Broadway
The Prince of Broadway Takes His Last Bow

All recent photo’s by Genevieve Rafter Keddy

The end of a musical theatre era has passed now that Harold Prince, Broadway director and producer has taken his final bow. Prince’s publicist Rick Miramontez sent out the sad news this morning, stating Prince, 91 died Wednesday after a brief illness in Reykjavik, Iceland. Broadway will say it’s final good-bye’s on Wednesday as the Broadway marquees dim their lights in his honor.
Sir Andrew Lloyd Webber stated; “Farewell, Hal. Not just the prince of musicals, the crowned head who directed two of the greatest productions of my career, Evita and Phantom. This wonderful man taught me so much and his mastery of musical theatre was without equal.”
Prince started out as a producer, helping to bring to the stage The Pajama Game, Damn Yankees, West Side Story, A Funny Thing Happened on the Way to the Forum and Fiddler on the Roof, to name a few. As a director Prince forged a partnership with Stephen Sondheim, breaking ground with Cabaret, Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd,” Evita, The Phantom of the Opera, Merrily We Roll Along, Bounce, also known as Road Show, Prince of Broadway and many more. For his remarkable achievement, he won a staggering 21 Tony Awards. including two special Tonys — one in 1972 when Fiddler became Broadway’s longest running musical then, and another in 1974 for a revival of Candide. He also was a recipient of a Kennedy Center Honor.

Here is a list of his work:
• Tickets, Please! (1950) – assistant stage manager
• Call Me Madam (1950) – assistant stage manager
• Wonderful Town (1953) – stage manager
• The Pajama Game (1954) – co-producer
• Damn Yankees (1955) – co-producer
• New Girl in Town (1957) – co-producer
• West Side Story (1957) – co-producer
• Fiorello! (1959) – co-producer
• West Side Story (1960) – co-producer
• Tenderloin (1960) – co-producer
• A Call on Kuprin (1961) – producer
• Take Her, She’s Mine (1961) – producer
• A Family Affair (1962) – director
• A Funny Thing Happened on the Way to the Forum (1962) – producer
• She Loves Me (1963) – producer, director
• Fiddler on the Roof (1964) – producer
• Baker Street (1964) – director
• Flora, The Red Menace (1965) – producer
• It’s a Bird…It’s a Plane…It’s Superman (1966) – producer, director
• Cabaret (1966) – producer, director
• Zorba (1968) – producer, director
• Company (1970) – producer, director
• Follies (1971) – producer, director
• The Great God Brown (1972) – artistic director
• Don Juan (1972) – artistic director
• A Little Night Music (1973) – director, producer
• Sondheim: A Musical Tribute (1973) – performer
• The Visit (1973) – director
• Chemin de Fer (1973) – artistic director
• Holiday (1973) – artistic director
• Candide (1974) – producer, director
• Love for Love (1974) – director
• The Member of the Wedding (1975) – artistic director
• The Rules of the Game (1974) – artistic director
• Pacific Overtures (1976) – producer, director
• Side by Side by Sondheim (1977) – producer
• Some of My Best Friends (1977) – director
• On the Twentieth Century (1978) – director
• Sweeney Todd (1979) – director
• Evita (1979) – director
• Merrily We Roll Along (1981) – director
• Willie Stark (1981) – director
• A Doll’s Life (1982) – producer, director
• Play Memory (1984) – director
• Diamonds (1984) – director
• Grind (1985) – producer, director
• The Phantom of the Opera (1986) – director
• Roza (1987) – director
• Cabaret (1987) – director
• Grandchild Of Kings (1992) (Off-Broadway) – adaptation (from the stories of Seán O’Casey) director and adapter[29][30]
• Kiss of the Spider Woman (1993) – director
• Show Boat (1994) – director
• The Petrified Prince (1994) – director
• Whistle Down the Wind (1996)
• Candide (1997) – director
• Parade (1998) – director, co-conceiver
• 3hree (2000) – supervisor, director (The Flight of the Lawnchair Man)[31]
• Hollywood Arms (2002) – producer, director
• Bounce (2003) – director
• LoveMusik (2007) – director
• Paradise Found (2010) – director
• Prince of Broadway (2015) – director
Filmography
• Something for Everyone (1970) – director
• A Little Night Music (1977) – director
Thanks to Hal Prince we have composer Jason Robert Brown who hailed Prince’s “commitment and an enthusiasm and a work ethic and an endless well of creative passion.” Angela Lansbury tweeted “Very sad news: a 21-time Tony Award-winning producer and director, Hal Prince has died at 91. An absolute theatre legend and a giant. What an incredible legacy… RIP, sir”. Carolee Carmello wrote he “lit up a room like no one I’ve ever known and I always felt so lucky when I was in that room.” Elaine Page wrote “With a sad heart I say RIP to dear Hal Prince – The Prince of Broadway, my Prince of #Evita … I owe so much to him. Sending love and deepest sympathy to his personal family and his theatrical family across the world. Hal, you will be missed by us all.”
“The Band’s Visit” and “Tootsie” composer David Yazbek, called Prince “a real giant.” Bernadette Peters, called it a “sad day.” Donna Murphy tweeted Beyond heartbroken to find out that #HalPrince has passed away. Working with Hal was one of the greatest honors of my artistic life-I’ll never forget his kindness,generosity& brilliance as an artist & as a human.Sending love & condolences to Judy,Daisy,Charlie &all loved ones. ″Seinfeld” alum Jason Alexander, who was directed by Prince in “Merrily We Roll Along,” said Prince “reshaped American theater and today’s giants stand on his shoulders.”Audra McDonald tweeted No words. RIP #HalPrince.

Stimg wrote “So sad that we have lost the great Hal Prince. Such energy, such passion, totally inspiring.” Chita Rivera “I am saddened beyond words. There are some people you feel we will never be without. Hal is one of them. I owe so much to him. He knows my love for him.” So many more expressed their broken hearts and grief over losing this giant of theatre.
“Hal Prince was not only a legendary director of musicals, but also a brilliant producer. As the curtain finally falls on his phenomenal career, it is fitting that his greatest success as a director, The Phantom of the Opera, is still both the longest-running musical on Broadway and continues playing to packed houses at its original London theatre Her Majesty’s, where he also enjoyed two of his most enduring hits as the original producer of Fiddler on the Roofand West Side Story. The Gods of the theatre salute you, Hal.” Cameron Mackintosh

Prince wrote “I went to work for George Abbott in 1948, and I was fired on Friday that year from a television job in his office. I was rehired the following Monday, and I’ve never been out of work since.”

Born in New York on January 30, 1928, Prince attended Saturday matinees. When he was 8 a production of Julius Caesar starring Orson Welles made him fall in love with the art.

A stint in the Army during the Korean War (he kept his dog-tags on his office desk), had Prince serving as stage manager on Abbott’s 1953 production of Wonderful Town, starring Rosalind Russell.

The Pajama Game, starring John Raitt and Janis Paige, was a big hit, as was Damn Yankees staring Gwen Verdon. Both introduced Bob Fosse.

In 1957, Prince worked on West Side Story with Stephen Sondheim, which started a friendship that has lasted ever since.

Prince also worked a lot with the composer John Kander. In Cabaret he introduced Joel Grey and Liza Minnelli. Prince actually introduced Liza the year earlier in Flora, The Red Menace.

Another Prince discovery was Patti LuPone,
Prince is survived by his wife of 56 years, Judy; his daughter, Daisy; his son, Charles; and his grandchildren, Phoebe, Lucy, and Felix and the longest running musical The Phantom of The Opera.
With the passing of Harold Prince an era of musicals has ended and like many I am heartbroken over his death.
Broadway
Join Broadway Dreams Summer Intensive Tour “Immerse Yourself”

Broadway Dreams (Annette Tanner, Founder & President), a leading non-profit performing arts training program, is kicking off its 2023 Summer Intensive Tour “Immerse Yourself” this week in Nashville, TN. The organization is known for its unique brand of intensive musical theater training and master classes taught by the theater industry’s biggest stars and most influential creatives. The tour will offer intensives in twelve U.S. cities as well as London and Europa Park in Rust, Germany. Throughout the weeklong intensives, rising stars in each city will participate in masterclasses focusing on acting, vocal performance, and dance. The program will culminate in public performances – dynamic Broadway-style cabarets held in both large and intimate venues, allowing students to perform alongside their Broadway idols. In addition to the performance opportunities, each student will have a private audition before a panel of Broadway directors, choreographers, music directors, and leading casting directors who will provide valuable feedback throughout the process. Registration is still open in most cities, offering aspiring performers the chance to learn from the best in the industry and take their skills to the next level. For more information, or to register, click here. “We are ecstatic to be back on the road this summer with our biggest Summer Intensive tour yet,” said Annette Tanner, Broadway Dreams Founder and President. “At Broadway Dreams, we are passionate about discovering, fostering, and propelling the next generation of musical theater stars. Our programs offer young artists unparalleled opportunities to connect with top industry professionals and decision-makers, which has resulted in numerous breakthroughs for our students. With Dreamers in 19 of the 32 currently running shows on Broadway, Broadway Dreams takes immense pride in shaping the future of musical theater.” “Our 2023 Broadway Dreams season theme is Immerse Yourself,” said Nicholas Rodriguez, Broadway Dreams Artistic Director. “After spending nearly 2 years at a distance and on Zoom, we want to dive head first into the collaborative experience. We’re inspired by immersive theater, big bold ideas, thinking outside of the box, and creating in unique spaces. We are thrilled to bring a diverse group of talented, innovative, creative and cutting edge artists to collaborate with students across the country and abroad.” The 2023 Summer Intensive Tour will launch at Belmont University in Nashville, TN (through June 3) before continuing on to School of the Arts at Central Gwinnett High School in Atlanta, GA (June 4 – 10), Salt Lake School for the Performing Arts in Salt Lake City, UT (June 19 – 24), Gallo Center for the Arts in Modesto, CA (June 25 – 27), Enlightened Theatrics in Salem, OR (July 3 – 9), Playhouse Square in Cleveland, OH(July 16 – 21), The Black Academy of Arts and Letters in Dallas, TX (July 17 – 21), Ebony Repertory Theatre in Los Angeles, CA (July 23 – 28), Delaware Theatre Company in Wilmington, DE (July 30 – August 5), Blumenthal Performing Arts Center and Central Piedmont Community College in Charlotte, NC (July 29 – August 5), Florida Children’s Theatre in Fort Lauderdale, FL (August 6 – 12), RWS Studios in New York City (August 19 – 24), RWS Studios in London, England (August 21 – 25), and Europa Park in Rust, Germany (August 27 – September 2). Joining Broadway Dreams’ Founder and President, Annette Tanner; Artistic Director, Nicholas Rodriguez (Company); and Director of Engagement and Opportunity, Rachel Hoffman, CSA (The Telsey Office), is an impressive roster of Broadway Dreams faculty, including directors, choreographers, and performers such as Emmy Award nominated choreographer Spencer Liff (“So You Think You Can Dance”), Tony Award nominees Kristin Hanggi (Rock of Ages), Laura Osnes (Cinderella), and Sidney DuPont (Paradise Square), along with Connor Gallagher (Beetlejuice: The Musical), Quentin Earl Darrington(MJ: The Musical), Hailee Kaleem Wright (Paradise Square), writer and composer, Douglas Tappin (I Dream), Melody Mills (Bring it On: The Musical), Jason Goldston(Jagged Little Pill), musical director Charlie Alterman (Pippin), David Eggers (In Transit), Eric Sciotto (Something Rotten!), Tyler Hanes (Cats), Mariah Lyttle (Bad Cinderella), Samantha Sturm (My Fair Lady), Telly Leung (Aladdin), Max Reed (Spider-Man Turn Off The Dark), Otis Sallid (The Piano Lesson), Alysha Umphress (On the Town), Christopher Hanke (How to Succeed…), Nick Adams (Fire Island, Priscilla Queen of the Desert), Gordon Greenberg (Holiday Inn), Matthew Lee Robinson (Atlantis), Alexa Green(Wicked), Greg Haney (Hamilton), The Telsey Office casting director, Rashad Naylor, and more. In addition to Broadway Dreams’ traditional workshops and master classes, participants in the Atlanta intensive will have the unique opportunity to work on material from a new musical entitled 1994 with book, music and lyrics by Sidney Dupont, who also serves as the director for the piece, additional lyrics by Hailee Kaleem Wright, associate direction by Amy Marie Seidel, and choreography by Chloe O. Davis. Students in Atlanta, Charlotte, and Dallas will work on a second new work entitled, Diva with book, music and lyrics by Douglas Tappin. Founded in 2006, Broadway Dreams offers mentorship-driven performing arts training programs throughout the year, drawing on a wide network of teaching artists from the Broadway community, inspiring students to awaken their highest potential. Now in its 17th year, Broadway Dreams has inspired more than 20,000 students in more than 8 countries, including a record 3,200 in-person students in 2022 alone. Broadway Dreams has to-date awarded more than $1.5M in scholarships, with more than 150 students booking professional breakthrough jobs since 2018. The 2022 Showcase featured 52 students from cities across the United States, Kenya, Germany, Ireland, New Zealand, and Brazil. Established by casting executive Annette Tanner, Broadway Dreams Foundation (“Broadway Dreams”) empowers aspiring young artists through performing arts training, with a focus on the acting, voice, and dance disciplines. Program intensives are offered nationally and internationally throughout the year and are led by an exceptional faculty of respected entertainment professionals who: assess where all students are in their development process and where they need to be; teach student practical skills that can be applied immediately to elevate their performance levels; guide students to achieve physical, emotional, and artistic self-awareness that can be channeled effectively in their work. The Broadway Dreams Board of Directors includes Dr. Elizabeth Faulkner (Chair), Marjorie Wynn (Marketing Chair), Adam C. Sansiveri, Margaret Busch, Michael Cox, Bruce Daitch, Alice Farquhar, Martha Gorjanc, Bernie Jackson, Nanci Lewis, Dannyand Georgina Louchiey, Victoria Morris, Alex Newell, Suzanne Rehl, Chris Roberts, Jerry Schiano, Ryan Stana, Lynne Latham Slear and Ivan Williams. The Broadway Dreams staff includes General Manager, RRR Creative / Ryan Ratelle; Artistic Director, Nicholas Rodriguez; Director of Engagement and Opportunity, Rachel Hoffman; Director of Development, Joe Finocchario; Director of Advancement, Hannah-Kathleen Hawkshaw; Creative & Marketing Director, Drew Padrutt; Company Manager,Yuvin Lee; and Executive Assistant, Mackenzie Messick. For more information on Broadway Dreams and its programs, please visit BroadwayDreams.org.
Broadway
The New Dramatists’ 71st Annual Benefit Luncheon and You are There

On Tuesday the New Dramatists’ 71st Annual Benefit Luncheon was held at the New York Marriott Marquis, 1535 Broadway, Broadway ballroom 6th floor.
Tony® Honor recipient and the nation’s premier playwright development laboratory, was honored with its 2023 Distinguished Achievement Award at their 71st Annual Spring Luncheon Tribute
Tony Award winner, Kenny Leon, director of Parks’ recent revival of Topdog/Underdog lead the tributes.
In Attendance were:

Justin Cooley (Kimberly Akimbo), Ben Platt (Parade) and Colton Ryan (New York, New York) photo by Michael Hull

Justin Cooley (Kimberly Akimbo), Brian Stokes Mitchell, Suzan-Lori Parks, Victoria Clark (Kimberly Akimbo) and Bonnie Milligan (Kimberly Akimbo) at The New Dramatists Spring Luncheon. photo by Michael Hull
Also Artistic Director Emily Morse and Executive Director Joel Ruark,
Hiran Abeysekera (Life of Pi), Betsy Aidem (Leopoldstadt), Steven Boyer (Kimberly Akimbo), Faye Castelow (Leopoldstadt), Rashad Chambers (Topdog/Underdog), Ben Davis (New York, New York), Eisa Davis (New York, New York), Micaela Diamond (Parade), Delia Ephron (Love Loss & What I Wore), Corey Hawkins (Topdog/Underdog), Jessica Hecht (Summer, 1976), Amy Herzog (A Doll’s House), Robert Horn (Shucked), Mark Jacoby (A Beautiful Noise, The Neil Diamond Musical), LaChanze (Here Lies Love, Kimberly Akimbo), event co-chair Caissie Levy (Leopoldstadt), Judith Light (Other Desert Cities), David Lindsay-Abaire (Kimberly Akimbo), Neil Meron (Some Like It Hot), Alli Mauzey (Kimberly Akimbo), Lauren Mitchell (A Bronx Tale), Arian Moayed (A Doll’s House), Casey Nicholaw (Some Like It Hot), Linda Powell (A Beautiful Noise, The Neil Diamond Musical), Daryl Roth (Kinky Boots), Sarah Ruhl (in The Next Room), Stark Sands (& Juliet), Miriam Silverman (The Sign in Sidney Brustein’s Window), Marcel Spears (Fat Ham), Katy Sullivan (Cost of Living), David Stone (Wicked), Jeanine Tesori (Kimberly Akimbo), Paula Vogel (How I Learned To Drive), Sharon Washington (New York, New York), Scott WIttman (Some Like It Hot), Kara Young (Cost of Living), David Zayas (Cost of Living).
Performing were:

Daniel Fulton, Orville Mendoza, Suzan-Lori-Parks, Lauren Molina and Leland Fowler photo by Michael Hull

Suzan-Lori-Parks and New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull

Suzan-Lori-Parks New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull
Stay tuned for our interviews.
Broadway
The New Dramatists’ 71st Annual Benefit Luncheon and You Are There

On Tuesday the New Dramatists’ 71st Annual Benefit Luncheon was held at the New York Marriott Marquis, 1535 Broadway, Broadway ballroom 6th floor.
Tony® Honor recipient and the nation’s premier playwright development laboratory, was honored with its 2023 Distinguished Achievement Award at their 71st Annual Spring Luncheon Tribute
Tony Award winner, Kenny Leon, director of Parks’ recent revival of Topdog/Underdog lead the tributes.
In Attendance were:

Justin Cooley (Kimberly Akimbo), Ben Platt (Parade) and Colton Ryan (New York, New York) photo by Michael Hull

Justin Cooley (Kimberly Akimbo), Brian Stokes Mitchell, Suzan-Lori Parks, Victoria Clark (Kimberly Akimbo) and Bonnie Milligan (Kimberly Akimbo) at The New Dramatists Spring Luncheon. photo by Michael Hull
Also Artistic Director Emily Morse and Executive Director Joel Ruark,
Hiran Abeysekera (Life of Pi), Betsy Aidem (Leopoldstadt), Steven Boyer (Kimberly Akimbo), Faye Castelow (Leopoldstadt), Rashad Chambers (Topdog/Underdog), Ben Davis (New York, New York), Eisa Davis (New York, New York), Micaela Diamond (Parade), Delia Ephron (Love Loss & What I Wore), Corey Hawkins (Topdog/Underdog), Jessica Hecht (Summer, 1976), Amy Herzog (A Doll’s House), Robert Horn (Shucked), Mark Jacoby (A Beautiful Noise, The Neil Diamond Musical), LaChanze (Here Lies Love, Kimberly Akimbo), event co-chair Caissie Levy (Leopoldstadt), Judith Light (Other Desert Cities), David Lindsay-Abaire (Kimberly Akimbo), Neil Meron (Some Like It Hot), Alli Mauzey (Kimberly Akimbo), Lauren Mitchell (A Bronx Tale), Arian Moayed (A Doll’s House), Casey Nicholaw (Some Like It Hot), Linda Powell (A Beautiful Noise, The Neil Diamond Musical), Daryl Roth (Kinky Boots), Sarah Ruhl (in The Next Room), Stark Sands (& Juliet), Miriam Silverman (The Sign in Sidney Brustein’s Window), Marcel Spears (Fat Ham), Katy Sullivan (Cost of Living), David Stone (Wicked), Jeanine Tesori (Kimberly Akimbo), Paula Vogel (How I Learned To Drive), Sharon Washington (New York, New York), Scott WIttman (Some Like It Hot), Kara Young (Cost of Living), David Zayas (Cost of Living).
Performing were:

Daniel Fulton, Orville Mendoza, Suzan-Lori-Parks, Lauren Molina and Leland Fowler photo by Michael Hull

Suzan-Lori-Parks and New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull

Suzan-Lori-Parks New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull
Stay tuned for our interviews.
Broadway
And The Winners of The 2023 Drama Desk Awards Are ………

The 2023 67th Drama Desk Awards, honoring artistic excellence on Broadway, Off-Broadway and Off-Off-Broadway, will take place on June 6 at Sardi’s Restaurant. Today the winners were announced.
Outstanding Play: “Leopoldstadt,” by Tom Stoppard
Outstanding Musical: “Some Like it Hot”
Outstanding Revival of a Play: “The Piano Lesson”
Outstanding Revival of a Musical: “Parade”
Outstanding Lead Performance in a Play: Jessica Chastain, “A Doll’s House” and Sean Hayes, “Good Night, Oscar”
Outstanding Lead Performance in a Musical: Annaleigh Ashford, “Sweeney Todd”
and J. Harrison Ghee, “Some Like it Hot”
Outstanding Featured Performance in a Play: Miriam Silverman, “The Sign in Sidney Brustein’s Window,” Brooklyn Academy of Music and Brandon Uranowitz, “Leopoldstadt”
Outstanding Featured Performance in a Musical: Kevin Del Aguila, “Some Like it Hot” and Alex Newell, “Shucked”
Outstanding Direction of a Play: Max Webster, “Life of Pi”
Outstanding Direction of a Musical: Thomas Kail, “Sweeney Todd”
Outstanding Choreography: Casey Nicholaw, “Some Like it Hot”
Outstanding Music: Brandy Clark and Shane McAnally, “Shucked”
Outstanding Lyrics: Scott Wittman and Marc Shaiman, “Some Like it Hot”
Outstanding Book of a Musical: Matthew López and Amber Ruffin, “Some Like it Hot”
Outstanding Orchestrations: Charlie Rosen and Bryan Carter, “Some Like it Hot”
Outstanding Music in a Play: Suzan-Lori Parks, “Plays for the Plague Year,” The Public Theater
Outstanding Scenic Design of a Play: Tim Hatley, “Life of Pi”
Outstanding Scenic Design of a Musical: Beowulf Boritt, “New York, New York”
Outstanding Costume Design of a Play: Emilio Sosa, “Ain’t No Mo’”
Outstanding Costume Design of a Musical: Gregg Barnes, “Some Like it Hot”
Outstanding Lighting Design of a Play: Natasha Chivers and Willie Williams (video), “Prima Facie”
Outstanding Lighting Design of a Musical: Natasha Katz, “Sweeney Todd”
Outstanding Projection and Video Design: Andrzej Goulding, “Life of Pi”
Outstanding Sound Design of a Play: Ben & Max Ringham, “A Doll’s House”
Outstanding Sound Design of a Musical: Scott Lehrer and Alex Neumann, “Into the Woods”
Outstanding Wig and Hair: Mia M. Neal, “Ain’t No Mo’”
Outstanding Solo Performance: Jodie Comer, “Prima Facie”
Unique Theatrical Experience: “Peter Pan Goes Wrong”
Outstanding Fight Choreography: B.H. Barry, “Camelot”
Outstanding Adaptation: “A Doll’s House,” by Amy Herzog
Outstanding Puppetry: Nick Barnes and Finn Caldwell, “Life of Pi”
Shows with multiple wins
Some Like It Hot: 8
Life of Pi: 4
A Doll’s House: 3
Sweeney Todd: 3
Ain’t No Mo’: 2
Leopoldstadt: 2
Prima Facie: 2
Shucked: 2
Special Awards
Harold Prince Lifetime Achievement Award
Stephen McKinley Henderson has been bringing in-depth, gripping portrayals of memorable characters to the stage for over four decades. With his return to Broadway this season as Pops in “Between Riverside and Crazy,” which the Drama Desk previously nominated in 2015, this year’s Harold Prince Lifetime Achievement Award marks Henderson’s role in this powerful production as a celebration of his brilliant career.
Ensemble Award
The cast of Soho Rep’s “Public Obscenities” – Tashnuva Anan, Abrar Haque, Golam Sarwar Harun, Gargi Mukherjee, NaFis, Jakeem Dante Powell, and Debashis Roy Chowdhury – embodied the transnational world of Shayok Misha Chowdhury’s bilingual play with memorable authenticity, remarkable specificity, and extraordinary warmth.
Sam Norkin Off-Broadway Award
From his standout performance in american (tele)visions, to writing and performing the autobiographical “Dark Disabled Stories,” Ryan J. Haddad’s work this season has expanded on and interrogated what the idea of “accessibility” really means. Whether riding a shopping cart like a throne, or relating his experiences on a “gay, pink bus,” Haddad shared with audiences an unabashed queer fabulosity that was both unforgettable and deeply human.
Broadway
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