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Cabaret

The New York Pops Celebrated A Century Of Rhapsody In Blue and The Gershwin Songbook

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Last night the The New York Pops led by music director and conductor Steven Reineke shimmered effervescently at Carnegie Hall with the Gershwin songbook and a celebration of the masterpiece “Rhapsody in Blue”, which is celebrating it’s centennial.

Steven Reineke Photo by Genevieve Rafter Keddy

Starting off the night was a sparkling version of the “Overture” from Crazy For You. The New York Pops never sounded better or more alive as it did playing Gershwin.

Montego Glover Photo by Genevieve Rafter Keddy

Montego Glover Photo by Genevieve Rafter Keddy

Keeping the night vibrant Tony Award nominee Montego Glover (Memphis, Into the Woods, Hamilton) took to the stage in an icy blue gown for “Strike Up the Band”. Ms Glover sounded amazing and was given the fabulous Nelson Riddle arrangements for all the songs she sang. These were the arrangements for Ella Fitzgerald.

Montego Glover Photo by Genevieve Rafter Keddy

Next up was the rousing “Clap Yo’ Hands” from Oh Kay.

Montego Glover Photo by Genevieve Rafter Keddy

Before “‘S Wonderful”, from the film Funny Face, Steven Reineke informed us this was the original slang song. When you see and hear the lyrics, you know he is right.

Montego Glover Photo by Genevieve Rafter Keddy

Montego Glover Photo by Genevieve Rafter Keddy

“Don’t mind telling you in my humble fash

That you thrill me through with a tender pass

When you said you care, imagine my emot

I swore then and there, permanent devot”

Montego Glover, Steven Reineke Photo by Genevieve Rafter Keddy

Montego Glover, Steven Reineke Photo by Genevieve Rafter Keddy

“They Can’t Take That Away from Me” is from the 1937 film Shall We Dance. In hearing these songs, you long for those days.

Lee Musiker, Montego Glover Photo by Genevieve Rafter Keddy

Montego Glover Photo by Genevieve Rafter Keddy

“The Man I Love”  was originally part of the 1924 score for Lady, Be Good, the song was deleted and put into Strike Up the Band. This was one of my favorite moments of the night, as Ms Glover sang this with such heartfelt emotion on a stool accompanied by only Grammy and Emmy Award-winning pianist Lee Musiker.

Lee Musiker, Montego Glover Photo by Genevieve Rafter Keddy

The first act ended with the rousing Cuban Overture. Contentment was felt among the sold out crowd.

Steven Reineke Photo by Genevieve Rafter Keddy

Starting off the second act the New York Pops playfully performed “Walking the Dog”, one of many musical numbers written in 1937 for the Fred Astaire, Ginger Rogers film Shall We Dance.

Lee Musiker and first violinist, Genovia Cummins (Concert Master) Photo by Genevieve Rafter Keddy

Lee Musiker Photo by Genevieve Rafter Keddy

Lee Musiker and The New York Pops Photo by Genevieve Rafter Keddy

Lee Musiker, Steven Reineke Photo by Genevieve Rafter Keddy

Then the highlight for the night …. “Rhapsody In Blue”. Here the New York Pops performed with piano soloist Lee Musiker. This was a unique performance as Mr. Musiker and Mr. Reineke took massive liberties with the piece.

Montego Glover Photo by Genevieve Rafter Keddy

Montego Glover Photo by Genevieve Rafter Keddy

Montego Glover Photo by Genevieve Rafter Keddy

Stunning in a dark blue gown Montego Glover proved she’s or “I Got Rhythm”.

Montego Glover, Steven Reineke Photo by Genevieve Rafter Keddy

Lee Musiker, Steven Reineke, Montego Glover Photo by Genevieve Rafter Keddy

The program aconcluded with the iconic “Summertime”  from Porgy and Bess.

Steven Reineke  Photo by Genevieve Rafter Keddy

Of course there was an encore and truly ending the night was “Love Is Here to Stay” from the film The Goldwyn Follies. It was the perfect song to end the night because, yes our love for the New York Pops is definitely here to stay!

Jamie deRoy  Photo by Genevieve Rafter Keddy

The Fabulous Ken Fallin

Lee Musiker  Photo by Genevieve Rafter Keddy

Steven Reineke, Lee Musiker  Photo by Genevieve Rafter Keddy

Montego Glover Photo by Genevieve Rafter Keddy

Montego Glover, Steven Reineke Photo by Genevieve Rafter Keddy

Montego Glove, Steven Reineker Photo by Genevieve Rafter Keddy

Montego Glover, Lee Musiker Photo by Genevieve Rafter Keddy

Montego Glover, Lee Musiker Photo by Genevieve Rafter Keddy

Next up “Celebrating Motown” on Friday, March 15, 2024 featuring Bryan Terrell Clark and Valisia LeKae.

Honoring industry legend Clive Davis at the orchestra’s 41st birthday gala, “The Soundtrack of Our Lives: A Tribute to the Legendary Clive Davis,” will happen on Monday, April 29, at 7:00 p.m. Expect this to be star studded so get your tickets now.

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Cabaret

My View: David Marino Makes His Debut at Birdland

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Last night David Marino made his debut at the legendary BIRDLAND Jazz Club in the heart of New York City.  It was certainly an exciting night for the charismatic 23 year old who hails from Montreal, Quebec, in Canada. David was a finalist on LA VOIX (The French Canadian Edition of THE VOICE).

Birdland was filled with family, friends and plenty of New York notables, including owner Gianni Valenti and we were treated to standards in English and French and learned about David’s journey with music. A journey that first began when as a child his father played Gershwin’s “They Can’t Take That Away From Me” for him.  He got emotional while telling that story with his Dad there in the audience, and it was quite moving. This kid would appear to have the right stuff for a bright future, and starting out with Billy Stritch as his musical director with some of the best musicians in NYC was an excellent choice for his first time here on 44th street, at an address the entire world knows.  Here are some photos from David’s debut at Birdland.

DAVID MARINO

DAVID MARINO

DAVID MARINO

BILLY STRITCH & DAVID MARINO

DAVID MARINO

DAVID MARINO

DAVID MARINO & RICHARD JAY-ALEXANDER

MARILYN MAYE, RICHARD JAY-ALEXANDER, EDA SOROKOFF

STEPHEN SOROKOFF, NICOLAS KING, SETH SIKES

RICHARD JAY-ALEXANDER, NICOLAS KING, SETH SIKES

SETH SIKES, EDA SOROKOFF, NICOLAS KING

BIRDLAND

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Cabaret

An A-Mayes-ment in black and white 

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Imagine the surprise, when expecting the sweet and bouncy lady you’ve known from the Broadway stage—you know, the one who is part Dorothy Loudon/part Anita Gillette—takes the stage and delivers a program that reveals her to be a jazz baby as well. The lady in question is of course Sally Mayes in Now and Then/Jazz Standard Time. 

Yep, Sally’s back, bedecked in a black-and-white outfit with just enough subtle sparkle to be seductive.  As sassy as ever, with a glint in her eye like the female Harold Hill, she presented a selection of songs that were rousing, heart-rending, funny, and overall fabulous. Fueled by talent we all know and love and coupled with an energy and verve that were enviable, she was entrancing. This was a new Sally and one I was very pleased to meet. With Tedd Firth as Musical Director and Tom Hubbard supporting on bass, a sensational evening was virtually guaranteed. 

Sally began with “Cloudburst”, a tongue-twister of a tune that revealed her verbal as well as vocal dexterity. She then switched gears, spoke of her son and his birth which led to “The Way You Look Tonight” sung almost as a lullaby. Her delivery of “Don’t Blame Me” which had been arranged by the much-missed Mike Renzi revealed some of the truthfulness and vulnerability that makes her such a beloved performer. A hint of Peggy Lee was to be spotted, which just added to the magic of the evening.  There was plenty of scat and lots of giggles as Sally told stories about her mother, life in Westchester, and other peeks into her life that made her feel like an old friend. 

If you missed this performance, fear not—there’s more to come! Sally will be returning to The Green Room 42 (570 Tenth Avenue in YOTEL).  Make reservations early—you don’t want to miss these two:  

The Stories on May 16 and The Broadway Extravaganza on June 20 

One caution: The overly enthusiastic lighting features the equivalent of headlights flashing, quite disconcerting and unnecessary.  It had me yearning for my cataracts.  Next time I’ll bring sunglasses.

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Cabaret

An Evening With Richard Holbrook and The Tom Nelson Trio

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 Richard Holbrook along with The Tom Nelson Trio performed at 54 Below in Richard Holbrook: Twenty Plus Four In 2024. This anniversary show celebrated Mr Holbrook’s twenty-four years of  singing in New York City. With Tom Nelson on piano; Tom Kirchmer on bass; and John Redsecker on drums they returned to 54 Below this week with his  latest show, directed by MAC Award-winning cabaret performer Jeff Harnar.

As always Richard shows his sophisticated style making each song very personal. He can take any song and add his personal touch. Richard is also a four-time MAC Award nominee. My favorite part of the show was Richard’s take on some of Charles Aznavour songs. He shows off his deep understanding of Aznavour’s dramatic songs. 

Richard’s debut in musical theater happened when he was a freshman in high school and got cast in a production of How To Succeed In Business Without Really Trying. This began a life-long love affair with performing. Richard appeared on such hit television series as “The Sopranos”,  “Spin City”, and “Law & Order: (Season 22). No stranger to daytime television, he frequently appeared in “All My Children” and “One Life to Live”. In regional theatre he performed in productions which included leading roles in Deathtrap and The Subject Was Roses.

In 1985 Richard started performing in cabaret venues throughout Manhattan which he continues to do to this day. Over the years, he has done highly acclaimed cabaret shows with musical direction by Tom Nelson. In 2003, he did a tribute to Fred Astaire by focusing on the legendary dancer’s other talents … that of a singer and a musician. The act Richard Holbrook: The Untapped Fred Astaire, received critical acclaim.  In August, 2004, Richard released his first CD entitled Richard Holbrook Steps Out. This recording features Richard, accompanied by The Tom Nelson Trio, singing several well-known songs from his Astaire show and other selections by such composers as Portia Nelson, Ronny Whyte, and Kander & Ebb.  

Between 2008 and 2015, Richard successfully performed his cabaret act Richard Sings Burton – The Songs of Burton Lane at such venues as Don’t Tell Mama, The Metropolitan Room, and Feinstein’s/54 Below. In March, 2015, Richard reprised the show at Feinstein’s / 54 Below.  After that, Richard’s tribute to the legendary composer Richard Rodgers, Richard Holbrook: Richard Sings Rodgers With A Lot Of Heart, was presented in October, 2015 at The Metropolitan Room. It received excellent notices and played to sell-out crowds. All three tribute shows – Fred Astaire, Burton Lane, and Richard Rodgers – were directed by Richard Barclay. 

 In 2013, Richard was diagnosed with single cell carcinoma (cancer of the jaw) and successfully underwent a thirteen-hour operation in which his jaw was replaced with the fibula of his left leg. After five months of recovery, Richard resumed his singing career. For the past several years, Richard has presented a musical tribute to the lyrics of Alan Jay Lerner, as well as his annual Christmas cabaret fund-raising shows at Don’t Tell Mama for The Cancer Support Community. In the summer of 2024, Richard and his musical director Tom Nelson presented his anniversary show at 54 Below celebrating their twenty-three years of working together. This show was a reprise that show.

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Cabaret

Cabaret News: ROSIE: A New Musical, Karen Mason, The Wicked Stage: Songs About Show Business, Lisa Dawn Miller and Late Night Vibing: Asian R&B

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54 Below, Broadway’s Supper Club, presents ROSIE: A New Musical by Annika Stenstedt on March 31st, 2024 at 9:30pm. Join us for an empowering evening featuring the songs of this new musical based on Rosie the Riveter and all the “We Can Do It” women who worked on the homefront of World War II. Experience the public debut of ROSIE’s sweeping, emotional score, which both celebrates and interrogates the legacy of the iconic feminist symbol. Featuring a stunning cast, including theater favorites and recent NYU Tisch graduates, the concert will share a special glimpse into a project that has been years in the making.

ROSIE: A New Musical is written and created by Annika Stenstedt. The concert is produced by Annika Stenstedt, Brie Leftwich, and Caroline Lace McPherson. The cast includes Cara Rose DiPietro, Chris King, Demiah Latreece, Amanda Leske, Sean Manucha, Caroline Lace McPherson, Marissa Mitchell, Joey Morof, Olivia Ondrasik, Senna Prasatthong, Annika Stenstedt, Gus Stuckey, Mona Swain, and Hannah Lauren Wilson. The band also features Henry Wolf on Drums and Gus Stuckey on Trumpet.

ROSIE: A New Musical by Annika Stenstedt plays 54 Below (254 West 54th Street) on March 31st, 2024 at 9:30pm.

Birdland Jazz Club will present the return of Broadway, concert and recording star Karen Mason in the debut of a new show “Just in Styne: Karen Sings Jule” – honoring Jule Styne, one of her favorite songwriters – on Monday, March 25 at 7:00 PM. From the first time she sang for Mr. Styne in New York City, to performing in a concert in his honor at Gran Teatre del Liceu in Barcelona, Karen has made the songs of Jule Styne a part of her musical life. This new concert may include Broadway tunes “Just in Time” and “Diamonds Are a Girl’s Best Friend,” and pop standards “Time After Time” and “Three Coins in the Fountain.” Karen will be joined by Christopher Denny on piano and Tom Hubbard on bass. The show will be directed by Barry Kleinbort. There is a $30-4o music charge. Birdland is located at 315 West 44th Street in New York.

Karen Mason was seen playing Mrs. Marsh on Ryan Murphy’s “Halston” on Netflix. On tour, was last seen as Madame Giry in the North American premiere of Love Never Dies, Andrew Lloyd Webber’s epic sequel to The Phantom of the Opera. On Broadway, she starred as The Queen of Hearts in Wonderland and originated the role of Tanya in Mamma Mia! (2002 Drama Desk nomination as Best Actress). Her other leading roles include Norma Desmond in Sunset Boulevard on Broadway and in Los Angeles for three years; Velma von Tussel in the Broadway company of Hairspray; “Monotony” singer and Mazeppa in Jerome Robbins’ Broadway. In regional theater, Karen starred in Chasing Rainbows (Paper Mill Playhouse), A Christmas Story as Miss Shields; White Christmas (St. Louis Muni Opera); Side by Side by Sondheim (Coconut Grove Playhouse in Florida); Gypsy (Sundance Theatre in California); Company (Huntington Theatre in Boston). Off-Broadway, she won the Outer Critics Circle Award for her performance in And the World Goes ‘Round.

She is a 14-time MAC Award winner, and was the recipient of the 2019 MAC Lifetime Achievement Award. She also won 3 Bistro Awards. Her eight recordings include the single “It’s About Time,” written by Paul Rolnick and Shelly Markham; her 2009 MAC Award-winning Right Here/ Right NowThe Sweetest of NightsWhen the Sun Comes OutChristmas! Christmas! Christmas!Better Days (featuring the 1998 Emmy Award-winning song “Hold Me”); and Not So Simply Broadway. Also, Wonderland (original cast); the film Jeffrey (Varese Sarabande); Wonderful Town (JAY Records); the cast album of And the World Goes ‘Round (RCA Victor).

54 Below, Broadway’s Supper Club, present The Wicked Stage: Songs About Show Business on Monday, March 25th at 7pm, in-person and streaming live.Everything about it is appealing!” Hear musical tales from Broadway, Tinseltown, TV & popular song about the colorful characters  who create the crazy business called SHOW.”
Musical theatre comedienne & Sirius XMs On Broadway DJ Christine Pedi  will host  & perform  along with John Bolton (Anastasia, A Christmas Story, Dames at Sea), Cabaret & Jazz legend Marilyn Maye,  Tony Award® nominee Lee Roy Reams (42nd  St, Applause, Hello, Dolly!), and Zal Owen (Harmony, The Band’s Visit). Music direction by Michael Lavine.
Christine Pedi (Chicago, Forbidden Broadway, Newsical) and Michael Lavine  (renowned vocal coach and musical archivist) have created and performed in many memorable evenings at 54 Below. The Wicked Stage features Broadways most vivacious performers from many of your favorite shows past and present singing songs (and telling tales)  from the stage, screen and beyond that tell the  stories  of show people”  who are like NO people YOU know!  From Norma Desmond to Harold Hill, from Show Boat to A Chorus Line, the evening features songs about the ups, down, ins, outs, highs and lows, passions and pitfalls of performing.

New York’s newest hotspot for intimate dining and extraordinary music – will celebrate one of Motown’s most successful hitmakers in “For Once in My Life: The Songs of Ron Miller” on Monday, March 25 at 7:00 PM. Produced by his daughter Lisa Dawn Miller, the show salutes the legendary songwriter and producer, who penned some of the label’s biggest hits including multiple-Grammy Award winner “For Once in My Life,” recorded by over 700 major label artists and inducted into the Grammy Hall of Fame. Some of his other standards include “Touch Me in the Morning,” “Heaven Help Us All,” “A Place in the Sun,” “Yester-me, Yester-you, Yesterday,” “Someday at Christmas,” “I’ve Never Been to Me,” and “If I Could.” Ron’s songs have been featured in numerous blockbuster and Academy Award-winning films, and on countless television shows throughout the decades. This evening, which will feature special guests, features music director Ryan Rose. Tickets are $25-$45 in addition to a service charge and a two-item food and beverage minimum. A livestream option is available for $20. Chelsea Table + Stage is located at 152 West 26th Street.

Lisa Dawn Miller is a singer, songwriter and producer as well as the daughter of legendary songwriter, Ron Miller. She produces and stars as “Frank’s One Love” in the critically acclaimed hit musical “Sandy Hackett’s Rat Pack,” which tours throughout the U.S. and is currently in its 14th season. She also produces and directs the musical comedy “My Buddy,” and has produced multiple recordings and directed numerous music videos. Lisa is set to release three new singles this summer under a new distribution deal with The Orchard, a subsidiary of Sony Music: “I Need Your Love,” “Rhythm of Me,” and “There You Are,” as well as a new EDM dance record, “I’ve Been to Paradise,” an interpolation of her father’s classic, “I’ve Never Been to Me.” In 2022, she signed a new publishing deal with Sony Music Publishing to administer her father’s songs. The new deal expands upon a decades-long partnership between Millers’ songs and the publishing giant. Lisa runs her own music publishing company, LDM Worldwide and record label, J-Wall Records. She manages her father’s vast legacy song catalogue.

Ron Miller (1932-2007), the legendary Motown songwriter, wrote numerous hit songs which have sold in the hundreds of millions, with recordings by some of the biggest recording artists of all time, including Frank Sinatra, Stevie Wonder, Barbra Streisand, Tony Bennett, Dean Martin, Sammy Davis, Jr., Judy Garland, Ella Fitzgerald, Ray Charles, Michael Bublé, and Celine Dion. His songs have been reimagined for every generation with several recordings by even the artists of today, including Justin Bieber, LeAnn Rimes, Jackie Evancho, Noah Cyrus, and Oliver Richman. Ron’s songs have been featured in numerous top-grossing films and on countless television shows throughout the decades as well as in major ad campaigns by the largest global companies and brands. Ron has numerous RIAA gold and multi-platinum records and multiple BMI awards. His songs have won several Grammy Awards including in 2005 for “Heaven Help Us All,” the last song recorded by the legendary Ray Charles.

The Green Room 42 – the intimate concert venue dubbed Broadway’s “off-night hotspot” by The New York Times – will present the special concert “Late Night Vibing: Asian R&B” on Monday, March 18 at 9:30 PM. From artists of 88rising (Joji, NIKI, keshi) and Kpop (Jungkook, Jay Park) to soulful American songwriters (H.E.R., Jhené Aiko) and more, Asian R&B has had an undeniable impact on both the global music scene and broader Asian community. Experience iconic songs from all of your favorite singers performed by an all-AAPI/BIPOC ensemble of star-studded vocalists.

The creative team for “Late Night Vibing: Asian R&B” includes co-producer, director and vocalist Yu Hin Bryan Chan (“54 Sings Allegiance,” Cinderella), music director Rose Van Dyne (Broadway’s 1776, Spring Awakening), co-producer Cindy Tsai (Producer Hub, New York Civil Liberties Union), and arranger Max Addae (Upper Structure LAAF ‘22). The concert will star Roger Rees Award finalist Cassidy Baltazar (The Vendetta), Cindy Tsai (The Chinese Lady, Jeanette: The Musical), Sushma Saha (Broadway’s 1776, Interstate), George Davidson-Dennis (Carousel, A Chorus Line), and Yu Hin Bryan Chan.

 “Late Night Vibing: Asian R&B” will be performed on Monday, March 18 at 9:30 PM at The Green Room 42 (570 Tenth Avenue at 42nd Street, on the 4th Floor of Yotel). The cover charge ranges from $20-$50. A livestream option is available for $20. For tickets, please visit www.TheGreenRoom42.com.

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Cabaret

Like a Goddess Dressed by Erté  

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That was how Lorna Dallas took over the stage Sunday night at one of the newest cabaret rooms, Chelsea Table + Stage. So regal was she that one wished she had entered via the dramatic curved staircase behind the stage, perhaps with some subtle tinkling on the piano of “Beautiful Girls” from Follies. Well, maybe next time. All that mattered was that she finally arrived, and this long-awaited return was greeted with warm enthusiasm by her fans who filled the room. 

Lorna’s quasi-operatic voice served well the composers she honored with loving and intelligent renditions of their music. Sometimes a soul needs just a bit of Ivor Novello to brighten the moment, and Lorna delivered just enough to make us yearn for more. She sang of her delight in dressing up, which led into “Put On Your Sunday Clothes”, a combination no one saw coming. When she mentioned Very Warm for May, the prospect of hearing one of Kern and Hammerstein’s most popular songs from that show, “All the Things You Are”, stirred the heart. But again, Lorna surprised us with a haunting rendition of the other song from that show that seemed destined for greatness “In the Heart of the Dark”.   

A visit by the Gershwins in the form of “By Strauss” suited Lorna’s talents well, and she speeded ahead a half-century to Sondheim with his song from the film Dick Tracy “Back in Business” followed by his somber and wistful “In Buddy’s Eyes” and Rodgers & Hammerstein’s “I Have Dreamed”. A fascinating history of the song “Here’s That Rainy Day” from Carnival in Flanders followed, and then, reluctantly, the evening had to end. Lorna delivered so much in such a short time, and yet we all wanted more.     

Cabaret enthusiasts know that the names Barry Kleinbort and Christopher Denny are like the Good Housekeeping Seal of Approval on any show with which they are affiliated. Denny supplied is customary skillful piano virtuosity and gentle support, while Kleinbort, in addition to masterful direction, also contributed extra material. Those who recall a time when the word diva had a very positive connotation will agree that Lorna Dallas is one of the few left standing who merit that sobriquet.  

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