G.H. Harding

HONEY MONEY NO MORE? — News that Maria Bartiromo was fired from Fox reverberated around the world and generated a literal ton of ink.

Bryan Freedman

With high-powered pit-bull lawyer Bryan Freedman (fresh from the Blake Lively/Just Baldoni mess) on the case, who knows what will happen.

She first gained notoriety as ‘Money Honey’ and has been a star for years.

(Via Showbiz 411) Maria Bartiromo’s new Hollywood lawyer has something to say. Bryan Freedman says Maria was not fired by Fox News, that she’s still an employee, and all reports to the contrary are false.

You can see his statement below.

Freedman also says there’s no truth to the reports that Bartiromo was acting as a double agent, feeding Donald Trump and Fox News with info about each other. Believe me, I know that when Fox News breaks up with you, it isn’t pretty. It’s not their style. In the end, they will have to pay out her contract. But for now, lots of posturing on both sides.

For many years, Maria Bartiromo hosted three number one rated television shows on Fox channels. She has been, without question, one of the hardest working journalists throughout her award-winning career.

The irresponsible reports that have been published stating that Maria Bartiromo was fired or is no longer an employee of Fox are absolutely and unequivocally false. Make no mistake, we have the receipts and witnesses and they will come out whether through the courthouse or otherwise. Those reporting her firing or the incredulous facts supporting that fiction have exhibited a complete and utter reckless disregard for the truth.

Bryan Freedman, Attorney for Maria Bartiromo

Mandatory Credit: Photo by Derrek Kupish/Shutterstock (14186545bu)
Patti Labelle
2023 CMT Smashing Glass – Tributes to Tanya Tucker and Patti LaBelle, Arrivals, Nashville, Tennessee, USA – 15 Nov 2023

PATTI LABELLE — Common, Patti LaBelle and Public Enemy are the artists who will be honored at the 2026 Black Music Action Coalition Gala, presented by Live Nation, taking place on September 24, 2026, at the Beverly Hilton Hotel in Beverly Hills, California. She of course, front LaBelle with the late Nona Hendryx, but has remained a marquee-name for sure. So well deserved!

SHORT TAKES — (Via Billboard.com) Cassandra Wilson, the two-time Grammy Award-winning jazz singer, songwriter and producer has died. She was 70. Dubbed America’s best singer by Time magazine in 2001, Wilson was best known for her genre-bending voice, which expanded the boundaries of traditional blues-based jazz and worked effortlessly across folk, pop, R&B, country and beyond. At the heart of all her work was her idiosyncratic contralto, a soulful sound distinctly tied to her roots … (Via Deadline) As Simon Cowell continues to recover from back surgery, another America’s Got Talent alum is returning to the judge’s table. On Wednesday’s episode of the NBC reality competition series, it was announced that Heidi Klum will fill in for Cowell next week during a special three-hour broadcast of the Season 21 quarterfinals. Klum served as a judge on America’s Got Talent from 2013 to 2018, before returning from 2020 to 2024. She exited the AGT judge’s table last year, shortly after she was invited back to host Project Runway for Freeform and Disney+ …

Mr T

On Friday’s Today Show, Al Roker caught with the infamous Mr. T from The A-Team. Who says you can’t get a doc made? Mr. T’s one is out now on Netflix … Much ink this week about Miley Cyrus changing her name to just Miley; and a new album appears with the single “Bass Persuades.” The song is typical high-energy Miley, but the video looks like a combo of the best parts of Michael Jackson’s “Thriller” video and Debbie Gibson’s “Electric Youth” video. Funny! …

Micky Dolenz on KTLA

Here’s Micky Dolenz at LA’s KTLA being interviewed in advance of his show at The United Theater Downtown in LA next Saturday, February 12; and his new EP Timeless, featuring the singles “Terri” and “Any Way You Want Me To.” February 12 is the official date of the Emmy-award winning TV-show The Monkees debuting on NBC. L-R-Standing-Jasmine Simpkins and Dolenz -sitting- Samantha Cortese and John Fenoglio … Anthony Pomes and his Doors-tribute band Carnival Dogs played My Father’s Place Friday night.

Eppy and Anthony Pomes aka “Inner Jim”

Here’s Inner Jim with Eppy … (via Deadline) Prime Video has opted not to proceed with a second season of the superhero series Spider-Noir starring Nicola Cage. Spider-Noir was the second series ordered and first to make it to the screen under a multi-title deal between Amazon MGM Studios and Sony Pictures Television based on IP from Sony Pictures’ Universe of Marvel Characters. Too bad as I loved it and Cage was just superb as usual … Happy Bday Sharon White

 NAMES IN THE NEWS —– Anna Chan; Joe Lynch; Gary Graff; Paul Grein; Adam White; Anthony Pomes; Pierce Brosnan; Kevin Spacey; Kimberly Cornell; Amanda Naylor; Tom & Lisa Cuddy; Gary Graff; John Hughes; Dan Mapp; Paul Pierce; Judy Kaufman; Marjorie Schwartz; Lora Evans; Ben Kenney; Angela Tarantino; Lee Jeske; Randy Alexander; Peter Shendell; Romeo Escobar; Oleg Cassini; and CHIP!

 Images on this page have been licensed under the Creative Commons Attribution-Share Alike 4.0 International license

Broadway will go dark for a moment on Tuesday, September 8 at 6:45 p.m., when the marquees of all 41 Broadway theatres dim simultaneously in memory of 13 artists and industry figures whose work helped shape the theatre—and, in several cases, American culture far beyond it.

The September Broadway in Memoriam tribute will honor Tim Curry, Clive Davis, Gina Ferrall, Josh Grisetti, Jeff Hamlin, Glen Hansard, Louise Lasser, Anna Louizos, Seth Marquette, Dolly Parton, Anne Russell, James Walsh and Harold Wheeler.

There is something particularly moving about the Broadway tradition of dimming the lights. Theatre is built on illumination—the marquee, the footlights, the spotlight—and so Broadway marks loss by taking that light away. For a few moments, Times Square becomes noticeably darker, acknowledging that someone who contributed to its brilliance is no longer here.

This September’s list crosses nearly every corner of the industry. Tim Curry, forever associated with his indelible Dr. Frank-N-Furter in The Rocky Horror Show, was also a three-time Tony Award nominee whose Broadway career included Amadeus, My Favorite Year and Spamalot. Dolly Parton, whose songs, personality and unmistakable generosity made her one of America’s most beloved entertainers, also left her mark on Broadway through 9 to 5: The Musical and the theatrical projects that followed.

Clive Davis, Nancy Pelosi

Clive Davis, one of the towering figures of the recording industry, spent decades influencing the music that ultimately found its way onto stages as well as records. Glen Hansard, whose music helped give Once its singular heartbeat, became part of Broadway history when the intimate musical defied conventional Broadway expectations and captured the 2012 Tony Award for Best Musical.

Broadway will also remember the extraordinary orchestrator, composer, conductor and musical director Harold Wheeler, whose career stretched across decades and included work on The Wiz, Dreamgirls, The Full Monty, Hairspray and countless other productions. Wheeler’s contribution was often the kind audiences feel without necessarily knowing whose hand created it—the musical architecture beneath some of Broadway’s most memorable nights.

Anna Louizos and Ken Billington in The Producers Exhibit Photo credit Rebecca J Michelson

Theatre designer Anna Louizos gave physical form to stories through a career that included scenic and costume work and multiple Tony nominations.

Louise Lasser Photo Magda Katz

Louise Lasser, best known to much of America through television and film, also had roots on the New York stage. Gina Ferrall, Jeff Hamlin, Seth Marquette, Anne Russell and James Walsh will likewise be remembered for lives and careers connected to the Broadway community.

Josh Grisetti

For T2C, the inclusion of Josh Grisetti carries particular weight. Grisetti, who died at only 44, possessed the kind of talent that made an audience look twice: an actor with comic precision, musical intelligence and an individuality that could not be manufactured. His work ranged from the stage to television and film, but those who saw him in the theatre understood exactly what Broadway has lost.

The September ceremony is part of the relatively new Broadway in Memoriam initiative, established last year to create a more consistent and inclusive way of honoring members of the theatrical community. Rather than allowing recognition to depend upon sporadic individual marquee dimmings, the quarterly tradition gathers multiple members of the Broadway family into a shared remembrance.

The ceremony now takes place four times annually, on the second Tuesday of September, December, March and June, with all 41 Broadway theatres participating simultaneously. The committee can also designate a separate dimming for an individual whose contribution to Broadway is considered profoundly significant.

Members of the Broadway community may submit creative professionals who have worked on Broadway, as well as career professionals who devoted their lives to the industry, for future consideration. The next submission deadline is November 17, for the December 8, 2026 dimming. Information and submissions are available through Broadway in Memoriam.

Broadway is an unusual place. Shows disappear. Sets are struck. Costumes are packed away. Dressing rooms are emptied and another name eventually goes above the theatre door. An industry devoted to creating moments that vanish every night has always had a complicated relationship with permanence.

That is why September 8 matters.

At 6:45 p.m., Broadway will briefly extinguish the lights that ordinarily announce who is playing, what is opening and what audiences should see next.

For that moment, the darkness will say something else entirely:

We remember who was here.

Every night in September, just before midnight, Times Square will abandon reality for three minutes.

For September’s Midnight Moment, artist duo LIZN’BOW transforms the district’s monumental digital screens into Niñalandia, a wildly saturated alternative universe where flying grandmothers, unicorn cows and islands made of money replace the considerably less charming anxieties of the present.

Titled El Mundo es Niña, the work rejects our cultural fascination with dystopia in favor of what the artists call a “pro-pocalyptic” future—a world built not around impending collapse, but radical joy, imagination and human connection.

Against a magenta sky, a neon-green island fashioned from money rises into view. Liz’s abuela sails overhead on a flying bicycle. A dancing unicorn cow races across the landscape on a jet ski as strange and wonderful creatures converge for what feels somewhere between a celebration, a dream and a wonderfully deranged Saturday-morning cartoon.

Beneath the exuberance is a more serious proposition.

LIZN’BOW have created an expanding fictional universe informed by queer and Latinx futurisms, personal memory, pop culture, humor and nostalgia. Here, fantasy isn’t an escape from reality so much as an opportunity to redesign it. That distinction gives El Mundo es Niña its bite.

We are continually presented with visions of the future dominated by climate catastrophe, technological upheaval, isolation and fear. LIZN’BOW ask a far more interesting question: What if imagining disaster isn’t the only way to take the future seriously?

Their answer is Niñalandia, where kinship, mutual care, resilience and play become acts of rebellion against despair.

Times Square may be the perfect place for it. The Crossroads of the World already exists somewhere between reality and fantasy, its enormous screens constantly selling us versions of who we might become, what we might desire and what tomorrow supposedly requires.

For three minutes each night, those screens will sell nothing. Instead, they become a portal. El Mundo es Niña will be presented throughout September as part of Midnight Moment, Times Square’s nightly digital art program, appearing across participating electronic billboards from 11:57 p.m. to midnight.

In a neighborhood built on spectacle, LIZN’BOW are offering something surprisingly subversive: the possibility that joy itself might be a vision of the future.