Following three sold-out New York engagements, the Vakhtangov State Academic Theatre of Russia returns with a new verse drama Masquerade, directed by Rimas Tuminas (Eugene Onegin). Presented by The Cherry Orchard Festival Foundation (www.CherryOrchardFestival.org),
Masquerade, based on the verse drama by Mikhail Lermontov, features a star-studded cast of Russia’s most acclaimed actors. Often compared to Shakespeare’s Othello, this study of jealousy and pride within the gossip-ridden aristocracy of 1830s St. Petersburg unmasks the captivating and guileful revelry that keeps morality teetering on a razor’s edge. The productions brims with decadent feasts, bright costumes, intrigue, flirtation, anda snow-covered stage on which alluring clowns shed compassionate tears.
Tuminas’ Masquerade is a tragic farce, a sad Commedia dell’Arte, and an exorcism of the heroes and hoaxes that enchant us away from our better selves. The production is performed in Russian with English subtitles.
The cast of Masquerade includes: Evgeny Knyazev, Lidia Velezhova, Victor Dobronravov, Leonid Bichevin, Maria Volkova, Yury Shlykov and others.
Masquerade is brought to life by the acclaimed artistic director Rimas Tuminas, and features music by Fausta Latenas, set design by Adomas Jacovskis, costumes byMaxim Obrezkov, and lighting design by Maya Shavdatuashvili. The production also features additional music by legendary Soviet composer Aram Khachaturyan, originally written for the 1941 production of Masquerade at the Vakhtangov Theatre. Originally written for the 1941 production of Masquerade at the Vakhtangov Theatre.
Rimas Tuminas is the recipient of the State Prize of the Russian Federation, Russian Festival of Performing Arts “Golden Mask” Award, International Stanislavsky Theatre Award, multiple Crystal Turandot Awards, and the Golden Nail Award. He has been the artistic director of the Vakhtangov State Academic Theatre of Russia since 2007, one of the oldest Moscow theatre companies founded by Eugene Vakhtangov, a student of Stanislavsky. In 2011, the theater was recognized as the most visited theater in Moscow.
Vakhtangov State Academic Theatre of Russia’s production of Masquerade is being presented in New York as part of a three-city North American tour, which includes performances in Toronto on June 9-10 and Boston on June 18-19.
Founded by a legendary Russian theatrical director and Stanislavsky’s scholar, Evgeny Vakhtangov, in 1921 and now led by one of the hottest European directors, Rimas Tuminas, legendary Vakhtangov State Academic Theatre of Russia is now Moscow’s landmark, located in the very heart of the city, and rated as the best theater in Russia by both critics and audiences. Vakhtangov’s troupe, that includes numerous Russian star actors, always presents the most original and interesting repertoire, with most of its productions being sold-out months in advance. Learn more about the company at vakhtangov.ru.
The Cherry Orchard Festival, a production of the Cherry Orchard Festival Foundation, a registered 501(c) (3) organization, is a multi-day, multi-cultural, multidisciplinary celebration of international arts in the heart of New York City and beyond, where newest and most daring projects are presented. Founded in 2012, their mission is to introduce and promote global cultural activity and exchange of ideas, aiming to enlighten and engage audiences through educational programs and events. The Festival’s vision is to create an ongoing dialogue between international artists and American audiences to promote greater cultural understanding, while encouraging family participation in the arts. The Foundation held their first annual International Arts Festival in New York City in 2013. Since then, the Festival expanded to Boston and Washington DC, where audiences were introduced to the critically acclaimed international theatre productions and provided with opportunities to enhance their Festival experience with educational pre- performance events and meet-the-artist sessions. For more information about the festival and to purchase tickets, please visit: www.cherryorchardfestival.org or call 1.800.349.0021.
Masquerade will play 4 performances at New York City Center (131 West 55th Street): June 13 at 7:30pm, June 14 at 7:30pm, June 15 at 7:30pm and June 16 at 2pm. Tickets are $55-$150. Group tickets, student discounts, and VIP tickets are available by calling Festival’s office at 1.800.349.0021 or email@example.com.
A Look At The Vineyard Theatre’s Starry Gala
Photo Patti LuPone and Jesse Tyler Ferguson© Bruce Glikas @bruglikas@broadwaybruce_
Here are photos from the Vineyard Theatre’s 2024 Annual Gala honoring Tony Award-winning actor Jesse Tyler Ferguson (Take Me Out) held Monday, February 26, 2024, at the Edison Ballroom, the festive evening included performances by Sara Bareilles with Rosie’s Theatre Kids, Patti LuPone, Lea DeLaria, Celia Keenan-Bolger and more. Sarah Saltzberg served as host and Hiram Delgado, Bill Heck, Ken Marks, Michael Oberholtzer and Eduardo Ramos paid hilarious tribute to their Take Me Out co-star.
Also attendance to support were Chelsea Clinton, Kevin Cahoon, Crystal Dickinson, Brandon J. Dirden, Brandon Victor Dixon, Renata Friedman, Montego Glover, Michael R. Jackson, Haskell King, Christine Lahti, John Lavelle, Luke Macfarlane, Justin Mikita, Deirdre O’Connell, Hadi Tabbal and Rolanda Watts.
Celebratory toasts were also given to Rosemarie Bray, Educator at Union Square Academy of Health Sciences and Christina Poon, General Manager of W Hotel – New York – Union Square. The Gala will be
The Gala was co-directed by Leigh Silverman (Suffs, Harry Clarke, Sandra) and Colin Hanlon (DOT, “Modern Family”) with musical direction by Vadim Feichtner (Spelling Bee, Falsettos, New Brain).
The Gala host committee includes the Patrick J. Adams, Blavatnik Family Foundation, John Barrie and Betsy Smith, Kathleen and Henry Chalfant, Ken and Rande Greiner, Mark Lerner and Steven Frank, Padma Lakshmi, Sue Marks, Justin Mikita, David J. Schwartz andTrudy Zohn, Annette Stover and Richard Feiner and Julia Vitullo-Martin.Under the artistic leadership of Douglas Aibel and Sarah Stern, Vineyard Theatre develops and produces new plays and musicals that push the boundaries of what theatre can be and do. For over 40 years, The Vineyard has nurtured a community of fearless theatre makers whose work has expanded the form, the field, and the larger culture. Vineyard Theatre has transferred eleven shows to Broadway, seven directly after their acclaimed Vineyard premieres: Lucas Hnath’s Dana H. and Tina Satter’s Is This A Room (both New York Times Best Theatre of 2021); Paula Vogel’s Indecent; Nicky Silver’s The Lyons; Kander, Ebb and Thompson’s The Scottsboro Boys; Bell and Bowen’s [title of show]; and Avenue Q by Marx, Lopez and Whitty (Tony Award, Best Musical). In recent years, four additional shows launched at The Vineyard have been revived in their first Broadway productions: Paula Vogel’s Pulitzer Prize-winning How I Learned to Drive; Lanie Robertson’s Lady Day at Emerson’s Bar And Grill; Becky Mode’s Fully Committed; and Edward Albee’s Pulitzer Prize-winning Three Tall Women. From our home in NYC’s Union Square, The Vineyard develops and premieres new plays and musicals which go on to be seen around the country and the world. Recently, Jeremy O. Harris’ play “Daddy” (2019) received its London premiere at the Almeida; Ngozi Anyanwu’s Good Grief (2018) and David Cale’s Harry Clarke (2017) were recorded by Audible; Branden Jacobs-Jenkins’ Gloria (2014), a finali st for the Pulitzer Prize, transferred to Chicago’s Goodman Theatre; Paula Vogel’s Tony Award-winning Indecent (2016) aired on PBS’s “Great Performances” and was one of the most-produced plays nationwide in 2019; and Oscar Nominee Colman Domingo’s Dot (2016) is being adapted into an AMC series. The Vineyard’s first major digital work, Lessons in Survival, was named one of the top theatrical experiences of 2020 by the New York Times and has been viewed by audiences in more than 40 countries. The Vineyard’s Paula Vogel Playwriting Award, Susan Stroman Directing Award, and Colman Domingo Award provide residencies to early-career artists and our education programs serve over 700 New York City public high school students annually, culminating in Developing Artists’ REBEL VERSES Youth Arts Festival. The Roth-Vogel New Play Commission is awarded annually to a mid to late-career playwright to create and develop a new play with The Vineyard. Our work and artists have been honored with numerous awards including Pulitzer Prizes and Tony Awards, and the company is proud to be the recipient of special Drama Desk, Obie, and Lucille Lortel Awards for artistic excellence and support of artists.
More Theatre News: James Monroe Iglehart, Bonnie Milligan, J. Harrison Ghee, Santino Fontana, Len Cariou, Peter Filichia and Patricia Birch
After winning rave reviews in New Orleans and Chicago, Tony Award winner James Monroe Iglehart (Disney’s Aladdin, Hamilton, Spamalot) will star as jazz legend and American icon Louis Armstrong in A Wonderful World: The Louis Armstrong Musical on Broadway in Fall 2024.
Produced by Thomas E. Rodgers, Jr., Renee Rodgers, Martian Entertainment (Carl D. White and Gregory Rae) and Vanessa Williams and Elizabeth Curtis, A Wonderful World will open on Monday, November 11, 2024 at Studio 54 (254 West 54th Street). Previews will begin on October 16, 2024. Tickets will be available at CriterionTicketing.com, with the on-sale date to be announced in coming weeks.With a book by Aurin Squire (“This Is Us,” “The Good Fight”) and featuring songs made famous by Louis Armstrong, A Wonderful World is co-conceived by Drama Desk Award winner and Tony Award nominee Christopher Renshaw (The King and I, Taboo) andAndrew Delaplaine, and directed by Renshaw. Cast and full creative team for A Wonderful World: The Louis Armstrong Musical will be announced soon. Last fall, Iglehart starred in the pre-Broadway production of A Wonderful World in New Orleans and Chicago, where he won raves for his performance. The Chicago Tribune called him “just fabulous! – a knockout Louis Armstrong.” The Chicago Sun-Times, cheered, “James Monroe Iglehart gives a phenomenal, dynamic and vivacious lead performance as the wondrous Louis Armstrong.” “I am so excited to bring this wonderful brand-new musical to Broadway,” James Monroe Iglehart commented. “American music wouldn’t be what it is today without Louis Armstrong and what is Broadway if not American music? ‘Pops’ doesn’t get enough credit for his contribution to our entertainment industry or our country. I know I have never studied, researched, or prepared for anything as much in my career as I have for this role. I feel such a strong connection and an obligation to bring his voice, his music, and his story to the one place where it can be presented in all its glory – Broadway! I can’t wait for you all to become a part of A Wonderful World.”
Maestra Music, the Obie Award-winning nonprofit organization founded by Georgia Stitt to support the women and nonbinary musicians in the musical theatre industry, is pleased to announce hosts Tony Award-winner Bonnie Milligan and Tony Award-winner J. Harrison Ghee for this year’s Amplify 2024, directed by Jessica Ryan (Between Riverside and Crazy Live Broadcast). This fourth-annual concert and fundraising event features stories, conversations, and musical performances from an impressive array of Broadway stars, composers, music directors, and more. Amplify 2024 will take place on Monday, March 25, 2024, at 8:00 pm at Sony Hall (235 W 46th St, New York, NY 10036). Tickets for the in-person event are on sale now at maestramusic.org/amplify/.
Amplify 2024 celebrates the rich creativity and ingenuity of Maestras in musical theatre, ranging from legendary to emerging talents.
The performers showcasing the musical brilliance of renowned composers and lyricists in this diverse and dynamic lineup embody the spirit of creativity and inclusivity in musical theatre including Tony Award-winner Santino Fontana (Tootsie), Two-time Tony Award-nominee Amanda Green (Mr. Saturday Nightand Hands on a Hardbody), Brooke Ishibashi (Into the Woods, Broadway), Jay Armstrong Johnson (Parade, Broadway), Mary Kate Morrissey (Wicked, Broadway), Liam Pearce (How to Dance in Ohio, Broadway), Jasmine Amy Rogers (BOOP! The Musical, Chicago), Sushma Saha (Interstate, Off-Broadway), Jordan Tyson (The Notebook, Broadway), Joy Woods (Six, Broadway), and Grammy Award-winning Nicole Zuraitis.
The celebrated composers and lyricists include Kristen Anderson-Lopez (Frozen), Susan Birkenhead (BOOP! The Musical), Amanda Green (Female Troubles), Rebekah Greer Melocik (How to Dance in Ohio), Brandy Hoang Collier, Clare Fuyuko Bierman, and Erika Ji (Yoko’s Husband’s Killer’s Japanese Wife Gloria), Christine Lavin (InunDATED), with newly added Bree Lowdermilk and Kait Kerrigan (The Mad Ones), Melissa Li and Kit Yan(Interstate) Ingrid Michaelson (The Notebook), and Lynne Shankel.
Music Director Julianne B. Merrill (My Son’s A Queer) leads a band made up entirely of Maestra members: Monica Davis (violin), Ann Klein (guitar), Mary Ann McSweeney (bass), Merrill (piano), Noelle Rueschman (reeds), Shirazette Tinnin (drums), and Clerida Eltimé (cello). Kristy Norter serves as the Music Coordinator and Lexi Vollero is music assistant.
- Date & Time: Monday, March 25, 2024, 8:00 pm (doors open at 7:30 pm)
- Venue: Sony Hall, 235 W 46th St, New York, NY 10036
- Tickets: maestramusic.org/amplify/
The Theatre World Awards Board of Directors has announced two of the individuals to be honored at 78th Annual Theatre World Awards to be held on Monday evening, June 10, 2024 beginning at 7:00 p.m. at a Theater Venue TBA. Tony Award winner Len Cariou (Sweeney Todd: The Demon Barber of Fleet Street, A Little Night Music, Applause) will receive the 11th Annual John Willis Award for Lifetime Achievement in the Theatre, while acclaimed theatre journalist Peter Filichia will receive a 2024 TWA Special Awardfor his quarter-century of service to the organization. The recipient of the 15th Annual Dorothy Loudon Award for Excellence in the Theater, and the 2024 Theatre World Award Honorees for Outstanding Broadway or Off-Broadway Debut Performance will be announced in early May.
Hosted annually by well-known theater journalist, Peter Filichia, the 78th Annual Theatre World Awards Ceremony will be produced by Theatre World Awards, Inc. Board of Directors/Dale Badway. The Musical Director is Michael Lavine.
Theatre World Award winner (1979) Ken Jennings who played ‘Tobias’ in the original Broadway production of Sweeney Todd will perform in a musical tribute to Len Cariou.
Amas Musical Theatre (Donna Trinkoff, Artistic Producer), New York City’s award-winning pioneer in diversity and multi-ethnic casting in the performing arts since 1968, will celebrate its 55th Anniversary at its annual Gala Benefit Concert on Monday, May 13, 2024 at Baruch Performing Arts Center (Engelman Recital Hall) One Bernard Baruch Way (25th Street -between Lexington & 3rd Avenues). For more information, please visit http://www.amasmusical.org/. The evening will benefit Amas Musical Theatre’s education programs.
The gala evening will begin at 6:00pm with a champagne toast. At 7:00pm the evening continues with a concert performance of “A Lotta Night Music,” directed by Jonathan Cerullo. A cast of Broadway luminaries will perform songs from such shows as Grease, They’re Playing Our Song, and A Little Night Music, among others. Teens from The Rosetta LeNoire Musical Theatre Academy will be part of the evening.
The evening will culminate with the presentation of the 2024 “Rosie” Award to Honorees award-winning choreographer and director Patricia Birch (A Little Night Music, Parade), Tony Award-wining actor Len Cariou (Sweeney Todd, Applause), and Butler Tibbets, a beloved corporate sponsor for Amas programs for many years.
Theatre News: Legacy: An Evening with Maria Friedman and Friends, Heart of Rock and Roll, Melba Moore, Gun & Powder and Bordello The Musical
The new, one-night-only concert event Legacy: An Evening with Maria Friedman and Friends will celebrate the brilliance of Stephen Sondheim, Marvin Hamlisch and Michel Legrand on Monday, March 4, 2024 at 8PM at Broadway’s Hudson Theatre (141 West 44th Street). The evening will benefit Broadway Cares/Equity Fights AIDS, The Stephen Sondheim Foundation and The Marvin Hamlisch International Music Awards. Tickets, which start at $100, and VIP sponsorship packages are now on sale at broadwaycares.org/mariafriedman.
Four-time Olivier Award winner and director of this season’s critically acclaimed Broadway revival of Stephen Sondheim and George Furth’s Merrily We Roll Along, Maria Friedman has crafted a special one-night-only concert, with friends old and new, that will explore the legacies of three titans of 20th century musical theatre. The evening will showcase Maria Friedman, Santino Fontana, Savy Jackson and a special company of extraordinary young talent performing from the songbooks of celebrated composers Stephen Sondheim, Marvin Hamlisch, Michel Legrand, Joni Mitchell and Leonard Bernstein, along with a special surprise performance from Joseph and the Amazing Technicolor Dreamcoat in which Friedman famously starred as The Narrator alongside Donny Osmond.
Collaborating with musical director and pianist Theo Jamieson, Legacy: An Evening with Maria Friedman and Friends is directed by Tony Award Winner Christopher Gattelli.
Producers Hunter Arnold, Tyler Mitchell and Kayla Greenspan welcomed the company of The Heart of Rock and Roll as rehearsals began for the upcoming Broadway musical, which is set to begin previews on March 29th, 2024.
The Heart of Rock and Roll, the new musical inspired by the iconic songs of Huey Lewis and The News, will open on Broadway at The James Earl Jones Theatre (138 W 48th St, New York, NY 10036) on Monday, April 22, 2024.
The principal cast features Corey Cott, McKenzie Kurtz, Josh Breckenridge, F. Michael Haynie, Zoe Jensen, Tamika Lawrence, Raymond J. Lee, John-Michael Lyles, Orville Mendoza, Billy Harrigan Tighe and John Dossett.
The cast also includes Mike Baerga, Tommy Bracco, TyNia René Brandon, Olivia Cece, Taylor Marie Daniel, Lindsay Joan, Ross Lekites, Robin Masella, Kara Menendez, Joe Moeller, Jennifer Noble, Fredric Rodriguez Odgaard, Michael Olaribigbe, Kevin Pariseau, Robert Pendilla and Leah Read.
Set in 1987 and jam-packed with Huey Lewis megahits like “Do You Believe in Love”, “Hip to Be Square” , and “If This Is It,” The Heart of Rock and Roll centers on a couple of twenty-somethings on the cusp of their futures—Bobby, a rock and roller who’s traded his guitar for the corporate ladder and his boss Cassandra who’s always put the family business first. When they both get a second shot at their dreams, it’ll take “The Power of Love” and a little help from their friends — to figure out what kind of life they really want.
The Heart of Rock and Roll premiered in San Diego at The Old Globe, helmed by Erna Finci Viterbi Artistic Director Barry Edelstein and the Audrey S. Geisel Managing Director Timothy J. Shields, in 2018.
Paper Mill Playhouse (Mark S. Hoebee- Producing Artistic Director; Michael Stotts- Executive Director), recipient of the Regional Theatre Tony Award, is pleased to announce the full cast and creative team for the new musical Gun & Powder, with book and lyrics by Angelica Chéri and music by Ross Baum. Directed by Stevie Walker-Webb, choreographed by Tiffany Rea-Fisher and music directed by Austin Cook, the production will play April 4 – May 5, 2024 at Paper Mill Playhouse (22 Brookside Drive). Opening night is Sunday, April 14. Gun & Powder will feature Liisi LaFontaine (West End: Dreamgirls, Moulin Rouge!; Regional: Born for This) as Martha Clarke,Ciara Renée (PMP: The Hunchback of Notre Dame; Broadway: Waitress; TV: “The Flash,” “Arrow”) as Mary Clarke, Jeannette Bayardelle (Broadway: Girl from the North Country, The Color Purple) as Tallulah Clarke, Aaron James McKenzie (Broadway: A Beautiful Noise; TV: “Bull”) as Elijah, Hunter Parrish (Broadway: To Kill a Mockingbird; TV: “Weeds,” “The Other Black Girl”) as Jesse Whitewater, and Jisel Soleil Ayon (National Tour: Hamilton, Waitress) as Standby for Mary and Martha. The ensemble of Gun & Powder will include Rickens Anantua, Reed Campbell, Carrie Compere, Meghan Olivia Corbett, Joann Gilliam, Francesca Granell, Aaron Arnell Harrington, Mary Claire King, Malik Shabazz Kitchen, Rayshun LaMarr, Zonya Love, Tiffany Mann, Tony Perry, Adam Roberts, Hank Santos, Christine Shepard, Katie Thompson, Aurelia Williams, and Jason SweetTooth Williams.
Gun & Powder is a new musical inspired by the true story of Mary (Renée) and Martha Clarke (LaFontaine), African American twin sisters who take extraordinary measures to settle their mother’s sharecropper debt and save her home. In 1893 Texas, the Sisters Clarke—passing as white—embark on a remarkable Wild West adventure that examines race, family, and identity with two electrifying women who transformed from farm girls to outlaws to legends.
The production features orchestrations by John Clancy (Broadway: Kimberly Akimbo, The Notebook), scenic design by Beowulf Boritt (PMP: The Wanderer, Murder on the Orient Express; Broadway: Harmony; New York, New York; The Scottsboro Boys), costume design by Emilio Sosa (PMP: On Your Feet!; Broadway: Sweeney Todd; Ain’t No Mo’; Good Night, Oscar), lighting design by Adam Honoré (PMP: After Midnight; Broadway: Purlie Victorious, Ain’t No Mo’), sound design by Connor Wang (Broadway: How to Dance in Ohio; American Repertory Theatre: Evita), wig, hair, and makeup design by J. Jared Janas & Tony Lauro (PMP: Clue; Broadway: Sweeney Todd, & Juliet), fight direction by Sordelet, Inc./Rick Sordelet (PMP: The Wanderer, Fiddler on the Roof; Broadway: Take Me Out), and intimacy direction by Crista Marie Jackson (Broadway: Between Riverside and Crazy; Film: Dumb Money, No Hard Feelings). Casting is by Tara Rubin Casting. Jakob W. Plummer is the Production Stage Manager.
The York Theatre Company (James Morgan, Producing Artistic Director, Marie Grace LaFerrara, Executive Director) “Where Musicals Come to Life,” will present developmental readings of Bordello, The Musical, with book by Barbara Bellman and Joan Ross Sorkin, music by Emiliano Messiez, lyrics by Barbara Bellman, music direction by Steven Gross and directed by Will Pomerantz. The presentations by invitation only will take place on Thursday, February 29 and Friday, March 1. These presentations are part of The York Theatre Company’s Developmental Reading Series. General Management by Hillel Friedmanfrom Evan Bernadin Productions. Executive Producer is Rashad Chambers.
Synopsis: Set in the colorful world of Buenos Aires in 1920 and inspired by historical events surrounding Raquel Liberman, Bordello is the story of a Polish immigrant who is forced into prostitution and risks everything to bring an international Jewish sex-trafficking ring to justice. This never-been-told-before tale of love and bravery has a musical theatre score that incorporates tango, klezmer and other sounds of the period.
Cast: Dana Aber, Harrison Bryan, Emily Brockway, Ellie Biron, Alison Cimmet, Omar Cepero-Lopez, Cicily Daniels, Ryan Duncan, Jamie LaVerdiere, Jillian Louis, Benjamin Magnuson, Samantha Massell, Shereen Pimentel, Cheryl Stern, Pablo Torres, and Eric Van Tielen. Stage Manager is Michael Wizorek.
Public Theater Brings “The Ally” Forward for an Intense Debate
So here’s the pickle. This play, The Ally, clocking in at a far too long two hours and forty minutes, throws controversy at you in numerous long-winded speeches one after the other, filling your brain with details and complexities that clash and do battle with each other from beginning to end. The structuring is intelligent, as the Public Theater‘s new play, The Ally, written by Itamar Moses (Outrage; The Band’s Visit) and directed with precision by Lila Neugebauer (Second Stage’s Appropriate), strides forward into dangerous territory with determination against all odds. Wickedly smart and articulate, the play, in general, overwhelms the intellectual senses. It’s factual and intricate, somewhat off-balanced and attacking, delivering detailed positions with fiery accuracy, which only made me question whether I wanted to sit this one out. Or step more in.
It’s unsafe and determined, placing the action (or inaction, if you really want to get into it) inside a college campus, and attempting to engage in deep-level conversations and arguments with the complicated issues of the world. These are exactly the debates worth having, says basically one character to another, in the tradition of arguing. Because banning free speech is “weird on a college campus.” These conundrums and conflicts are core to passionate dialogue, and just the idea of having them is meeting with fierce debate at universities and colleges across the country. The complexities and the tipping points are layered and real, swimming in a sea of questions about what free speech really truly means, and how differing points of view, civil dialogue, and the stark polarization contrasts collide and enflame. And how, in discussion, defensiveness and aggressive emotional stances are taken on and used against one another like weapons; bullets, and missiles. I even feel a bit worried that taking this stance of wanting to back away might be taken as ‘part of the problem’.
The program notes that “the theatre is a safe space in the most literal sense of that term: no one is going to be physically harmed during this performance in the Anspacher. But it is most decidedly not a safe space if by that term we mean a space where everyone will feel comfortable and no one will feel angry, saddened, or offended. It can’t be that kind of space. The theater depends on conflict – the form itself refuses the idea of a single truth. It’s why I [Oskar Eustis; Artistic Director of The Public Theater] believe that theater is the ultimate democratic art form – just like citizens in democracy, the theater demands that we listen to and share opposing viewpoints, and that from that conflict, a greater truth will emerge.” And I couldn’t agree more with that.
Yet, even with such heightened emotions on stage, delivered full throttle by the excellent cast that includes Cherise Boothe (Signature’s Fabulation,…) as Nakia; Elijah Jones (Signature’s Confederates) as Baron; Michael Khalid Karadsheh (Target Margin’s The Most Oppressed by All) as Farid; Joy Osmanski (“Stargirl“) as Gwen; Josh Radnor (LCT’s The Babylon Line) as Asaf; Ben Rosenfield (RTC’s Love, Love, Love) as Reuven; and Madeline Weinstein (BAM’s Medea) as Rachel, who each try to make it sound more authentic than the writing really allows, the play suffers from how deep of a dive the writing goes. But not without a solid attempt by this cast, bringing qualities and characteristics to the forefront whenever they are given the chance. But a lot of the time, like their main focus, Radnor’s Asaf, they must stand and listen to whoever has the microphone at that one particular speechified moment. And wait, just like us, for the next round. And viewpoint.
Playwright Itamar has certainly dived fully into some of the most difficult topics of our time and asks us to patiently listen to all sides, even when the dialogue doesn’t really resemble discussion but more like informed lectures or one-framed speeches. On the plainest of sets, designed by Lael Jellinek (Public/Broadway’s Sea Wall/A Life), with costuming by Sarita Fellows (Broadway’s Death of a Salesman), lighting by Reza Behjat (ATC’s English) and sound design by Bray Poor (Broadway’s Take Me Out), The Public‘s The Ally, uncovers some emotional space within the manifestos presented. Itamar states in the note section: It “wasn’t that i had nothing to say,” he carefully explains, like the main character who has to stand back and take on the full force and brunt of the argument. “Rather, I didn’t know where to begin because what I had to say was too confused, too contradictory, too raw.” And if that was the complicated stance he was trying to unpack, the playwright succeeded tremendously well.
But does that make The Ally, at The Public Theater, especially this long-winded one, worth sitting through? I’d say yes, and I’d say no. I couldn’t wait to leave that debate hall, but I was also impressed and intrigued by the arguments presented and discussed, even if ‘debate’ would not exactly be the word I would use for the ideas thrown around at one another with brutal force. One of the later statements said to Radnor’s Asaf by his ex-girlfriend, Nakia (Boothe) at maybe one of the few truly emotional moments of actual human souls speaking their truth, sums up my stance. “The thing you need, may not be words.” I won’t argue with that.
For more information and tickets, click here.
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Live From The Hotel Edison Times Square Chronicles Presents Maury Yeston and Victoria Clark
I am so pleased to announce our guests for this Wednesday’s show on February 28th are two time Tony winner Maury Yeston and two time Tony winner Victoria Clark.
Yeston and Clark first worked on his musical Titanic, which was written in 1997 and he won two Tony Awards for Best Musical and Best Score and was nominated for Grammy Award. This year Titanic is part of the Encore series.
Victoria has two solo discs available through PS Classics:Fifteen Seconds of Grace and the recent reimagining of Maury Yeston’s acclaimed song cycle December Songs.
Maury Yeston is a composer, lyricist and music theorist. He has written the music and lyrics for several Broadway musicals, a classical orchestral and ballet composer.
His musical Nine in 1982, also won Tony Awards for Best Musical and Best Score and was nominated for Grammy Award. Rumor has it that this show could come back. He also was nominated for an Academy Award and a Golden Globe for two of his new songs in the film version of Nine.
His show Grand Hotel in 1989, received a Tony nomination for best score and Drama Desk Awards nominations for his music and lyrics, and one for his incidental music to The Royal Family in 2009.
His musical version of the novel The Phantom of the Opera, titled Phantom (1991), has received more than 1,000 productions worldwide and will be done in a concert version later this year.
His off-Broadway musicals include Death Takes a Holiday (2011), nominated for eleven Drama Desk Awards. Other works include December Songs, a classical crossoversong cycle commissioned by Carnegie Hall for its centennial celebration; An American Cantata: 2000 Voices (a three-movement choral symphony commissioned by the John F. Kennedy Center for the Performing Arts for its millennium celebration); Tom Sawyer: A Ballet in Three Acts, a full-length story ballet commissioned by the Kansas City Ballet for the opening of the new Kauffman Center for the Performing Arts in Kansas City; a cello concerto, premiered by Yo-Yo Ma; and other pieces for chamber ensembles and solo piano.
Yeston was an associate professor of music and Director of Undergraduate Studies in Music at Yale University for eight years, authoring two books on music theory. He also presided over and taught the BMI Lehman Engel Musical Theater Workshop in New York City for more than two decades beginning in 1982. Yeston has won two Tony Awards, two Drama Desk Awards and an Olivier Award, and has been inducted into The Theater Hall of Fame.
Victoria Clark is a Tony-Award winning actress, director and educator. She is currently starring on Broadway in her Tony award winning role as Kimberly Akimbo. Her first Broadway job was understudying in the original production of Sunday in the Park with George in the same theater she plays Kimberly in 38 years ago. Ms. Clark has starred or appeared in a total of twelve Broadway shows, and countless off-Broadway and regional productions. She received the 2005 Tony, Drama Desk and Outer Critics Circle Awards for her luminous portrayal of Margaret Johnson in The Light in the Piazza, and received three additional Tony nominations for her work in Sister Act (Tony, Drama Desk, Outer Critics Circle nominations), Cinderella, and Gigi
Clark is also an avid educator and director, Her breadth of experience and knowledge make her a highly sought-after star and collaborator in this country and around the world. Trained at Interlochen Music Academy, Yale University, The Mozarteum (Salzburg), and New York University’s Graduate Musical Theater Writing Program, Victoria’s experience spans across classical and contemporary idoms, encompassing both existing and new work, in plays, musicals, opera, film and television.
Other Broadway shows include The Snow Geese,How to Succeed…, Urinetown, Cabaret, Guys and Dolls and A Grand Night for Singing. Off-Broadway she was in When the Rain Stops Falling (Drama Desk nomination), A Prayer for My Enemy, The Marriage of Bette and Boo, The Agony and the Agony, Marathon Dancing, Follies (L.A.), Ma Joad in The Grapes of Wrath, and Katisha in The Mikado, both at Carnegie Hall. International: Madame Sousatzska in Sousatzska.
In film you can find her in The Happening, Cradle Will Rock, One Royal Holiday, Wanderland, Archeology of a Woman, Harvest, Tickling Leo and Main Street.
In television Pose, The Blacklist, Almost Family, Law & Order/SVU, The Good Wife, Mercy, and Carrie Mathison’s mother Ellen on Showtime’s Homeland.
She is also a wonderful director, directing: “Come to Jesus,” for MasterVoices’ virtual production of Adam Guettel’s Myths and Hymns; The Dance of Death by August Strindberg (Classic Stage Company); Love Life for New York City Center Encores! (cancelled due to CoVid-19); Scaffolding by Jeff Blumenkrantz starring Rebecca Luker for Premieres! (Barrow Group Theater); Paper Piano by Mary Jo Shen (Joe’s Pub); Hansel and Gretl and Heidi And Günther (Village Theater Festival of New Musicals); Newton’s Cradle, NAMT Festival, (Best Director Award); The Trouble With Doug/Fredericia Theater, Denmark; The Impresario (Philadelphia Opera Theater); eight productions for Texas Opera Theater, the touring arm of Houston Grand Opera, introducing students of all ages to opera and musical theater; Shakin’ The Blues Away: An Irving Berlin Revue (Goodspeed Opera House).
Loving the ability to give back she is a master teacher in U.S. and abroad. She is on the visiting faculty for Yale University, Artist-in residence, Duke University, and Pace School of the Performing Arts, where she directed The Light in the Piazza.
She is on the board of New York City Center and The Kurt Weill Foundation.
But her favorite role is Thomas Luke’s mom. Victoria resides in New York with her husband Tom Reidy and their rescue Golden Retriever Ollie.
“Live From The Hotel Edison Times Square Chronicles Presents ”, is a new show that will be filmed live every Wednesday from 5 – 6 in the lobby of the iconic Hotel Edison, before a live audience. To see our first episode click here second episode click here and for our third episode click here.
Hope you can join us for what will be one fabulous musical night.
Live From The Hotel Edison Times Square Chronicles Presents Maury Yeston and Victoria Clark Rescheduled
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More Theatre News: James Monroe Iglehart, Bonnie Milligan, J. Harrison Ghee, Santino Fontana, Len Cariou, Peter Filichia and Patricia Birch
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Entre Institute Review – Is Jeff Lerner’s Program a Scam?
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