aged-73-Big-Apple-veteran-reporter-dubbed-son-Bronx-founded-Puerto-Rican-activist-group-Young-Lords-journalist.html …
And it’s official, the NY-launch for the Mark Bego Joe Cocker book will be Tuesday, January 9 at Steve Walter’s Cutting Room.
NAMES IN THE NEWS — Sara Gore; Tom & Lisa Cuddy; Daryl Estrea; Tony King; Ace Shortly; Kjersti and Jeremy Long; Debbie Gibson; Van Dean; Liz Skollar; Maude Adams; Robert Vaughn; Steve McQueen; Zach Martin; Coati Mundi; Avery Sharp; Steve Walter; Gary Gershoff; Jane Blunkell; Kimberly Cornell; Paul Iorio; Lee Jeske; MArt Ostrow; Peter Shendell; Sharon White; and ZIGGY!
A CHER STEAL — This year’s 97th edition of the Macy’s Day Parade was a rather underwhelming one, save for Chicago – inexplicably singing “Your My Inspiration” – and the always, indefatigable Cher, singing a track “DJ Play a Christmas Song” off her new holiday-themed album. The first few bars will terribly auto-tuned, but that seemed to disappear and Cher’s vocals rang full and bold.
She was, typically, a pro. Mixing effortlessly and emotionally with the dancers in a terrific set. Some pundits reported the clip was shot days earlier, but she was live and, just sensational. I wish more of today’s performers possessed her vigor and skills. That’s why most of the current acts, here today, will be gone tomorrow.
As we went to press, we learned that this parade was Macy’s most-watched edition ever! Congrats.
HALL VS. OATES — Some terrible news appeared in Wednesday’s media that Daryl Hall had taken out a TRO against partner-John Oates. I’ve loved what these two have done for decades and I loved Hall’s solo albums; especially the one he did with Robert Fripp in 1977 Sacred Songs. His record company at the time (RCA) hated it so much, they held up its release for three years.
I also well remember them in the 80’s when it seemed you could’t turn on a radio without hearing their music. 29 of their 33 singles were major chart hits on Billboard. But I do go back to them even in the 70’s, with their terrific “She’s Gone” which basically launched them. And, my favorite album of their War Babies, produced by Todd Rundgren. Quick note: That album sounds as good and relevant as it did when it came out in 1974.
The problem seems to arise from Oates wanting to sell his portion of certain songs to Primary Wave Artists – which ironically owns several of their songs already. It’s a small point, but that seems to be the issue. In all actuality, it’s another case of a classic-rocker selling his music.
In Oates’ book several years ago (Change of Seasons: A Memoir), he hardly mentioned Hall and regrettably that animus has apparently reared its angry head. They’re Philly boys, I’m from Philly and it’s just an awful coda to what was one of music’s major success stories. Sad all around.
SHORT TAKES — Terrific article in this week’s Closer on Micky Dolenz. Check it out here: https://www.closerweekly.com/posts/micky-dolenz-on-telling-stories-on-stage-and-in-his-book/
btw: Dolenz tapes KTLA’s Countdown To 2024 this week in LA …
I first met Phil Quartararo in the lobby of the old Mondrian Hotel in LA with John Sykes and we struck up a friendship that lasted until he passed last week. He was at Virgin for a time and worked with the artists there including The Spice Girls and Paul Abdul. In these fast-changing-times in the music business, he remained somewhat behind the scenes of late, but admitted he missed working with the artists. Phil was a guy you never ever heard a bad word about. Huge loss. Here’s Billboard’s take on Phil:
… As you’ve not doubt read, there is trouble in the Marvel-comic kingdom. The latest Captain Marvel movie (The Marvels) didn’t perform nearly as well as everyone hoped for and their newest star, Jonathan Majors as Kang, is tied up in several court matters.
So, we hear that Kang is out and Doctor Doom is in. Stay tuned …
And Forbes’ James M. Clash has released Amplified; culled from his terrific interviews with the icons of rock ‘n roll; including Grace Slick; Art Garfunkel; Ginger Baker; Micky Dolenz; and Roger Daltry. Here’s the Amazon link: https://www.amazon.com/dp/B0CNJZYW2J?ref_=cm_sw_r_apan_dp_WKCSH7AC0ZTK18RZF4ED&language=en-US NAMES IN THE NEWS — Steve Leeds; Kate Hyman; Bono; Tom & Lisa Cuddy; Peter Abraham; Bobby Bank; Dina Pitenis; Frank DiLella; Donnie Kehr; Steve Leber; Don Wardell; Anne Adams; Billy Smith; John Boulos; Kimberly Cornell; Sam Rubin; Nexstar; and ZIGGY!
Ken Fallin’s Broadway: Michael Urie and Ethan Slater
With the holidays, my caricature of Spamalot is taking time, so I decided to highlight the two performers who for me stood out.
I have drawn Michael Urie several times, but I love this picture with him and my drawing of him in Buyer and Seller. Urie as Sir Robin, shows a new side of him that is truly funny.
Ethan Slater should have won a Tony for Sponge Bob Square Pants. My guess is he will be nominated again for his multiple roles in Spamalot.
Up next my caricature of Spamalot
NINA CHASE LIVES! — (Via Deadline) Shantal VanSanten is moving from FBI to FBI: Most Wanted for the latter show’s fifth season. She will reprise the role of Special Agent Nina Chase.
Nina is a well-seasoned FBI agent who is strong-willed, sharp and used to working undercover. The character was first introduced on the mothership series toward the end of Season 4 and she continued her recurring role in various episodes of Season 5 which concluded in May. Nina remains in a relationship with FBI’s Stuart Scola (John Boyd) as they raise their infant son Douglas together.
VanSanten is joining the cast following Alexa Davalos’ exit from FBI: Most Wanted, which Deadline reported exclusively in August. Their new season will debut on Tuesday, February 13.
The show is part of the massive Dick Wolff-empire and is actually a rather brilliant move; as the character has established itself on the other show and should fit nicely with Dylan McDermott and cast. The Wolff-machine just lost Jeffrey Donovan from Law & Order and recently installed their fifth showrunner on the much-troubled Law & Order: Organized Crime with Christopher Meloni; which is due to start their fourth season next year.
VanSanten also portrayed Karen Baldwin in the Apple TV+ show For All Mankind and was just terrific. Never heard of her before that show, but just a stunningly good performance, Nina Chase.
SHORT TAKES — Always read the posts. Loved this one: I was so confused! In Australia the show is called Morning Wars. And, yes, they were talking about Apple TV+’s Morning Show. That would be a more apt title … Looks like the NYC-launch for Mark Bego’s Joe Cocker-tome will be Tuesday, January 9 at Steve Walter’s Cutting Room. And Bego does an 11-city radio tour next week for Premiere Radio … Micky Dolenz’s R.E.M. cover of “Shiny Happy People hit #5 of the Heritage Chart in the U.K. … Every six months or so I read something about how The Starship’s “We Built This City” is the worst record of all time. Being home-bound for a time, I began hearing it regularly on my iHeart Hits of the 80’s and began to like it. Here’s a terrific summary of the song by Rob Tannenbaum. It’s actually hilarious: https://www.gq.com/story/oral-history-we-built-this-city-worst-song-of-all-time …
Deadline reported that NBC’s La Brea will end with a six-episode season next year. This is the show about a massive sinkhole in Hollywood that tuns into a time-travel escapade. Crazy writing, but somehow addictive. I found it a guilty-pleasure. Here’s the story: https://deadline.com/2023/11/la-brea-canceled-season-3-1235630123/ …
Sad that CBS’ Blue Bloods is ending after a spectacular 14-season run. I watched it when it started, then was out for a few seasons, but came back after Steve Schirripa joined the cast. Costs indeed did the show in, but you have to admit those family dinners which closed out each episode were sensational. Selleck, an icon. There’s not another show like this on TV right now; smart writing and brilliant acting. Treat Williams had a re-occurring role as an old mate of Selleck’s. Hope they do a proper tribute to him as he was stellar. Will be missed for sure … A 16-date Rolling Stones tour was announced Tuesday. Sponsored by AARP no less. Stones Tour 24 …
NY-Nightlife-Mayor Eric Adams seems to walking a tightrope – what with the ongoing FBI probe and city budget-cuts … Wintercon’s Frank Patz is interviewed for Medium today. It’s December 2 and 3 … Happy Thanksgiving!
NAMES IN THE NEWS — Richard Johnson; Ian Mohr; Harvey Levin; Kimberly Cornell; Plastic EP; Jane Blunkell; Tony King; Dave Mason; Michael McDonald; Kenny Loggins; Fortune Benatar; Tom & Lisa Cuddy; Race Taylor; Jim Kerr; Ken Dashow; Plastic EP; Brad Balfour; Frank Patz; and ZIGGY!
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