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The Morality of Judgement Day or The Agility of Moving Vast Amounts of Sets To and Fro

The Morality of Judgement Day or The Agility of Moving Vast Amounts of Sets To and Fro

Luke Kirby and the Cast of Judgement Day Photo by Stephanie Berger

 Judgment Day, a German morality play, translated by Christopher Shinn (Dying City) is overblown and in a sense underwhelming. This small play is dwarfed in this oversize production, so that it leaves you scratching your head in the end.

The staging is about moving vast amounts of set, as the actors run around it like athletes in a marathon. Yet, English director Richard Jones gets some lovely performances out of his actors and creates a moment frozen in time.

Photo by Stephanie Berger

Judgment Day was written during the rise of the Nazis, and weighs in the guilt of the innocence verses the mob mentality.

We begin at a small-town train station run by the highly respected and a super-efficient German stationmaster Thomas Hudetz (Luke Kirby). Here the town gossip Frau Liemgruber (Harriet Harris) tells tales about Hudetz’s miserable wife (Alyssa Bresnahan). The play is steeped in guilt. Hudetz, is responsible for a fatal train crash when he is diverted from duty by a stolen kiss from Anna (Susannah Perkins), the innkeeper’s daughter. At the investigation, Anna perjures herself and is believed; Hudetz’s embittered wife, who saw the whole incident, tells the truth and is reviled. But actions have consequences; when Hudetz returns home to a hero’s welcome, he and Anna are tormented by their shared past and, in a fateful encounter under the railway viaduct, by the need for judgment. As the townspeople once believed Anna and the stationmaster, the tables turn and they become the shunned and reviled.

Photo by Stephanie Berger

The play is directed like a German Expressionist painting. Paul Steinberg’s massive, rolling set pieces are like a character in this show. The 16-member cast race with agility as black silhouetted trees thanks, to the lighting of Mimi Jordan Sherin, shimmer bearing witness, as Daniel Kluger’s sound design feels like we are caught between worlds forever haunted.

In the end it is only the stationmasters wife’s brother, a chemist (a wonderfully layered performance by Henry Stram) who keeps his integrity and gives us hope for humanity.

Judgment Day: the Park Avenue Armory,  643 Park Ave until January 10th

Off Broadway

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email:

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