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The Golden Apple

Ashley Brown All Photos by Joan Marcus.

The Golden Apple, which debuted on Broadway at the Alvin Theatre back in 1954 was praised back then for its all American sound and passion (although it only ran for 125 performances). Steven Suskin (Show Tunes: The Songs, Shows, and Careers of Broadway’s Major Composerswrote: “The Golden Apple benefits from imaginative theatricality in all departments but it was the more-than-glorious score that carried this brilliant musical theatre experiment from Off Broadway to the Alvin”.  The music, composed by Jerome Moross certainly is worthy of the praise. It’s powerful and electric, especially as presented here at New York City Center Encores! with their glorious orchestra lead by music director, Rob Berman (music coordinator:  Seymour Red Press; original orchestrations: Jerome Moross and Hershy Kay). It rolls and flows with a jazzy style and bluesy rhythms that pulse and floats through the crowd. And with this cast of stellar singers, it’s as beautifully sounding as one could hope. I felt grateful for the eclectic tastes of Encores! bringing us a musical that has not seen the the lights of Broadway since, nor, most likely, will it ever again. At least not without some big revisions.

It’s a strange piece of work to say the least, and doesn’t flow forward like a modern musical or even like those classics that are restaged time after time. Overall, it feels at moments as long and drawn out as the epic poems of Homer, namely the Iliad and Odyssey, that it was based upon. Writer John Latouche drops The Green Apple down into a fictional America that is immortalized by the better and more classic musical, Oklahoma. They envelope it with country folk dancing in the town square, a pie baking contest, a ladies’ sewing circle, and a hot air balloon that floats into town carrying a traveling salesman. There are returning heroes, three competitive bakers (Carrie Compere, Ashley Brown, Alli Mauzey), and a dooms-day preaching fortune teller named Mother Hare (N’Kenge). And the golden apple that gets the trouble started.
N’Kenge

N’Kenge

As Greek legend would have it, a golden apple was thrown into a ceremony by Eris, the goddess of discord, and claimed by three others: Hera, Athena, and Aphrodite because of the inscription that read “for/to the most beautiful”. Zeus, not wanting to get involved assigned the task to Paris of Troy so that it would be he that awarded the prize. As each goddess desperately wants the prize, they each offer Paris a gift as a bribe in return for the apple; Hera offers to make him the king of Europe and Asia (money), Athena offers him wisdom and skill in battle (smarts), and Aphrodite offers to give to him as a wife a most beautiful woman, Helen of Sparta, who is already married (sex). Paris chooses Helen, a decision that causes his own destruction and starts the Trojan War.

Center that story around a few pie making women at a contest in small town America, and it becomes crystal clear where the title is derived. With the glorious melodies transporting us from ancient Greece to the rural heartland of Angel’s Roost, on the edge of Mt. Olympus, where nothing much happens, as we are told by the delightful Helen. Played with a wonderful edge of mischief and feistiness by Lindsay Mendez (Significant Others, Dogfight), Helen sings of her boredom in the town in that first great song, but Act I and the beginning of Act II show the falseness of that claim. A tremendous amount happens to the wonderful townsfolk of Angel’s Roost. It’s fun and easygoing, like a good frolic through a field and a fun barn dance. It incorporates a band of returning soldiers, lead by the rich voiced Ulysses, played by the magnificent and handsome Ryan Silverman (Side Show, Chicago) who sings of his love for his faithful wife Penelope, a beautifully voiced Mikaela Bennett (making her professional stage debut) and their home with such power that we actually believe him. As does she. Until she sees otherwise. Ulysses will not be satisfied by the quiet town of Angel’s Roost.

Ashley Brown

Ashley Brown

The other soldiers returning home from service in the Spanish-American war are mostly interested in another woman, the legendary vixen of adoration, the sexy Helen. Mendez makes us completely understand why men would do the things legend records them doing for this amazing woman. She’s playful and spontaneous, and with the clever line, “all right, my dear, you talked me into it”, to the ever-silent Paris, the handsome young man who floats into town in that balloon, we totally believe in her ability to be reckless and endearing all in the same moment. Her rendition of the famous (although not to me) ‘Lazy Afternoon is as sultry and sexy as can be, sung with a sensual slowness to the ballet dancing Paris (Barton Cowperthwaite) who interestingly never utters a word. Her performance is not to be missed.

The Golden Apple

Jeff Blumenkrantz, Jason Kravitz

Helen runs away with Paris, and as the story goes, the soldiers must go and bring her back. It doest take much to incite these young men onto their next quest. So off they go. The big city is filled with foolish big city folk that, in some ways, comments very wisely on the easily duped masses of America (i.e. Trump voters). Ulysses manages, fairly easily, to get Helen to return to her husband back in quiet Angel’s Roost, in the chaotic ‘The Taking of Rhododendron’. But once Helen leaves the big city and returns home, the story starts to wear thin. As Ulysses and company are slowly ushered through the sins of the big city by the devilishly fun Hector Charybdis (a wonderfully soft shoe dancing Jason Kravits giving us a glorious Jimmy Durente-esque number, ‘Hector’s Song‘), the parade of vices start to weigh on our senses. I must admit I wanted the soldiers to be dispatched a bit more quickly, so we could return to Angel’s Roost, and catch up where we left off. I think I wanted to return home to Penelope and that glorious voice of Bennett much faster then Ulysses.  The numerous songs that happen after Helen leaves Rhododendron feel as long as his ten year absence; each named after a different hurdle that the original Ulysses survived; ‘Calypso’, ‘Scylla and Charybdis’, ‘Goona-Goona’, ‘Doomed, Doomed, Doomed’, ‘Circe’ to the final ‘Ulysses’ Soliloquy‘.  But once those trials are completed, and one by one the soldier boys disappear (which couldn’t happen fast enough if you ask me), we finally get the reunion we were waiting for.

Ryan Silverman, plays Ulysses, Mikaela Bennett

Ryan Silverman plays Ulysses and Mikaela Bennett

Reviewing an Encores! production is a bit of a challenge because in a way they aren’t meant to be taken in the same way as a fully staged Broadway musical revival.  Their shows are like entertainment mixed with a history lesson, and anyone who reads my blog knows, I love a good bit of theatre history.  To imagine the magnificent Kaye Ballard singing ‘Lazy Afternoon‘ back in 1954 as wonderfully as Mendez does here, is a wonderful experience and gift.  Us New Yorkers are lucky to have this glorious opportunity to see shows like The Golden Apple that would never work in today’s theatrical climate staged as wonderfully rich as this production at New York City Center Encores! It’s not a perfect show, and at times it feels as tedious as a lecture on Homer’s the Odyssey, but the magnificence of the vocal talent collected here to sing this rich music is a gift from the Gods, like that golden apple handed down from Zeus. But this time, I doubt it will cause a war.
So for more, go to frontmezzjunkies.com

My love for theater started when I first got involved in high school plays and children's theatre in London, Ontario, which led me—much to my mother’s chagrin—to study set design, directing, and arts administration at York University in Toronto. But rather than pursuing theater as a career (I did produce and design a wee bit), I became a self-proclaimed theater junkie and life-long supporter. I am not a writer by trade, but I hope to share my views and feelings about this amazing experience we are so lucky to be able to see here in NYC, and in my many trips to London, Enlgand, Chicago, Toronto, Washington, and beyond. Living in London, England from 1985 to 1986, NYC since 1994, and on my numerous theatrical obsessive trips to England, I've seen as much theater as I can possibly afford. I love seeing plays. I love seeing musicals. If I had to choose between a song or a dance, I'd always pick the song. Dance—especially ballet—is pretty and all, but it doesn’t excite me as, say, Sondheim lyrics. But that being said, the dancing in West Side Story is incredible! As it seems you all love a good list, here's two. FAVORITE MUSICALS (in no particular order): Sweeney Todd with Patti Lupone and Michael Cerveris in 2005. By far, my most favorite theatrical experience to date. Sunday in the Park with George with Jenna Russell (who made me sob hysterically each and every one of the three times I saw that production in England and here in NYC) in 2008 Spring Awakening with Jonathan Groff and Lea Michele in 2007 Hedwig and the Angry Inch (both off-Boadway in 1998 and on Broadway in 2014, with Neal Patrick Harris, but also with Michael C. Hall and John Cameron Mitchell, my first Hedwig and my last...so far), Next To Normal with Alice Ripley (who I wish I had seen in Side Show) in 2009 FAVORITE PLAYS (that’s more difficult—there have been so many and they are all so different): Angels in American, both on Broadway and off Lettice and Lovage with Dame Maggie Smith and Margaret Tyzack in 1987 Who's Afraid of Virginai Woolf with Tracy Letts and Amy Morton in 2012 Almost everything by Alan Ayckbourn, but especially Woman in Mind with Julia McKenzie in 1986 And to round out the five, maybe Proof with Mary Louise Parker in 2000. But ask me on a different day, and I might give you a different list. These are only ten theatre moments that I will remember for years to come, until I don’t have a memory anymore. There are many more that I didn't or couldn't remember, and I hope a tremendous number more to come. Thanks for reading. And remember: read, like, share, retweet, enjoy. For more go to frontmezzjunkies.com

Events

The Abbot of Athos and The Consulate Midtown A Tale of How Food Can Bring Peace

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Greece and Macedonia, have had decades of tension, but yesterday at The Consulate Midtown, 44 West 56th Street The Holy Father, Geron Nektarios, Abbot of the Kalyve of Holy Cross in Skete of Saint Anne in Mount Athos and Kiril Mihajlov, showed how great food and conversation can give way to peace.

The Holy Father, Geron Nektarios, Abbot of the Kalyve of Holy Cross in Skete of Saint Anne in Mount Athos, Kiril Mihajlov

I met the Abbott in Greece last summer and he graciously agreed to have lunch with me and some guests I invited, before he returned to Greece.

Margarita Parlionas, Captain John Woodall

Margarita Parlionas is a business owner, who brought with her Captain John Woodall who runs Camp4Heroes, a place where Vets can get some much needed help.

Suzanna Bowling, The Holy Father, Geron Nektarios, Abbot of the Kalyve of Holy Cross in Skete of Saint Anne in Mount Athos, Kiril Mihajlov and George Tower

George Tower, helps lead groups of tourists throughout New York and speaks fluent Greek.

The Abbot, Margarita and Captain Woodall all supped on the Hangover Burger ($28) 8oz grilled patty, lettuce, tomato, caramelized onions, topped with a fried egg on a brioche bun, which they all claimed was the best burger they had ever had.

George had the Salmon Eggs Benedict ($26) poached eggs, smoked salmon, toasted brioche, espelette hollandaise sauce and was completely happy.

T2C’s Suzanna Bowling had her favorite Avocado Toast with Bacon ($24) scrambled eggs, Canadian bacon and mixed greens. If you want sensational food with a elegant atmosphere, I highly recommend The Consulate Midtown.

The Abbot gifted a book about his life written in both Greek and English to the guests.

The Abbott has been in America since April visiting Boston, Washington, Chicago, Milwaukee, The Mayo Clinic, Rochester, Queens and NYC. His message is of gratitude, love and healing. He has been raising funds to expand and offer more to men who want a spiritual retreat, which is what Mount Athos does.

T2C’s Suzanna Bowling and The Holy Father, Geron Nektarios, Abbot of the Kalyve of Holy Cross in Skete of Saint Anne in Mount Athos

If you wish to know more you can go to Athonite Foundation.

 

 

 

 

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Celebrity

The Glorious Corner

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G.H. Harding

RASCALS AT SONY HALL — The Rascals long-awaited return to NYC proved to be a sensational evening of music. Their 16-song set, backed up by a terrific band -including bassist John Billings from Micky Dolenz’s band- was rocking from the start with their “Do You Feel It” and “”Beautiful Morning.” Felix Cavaliere’s vibrant vocals were just a joy. Face it, for people of a certain age, we grew up with this voice … just magical.

Micky Dolenz

Their cover of the Jackie Wilson-chestnut “(Your Love Keeps Lifting Me) High” set the SRO crowd afire.

Felix then brought his daughter Aria out for two selections. Clearly, she’s inherited by father’s dynamic vocal prowess. She was just terrific and a nice surprise.

Cavaliere then brought out guitarist Gene Cornish who was just wonderful. Gene has had some health issues, but his presence brought the show to a magnificent high-point.

Oddly, there was no mention of the rumored “My Hawaii” from Cavaliere with vocals from Dolly Parton. He mentioned it in a recent interview with Medium, but was mum about it on last Monday’s WOR-interview with Len Berman and Michael Riedel. I hear that the release has been held up several times. Sad … can’t wait to hear it.

The show ended with their signature classics “I’ve Been Lonely Too Long,” “How Can I Be Sure,” “People Got To Be Free” and Good Lovin’.” The Rascals’ music is ingrained and it was a joy to hear it once again. Truth be told, it sounded better than ever!

Seated in a corner booth by the stage was none other than Bill Murray – a huge fan. Great night sensational set. Also, there were Rascals-PR man David Salidor; Dan Zelinski; Billy Amendola; Magda Katz from Times Square Chronicles; and Susan Nuzzi Russo. Thanks to SONY Hall’s Peter Abraham for his assistance.

David Sanborn

DAVID SANBORN — We don’t usually re-print tributes, but this, from David Sanborn’s wife Alice Soyer was so heartfelt.  Take a read:

Dave, my love, my warrior, my soulmate, my unique bird, my everything. I cannot believe what I’m writing right now but what I know is that you changed my life, because of you I know what true love is, I had and have it all. I have it all. Although I’m going to miss you every single minute of my life, I know that the pain you were enduring was not right, those pains are now released and you are completely free. You are and will be in every note, in every breath, in every sound that touches the soul, in every sun beam, in every cloud, in every beat of my heart. Dave you are an inspiration. Your courage to be yourself, to reveal this true voice screaming from inside, oh my love you are a true warrior, a pure artist, an extraordinary being.I will honor you every step on the way, I will represent you, us. I love you madly.

Dave forever

Don Grolnick

SHORT TAKES — First off, I left off one very important member when I referenced The Brecker Brothers last time: keyboardist-genius Don Grolnick: terrifically talented and much-missed …

George Harrison

One of the best parts of watching Let It Be(again!) was seeing John & Yoko dancing to George Harrison’s stunningly-beautiful “I Me Mine.” Awesome…  From Roger Friedman’s SHOWBIZ 411:Barbra Streisand just released a new a beautiful new single called “Love Will Survive,” for the closing credits of the upcoming series “The Tattooist of Auschwitz.” It’s maybe Streisand’s best new vocal in years thanks to producers Walter Afanasieff (Mariah Carey’s classics) and Peter Asher (Linda Ronstadt, James Taylor classics). So now I’m told Streisand has booked the producing duo for her next album of duets. Barbra has a couple of these under her belt over her six decade career. But this one sounds like a powerhouse … Great interview with Micky Dolenz in advance of his Surf Ballroom show Friday in Clear Lake, Iowa: https://littlevillagemag.com/monkee-micky-dolenz-surf-ballroom/?fbclid=IwAR2jXAYYYCJ_19ovY4yT8DU8OfdaTU-GYdYhXahF-rvYj3yERRW_K5MmgrI

Francis Ford Coppola

With this year’s Cannes  Film Festival underway, the first big movie screened was Francis Ford Coppola’s Megalopolis and it generated some of the craziest reviews I’ve ever seen.

Mostly positive. Coppola’s a genius, so you know to expect the unexpected. I think my favorite was from the UK’s Daily Telegraph which gave the movie four stars, saying, “Coppola’s latest is like Succession crossed with Batman Forever and a lava lamp… Aubrey Plaza is fantastic in this full-body sensory bath movie which follows a struggle for power among the elites of New Rome.” Me? I can’t wait to see it. The guy’s a bloody genius … 17-year-old wunderkind Kjersti Long -co writer of Vanessa Williams’ current return to music “Legs (Keep Dancing)”- heads to NYC for the Tribeca Festival in 2 weeks … And Apple TV’s Sugar -with Colin Farrell- ended its run. The first few episodes were great; very LA Confidential, but then, it turned into a sci-fi adventure. Odd? You bet. The ending left room for a second season, but I highly doubt it. Farell was great, but the topsy-turvy plot twist was brutal.

NAMES IN THE NEWS — August Darnell; Coati Mundi; Jeff Vogel; Kent Kotal; Bruce Grakal; Ringo Starr; Danny Fried; China Club; Tony King; Peter Brown; Mark Bego; Kent & Laura Denmark Tom & Lisa Cuddy; Peter Abraham; Peter Lubin; Steve Plotnicki; Profile Records; Joe Cocker; Lush Ice; Anthony Pomes; Terry Jastrow; and BELLA!

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Events

Rockers On The Rise With Love

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A special celebration titled Rockers On The Rise With Love took place on Sunday, May 12, 2024 at 6 p.m. at The Cutting Room, featuring some of the most talented young performers of the next generation.

Rockers on the Rise that includes-Sylvia Smith, Nick Allen, Audrey Simone Winters, Gus Schonfeld, Avery Rehl, Melanie Correa, Claudia Fabella, GG Roberts-Nguyen, Jackson Pressier, Reese Rehl, Isabelle Gottfried, Matteo Russo and Tyson Gottfried

The performers included the graduating high school seniors, class of 2024

Isabelle Gottfried

Isabelle Gottfried

 

Avery Rehl

Avery Rehl

Matteo Russo

Matteo Russo (The Many Saints Of Newark)

Sylvia Smith

Sylvia Smith; and other young rockers

Nick Allen

Nick Allen

Claudia Fabella and her mother

Claudia Fabella

GG Roberts-Nguyen

GG Roberts-Nguyen

Tyson Gottfried

Tyson Gottfried

Jackson Pressier

Jackson Preisser

Gus Schonfeld

Gus Schonfeld

Jurnee Swan

Jurnee Swan (The Piano Lesson)

Audrey Simone Winters

Audrey Simone Winters (The Sound Of Music (tour).

Donnie Kehr and Cori Gardner join with Sylvia Smith, Avery Rehl, Isabelle Gottfried and Matteo Russo

Reese Rehl, Scott Rehl and Avery Rehl

The Band-Gerard Canonico, Gary Bristol, Logan Medland and Steve Gibb

Donnie Kehr and Jeremey Schonfeld with the band Gerard Canonico, Gary Bristol, Logan Medland and Steve Gibb

The creative team was led by director Kehr; Executive Producer Cori Gardner; with music direction by Logan Medland (A Bronx Tale)

Reese Rehl and Avery Rehl

and with student executive producing by Avery Rehl, The band includes Gerard Canonico on drums (Almost Famous), Gary Bristol on bass (Glory Days), and Steve Gibb on guitar (Jersey Boys)

Gus Schonfeld and Jeremy Schonfeld

Special guest Jeremy Schonfeld (Drift) will join a special performance with his daughter Gus.

Claudia Fabella

Isabelle Gottfried, Avery Rehl, Sylvia Smith and Matteo Russo

Avery Rehl

Reese Rehl

Gus Schonfeld\

Jackson Preisser

GG Roberts-Nguyen

Isabelle Gottfried

Nick Allen

Matteo Russo and Sylvia Smith

Jackson Preisser

Jurnee Swan

Jurnee Swan

Avery Rehl and Donnie Kehr

Donnie Kehr

Nick Allen

The entire cast that includes-Isabelle Gottfried, Avery Rehl, Matteo Russo, Sylvia Smith, Nick Allen, Melanie Correa, Claudia Fabella, GG Roberts-Nguyen, Tyson Gottfried, Jackson Preisser, Reese Rehl, Gus Schonfeld, Jurnee Swan and Audrey Simone Winters

The entire cast that includes-Isabelle Gottfried, Avery Rehl, Matteo Russo, Sylvia Smith, Nick Allen, Melanie Correa, Claudia Fabella, GG Roberts-Nguyen, Tyson Gottfried, Jackson Preisser, Reese Rehl, Gus Schonfeld, Jurnee Swan and Audrey Simone Winters

Rockers On The Rise is The PATH Fund’s new mentorship initiative that enables young artists to audition, perform, direct and produce their own shows. With personalized mentoring and hands-on training to gain real-world experience, this new initiative builds tomorrow’s audience today.

Melanie Correa

 

Gus Schonfeld and Alexandra Schonfeld

Matt Lange and Avery Rehl

Reese Rehl

Jackson Pressier and Reese Rehl

 

 

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Broadway

Theatre News: The Drama League, Once Upon A Mattress , Swept Away, Chita Rivera Awards and Moulin Rouge!

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The Drama League announced the winners of the 2024 Drama League Awards. The event hosted by NY1 reporter Frank DiLella, was held at The Ziegfeld Ballroom (141 W 54th St, New York, NY). Sarah Paulson wins Distinguished Performance Award. Hell’s Kitchen wins Outstanding Production of a Musical. Stereophonic wins Outstanding Production of a Play. Merrily We Roll Along wins Outstanding Revival of a Musical. Appropriate wins Outstanding Revival of a Play. In the directing categories, Daniel Aukin took home the Outstanding Direction of a Play award for Stereophonic and Maria Friedman took home Outstanding Direction of a Musical for Merrily We Roll Along.

The competitive awards were presented by Lear DeBessonet, Alfred Molina, Bebe Neuwirth and Ben Platt.  LaTanya Richardson Jackson presented The Gratitude Award to Kandi Burress; Thomas Schumacher presented The Founders Award for Excellence in Directing to Schele Williams; Daniel Radcliffe and Lindsay Mendez presented The Distinguished Achievement in Musical Theater Award to Jonathan Groff; and Jim Parsons presented the Contribution to Theatre Award to Jessica Lange.

Tony Award-winning producers Seaview and Creative Partners Productions have announced that, on the heels of its record-breaking, sold-out run at New York City Center’s Encores! earlier this year, Once Upon A Mattress will open on Broadway this summer at The Hudson Theatre (141 W 44th St). Tony Award winner Sutton Foster (Anything Goes, The Music Man) will lead the Broadway cast, reprising her acclaimed performance as Winnifred the Woebegone, hailed by The New York Times as “perfectly goofy, and imprinted with an ebullient, joyful relish in the very act of performance.” The beloved musical returns to Broadway in a new adaptation by Emmy Award winner Amy Sherman-Palladino (“The Marvelous Mrs. Maisel”, “Gilmore Girls”), directed by Tony Award nominee and Drama League Award winner Lear deBessonet (Into The Woods). Previews begin Wednesday, July 31, 2024, with an Opening Night set for Monday, August 12, 2024, for the limited engagement through November 30, 2024.

Following its Broadway engagement, Foster will headline the production in Los Angeles for a four-week engagement at Center Theatre Group’s Ahmanson Theatre from December 10, 2024 – January 5, 2025.

An uproarious update of Hans Christian Andersen’s “The Princess and the Pea,” Once Upon A Mattress sets an unapologetic free spirit loose in a repressed kingdom, reveling in Winnifred’s ability to charm and transform with willpower, honesty, and a little bit of help from her friends.  Full of gloriously catchy melodies like “Shy” and “In a Little While,” the musical first premiered in 1959, with music by Mary Rodgers, lyrics by Marshall Barer, and book by Jay Thompson, Dean Fuller, and Marshall Barer.

The Broadway production will feature Choreography by Drama Desk Award nominee Lorin Latarro (The Who’s Tommy), Scenic Design by Tony Award winner David Zinn (Fun Home, SpongeBob SquarePants), Lighting Design by Tony Award winner Justin Townsend (Moulin Rouge! The Musical), Costume Design by Andrea Hood (Into the Woods), Sound Design by Tony Award winner Kai Harada (Days of Wine and RosesMerrily We Roll Along), and Hair and Wig Design by J. Jared Janas (Sweeney Todd, &Juliet). General Management is by Wagner Johnson Productions. Casting is by The Telsey Office (Bernard Telsey, CSA; Craig Burns, CSA). Orchestrations are by Tony Award winner Bruce Coughlin (The Light in the Piazza), and Drama Desk Award winner Mary-Mitchell Campbell (Company) will serve as Music Supervisor, Annbritt duChateau as Music Director, and Cody Renard Richard as Production Stage Manager.

A special fan pre-sale will begin on Tuesday, May 28, at 10:00AM ET – sign up atOnceUponAMattress.com for early access to tickets. Tickets will go on sale to the general public on Wednesday, May 29 at 10:00AM ET.

Further casting and creative team will be announced at a later date.

The Avett Brothers announced that their new musical Swept Away will begin previews on Broadway this fall at a Shubert theater to-be-announced. An odyssey of “mythic proportions” (San Francisco Chronicle), Swept Away features a book by Tony Award winner John Logan (Red, Moulin Rouge! The Musical), direction by Tony Award winner Michael Mayer (Spring Awakening, American Idiot) and choreography by Tony Award nominee David Neumann (Hadestown).

After sold out runs from coast to coast, Swept Away storms Broadway this fall.

The Swept Away creative team includes music arranger & orchestrator Chris Miller, music arranger & orchestrator/music supervisor Brian Usifer, music director Will Van Dyke, Tony Award-winning set designer Rachel Hauck, Tony Award-winning costume designer Susan Hilferty, four-time Tony Award-winning lighting designer Kevin Adams and Tony Award-winning sound designer John Shivers.For ticketing updates and more information, visit SweptAwayMusical.com.

Jared Grimes (Funny Girl) will host the Chita Rivera Awards, it was announced today. The 2024 Chita Rivera Awards will be presented on May 20 at 7:30pm at the NYU Skirball Center for the Performing Arts (566 LaGuardia Place off Washington Square Park), and are produced by Joe Lanteri, Founder and Executive Director of the New York City Dance Alliance Foundation, Inc. in conjunction with Patricia Watt.

Presenters include: Debbie Allen (Fame), Shoshana Bean (Hell’s Kitchen), Corbin Bleu (High School Musical, Little Shop…), Anthony Crivello (Kiss of the Spider Woman), Joel Grey(Cabaret), Huey Lewis (The Heart of Rock and Roll), and Joe Morton (Scandal, ART), Bebe Neuwirth (Cabaret at the Kit Kat Club, Chicago), Kenny Ortega (High School Musical), David Hyde Pierce (Here We Are, Spamalot), Brooke Shields (Suddenly Susan; The Adams Family), Ben Vereen (Pippin), and more.

The evening will feature performances by: Wayne Brady (The Wiz), Kristin Chenoweth (Wicked), Norm Lewis (Phantom of the Opera; Porgy and Bess), and Lea Salonga (Miss Saigon; Old Friends).

There will also be performances from the casts of Suffs, The Heart of Rock and Roll, and The Who’s Tommy.

At the May 20 Awards, Bernadette Peters will receive the Lifetime Achievement Award, Phil LaDuca will receive the Vanguard Award, for his outstanding contribution to the international dance community, and Mayte Natalio (Suffs; How to Dance in Ohio) will receive the Douglas and Ethel Watt Critics’ Choice Award.

The Douglas and Ethel Watt Critics’ Choice Award is bestowed by the journalists of the Chita Rivera Awards’ Broadway judging committee, to recognize outstanding work that falls outside the framework of the original categories. It is named for the longtime Daily News theater critic Douglas Watt and his wife Ethel, an original cast member of Carousel and Kiss Me, Kate who later became a producer.

Tickets to the Chita Rivera Awards are available to the general public atwww.ChitaRiveraAwards.com.

Pop the champagne! The Museum of Broadway will celebrate its newest special exhibit celebrating the 10-time Tony Award®-winning Best Musical Moulin Rouge! The Musical, presented in partnership with Chase Freedom and created exclusively for The Museum of Broadway. The exhibit, Moulin Rouge! The Musical: Spectacular, Spectacular, invites fans to step into the world of Belle Époque Paris and experience the splendor, eye-popping excess, and glittering extravagance of the hit show.

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Broadway

TDF partnership sends 1400 service members to Broadway and Off Broadway during Fleet Week

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For the second year in a row, TDF, the not-for-profit service organization for the performing arts, has partnered with the Community Foundation of New Jersey to help obtain and distribute 1400 tickets to 11 Broadway and two Off-Broadway shows. These tickets will be given at no cost to members of the United States Navy, Marine Corps, Coast Guard, and Blue Star Families, who will be in New York City during this year’s Fleet Week, May 22 to May 28, 2024.

The 13 shows that service members will see for free are Back to the Future: The Musical, The Book of Mormon, The Great Gatsby, Hamilton, Hell’s Kitchen, The Lion King, MJ, Moulin Rouge! The Musical, The Outsiders, The Play That Goes Wrong, SIX, Titanique, and Water for Elephants.

“This is the second year of our partnership with the Community Foundation of New Jersey, and we are honored once again to facilitate tickets to Broadway and Off Broadway for our service members during Fleet Week,” said TDF Executive Director Deeksha Gaur. “We know from our companion program for veterans that attending the theatre can support healing and help build community.  But most of all, we are thrilled that service members will get to experience the magic and joy of New York theatre at no cost to them.”

The Community Foundation of New Jersey serves approximately 1,160 fundholders—individuals, families, and businesses with philanthropic funds, which they use to recommend grants to worthy causes and communities.

“Funds at the Community Foundation of New Jersey may be used to directly improve people’s lives beyond the usual grantmaking, and this is a great example of that,” said Madeline Rivera, Program Officer at the Community Foundation. “Unique philanthropic ideas like these enable us to have broad impact in areas important to our fundholders.”

Those wishing to donate so that service members can attend future performances should contact Madeline Rivera at the Community Foundation of New Jersey atmrivera@cfnj.org or (973) 267-5533.

The Community Foundation of New Jersey creates and scales custom solutions for purpose-driven individuals, families, and businesses. From creative projects that tackle critical societal or policy issues, to scholarship funds, corporate philanthropy, legacy funds, and donor-advised funds, CFNJ manages nearly every kind of giving vehicle and tailors solutions to meet critical needs. CFNJ’s specialists understand the unique contours of communities and manage the scope of CFNJ investment and grantmaking capabilities with precision. With $790 million in assets, the CFNJ grants tens of millions of dollars each year through its more than 1,100 funds. In 2023, CFNJ granted more than $70 million to nonprofits in New Jersey and beyond.

Founded in 1968, TDF (formerly known as Theatre Development Fund) is a not-for-profit service organization dedicated to bringing the power of the performing arts to everyone. TDF’s mission is to sustain live theatre and dance by engaging a broad and diverse audience and eliminating barriers to attendance. We fulfill our mission with a variety of programs that expand access, cultivate communities, and support the makers of the performing arts.

We are known for our theatregoing programs, including the TKTS by TDF Discount Booths (which celebrated 50 years in Times Square in 2023) and the TDF Membership Program; TDF Accessibility Programs (including open captioning, audio description, Autism Friendly Performances and the Veterans Theatregoing Program); Education programs (serving more than 10,000 NYC public school students annually), and Community programs (serving 18,000 people in the tristate area); as well as the TDF Costume Collection Rental and Research Programs. TDF envisions a world where the transformative experience of attending live theatre and dance is essential, relevant, accessible, and inspirational. To learn more about TDF, go to tdf.org; Facebook/Instagram/Threads: @tdfnyc.

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