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The New York Pops Took Carnegie Hall To A Galaxy Far Far Away

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All photo’s are by Genevieve Rafter Keddy

Last night audiences had the chance to experience the music of Star Wars like never before as The New York Pops took us to a galaxy far, far away. Steven Reineke lead the phenomenal orchestra in a brand-new program that included music from all nine films in the Skywalker saga as well as the two anthology films, Rogue One and Solo—all in chronological order.

Under the direction of Maestro Steve Reineke the Pops was in rare form as they throughly entertained a audience that has supported them for 40 years.

Steven Reineke

Starting with The Phantom Menace we were treated to The Flag Parade. From Attack of the Clones Across the Stars into Battle For Hero’s from  Revenge of the Sith, finishing with The Adventures of Han from Solo: A Star Wars Story. We were taking a galactic deep-drive into the supersonic music that created the soundtracks the Star Wars film franchise, unearthing the out-of-this world magic of John Williams’ score.

All of the compositions are by John Williams except for The Empire’s Suite by Michael Giacchino from Rouge One. Williams’ Star Wars score is downright masterful, unforgettable and instantly iconic.

The beautiful and haunting Princess Leia’s Theme comes from Star Wars: Episode IV – A New Hope, as does the main title theme. Williams use of Wagner-inspired orchestration and simply incredible melodies has made Star Wars as recognizable by ear as it is by name or visually.

Yoda’s Theme and The Imperial March come from Episode V – The Empire Strikes Back, which led to intermission. The impactful triplet rhythms contrasted with bold notes, ‘s thatdetailed string and woodwind flourish. There’s also intense syncopation.It is easy to see why Star Wars is often described as being a space opera.

Act Two started with Return of the Jedi and the haunting Luke and Leia and The Forest Battle.

The Force Awakens brought on Roy’s Theme and The March of the Resistance.

The Rebellion is Reborn comes from The Last Jedi.

The surprise of the evening was the suite from The Rise of Skywalker, which included Psalm of the Sith, The Rise of Skywalker, Roy and Ben and Speeder Chase.

The encore was my favorite piece Cantina Band from Star Wars: Episode IV – A New Hope. The NY Pops is one fabulous symphony orchestra and does what symphony orchestras do best: rich sounds, bold colors, with contrasted textures and the music of John Williams brought that out in full force.

You can join The NY Pops on Friday, November 18, 2022 at 8:00 p.m. in Stern Auditorium / Perelman Stage at Carnegie Hall for Broadway Blockbusters with Judith Clurman’s Essential Voices USA, Nikki Renée Daniels (Broadway’s Company, The Book of Mormon), Jordan Donica (Broadway’s My Fair Lady, The Phantom of the Opera; San Francisco and Los Angeles companies of Hamilton), Matt Doyle (2022 Tony Award Winner for Best Featured Actor in a Musical in Company), and Melissa Errico (Broadway’s My Fair Lady, High Society, Amour).

Richard Maltby, Jamie deRoy

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Broadway

Ken Fallin’s Broadway: The Outsiders

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These boys are taking Broadway by storm Jason Schmidt, Sky Lakota-Lynch, and Brody Grant. In Tulsa, Oklahoma, 1967, the hardened hearts and aching souls of Ponyboy Curtis, Johnny Cade and their chosen family of “outsiders” are in a fight for survival and a quest for purpose in a world that may never accept them. A story of the bonds that brothers share and the hopes we all hold on to, this gripping new musical reinvigorates the timeless tale of “haves and have nots”, of protecting what’s yours and fighting for what could be.

The Outsiders opened on Broadway at the Bernard B. Jacobs Theatre, 242 W 45th Street.

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Broadway

We Say Good Bye To Costume Designer Extraordinaire Carrie Robbins

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I met Carrie Robbins at an art gallery with Louise St Louis, Baayork Lee and Judy Jacksina. The four of us stayed well into the morning talking, laughing and having a fabulous time. Carrie and I bonded after that as she turned to playwriting. It broke my heart to learn that on the evening of April 12, 2024 Costume Designer extraordinaire Carrie Robbins passed away.

Carrie’s work has been featured in over 30+ Broadway shows, including Class Act, Grease (original), Agnes of God, Yentl, Octette Bridge Club, Sweet Bird of Youth (Lauren Bacall), Frankenstein, Happy End (Mary Streep), Boys of Winter, Cyrano (Frank Langella), & Shadow Box (Mercedes Ruehl).

Her awards and nominations included: 2012 recipient of the Irene Sharaff Lifetime Achievement Award presented by the Theatre Development Fund & the tdf/Costume Collection with the support of the Tobin Theatre Arts Fund. 2 Tony (Noms.), 5 Drama Desks, Maharam, USITT/Prague International, L.A. Dramalogue, Henry Hughes, F.I.T-Surface Design, & Audelco, among others.

Robbins’ costumes for the Irving Berlin musical White Christmas played major cities in the USA, Broadway, and Great Britain. Her regional work included M. Butterfly and On the Verge, for director Tazewell Thompson (Arena Stage) and the Gershwin musical American in Paris by Ken Ludwig for director Gregory Boyd (Alley Theatre, Houston) as well as The Tempest (Anthony Hopkins as Prospero) & Flea in Her Ear (director Tom Moore at Mark Taper Forum), many productions for the Guthrie (MN), Williamstown, and many others from Alaska to Buffalo.


Locally, in NYC, Robbins designed for many productions for The Lincoln Center Repertory Theatre, Chelsea Theatre at BAM, Acting Company at Juilliard and NY Shakespeare Festival.

She also designed for the Opera and they included Death in Venice for Glimmerglass (’08 Prague International Design Exhibit), Samson et Dalila (San Francisco Opera, Houston Grand, more), and many productions for Sarah Caldwell’s Opera Company of Boston. Her work has also been seen at the Hamburg StatsOper.

For film Robbins designed the movie “In The Spirit” (Elaine May, Peter Falk, Marlo Thomas); TV design included: Saturday Nite Live, PBS Arts in America, & several unseen pilots.

Robbins has designed clothes for several seasons of Queen Esther Marrow and The Harlem Gospel Singers’ European Tour. She also did the designs for The Cincinnati Ballet’s new Nutcracker, in December of 2011

Robbins was an MFA grad from the Yale School of Drama and was Master Teacher of Costume Design at the NYU Tisch School of the Arts for many years. She is extremely proud of the extraordinary number of award-winning, successful young costume designers and costume teachers across the country who came out of her classes.

Besides being a costume designer Carrie also was a playwright. In August 2010, her play, The Death & Life of Dr. Cutter, a Vaudeville, based on the true stories told by her husband Dr. R.D.Robbins, had its 4th reading at the Snapple Theatre Center; it was chosen by Abingdon Theatre Co, NYC, to be part of its First Readings Series in Fall, 2009. In 2011-12 the  League of Professional Theatre Women chose The Dragon Quartet as part of its 30th year anniversary celebration. In 2012-13, La MaMa (oldest off-off-Broadway theater in NYC at 51 years) chose The Diamond Eater for its “Concert Reading Series”. In 2013: TACT (The Actors Company Theatre, chose Sawbones for part of its newTACTics New Play Festival. In 2014 both The Diamond Eater and Sawbones  received 6 Nominations from N.Y. Innovative Theatre Awards (the most nominations given out in the 2014 season). In 2015, Le Wedding Dress, was a semi-finalist in NYNewWorks Theatre Festival. In 2016: Obsessions Of An Art Student chosen by NYNewWorks Theatre Festival. In 2016, The Actress, was a finalist in NY Thespis Summer Festival. In 2017, My Swollen Feet, chosen by NY Summerfest Theatre Festival/ Hudson Guild Theatre. In 2018 The Diamond Eater , semi-finalist at the 14th St. Y competition War + Peace/2018/19 season and The Dragon Griswynd, was chosen by Theater for the New City for its “Dream-Up Festival” In 2019 Pie Lessons, was invited by Crystal Field, Exec. Artistic Director of Theater for the New City, to be part of “Scratch Night at TNC”.

The last thing Carrie was working on was For The Lost Children Of Paris. This play was about how the Nazis, with help from the Vichy Government, collected French-Jewish schoolchildren and delivered them to Auschwitz. Excellent German record-keeping revealed 11,400 children were taken. At the liberation, only 200 were found alive. This is the story of one classroom’s collection day and its aftermath.

She did this play using puppets as the children.

Carrie had a voice that she used in a multiple of ways. She was a caring friend, a dedicated teacher, a prolific writer and costume designer, who always cared about others first. Carrie you will be missed.

 





 

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Broadway

Patti LuPone Returns to Broadway and The Big Screen

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Three-time Tony Award winner Patti LuPone, who gave up her Equity card in 2022, will star opposite Mia Farrow in Jen Silverman’s new play, The Roommate. The production will be directed by Jack O’Brien and will begin previews at the Booth Theatre in August ahead of a September opening.

The Roommate tells the story of Sharon, in her mid-fifties, who is recently divorced and needs a roommate to share her Iowa home. Robyn, also in her mid-fifties, needs a place to hide and a chance to start over. But as Sharon begins to uncover Robyn’s secrets, they encourage her own deep-seated desire to transform her life completely. A dark comedy about what it takes to re-route your life – and what happens when the wheels come off.

The Roommate premiered at the Actor’s Theatre of Louisville in March 2015, and has had several regional productions including at Williamstown Theatre Festival in 2017.

Ms. LuPone will star in the upcoming Marvel series, WandaVision spinoff series Agatha: Coven of Chaos. She’s in a coven of witches, playing Lilia Calderu, who is hot, with a great body and hair. Calderu, first appeared in Marvel comics in 1973 as a 450-year-old Sicilian witch whose power is divination and whose trial is tarot. The other witches are Kathryn Hahn, Aubrey Plaza, and a familiar who is played by Joe Locke. Locke, is currently on Broadway in Sweeney Todd.

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Out of Town

Tarragon’s El Terremoto Rises and Faulters Inside its Cracks

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The Latin music and the birds chirping draw us into the scene, that is, before the tremor sounds blow their nose all around us. We feel the vibrations throughout our bodies as we sit up and take notice of Tarragon Theatre‘s compelling but ultimately disconnecting El Terremoto, written with an earnest determination to engage by playwright Christine Quintana (Someone Like You; As Above). “Why do you get so tense?“, one caring neighbor asks the oldest of three sisters, Luz, portrayed by Mariló Núñez (Aluna’s La Communion), as she busies herself preparing for a sweet birthday party that no one really seems to want to be at, beyond a few outsiders. And it’s no wonder, with the energy that exists at the core of this half-interesting, half-disjointed play that is trying to tell us a lot of things, without having a stable foundation to stand on.

Rosalba Martinni, Monica Garrido Huerta & Juan Carlos Velis in El Terremoto – Tarragon Theatre 2024 – Photo by Cylla von Tiedemann.

Directed with an unfocused vision of constant movement by Guillermo Verdecchia  (Tarragon’s The Jungle), the fault lines appear way before the foundations of this familial home are shaken to its ghostly roots. A grandmother, Abuela, played with heart and nuance by Rosalba Martinni (Nightwood/Aluna’s The Solitudes) stands before us, paying dear homage to the lost parents of these three Jurado sisters who will come together like a different kind of terremoto. The set-up sizzles with possibility, but somewhere along the road to reconciliation, which is clearly the desired outcome in this messy play, too many inauthentic cracks and travels take place for one to fully engage with these three. Based on the way these sisters argue and attack one another, the faultlines that become visible from the onset make me care more for those poor souls who hang around hoping for some breadcrumbs of love and affection. A connection that is in short honest supply in this family’s East Vancouver home.

 Margarita Valderrama, Caolán Kelly, Miranda Calderon, Michael Scholar Jr., Rosalba Martinni & Mariló Núñez in El Terremoto – Tarragon Theatre 2024 – Photo by Cylla von Tiedemann.

It’s been twenty years since the parents of these three died suddenly in an automobile accident, but rather than bringing them together, the crash has only made them more fractured and distant. Núñez’s Luz tries with all her anxious might to hold and keep the family unit working, even as she forgets to care for her own self along the way. She needles and micromanages those who have come together, pushing them away and reaching out for them like a desperate yoyo. The middle sister, Rosa, portrayed conflictually by Miranda Calderon (Stratford’s Birds of a Kind), is clearly the mess of the family, lashing out relentlessly at almost everyone who looks her way, including the man who got away (maybe luckily), Henry, dutifully portrayed by an engaging Michael Scholar Jr. (Alameda’s The Refugee Hotel). Like a lot of this play, the relationships are clear from the very beginning, leaving little to fully understand except maybe why one would travel across town, and kayak across dangerous waters to see, only to be told to go home with a wave of a messed up wrist. And leave without question. That exit didn’t make any emotional sense, like a lot of the comings and goings in their home.

Shooting back shots that taste like lost youth, the birthday party of the late arriving youngest sibling, Lina, played with an air of disconnected desperation by Margarita Valderrama (Roseneath’s Meet Cute), along with her well-meaning and lovestruck partner, Tash, engagingly well played by Caolán Kelly (Stratford’s Hamlet-911), pull us into the dynamics of the family, and because of Tash’s openness to the engagement, we can’t help but notice that the structural ideals of the play make us want to lean in and hold on for support through their trauma. Yet somewhere along the road, past a failed and ignored proposal to Luz by the family’s neighbor, Omar, played compassionately by Sam Khalilieh (Studio180’s Stuff Happens), this dramatic comedy tries with an almost too diligent force to throw us off balance. It shows us its complicated value while never feeling completely true, all before the interval earthquake envelopes us. It’s a tremor of epic proportions, felt by all, that nearly destroys the city of Vancouver, taking down bridges and buildings in an almost unimaginable way, and leaving us wondering how this will throw them off their destructive combative course.

Caolán Kelly & Margarita Valderrama in El Terremoto – Tarragon Theatre 2024 – Photo by Cylla von Tiedemann.

On a well-crafted set, designed by Shannon Lea Doyle (Soulpepper’s Jesus Hopped the ‘A’ Train), with distinct costuming by Fernando Maya Meneses (NAC’sNigamon/Tunai), strong lighting by Michelle Ramsay (Theatre Rusticle’s The Tempest), a sometimes clever projection design by Samay Arcentales Cajas (Native Earth’s Where the Blood Mixes), and an environmentally powerful sound design by Alejandra Nuñez (Two Birds/Common Boots’s Apocalypse Play), El Terremotomoves with frantic supernatural (and unnatural) movement forward, delivering the message that nothing really matters, “so everything matters.” So when the doors fly forward and the aftershock releases the parental visuals by Monica Garrido Huerta (lemonTree Creations’s Private Eyes) and Juan Carlos Velis (Alameda’s The Refugee Hotel), we work hard at staying connected to this dysfunctional family. Because we want to see understanding and reconciliation, even with all the acts of inconsistency.

Their urgency in their manic movements, decision-making, and sparring never feel organic or honest, even as the actors work hard to find honest connections with one another. But only in the outsiders do we find the much-needed thread of connectivity. Kelly’s Tash, a beautiful creation that could have easily been a stock figure, finds the formula of play that unpacks the complications of feeling love with a wide-eyed honest observance. They register, that even with the strong feelings attached, this family is too much. The work to find stable connection that feels honest is elusive and probably not possible. I wanted them to find unity and some sort of authentic understanding, but the aftershock of the play El Terremoto at Tarragon Theatre was of sad disbelief.

https://tarragontheatre.com/

For more go to frontmezzjunkies.com

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Cabaret

Music News: Stereophonic, Aaron Tveit, Abby Mueller, Cheyenne Jackson, Lempicka, Reeve Carney, Rodgers & Hammerstein and The New Belters

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After starting previews to an extraordinary standing ovation this week, the season’s most critically acclaimed new play, Stereophonic, has dropped a brand-new music video of the hit song in the show, “Masquerade”, written by Academy Award® nominee and Grammy Award® winner Will Butler.

Direct from its smash hit world premiere engagement at Playwrights Horizons, David Adjmi’s Stereophonic is directed by Daniel Aukin and features songs by Will Butler, formerly of Arcade Fire. The highly anticipated Broadway production is currently in performances at the Golden Theatre (252 W 45th St) for 14 weeks only, and will officially open on Friday, April 19.

The music video was creative directed by Cameron Sczempka (Polymoth Productions). Director of Photographer was Hil Steadman.

Aaron Tveit

After incredibly high demand for his initial announcement, Broadway sensation Aaron Tveit, has extended his debut residency at Café Carlyle. Tveit’s captivating performances, characterized by his impeccable vocal talent and magnetic stage presence, have garnered widespread acclaim. With this extension, audiences will have another opportunity to experience the magic of Tveit’s musical artistry in the intimate setting of Café Carlyle, promising an unforgettable evening. The event will take place June 11 – 29, 2024 (previously June 18 – 29) at Café Carlyle in The Carlyle, A Rosewood Hotel (35 East 76th Street, at Madison Avenue).

54 Below, Broadway’s Supper Club, presents Abby Mueller on April 26-27, 2024 at 7pm. The performance on April 27 will also be streamed live. After her celebrated reign in Six, Abby Mueller (Broadway’s original Jane Seymour) makes her 54 Below and NYC solo concert debut! Previously seen on Broadway in Beautiful: The Carole King Musical and Kinky Boots, this Drama Desk Award winner and Grammy nominee invites you on a musical journey from Carole to Adele, pop to American Songbook classics, and beyond.

She will be reunited with her OG Six “Ladies in Waiting” Kimi Hayes (guitar), Michelle Osbourne (bass) and Elena Bonomo (drums), led by Music Director Sharon Kenny. Special musical guests include Nasia Thomas (Caroline, or Change, Ain’t Too Proud), Yasmeen Sulieman (Shucked, Paradise Square), and Paris Nix (Hamilton, Beautiful: The Carole King Musical)

Cheyenne Jackson

54 Below, Broadway’s Supper Club and 2022 Tony Awards® Honoree for Excellence in the Theatre, is thrilled to welcome back star of stage and screen Cheyenne Jackson on September 23-29 at 8pm. Each night will feature a Broadway VIP, with Tony Award® winner Matt Doyle on September 23, Cheyenne’s Once Upon A Mattress co-star Nikki Renée Daniels on September 24, Tony Award® winner J. Harrison Ghee on September 25, Company star Claybourne Elder on September 27, Tony Award® winner and Emmy nominee Jane Krakowski on September 28, and Wicked star Jessica Vosk on September 29. The special guest on September 26 will be announced at a later date. Tickets can be purchased at 54below.org/CheyenneJackson. Mr. Jackson’s shows are scheduled at 8pm instead of the usual 7pm and will be the only show of the night to allow for an extended dinner hour and enhanced patron experience. Following the show, the bar will remain open for patrons who wish to linger and continue to enjoy the evening.

Sony Masterworks Broadway, Seaview, and Jenny Niederhoffer announce the forthcoming Original Broadway Cast Recording of Lempicka, the sweeping new musical with leading lady Eden Espinosa, celebrating the gripping true story of renowned artist Tamara de Lempicka.  With music and lyrics by Matt Gould and Carson Kreitzer, the digital album arrives May 29, 2024 with the physical CD release set for July 5, and available for preorder now.

The album news follows the release of three tracks “Woman Is,” performed by Eden Espinosa; “Perfection,” with vocals by George Abud; and “Stay” performed by Amber Iman from Lempicka – the Musical (2022 Sessions) – listen here.

The creative team consists of Tony Award winner Rachel Chavkin (director), Carson Kreitzer (book, lyrics, and original concept), Matt Gould (book and music), and Raja Feather Kelly (choreography).

Spanning decades of political and personal turmoil and told through a thrilling, pop-infused score, Lempicka boldly explores the contradictions of a world in crisis, a woman ahead of her era, and an artist whose time has finally come.

The cast of Lempicka is led by leading lady, Eden Espinosa as Tamara de Lempicka, with Amber Iman as Rafaela, Andrew Samonsky as Tadeusz Lempicki, George Abud as Marinetti, Natalie Joy Johnson as Suzy Solidor, Zoe Glick as Kizette, Nathaniel Stampley as the Baron, and Beth Leavel as the Baroness with Mariand Torres, Alex Aquilino, Lauren Blackman, Stephen Brower, Kyle Brown, Holli’ Conway, Abby Matsusaka, Jimin Moon, Khori Michelle Petinaud, Ximone Rose, Nicholas Ward, Veronica Fiaoni, Mary Page Nance, Julio Rey, and Michael Milkanin rounding out the company.

Tickets are now on sale at telecharge.com.

Screenshot

The Green Room 42 – the intimate concert venue dubbed Broadway’s “off-night hotspot” by The New York Times – will present a special two-part evening with Grammy Award-winning singer-songwriter and actor Reeve Carney, paying tribute to one of his greatest musical influences in “Reeve Carney Sings The Beatles,” on Monday, May 13 at 7:00 PM and 9:30 PM. Performing two completely different sets, Carney will cover era-defining selections ranging from 1963’s “Twist and Shout” to 1970’s “Let It Be,” and everything in between. The recent star of Broadway’s Hadestown, Carney co-starred in Ridley Scott’s hit film House of Gucci, opposite Al Pacino, Lady Gaga, and Adam Driver.

“I love a good challenge,” says Reeve. “And what greater challenge, musically speaking, than to do my best to tackle one of my greatest influences? I grew up on the Beatles. They have always been my parents’ favorite band, and quickly became mine through wearing out cassette tapes from Please Please Me all the way to Let It Be on long car rides. They have served as a seemingly endless source of inspiration for me as a songwriter, as well as a recording engineer. While producing my solo album, Youth Is Wasted, I drew constantly upon them through obsessive auditory deep dive explorations of all of their astonishing records. I also immersed myself in books by both George Martin and Geoff Emerick, both of whom were at the helm of capturing The Beatles’ music. Their unparalleled prolificacy in the modern recorded music world has served as an inspiration to many of my other prominent influences. So it felt only natural for me to pay tribute to them in the way I have done with some of my other inspirations. When I sat down to put this set together, I quickly realized it would be a nearly impossible task to select only 10 or even 15 of my absolute favorites. So I am excited to present this as a two-part evening.”

Concord Theatricals Recordings announced that the 42-track live recording of My Favorite Things: The Rodgers & Hammerstein 80th Anniversary Concert will be released on double CD and digital platforms worldwide on Friday, May 31. The star-studded new album is now available to preorder on CD HERE.

Celebrating the historic partnership of Richard Rodgers and Oscar Hammerstein II, the album features iconic songs from The Sound of Music, South Pacific, Oklahoma! and more, recorded live by stars of the stage and screen at the landmark December 2023 event in London.

In tandem with the album release, a condensed version of the filmed concert will premiere on PBS as a part of their “Great Performances” programming on May 31. Learn more HERE.

The concert was headlined by recent R&H leading lady Joanna Ampil (Rodgers & Hammerstein’s South Pacific); two-time Olivier Award®  winner Michael Ball; television, film and stage actor Daniel Dae Kim; four-time Olivier Award®  winner Maria Friedman; Emmy®, two-time GRAMMY®  and six-time Tony Award®  winner Audra McDonald; Olivier Award®  nominee Julian Ovenden; West End sensation Lucy St. Louis; Tony Award®  winner Aaron Tveit; two-time Olivier Award®  nominee Marisha Wallace; and two-time Tony®, two-time Golden Globe®  and Emmy Award®  nominee Patrick Wilson. Also featured are Anna-Jane Casey, Lily Kerhoas, Jonny Labey, and Jordan Shaw, among others.

The performance featured the 40-piece Rodgers & Hammerstein Concert Orchestra, conducted by music supervisor Simon Lee, with stage direction by Tony Award-winning director and choreographer Christopher Gattelli and associate choreography by Simon Hardwick.

54 Below, Broadway’s Supper Club, presents Seth Sikes and Nicolas King in The New Belters Sing MGM on Monday, April 22 at 7:00 PM. Acclaimed jazz pianist Billy Stritch will music direct the evening, a brand-new show celebrating music from the golden age of MGM. This vast and iconic catalog includes songs from the films Singin’ in the Rain, The Band Wagon, Meet Me in St. Louis, The Wizard of Oz, and many more. Under the musical baton of Stritch, Sikes and King will deliver a powerhouse performance that promises to capture the glitter and magic of the golden age of Hollywood, and bring it into the next generation.

The swinging American Songbook is the specialty of these performers, and the duo has been touring the country with their debut show, The New Belters.

Seth Sikes is one of New York’s popular young nightclub entertainers and a regular at 54 Below. His critically acclaimed tributes to Judy Garland (which have won two BroadwayWorld Awards), Liza Minnelli, Barbra Streisand and others are a consistent draw for audiences. Sikes was also Associate Director on the multiple Tony Award-winning musical The Band’s Visit and many other productions. During the pandemic he made numerous musical video parodies set on Fire Island that were widely viewed.

Nicolas King is an award-winning artist who’s been belting out tunes since he was 4-years-old, having been seen in dozens of TV commercials, and numerous times on Broadway opposite Tom Selleck, Carol Burnett, Linda Lavin and Andrea McArdle. King was the longest running Chip in Disney’s Beauty and the Beast. He toured the country as Liza Minnelli’s opening act, and has performed on stages all over the world from Carnegie Hall to “The Tonight Show with Jay Leno.”

The New Belters Sing MGM plays 54 Below (254 West 54th Street) on Monday, April 22 at 7:00 PM.

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