The Outer Space is a unique and surprising science fiction musical performed by a fantastic four person band. The three musicians (the immensely talented Saxophone/Keyboard/Vocals: Vito Dieterle; Guitar/Keyboards/Beats/Vocals: Eben Levy; Bass/Keyboards/Vocals Ian M. Riggs) along with the narrator and lead vocal performer, Ethan Lipton (Book & Lyrics) have composed such a simple and absolutely charming tale. It tells the story of a couple who have some serious personality differences, try to make a new life for themselves in a newly purchased used spaceship. They fly the days away living on their spacecraft, doing chores, and spending time visiting with the neighbors who are flying along side them in a traveling colony far far away from planet Earth.

Directed by Leigh Silverman, this trippy captivating piece is drenched with humor and a folky charm. Lipton leads us down the most charming path through discovery and exploration with his beautiful voice and fun eccentric style. It is most certainly a “Big Adventure in the Sky“, as these two very polar opposite souls deal with the concept of getting away from it all. The writing is wonderfully witty, abstract, and smart. The non-sensical imagery that Lipton creates with his wacky hilarious delivery and wonderful honky tonk sound is a joyous experience to behold. Jump on board for this original existential crisis in space. Although, I must say, the lyrics for the dog song needs some work, OK?

The Outer Space at Joe’s Pub, Public Theater.

Book and Lyrics: Ethan Lipton; Music composed and performed by Ethan Lipton, Vito Dieterle, Eben Levy, Ian M. Riggs; Directed by Leigh Silverman; Scenic and Costume Design: David Zinn; Lighting Design: Ben Stanton; Sound Design: Nicholas Pope; Production Stage Manager: Shelley Miles.

So for more, go to frontmezzjunkies.com

Here’s a sample of Ethan Lipton singing a song from No Place to Go:

Related Topics:Eben Levy Ethan Lipton Ian M. Riggs joe's pub at the public Leigh Silverman New Public Theater Ross the outer space Vito Dieterle

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Laura Benanti and Javier Muñoz Slated To Announce The Nominations for the 62nd Annual Drama Desk Awards

Ross

My love for theater started when I first got involved in high school plays and children's theatre in London, Ontario, which led me—much to my mother’s chagrin—to study set design, directing, and arts administration at York University in Toronto. But rather than pursuing theater as a career (I did produce and design a wee bit), I became a self-proclaimed theater junkie and life-long supporter. I am not a writer by trade, but I hope to share my views and feelings about this amazing experience we are so lucky to be able to see here in NYC, and in my many trips to London, Enlgand, Chicago, Toronto, Washington, and beyond. Living in London, England from 1985 to 1986, NYC since 1994, and on my numerous theatrical obsessive trips to England, I've seen as much theater as I can possibly afford. I love seeing plays. I love seeing musicals. If I had to choose between a song or a dance, I'd always pick the song. Dance—especially ballet—is pretty and all, but it doesn’t excite me as, say, Sondheim lyrics. But that being said, the dancing in West Side Story is incredible! As it seems you all love a good list, here's two. FAVORITE MUSICALS (in no particular order): Sweeney Todd with Patti Lupone and Michael Cerveris in 2005. By far, my most favorite theatrical experience to date. Sunday in the Park with George with Jenna Russell (who made me sob hysterically each and every one of the three times I saw that production in England and here in NYC) in 2008 Spring Awakening with Jonathan Groff and Lea Michele in 2007 Hedwig and the Angry Inch (both off-Boadway in 1998 and on Broadway in 2014, with Neal Patrick Harris, but also with Michael C. Hall and John Cameron Mitchell, my first Hedwig and my last...so far), Next To Normal with Alice Ripley (who I wish I had seen in Side Show) in 2009 FAVORITE PLAYS (that’s more difficult—there have been so many and they are all so different): Angels in American, both on Broadway and off Lettice and Lovage with Dame Maggie Smith and Margaret Tyzack in 1987 Who's Afraid of Virginai Woolf with Tracy Letts and Amy Morton in 2012 Almost everything by Alan Ayckbourn, but especially Woman in Mind with Julia McKenzie in 1986 And to round out the five, maybe Proof with Mary Louise Parker in 2000. But ask me on a different day, and I might give you a different list. These are only ten theatre moments that I will remember for years to come, until I don’t have a memory anymore. There are many more that I didn't or couldn't remember, and I hope a tremendous number more to come. Thanks for reading. And remember: read, like, share, retweet, enjoy. For more go to frontmezzjunkies.com

Cabaret

THE GREEN ROOM 42 Presents Tony Award-nominee Sharon McNight Celebrating 40 Years of Stories And Songs

Published

11 hours ago

March 24, 2023

Suzanna Bowling

THE GREEN ROOM 42 will present Tony Award-nominee Sharon McNight in “Surviving Cabaret,” a storied look back at the last forty years of notable performances, on Thursday, April 13 and Saturday, April 15, both at 7:00 PM. McNight is known for her “no holds barred” approach to performing, which has earned the entertainer multiple honors and two Lifetime Achievement awards. She is famous for making audiences laugh and cry at the same show with her eclectic bag of musical choices, which include blues, country, Broadway, comedy, parody, impressions and accompanying stories. She will be joined by musical director James “Jim Bob” Followell.

Sharon McNight began her career in San Francisco, and made her Broadway debut in 1989 in Starmites, creating the role of Diva. She received a Tony nomination as “Best Leading Actress in a Musical” for her performance, and is the recipient of the Theatre World Award for “Outstanding Broadway Debut” and a Hirschfeld drawing of her character. She has six solo recordings to her credit, and has played from Moose Hall to Carnegie Hall, from Los Angeles to Berlin. In addition to her two Lifetime Achievement awards, she has won the MAC, Bistro, and New York Nightlife Awards, and six San Francisco Cabaret Gold Awards.

Her eclectic repertory ranges from blues to country to good old-fashioned entertainment. She is noted for her movie reenactment of The Wizard of Oz and for being one of the few real women to impersonate Bette Davis. Her television credits include “Seinfeld,” “Silk Stalkings,” and “Hannah Montana.” McNight received her Masters of Arts degree in direction from San Francisco State College and was a master teacher on the faculty of the Cabaret Conference at Yale University. She says the greatest day of her life was the day she quit smoking.

Sharon McNight will perform “Surviving Cabaret”on Thursday, April 13 and Saturday, April 15, both at 7:00 PM, at The Green Room 42 (570 Tenth Avenue at 42^nd Street, on the 4^th Floor of Yotel). The cover charge ranges from $30-$50. A livestream option is available for both shows at $20 each. For tickets, please visit www.TheGreenRoom42.com.

Cabaret

My View: Someone Named Storm Caused Lots Of Excitement In New York City Last Night

Published

1 day ago

March 23, 2023

Stephen Sorokoff

Storm Large has made a name for herself from tours with Pink Martini to orchestral appearances at Carnegie Hall to the television stage of “America’s Got Talent.” But it is with her loyal and fearless band, Le Bonheur, that she grabs audiences. by the lapels and refuses to let go. Love, Storm her new show played 54 Below last night. It’s a playlist of songs by pop luminaries, rock goddesses, and Storm’s fiery originals. There might be someone in the news with a variation of her name currently causing some political excitement, but few entertainers can create the musical excitement that exists in a Storm Large performance.

STORM LARGE

ALAN PAUL, artistic director Barrington Stage Company

EDA SOROKOFF & ALAN PAUL

Cabaret

Cabaret, Talks and Concerts For April

Published

1 day ago

March 23, 2023

Suzanna Bowling

Spring, makes us gather as much sun as possible, but it also brings rain and it’s time to hop inside and catch your favorite performer. Here are our picks for April.

92 Street Y: 1395 Lexington Ave. 4/11: Apple TV+’s The Last Thing He Told Me: Jennifer Garner and Laura Dave; 4/19: Al Pacino in Conversation with David Rubenstein (In-Person); 4/30: Celebrating Balanchine: A Screening, Book Reading, Conversation and Performance with Director Connie Hochman, Heather Watts, Jennifer Homans, Tiler Peck, Unity Phelan, and Calvin Royal III Commemorating the 40th Anniversary of George Balanchine’s Death (In-Person)

Tony DeSare

Birdland Jazz: 315 West 44 St. Every Monday at 9:30pm Jim Caruso’s Cast Party; Every Tuesday at 8:30pm The Lineup with Susie Mosher; Every Saturday at 7pm Eric Comstock with Sean Smith (Bass) & special guest Barbara Fasano (Voice); 4/1: Eliane Elias; 4/3: Susie Mosher & John Boswell in CASHINO; 4/17: Anita Gillette & Penny Fuller: “Sin Twisters: The Next Frontier”; 4/17: Sean McDermott & Cassidy Place; 4/21 – 22: Tony DeSare; 4/24: Karen Akers and 4/25 – 29: John Pizzarelli Album Release

Christine Andreas

Cafe Carlyle: 35 E 76th St. 4/1: John Lloyd Young; 4/3: Seth Rudetsky; 4/5 -15; Alan Cumming and Ari Shapiro; 18- 19 Christine Andreas; 4/20-21; John Brancy and Peter Dugan; 4/22; Richard Tognetti, and the Australian Chamber Orchestra and 4/25-29 Candace Bushnell.

Carnegie Hall: 881 7th Ave at 57th St.

Chelsea Table + Stage: Hilton Fashion District Hotel, 152 W 26th St. 4/14: Marieann Meringolo and 4/17: The Skivvies.

Don’t Tell Mama: 343 W. 46 St. 4/ 21: Tanya Moberly and 4/28: Ricky Ritzel’s Broadway!