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The Pulitzer Prize Winners With Fat Ham Winning Best in Drama

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Critically-acclaimed playwright and now Pulitzer Prize winning James Ijames reinvents Shakespeare’s masterpiece with his new drama, Fat Ham. Juicy is a queer, Southern college kid, already grappling with some serious questions of identity, when the ghost of his father shows up in their backyard, demanding that Juicy avenge his murder. It feels like a familiar story to Juicy, well-versed in Hamlet’s woes. What’s different is Juicy himself, a sensitive and self-aware young Black man trying to break the cycles of trauma and violence in service of his own liberation. From an uproarious family barbecue emerges a compelling examination of love and loss, pain and joy. Fat Ham is directed by The Public’s Associate Artistic Director Saheem Ali and is playing there until June 12.

For the rest of the winners

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Celebrity

The Glorious Corner

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G.H. Harding

A JON BON SURPRISE — (Via Ultimate Classic Rock) Jon Bon Jovi played a surprise five-song set in Nashville on Friday, June 7.

The intimate performance celebrated the grand opening of JBJ’s, the new rooftop bar and restaurant owned by Jon Bon Jovi. It also came on the day Bon Jovi released their sixteenth studio album, Forever.

The show was notable considering the lingering uncertainty surrounding Jon Bon Jovi’s voice. The singer underwent vocal surgery in 2022 and has been enduring a long road to recovery ever since. The frontman recently confirmed he’ll be unable to tour in support of his new album, noting that he’s “more than capable of singing again,” but that “two and a half hours a night, four nights a week” would not be possible.

The frontman’s voice appeared pitchy but strong during the Nashville club set. Bon Jovi showcased plenty of his trademark energy during the gig, dancing on the small stage and engaging fans to sing along with him.

The performance opened with “Blood on Blood,” the stirring album cut from Bon Jovi’s classic 1988 LP New Jersey. According to Ssetlist.fm, this marked the first time “Blood on Blood” has been performed in concert since 2019.

Later, the singer addressed his absence from performing.

“It’s been a couple of years since I’ve been up on a stage with some people in the house,” Bon Jovi declared midway through the set. “Too long, too long. Yeah, it feels good. I hope it sounds good, because it feels good.”

Bon Jovi also acknowledged Nashville’s importance in his band’s history, noting that they’d spent “so much time” writing and recording in the town. “I always jokingly say, Nashville, this is my people.”

Motley Crue singer Vince Neil. Jelly Roll and Big Kenny from Big and Rich were among the celebrities on hand for Bon Jovi’s club gig. Other highlights on the night included a rousing rendition of “You Give Love a Bad Name” and the lead single from Forever, “Legendary.”

See the complete set list below, along with video of the entire performance.

Bon Jovi, 6/7/24, JBJ’s, Nashville, Set List

1.  “Blood on Blood”
2. “We Weren’t Born to Follow”
3. “You Give Love a Bad Name”
4. “Born to Be My Baby”
5. “Legendary”

Jon’s been very, very visible of late. From his Hulu-four-part show to stints on everything from Kelly Clarkson to Jimmy Kimmel and it seems to me he’s been a tad overexposed. Sure, he’s got a new album to sell as well as the cable-series, but his logline seems to be over whether he can tour … or not.  And, apparently, he can’t.

Honestly, that’s gotten bigger play than his rumored feud with Richie Sambora. I know Jon and he’s smart as a fox. He and his PR-person, which I believe is Brad Cafarelli, have done a stellar job.

This Nashville-appearance was after he may the ‘I can’t tour’ announcement, so what gives?

I’d love to know who he played with in Nashville. Was it some of the Bon Jovi-band or just some Nashville-players? Maybe we should ask Brad.

George Harrison

GO GEORGE — We loved this story from Far Out Magazine about George Harrison and Phil Collins:

The seed for his prank on the Genesis drummer began back in 1970 when Collins was a teenage session musician who grew up in absolute awe of everything Beatles related.

At the time, Collins was in his former band Flaming Youth and wouldn’t audition to join Genesis until later on in the same year.

“Our manager got a call from Ringo Starr’s chauffeur, who said they needed a percussionist, and he suggested me,” said Phil.

“So I went down to Abbey Road, and Harrison was there and Ringo and Billy Preston and Klaus Voormann and Phil Spector, and we started routing the song.”

George was recording his debut solo album, All Things Must Pass.

“No one told me what to play, and every time they started the song, Phil Spector would say, ‘Let’s hear guitar and drums,’ or ‘Let’s hear bass and drums.’ I’m not a conga player, so my hands are starting to bleed. And I’m cadging cigarettes off Ringo – I don’t even smoke, I just felt nervous. Anyway, after about two hours of this, Phil Spector says, ‘Okay congas, you play this time.’ And I’d had my mic off, so everybody laughed, but my hands were shot.”

“After that they all disappeared – someone said they were watching TV or something – and I was told I could go. A few months later, I buy the album from my local record shop, look at the sleeve notes, and I’m not there. And I’m thinking, ‘There must be some mistake!’ But it’s a different version of the song, and I’m not on it.”

Once Collins would become a world-famous star in his own right, he and George were back in contact.

“Cut to years later,” Collins added. “I bought [former Formula 1 driver] Jackie Stewart’s house. Harrison was a friend of Jackie’s, and Jackie told me George was remixing All Things Must Pass.

“He said, ‘You were on it, weren’t you?’ And I said, ‘Well I was there.’ Two days later a tape’s delivered from George Harrison with a note saying: ‘Could this be you? Suddenly the congas come in – too loud and just awful. At the end of the tape you hear George Harrison saying, ‘Hey, Phil, can we try another without the conga player?’

“So now I know, they didn’t go off to watch TV, they went somewhere and said, ‘Get rid of him,’ cos I was playing so badly. Then Jackie rings and says, ‘I’ve got someone here to speak to you,’ and puts George on and he says, ‘Did you get the tape?’ and I said, ‘I now realise I was fired by a Beatle.’ He says, ‘Don’t worry, it was a piss-take. I got Ray Cooper to play really badly, and we dubbed it on. Thought you’d like it!’ I said, ‘You f**king bastard!’”, Collins then reminisced in hindsight, “It was lovely, wasn’t it?”

Yes, George went out of his way to pay a whole band to spend a day in the studio with him just so he could pull a joke on Phil Collins.

The Killers

SHORT TAKES — Our spy at the weekend’s Governor’s Ball said The Killers were spectacular. They played “Mr. Brightside” and “Andy, You’re A Star” (first time in seven years). One of my favorite bands, ever! Great to hear this …

Dick Van Dyke

Congrats to Dick Van Dyke at 98 winning an Emmy for his stint on Days of Our Lives. Bravo! …

This Thursday at the Landis Theatre in Vineland, New Jersey, is a special screening of The Zombie Wedding. Based on the hit interactive play (which premiered in 2015). The first-ever wedding between a Human Bride and a Zombie Groom; starring Heather Matarazzzo; Kevin Chamberlin; Vincent Pastore and Micky Dolenz.

Details to follow from producer Robert Dragotta … Watched Michael Mann’s Ferrari over the weekend and just loved it. Adam Driver; Penelope Cruz and Shailene Woodley were just extraordinary. Not your typical Mann-pic either. A must-see for sure …

And also caught Netflix’s Hitman with Glen Powell-the man-of-the-moment in film. He’s great, sort of a George Clooney-in the making. Directed by Richard Linklater – a surprise. Kind of a silly premise, but he carries it admirably and does his love-interest, the sultry Adria Arjona – who makes a rather memorable debut.

NAMES IN THE NEWS — Jane Blunkell; Dan Zelinski; Jane Berk; Howard Bloom; Peter Lubin; Stu Taub; Roy Trakin; David Adelson; Michael Nice; Joel Diamond; Mark Bego; Jimmy Fallon; Julie Gurovitsch; Vince Napolitano; Obi Steinman; Peter Abraham; David Sanborn; Craig Zisk; Tom & Lisa Cuddy; Brad Balfour; Jill Christiansen; Anni Bella; Lush Ice; Markos Papadatos; and Bella.

Images on this page have been licensed under the Creative Commons Attribution-Share Alike 4.0 International license.

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Broadway

Broadway Celebrates Juneteenth

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The Broadway League’s Black to Broadway initiative announces the performers for this year’s Broadway Celebrates Juneteenth concert taking place in Times Square on Wednesday, June 19th from 11:00am – 12:30pm (rain or shine).

Michael James Scott

Michael James Scott will host. Flagstar Bank will be this year’s presenting sponsor.

Phylicia Rashad

The 2024 Juneteenth Legacy Award will be presented to two-time Tony Award winner Phylicia Rashad, a versatile performer, director, educator, and humanitarian who has delighted generations of audiences through her work in beloved roles both in theatre and on screen. As an actress, Ms. Rashad has won two Tony Awards, for A Raisin in the Sun (2004 Best Actress in a Play) and Skeleton Crew (2022 Best Performance by an Actress in a Featured Role in a Play). She was also a 2005 Best Actress in a Play nominee for Gem of the Ocean. As a producer, Ms. Rashad recently received a Best Revival of a Play nomination for Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch.

The fourth annual Broadway Celebrates Juneteenth concert features more than 35 performers from the following 17 Broadway shows: Aladdin; & Juliet; Back to the Future: The Musical; Cabaret at the Kit Kat Club; Chicago; Harry Potter and the Cursed Child; The Heart of Rock and Roll; Hell’s Kitchen; Illinoise; The Lion King; MJ; Moulin Rouge! The Musical;The Notebook; Suffs; Water for Elephants; The Who’s Tommy; The Wiz; and the return of the kids of Young Gifted and Broadway. All performances will be accompanied by live music thanks to The Music Performance Trust Fund and the Film Funds. American Sign Language interpretation will be provided.

The exciting line-up of Broadway stars set to perform includes: Blu Allen, Donovan Louis Bazemore, Jace Bentley, Ronnie S. Bowman Jr., Maya Boyd, Tsilala Brock, Max Chambers, Taylor Colleton, Jay Copeland, Lorna Courtney, Charity Angél Dawson, Mariama Diop, Desmond Sean Ellington, Will Ervin Jr., Jerome Hermann-Hardeman, Dorian Harewood, Jackson Hayes, Najah Hetsberger, Afra Hines, Manny Houston, Jaylen Lyndon Hunter, Bre Jackson, Polanco Jones Jr., John-Michael Lyles, Mehret Marsh, Deja McNair, Alex Newell, Veronica Otim, Cristina Rae, Jelani Remy, William Rhem Jr., Albert Rhodes Jr., Walter Russell III, Antoine L. Smith, Nia Thompson, Lamont Walker II, Rachel Webb, NaTasha Yvette Williams, and Hailee Kaleem Wright.

Joining The Broadway League in partnership for Broadway Celebrates Juneteenth are Black Theatre United (BTU), Black Theatre Coalition (BTC), The New York Times, and the Times Square Alliance. Black Theatre United has curated a selection of Black-owned restaurants to take part in the celebration by selling food and treats to attendees. Kokomo, LaMode BK, and Brooklyn Sweet Spot will be on-site with a selection of delicious options to add to the festivity.

Flagstar Bank is the 2024 presenting sponsor of Broadway Celebrates Juneteenth. Other sponsors include: The Music Performance Trust Fund and Film Funds; the NYC Mayor’s Office of Media and Entertainment; Audience Rewards; Broadway Cares/Equity Fights AIDS; Broadway.com; M·A·C Cosmetics; TodayTix; Playbill; The Araca Group; and Open Jar Studios.

The creative and production teams of Broadway Celebrates Juneteenth include Director and Writer Steve H. Broadnax III, Music Director Rashad McPherson, Executive Producers Brian Anthony Moreland and Aaliytha Stevens, Stage Manager Monet Thibou, and General Manager Devon Miller of Foresight Theatrical.

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Broadway

The 2024 Winner’s Of The Drama Desk Awards With Interviews

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Photo Aaron Tveit and Sutton Foster Photo by Genevieve Rafter Keddy

The 2024 Drama Desk Awards were a star-studded ceremony at NYU Skirball Center co-hosted by Sutton Foster and Aaron Tveit. This is the only major NYC theater awards for which Broadway, Off-Broadway, and Off-Off-Broadway productions are considered in the same categories. Two recipients in each of the gender-free performance categories were announced and in some categories not only were their ties but three winners selected.

The winners are:

Outstanding Play: Stereophonic, by David Adjmi, Playwrights Horizons

Outstanding Musical: Dead Outlaw

Outstanding Revival of a Play: Appropriate, Second Stage Theater

Outstanding Revival of a Musical: I Can Get It for You Wholesale, Classic Stage Company


Outstanding Lead Performance in a Play:
Jessica Lange, Mother Play, Second Stage Theater

and Sarah Paulson, Appropriate, Second Stage Theater

Outstanding Lead Performance in a Musical: Brian d’Arcy James, Days of Wine and Roses, Atlantic Theater Company, Maleah Joi Moon, Hell’s Kitchen and Kelli O’Hara, Days of Wine and Roses, Atlantic Theater Company


Outstanding Featured Performance in a Play:
Celia Keenan-Bolger, Mother Play, Second Stage Theater and Kara Young, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch

Outstanding Featured Performance in a Musical: Kecia Lewis, Hell’s Kitchen and Bebe Neuwirth, Cabaret at the Kit Kat Club


Outstanding Direction of a Play:
Daniel Aukin, Stereophonic, Playwrights Horizons


Outstanding Direction of a Musical:
Jessica Stone, Water for Elephants

Outstanding Choreography: Justin Peck, Illinoise, Park Avenue Armory


Outstanding Music:
Shaina Taub, Suffs

Outstanding Lyrics: David Yazbek and Erik Della Penna, Dead Outlaw

Outstanding Book of a Musical: Itamar Moses, Dead Outlaw

Outstanding Orchestrations: Marco Paguia, Buena Vista Social Club, Atlantic Theater Company


Outstanding Music in a Play:
Will Butler, Stereophonic, Playwrights Horizons

Outstanding Revue: Amid Falling Walls, National Yiddish Theatre Folksbiene

Outstanding Scenic Design of a Play: David Zinn, Stereophonic, Playwrights Horizons

Outstanding Scenic Design of a Musical: Paul Tate DePoo III, The Great Gatsby (includes projections)


Outstanding Costume Design of a Play:
Enver Chakartash, Stereophonic, Playwrights Horizons


Outstanding Costume Design of a Musical:
Paul Tazewell, Suffs

Outstanding Lighting Design of a Play: Jane Cox, Appropriate, Second Stage Theater


Outstanding Lighting Design of a Musical:
Brian MacDevitt and Hana S. Kim (projections), The Outsiders

Outstanding Projection and Video Design: Peter Nigrini,Hell’s Kitc

Outstanding Sound Design of a Play: Ryan Rumery, Stereophonic, Playwrights Horizons


Outstanding Sound Design of a Musical:
Nick Lidster for Autograph, Cabaret at the Kit Kat Club, Cody Spencer, The Outsiders and Walter Trarbach, Water for Elephants


Outstanding Wig and Hair:
Nikiya Mathis, Jaja’s African Hair Braiding, Manhattan Theatre Club


Outstanding Solo Performance:
Patrick Page, All the Devils Are Here: How Shakespeare Invented the Villain

Unique Theatrical Experience: Grenfell: in the words of survivors, St. Ann’s Warehouse, National Theatre, and KPPL Productions

Outstanding Fight Choreography: Cha Ramos, Water for Elephants

Outstanding Adaptation: An Enemy of the People, by Amy Herzog


Outstanding Puppetry:
Ray Wetmore, JR Goodman, and Camille Labarre, Water for Elephants

SPECIAL AWARDS

Ensemble Award

The cast of Stereophonic – Will Brill, Andrew R. Butler, Juliana Canfield, Eli Gelb, Tom Pecinka, Sarah Pidgeon, and Chris Stack – who execute David Adjmi’s hypernaturalistic text with extraordinary care and precision, while also performing Will Butler’s music with the freshness and life that makes us believe we are witnessing, first-hand, the creation of a new American classic.


‘Sam Norkin Off-Broadway Award

Cole Escola, who both wrote and stars in one of this season’s biggest hits Off Broadway, Oh, Mary! Following in the long legacy of queer artists who write themselves into American history, Escola’s new “gay fantasia on national themes” is a hilarious reminder of why we must continue to interrogate our past.

ADDITIONAL SPECIAL AWARDS

How to Dance in Ohio Authentic Autistic Representation Team – Sammi Cannold, Nicole D’Angelo, Becky Leifman, Ava Xiao-Lin Rigelhaupt, Liz Weber, and Jeremy Wein  – for their steadfast support of autistic theatermakers, and their strides toward true accessibility for neurodiverse individuals both on and offstage.


Lighting designer Isabella Byrd, whose self-described technique as a “darkness designer” has earned her a cache of nominations and awards in the United States and abroad. During this season, Byrd illuminated two Broadway shows done in the round, An Enemy of the People and Cabaret at the Kit Kat Club. Off Broadway, her spotlight on quiet, small-scale stories both enchanted us in Primary Trust and mesmerized us in Infinite Life, with a parking-lot sky that marked the passage of time.


Lady Irene Gandy, for career achievement. A press agent extraordinaire for over five decades, Lady Irene has always demonstrated her passion, dedication, and love for theater. A Broadway producer and Sardi’s honoree, she is a zealous advocate for inclusion, diversity, and equity in the arts.

 

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Events

Live From The Hotel Edison Times Square Chronicles Presents David Zayas Jr.

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We are so pleased to announce our guest this week is David Zayas Jr.

David Zayas Jr. is making his Off-Broadway directorial debut with Simpatico at The Chain Theatre, 312 West 36th Street 3rd Fl. Simpatico plays until June 29th. David most recently directed the Jesus Hopped the A Train staged reading starring Common, John Ortiz, and David Zayas. David also directed LABs 30th Anniversary and the Barn Series, which included three New Works in progress by Stephen Adly Gurgis. A Bronx Native, theater and film Director, Actor, and Photographer, David is a member of The Actors Studio’s Playwright/Directors Unit and LAByrinth Theater Company. He has directed with Planet Connections, Actors Theatre of NY, NY Theater Festival, Samuel French OOB Festival, and Chain Theatre along with award winning films in over 20 festivals.

“Live From The Hotel Edison Times Square Chronicles Presents ”, is a show filmed at the iconic Hotel Edison, before a live audience. To see our past episodes; First episode click here second episode click here,  third episode click here, fourth episode click here, fifth episode click here, sixth episode here, seventh episode here, eighth episode here, ninth episode here, tenth episode here, eleventh episode here, our twelfth episode here, thirteenth episode here, fourteenth here, fifteenth here , 16th here, 17th here and 18th here.

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Music

Kjersti Long Legs For Vanessa Williams As Her Play Relative Space Pacts With Van Dean Productions and The 42nd Club

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Imagine you’re at home in Utah and you find out your song has been recorded by Vanessa Williams; and that it’s been chosen as ABC’s Pride-theme this June. That’s exactly what’s happened to 17-year-old wunderkind Kjersti Long, whose own song “Sad Song” is also out (Origin Entertainment/Mod Squad/ADA).

Kjersti Long

She’s also recording an EP, to be titled Emotions, for release later this year.

Long has also written a play called Relative Space which hosted a red carpet at its workshop premiere last summer in Salt Lake City and generated a host of terrific reviews.

Per KSL News: “The show, originally described as a rock concert mixed with theatrical drama, tackles mental health through a lens of generational trauma. The story follows a mother and daughter who are floating through life separately, not talking to each other about their struggles. Throughout the show, they deal with the wall that has been built between them, and learn how events in the past are affecting both of their futures.”

“I think what they’ve achieved is something very unique and very powerful. The way they’ve brought attention to this incredibly important issue of mental health, I think is going to touch a lot of people and hopefully help a lot of people,” Broadway Records President Van Dean said at the premiere.

Two Broadway production houses: Tony and Grammy award winning Van Dean Productions (Porgy and Bess, The Color Purple) and 6x Tony Award Winner The 42nd Club (Moulin Rouge, Hadestown, Parade, The Lehman Trilogy, & Juliet and Company) have signed on to shepherd the show along its journey to Broadway. It is currently targeting a London premiere in 2025.

Long’s forthcoming EP Emotions will be presented in a unique way as well. Details will be forthcoming.

Kjersti is determined to be a voice of women empowerment and hopes her music can be a pillar of hope to the downtrodden. She says “I just want my music to be a light to those that are in the dark. If my music can help just one person, then I’m happy.”

 

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