One of my favorite seasonal treats is attending the New York Pops annual holiday celebrations. This year Making The Season Bright brought together to sets of siblings. Broadway and Jazz sisters Ann Hampton Callaway and Liz Callaway and cabaret darlings Anthony Nunziata and Will Nunziata.
Staring the celebration off, Steven Reineke, conductor and arranger for the Pops, as well as Essential Voices USA energetically and cheerfully launched into a Reineke arrangement of “It’s the Most Wonderful Time of the Year.”
Carnegie Hall filled with the glorious sounds of New York’s finest treasures The New York Pops.
“Silver Bells” another Reineke brought all the siblings together. The Nunziata twins shimmered in sequin jackets and shoes. Ann showed off her thrilling alto in “Winter Wonderland,” followed by Will on “The Christmas Song,” Anthony on “I’ll Be Home for Christmas” and the piece de resistance Liz reprising her role as the singing Anastasia (coming to Broadway in 2017). The Stephen Flaherty and Lynn Ahrens “Once Upon a December into ”Journey to the Past” was magical.
The beautiful “The Chanukah Song” (“We Are Lights”) by Stephen Schwartz and Maoz Tsur, from “Songs of Freedom: A Celebration of Chanukah” brought out the best of Essential Voices USA, led by Judith Clurman. I had never heard “The Chanukah Song” and found it extremely moving. Also as a note Brian Stokes Mitchell helped with the arrangement of Maoz Tsur’s song.
Rounding out the first act Stephen Reineke arrangement of the spiritual uptempo “Go Tell It on the Mountain,” left the audience ready for more.
Coming back The New York Pops teamed with Essential Voices USA, for “We Need A Little Christmas” from Mame. “Liz sand a heartfelt “Grown-Up Christmas List,” making this the song America and the world should be making their theme song. The sisters teamed with “Silent Night/Mary, Did You Know?” This lush arrangement again by Reineke was filled with warm tones.
A New York Pops staple the Reineke arrangement of ”Jingle Bell Rock,” had the crowd swinging and swaying.
The next song seemed less seasonal as the Nuziata’s sang “Carnegie Hall” written by John Bucchino and Michael Feinstein, written for Mr. Feinstein. Off the twins new album the title song “The Gift Is You.”
One of the highlights was Ann Hampton Callaway singing the (Schermerhorn/Whatley arrangement Steven Reineke) “Yes, Virginia,” which is on her Christmas album.
Irving Berlin’s White Christmas came to life as the four took to the stage. I would love to see Ann play the title role as her voice is so suited to this material.
Santa and an audience Sing-Along completed the evening that almost made you wish for snow. There is no better present to New York than this marvelous orchestra.
What better way is it for The New York Pops to enters it’s thirty-fourth year Friday March 10, 2017 with Life is a Cabaret: The Songs of Kander and Ebb. Mr. Kander is celebrating his 90th Birthday! So look for some special surprises to occur.
The New York Pops Making The Season Bright: Carnegie Hall, December 16 and 17
article Suzanna Bowling
Ken Fallin’s Broadway: A Dolls House: Arian Moayed and Jessica Chastain
I went with T2C’s editor to A Dolls House, which inspired this caricature. You can read Suzanna’s review of the show here.
T2C Sends Our Prayers to Andrew Lloyd Webber and Lea Michele
Saturday, March 25, 2023
A Statement From Andrew Lloyd Webber
I am shattered to have to announce that my beloved elder son Nick died a few hours ago in Basingstoke Hospital. His whole family is gathered together and we are all totally bereft.
Thank you for all your thoughts during this difficult time.
The 75-year-old Oscar-winning composer son Nicholas followed in his father’s footsteps and was a successful composer in his own right, having written Fat Friends The Musical. He was married to musician Polly Wiltshire, who appeared on the soundtrack of his father’s 2019 movie Cats.
During his career, Nicholas also scored music for an adaption of The Little Prince as well as composing numerous TV and film scores, including for the BBC1 drama Loves, Lies, and Records.
Nicholas previously spoke about making his own way in the theatre world away from his famous family name in a 2011 unearthed interview.
He said he wanted to be ‘judged on his own merits’ so dropped his surname when working to see what the reaction would be.
Our hearts and prayers go out to his family.
Also on Saturday Lea Michele updated her fans on the status of her two-year-old’s health via her Instagram after he was hospitalized earlier this week. Her son Ever was in the hospital, but is now out due to a ‘scary health issue. She posted a picture backstage in her dressing room ahead of her Broadway performance in Funny Girl. Lea had been out to focus on her family.
“I just wanted to say thank you to everyone for just so much love and support this week. I really really appreciated it”.
Parade: A Musical That Asks Us Do We Have The Eyes And Ears To See.
Micaela Diamond and Ben Platt Photo by Joan Marcus
I have always loved Jason Robert Brown’s score for Parade. “You Don’t Know This Man,” “This Is Not Over Yet” and the wonderfully romantic “All the Wasted Time” are just the tip of the iceberg for music that stirs your soul and tells a tale of heartbreak. There is a reason this score won the Tony Award in 1999.
The musical now playing on Broadway dramatizes the 1913 trial of Jewish factory manager Leo Frank (Ben Platt), who was accused and convicted of raping and murdering a thirteen-year-old Mary Phagan (Erin Rose Doyle). The trial was sensationalized by the media, newspaper reporter Britt Craig (Jay Armstrong Johnson) and Tom Watson (Manoel Feliciano), an extremist right-wing newspaper aroused antisemitic tensions in Atlanta and the U.S. state of Georgia. When Frank’s death sentence is commuted to life in prison thanks to his wife Lucille (Micaela Diamond), Leo was transferred to a prison in Milledgeville, Georgia, where a lynching party seized and kidnapped him. Frank was taken to Phagan’s hometown of Marietta, Georgia, and he was hanged from an oak tree.
The telling of this horrid true tale begins with the lush ode to the South in “The Old Red Hills of Home.” Leo has just moved from Brooklyn to in Marietta, where his wife is from and he has been given the job as as a manager at the National Pencil Co. He feels out of place as he sings “I thought that Jews were Jews, but I was wrong!” On Confederate Memorial Day as Lucille plans a picnic, Leo goes to work. In the meantime Mary goes to collect her pay from the pencil factory. The next day Leo is arrested on suspicion of killing Mary, whose body is found in the building. The police also suspect Newt Lee (Eddie Cooper), the African-American night watchman who discovered the body, but he inadvertently directs Starnes’ suspicion to Leo.
Across town, reporter Britt Craig see this story as (“Big News”). Mary’s suitor Frankie Epps (Jake Pederson), swears revenge on Mary’s killer, as does the reporter Watson. Governor John Slaton (Sean Allan Krill) pressures the local prosecutor Hugh Dorsey (the terrific smarmy Paul Alexander Nolan) to get to the bottom of the whole affair. Dorsey, an ambitious politician sees Leo as he ticket to being the Governor and though there are other suspects, he willfully ignores them and goes after Leo.
The trial of Leo Frank is presided over by Judge Roan (Howard McMillan). A series of witnesses, give trumped up evidence which was clearly is fed to them by Dorsey. Frankie testifies, falsely, that Mary said Leo “looks at her funny.” Her three teenage co-workers, Lola, Essie and Monteen (Sophia Manicone, Emily Rose DeMartino, Ashlyn Maddox), collaborate hauntingly as they harmonize their testimony (“The Factory Girls”). In a fantasy sequence, Leo becomes the lecherous seducer (“Come Up to My Office”). Testimony is heard from Mary’s mother (Kelli Barrett ) (“My Child Will Forgive Me”) and Minnie McKnight (Danielle Lee Greaves)before the prosecution’s star witness, Jim Conley (Alex Joseph Grayson ), takes the stand. He claims that he witnessed the murder and helped Leo conceal the crime (“That’s What He Said”). Leo is given the opportunity to deliver a statement (“It’s Hard to Speak My Heart”), but it is not enough. He is found guilty and sentenced to hang. The crowd breaks out into a jubilant circus.
Act 1, is not as strong as it should have been. I have attended three different incarnations, the last being with Jeremy Jordan as Leo and Joshua Henry as Jim in 2015. Part of the problem is Michael Arden’s direction. Instead of allowing his performers to act, he has them pantomime, as the solo goes forth. “Come Up to My Office” was not as haunting as in past productions. The same can be said of “That’s What He Said”. Who’s stands out in the first act is Jake Pederson as Frankie and Charlie Webb as the Young Soldier who sings “The Old Red Hills of Home.”
In Act 2, Lucille finds Governor Slaton at a party (the hypnotic “Pretty Music” sung wonderfully by Krill) and advocates for Leo. Watson approaches Dorsey and tells him he will support his bid for governor, as Judge Roan also offers his support. The governor agrees to re-open the case, as Leo and Lucille find hope. Slaton realizes what we all knew that the witnesses were coerced and lied and that Dorsey is at the helm. He agrees to commute Leo’s sentence to life in prison in Milledgeville, Georgia, which ends his political career. The citizens of Marietta, led by Dorsey and Watson, are enraged and riot. Leo is transferred to a prison work-farm. Lucille visits, and he realizes his deep love for his wife and how much he has underestimated her (“All the Wasted Time”). With hope in full blaze Lucille leaves as a party masked men kidnap Leo and take him to Marietta. They demand he confess and hang him from an oak tree.
In Act Two Parade comes together with heart and soul. Diamond, who shines brightly through out the piece is radiant, and her duets with Platt are romantic and devastating. Platt comes into his own and his huge following is thrilled to be seeing him live. Alex Joseph Grayson’s also nails his Second Act songs.
Dane Laffrey’s set works well with the lighting by Heather Gilbert.
Frank’s case was reopened in 2019 and is still ongoing.
Parade has multiple messages and the question is will audiences absorb it. I am so glad this show is on Broadway, making us think and see. This is a must see.
Tech2 years ago
How to Take Advantage of Virtual Numbers for SMS
Business2 years ago
Entre Institute Review – Is Jeff Lerner’s Program a Scam?
Entertainment2 years ago
A Star is Born – Barvina Takes Entertainment World by Storm
Events3 months ago
New Year’s Eve Traditions In The US and Around The World
Film9 months ago
Elvis and The Mob Connection
Broadway2 years ago
Broadway Reopening: The Theatre Listings
Events2 years ago
The Question On Everyone’s Mind Should Be How Did The Haitians Get To Mexico
Spiritual2 years ago
The History of Numerology
Family2 years ago
Who Is Justine Ang Fonte and Why Are We Letting Her Near Children?
Broadway11 months ago
Funny Girl Makes Julie Benko a Star
Parade: Bernard B. Jacobs Theatre, 242 W 45th Street.