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Theater and Film News: The Women’s Film Preservation Fund, American Popular Song Society, Rockers On Broadway, Biden Victory Fund

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The Women’s Film Preservation Fund (WFPF) of New York Women in Film & Television (NYWIFT) is opening submissions for its film Preservation grants for the 2020 cycle on October 1, 2020.

The deadline is February 1, 2021.  

Since 1995 the WFPF has been bringing awareness to women’s enormous accomplishment in filmmaking by funding preservation of films made by American women everywhere and films made in the US by women from other countries.  To date, we’ve preserved approximately 135 of these American-made films, bringing back into view important lost films and significant but overlooked films from the past, showing that women have been integral to filmmaking since its inception.

From the outset, the WFPF’s ambition has been to make visible women’s filmmaking achievement in all of its breadth, variety, and innovation.  Preserved films in our roster represent all genres and lengths including: narrative, documentary, experimental, and animated films, as well as home movies and other forms. Our aim has always been to show the diversity of women’s filmmaking by including as many voices and vantage points as possible. To this end we have funded films by women of all colors, a range of ethnicities, and those representing otherwise marginalized voices.

In this light, we would like to make sure that Black filmmakers and archives and institutions that hold films by Black women are aware of our grant and invite them to apply for our 2020 grant.  We welcome films on issues that resonate with Black Lives Matter, but also on any other subjects, and in any genre.  Applicants with films by women from BIPOC communities are especially encouraged to apply.  However, we continue to welcome films of any and all genres, by women makers who are from all cultures and backgrounds.

Please note that the film’s original format must have been film.  (We do not fund born video works with this grant.) Also note that this is a preservation grant for an existing film, not a production grant for a film in-progress.

Grants of up to $10,000 are awarded for film preservations biennially, though grant awards are often smaller. 

Please begin the application process early since it requires a detailed budget based on an approved film preservation laboratory’s examination of the film elements to be used. Shipping elements to the lab takes some time. 

Please use the links below to access the application and guidelines: 

Join singer/musical director and sheet music archivist Michael Lavine on Saturday, October 10th at 12 Noon ET for an American Popular Song Society program honoring the Broadway composer and cabaret artist Arthur Siegel. Arthur wrote the music for many of the songs in the New Faces Broadway shows of 1952, 1956, 1962 and 1968. He mainly collaborated with June Carroll, but in later years, Arthur wrote with other lyricists. He musically directed most of Ben Bagley’s Revisited cd’s over the years, providing arrangements and also singing on them! Michael will be joined by a number of stars from Broadway and Cabaret, who will be presenting songs by Arthur. Michael will also tell some stories of his friendship withArthur. Performers lined up to entertain: Steven Brinberg, Fay DeWitt, Natalie Douglas, Jay Aubrey Jones, Jon Peterson, T. Oliver Reid, Steve Ross, Sandy Stewart, KT Sullivan, and Sara Zahn.

For more information on the Free Zoom event please go to the website of the American Popular Song Society: http://apssinc.org/zoom.html

Michael Lavine has worked as a musical director, pianist, vocal coach and singer all over the world. He gives master classes on auditioning in New York, Los Angeles, Moscow, Bangkok, Australia, Singapore, Tokyo, Manila, Martha’s Vineyard and other locations.   Michael musically directed productions of RentSweeny Todd, and Thoroughly Modern Millie at the Shanghai Theatre Academy.  He has accompanied Broadway and television stars n New Orleans, San Francisco, Australia, Hollywood and at 54 Below, Feinstein’s, and the Metropolitan Room in New York.  Michael conducted The Little Mermaid starring Emily Skinner.  He also regularly plays for the Outer Critic’s Circle Awards in New York and musically directed the Broadway Cares Teddy Bear Auction for its entire 15-year run.  Michael has conducted orchestras in a number of cities around the country For the past several years, Michael has been producing a series of CD’s called Lost Broadway And More, recording songs from Broadway shows that have never been recorded before. A graduate of Columbia University, Michael owns one of the larger privately held sheet music collections in the world.  More information can be found at Michael’s website, www.michaellavine.net.  

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MAC & The PATH Fund, Inc® presents Rockers On Broadway: Band Together on Monday, November 9, 2020. The event will be a special streaming benefit concert featuring virtual performances and special appearances. This year we celebrate our amazing COMMUNITY – the perseverance and strength against all odds of performing artists!

Rockers is the original Broadway rock concert series, a fun unique charity event, featuring Broadway’s best rockin’ out with The Broadway All Star Band. Already slated to rock with us are: Michael Cerveris, LaChanze, Adam Pascal, Megan Hilty, Ryann Redmond, Morgan James, Brian Gallagher, Donnie Kehr, Jen Perry, Ryan Peete, and rising star Isabelle Gottfried. Hosted by Ben Cameron, and featuring Alexa Ray Joel, Julie Halston, Jerry Mitchell, Ginger Minj, Randy Rainbow, with a special appearance by Cyndi Lauper.

The arts community has been direly affected by the coronavirus outbreak and subsequent cancellation of hundreds of Broadway shows and Live Events across the country. Our goal is raise much needed funding for our arts education partners and the newly created PATH Fund’s Community Relief Grant Program to provide immediate financial assistance to those in our community affected by Covid-19.

Each year Rockers On Broadway® honors industry luminaries who have inspired and enhanced the community. Our Lifetime Achievement Award honoree is the incomparable Emmy, Grammy and Tony Awardwinner – Billy Porter. Billy is a fashion trailblazer, activist, fierce performer and an inspiration to us all.page1image32620752page1image15805376

Producers Vivek J. Tiwary, Arvind Ethan David and Eva Price are thrilled to announce that the Broadway cast of Jagged Little Pill, with seven-time Grammy Award-winning singer/songwriter Alanis Morissette, will be hosting a virtual Broadway fundraising event to benefit the Biden Victory Fund, on Tuesday October 13, 2020 from 8:00-9:00PM ET (5:00-6:00PM PT).  Featuring performances, conversations, and messages from special surprise guests, this officially sanctioned Biden Victory Fund Event supports the Biden For President campaign to elect Joe Biden and Kamala Harris as the next President and Vice President of The United States of America.  Tickets are available from $25.00, at bit.ly/JLPforBiden. 

“I couldn’t be happier to express my passion for conscionable leadership in America with our Jagged Little Pill Broadway team,” said Alanis Morissette. “Each person within this musical is a force of nature and activism in their own right, and I am thrilled to come together to support TRUE democracy, and political and relational grace, with our whole JLP family.” “Our show is all about encouraging action and making your voice heard,” said Price, Tiwary and David, who serve as Event Chairs alongside attorney and Broadway investor Andrew Byrnes. “So, we are thrilled to be adding our voice to the Biden-Harris chorus this election season, and we hope to inspire Americans to exercise their right to vote this November. We are indeed fighting for the soul of our country, and the cast of Jagged Little Pill is full of heart and soul.” Contribution Levels for the Event are: Supporter: $25; Advocate: $100; Sponsor: $250; Champion: $1,000; and Co-Host: $10,000 (write/raise), which includes a virtual meet & greet with the cast of Jagged Little Pill.  

The ongoing suspension of Broadway performances due to COVID-19 will continue until further notice. While a return date has yet to be determined, #JaggedLittleBroadway is now offering refunds and exchanges for tickets purchased through January 3, 2021. 

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Events

Tribeca Festival Wraps Up with Big Apple Moment with ‘Satisfied’ Premiere

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The final day of the 2024 Tribeca Festival closed out with the film “Satisfied” at the Beacon Theater. The night also showcased a “Hamilton” pre-Tony anniversary moment with Renee Elise Goldsberry. After the premiere and performance guests gathered at Allure Lounge to sip on Hendrick’s Gin cocktails and to honor the indelible moment.

Roxstar Entertainment’s popular Cinema Center finished its premiere party run with the late-night soiree attended by director Chris Bolan and actress Kelli O’Hara as well as the fleet of producers on the film including executives from Stick Figures Productions and Amblin Documentaries.

Guests enjoyed a gourmet selection of canapes catered by Allure Restaurant as well as featured cocktails by Hendrick’s Gin including the Hendrick’s Grapefruit Collins.

“Roxstar Entertainment is pleased to continue to support independent filmmakers and distributors especially in its mission to get movie fans back into their true intended viewing medium, the movie theaters.  We are so grateful to be able to work with like-minded companies to sponsor and support the events and help drive the promotion and celebration for the films, filmmakers, and respective casts,” says David Manning, Roxstar Entertainment’s Executive Producer of the Cinema Center.

 

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Film

Tribeca Festival – Best Films from Documentaries, Features and Shorts

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It was a thrilling Tribeca Film Festival with a showcase of superb filmmaker talent from around the globe. Here were some notable projects in 2024.

Ebb & Flow

Determined to have her first kiss, a young teenage girl defies her tumultuous world in search of normalcy.

The Brown Dog

Night after night, a watchman clocks into his lonely booth and spends hours composing endless security logs to stay awake, as he slowly descends into darkness.

A Rose for Katrina

Michael arrives for a date with Katrina, a woman he has met online. Hoping to make an impression he has brought her a rose. He is greeted at the door by someone who he initially believes is Katrina but who reveals themselves to be Katrina’s identical twin sister. While they wait for the real Katrina to emerge, she challenges Michael to take a strange bet and becomes verbally abusive when he refuses. Michael, confused and humiliated, leaves, at which point the “real Katrina” appears.

A Family Guide To Hunting

When Eva, a doomsday prepper, takes her uptight Korean-American parents and all-American boyfriend on a bonding hunting trip, things go from bad to grisly.

Catharsis

A dancer savant with serious anger issues is about to sabotage his life when a strange psychotherapist brings him to face the shadows of his subconscious mind.

Griffin in Summer

Summer vacation is usually the time for kids to let loose, but for fourteen-year-old Griffin Nafly it’s time to get down to the serious business of putting on his dramatic new play. Featuring stellar performances from its cast of young actors, Griffin in Summer’s coming-of-age story is a portrait of the artist as a young boy dealing with the initial experiences of unrequited love.

The Shallow Tale of a Writer Who Decided to Write about a Serial Killer

A writer befriends a retired serial killer (Steve Buscemi) who becomes his unlikely marriage counselor and muse. As the writer grapples with his second novel and a crumbling marriage to his disillusioned wife (Britt Lower), the former killer reluctantly offers guidance on both matters, leading to a series of twists and turns that blur the lines between reality and fiction.

DRIVER

After losing everything, Desiree Wood takes a second lease on life as a long-haul truck driver. By establishing the organization “REAL Women In Trucking,” Desiree has amassed an irreverent coalition of women drivers to advocate for an equitable and fair quality of life on the road, and ensure the welfare of women drivers within their male-dominated profession. Nesa Azimi’s soulful and contemplative DRIVER follows Desiree as she strives to leave her tumultuous past behind and navigate toward a more hopeful and stable future.

Beacon

Driven by an overzealous sense of adventure, young sailor Emily (Julia Goldani Telles), quickly runs into trouble when she shipwrecks on a remote island. She’s rescued by the island’s lone inhabitant, Demián Bichir’s mysterious light keeper Ismael. Directed with gripping fashion by Roxy Shih, the stage is set for a nail-biting journey into the depths of human instinct necessary for survival.

Don’t You Let Me Go

Adela stands among the crowd at Elena’s wake, feeling disconnected from the hushed voices and harsh fluorescent lights that don’t remind her of her best friend’s intrinsic joy. Emotionally drained, Adela goes to her car and what does she find waiting for her but a bus. Not an ordinary bus, a magic bus – a bus that takes her back in time to a magical weekend. Writer-directors Ana Guevara and Leticia Jorge’s third film is a beautiful tribute to friendship, especially the bonds of friendship between women.

 

 

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Entertainment

Live From The Hotel Edison Times Square Chronicles Presents His Highness Dr. Mag. Prince Mario-Max zu Schaumburg-Lippe of Germany, MAS, LL.M

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We are so pleased to announce our guest this week is His Highness Dr. Mag. Prince Mario-Max zu Schaumburg-LippeI of Germany, MAS, LL.M. Yes, I really do know a prince and he is coming to be my guest.

Prince Mario-Max is an Award winning actor, event and TV-host, Bertelsmann Randomhouse author, public speaker and philanthropist.

Prince Mario-Max is a German, H.H. Dr. Princess Antonia zu Schaumburg-Lippe and H.H. Waldemar Prinz zu Schaumburg-Lippe

Prince Mario-Max is a German Prince and Royal as the birth son of H.H. Dr. Princess Antonia zu Schaumburg-Lippe and H.H. Waldemar Prinz zu Schaumburg-Lippe, being descendends from the Royal Danish Nachod Line of The Princely House of Schaumburg-Lippe, Founding Family of Hamburg, Lübeck and Kiel in Germany.
He is now bi-coastal living both in Hollywood and NYC.

“Live From The Hotel Edison Times Square Chronicles Presents ”, is a show filmed at the iconic Hotel Edison, before a live audience. To see our past episodes; First episode click here second episode click here,  third episode click here, fourth episode click here, fifth episode click here, sixth episode here, seventh episode here, eighth episode here, ninth episode here, tenth episode here, eleventh episode here, our twelfth episode here, thirteenth episode here, fourteenth here, fifteenth here , 16th here, 17th here, 18th here and 19th here.

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Live From The Hotel Edison Times Square Chronicles Presents: Tina Louise

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We are so pleased to announce our guest this week is Tina Louise.

Tina Louise is widely known for her role as movie star Ginger Grant in the CBS television situation comedy Gilligan’s Island. Louise is the last surviving cast member of the TV series.

Louise got her first role at age two after being in an ad for her father’s candy store. She began studying acting, singing, and dancing at age 17 under Sanford Meisner at the Neighborhood Playhouse School of the Theatre in Manhattan. Her acting debut came in 1952 in the Bette Davis musical revue Two’s Company, followed by roles in such other Broadway productions as John Murray Anderson’s Almanac, Will Success Spoil Rock Hunter?, and the hit musical Li’l Abner. She appeared in the live television dramas Studio One and Producers’ Showcase.

Her breakthrough role in 1958 drama film God’s Little Acre for which she received the Golden Globe Award for New Star of the Year.

Louise left the Broadway musical Fade Out – Fade In to portray movie star Ginger Grant.

Louise had starring roles in The Trap, The Hangman, Day of the Outlaw, and For Those Who Think Young. She also appeared in The Wrecking Crew, The Happy Ending, and The Stepford Wives (1975). Later film roles included a co-starring appearance in the Robert Altman’s O.C. and Stiggs (1987) as well as the independently made satire Johnny Suede (1992) starring Brad Pitt. She appeared in the situation comedy Married… with Children as Miss Beck in episode “Kelly Bounces Back” (1990). In 2014, Louise starred in the spiritual drama Tapestry and the horror film Late Phases.

She also wrote a book that has been re-released called Sunday: A Memoir, a vivid portrait of the betrayal of the heart, trust, and the magical belief that only children have, in a poetic expression of the power of memory and the legacy of a lost childhood, as seen through the eyes of a young girl who became a celebrated actress.

An Audible sample – https://www.amazon.com/Sunday-Memoir-Tina-Louise/dp/0307440176

The below is a good page from her amazing book –

https://www.google.com/url?sa=t&source=web&rct=j&opi=89978449&url=https://tinalouise4ever0.tripod.com/tinalouiseclassicgoddess/id17.html&ved=2ahUKEwjs_f-VmuGGAxVxEVkFHegFCU4QFnoECBEQAQ&usg=AOvVaw1IMp5uBP2YY2SGYXdTqqWu

“Live From The Hotel Edison Times Square Chronicles Presents ”, is a show filmed at the iconic Hotel Edison, before a live audience. To see our past episodes; First episode click here second episode click here,  third episode click here, fourth episode click here, fifth episode click here, sixth episode here, seventh episode here, eighth episode here, ninth episode here, tenth episode here, eleventh episode here, our twelfth episode here, thirteenth episode here, fourteenth here, fifteenth here , 16th here, 17th here, 18th here and 19th here.

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Celebrity

The Glorious Corner

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G.H. Harding

CAMPBELL’S KITCHEN — (Via Ultimate Classic Rock) Mike Campbell  has been making records since the ’70s, most famously as a member of Tom Petty and the Heartbreakers.

“I’m grateful that I was part of that whole experience,” Campbell recently told UCR, speaking to his Heartbreaker days. It’s been a full decade since the band released their last album, 2014’s Hypnotic Eye, and six and a half years since Petty’s passing, which effectively ended the Heartbreakers.

Campbell describes himself as “still grieving,” but tries not to spend too much time dwelling. “If I think about it too hard, I’ll just get sad,” he says. In the past four years, he’s kept himself busy with new work, recording and performing with his band the Dirty Knobs. As Campbell sees it, their third album, Vagabound, Virgins & Misfits (out June 14 via BMG), marks “huge growth” for him both lyrically and vocally. After years of operating as Petty’s right-hand man and usually taking the backseat when it came to singing — Campbell sang lead on exactly one Heartbreakers song, “I Don’t Wanna Fight” from 1999’s Echo — it’s taken three albums worth of work to reach a place where he feels self-assured of his ability to front a band. “A lot of it is confidence,” he says.

UCR caught up with Campbell and talked about Vagabonds, Virgins & Misfits, including its various guest stars.

This is your third album with the Dirty Knobs, but obviously you’ve been in this business a long time. How would you say your approach to songwriting has changed from your early days to this new album?

Well, my approach to songwriting is the same as it’s ever been. Except when I was partnered with Tom, I mostly just did music. I would make music tracks and give them to him and if he liked it, he would write the words. Now that he’s gone, I have my own band, I’m exploring the lyrics and the characters, as well as the music. So that’s a new frontier, but I’m really taking to it and I’m just trying to get good at it, you know? I see a huge growth in three albums. This new album, I think, has some really good lyrics, and the band, as always. And just, you know, the music is just — it’s always there. I write all the time, you know, and that hasn’t waned at all.

I would like to mention though, just to carry on what you said before about the female’s perspective. (This writer spoke with Campbell previously about another upcoming album, Petty Country: A Country Music Celebration of Tom Petty.) One thing on this album that I love, which was an afterthought, was Lucinda Williams’ addition of her words in the song “Hell or High Water.” [I] cut it as a Dirty Knobs song, and then listening back, it occurred to me and George Drakoulias, the producer: Wouldn’t it be great if this female character in the song actually came in and sang on the song? When I thought of Lucinda, I thought, God, if she would do it, that would be perfect. And she came through with flying colors, she put so much heart and soul into that verse. So, there’s an example [of a] song from a woman’s perspective adding much more depth to the song.

Totally. It would have been an entirely different track without that. It’s great that you have these contacts at your disposal that you can call up.

The guests on the record were not me going out and cherry-picking people. They’re just people who seemed to show up. Like Graham Nash, who did an incredible job. He was doing an interview with me and I got up the courage to ask him if he would maybe sing on one song (“Dare to Dream”), which he did. Chris Stapleton, I think was in town that weekend getting a Grammy or something and he came by the house. Here, would you sing on this song? And [Benmont Tench came over] and put piano on it, you know. So, the guests were kind of afterthoughts, but in each case, they made the song way better.

Did Graham record his parts remotely or did he also come by your studio? I know he lives in New York and you’re in L.A.

No, I had already cut the song. It was finished. And I did the interview with him, and you know, I’m a huge Hollies fan, the ’60s, all those bands. So just being able to have a conversation with him was wonderful. And I was really kind of sheepish like, I didn’t think he would say yes. … I said “Would you be interested maybe in trying to sing on something?” And he goes, “Sure, I’ll make your song better.” [Laughs] So I had the track. He went back to New York. I sent him the track, as a lot of people do now, he did his vocals and mailed it back to me and I lost my mind. It was so good.

There were several tracks on this album that when I heard them, I thought “Wow, Mike’s voice sounds great.” You’ve really grown into your role as lead singer, from the first Dirty Knobs album (2020’s Wreckless Abandon) to this one. How do you feel about your singing now?

Wow, can I send you some flowers? [Laughs] I thank you for saying that. I’m getting used to it, you know? And I have a little Florida slang that comes through now and then. But I don’t sound like Tom. When I first started singing…I actually did sound a lot like him because we talk a lot the same and stuff. But I think I’ve worked hard to kind of filter that out through the three albums, and there will always be little bit of that Southern thing in there. I think I found a voice that I’m comfortable with. I’m not a Roy Orbison, [but] I have the personality of certain characters that I put across. And a lot of it is confidence, Allison. If you get confident and work on the voice a little bit and believe that you pulled it off, you know, that’s a lot of the game right there. So, my confidence has grown as I keep working on it. But thank you for that compliment, that was wonderful.

And that goes for live shows, too. I would imagine that you also feel some confidence when you’re up in front of a crowd that’s encouraging you.

Oh, yeah. You know, it’s interesting, because I play with the Dirty Knobs, it’s our songs, it’s our trip, but I’m still a member of this legacy. And I sometimes will do a few Heartbreakers songs just out of respect for Tom because the crowd likes them and I like singing some of them. But the crowd, yeah. When they’re there for you and supporting you…I get the sense that a lot of the people in the audience that know me and my years are pulling for me. … I’m trying to find my own way and they’re supporting me and they’re helping me get there

Speaking of singing, your wife, Marcie, sings some backing vocals on the song “Hands Are Tied.” Is that the first time she’s done that on one of your albums?

That’s a funny story. Because, you know, she usually sings around the house. She’s not a singer per se, but all through my life — you know, I’ll be doing a demo and I’ll say “Why don’t you come in and put a little part on this?” “No, no, no, I don’t sing.” On this album…she goes, “You know what? I think I’d like to sing on this one.” And I said “Really?” I was in shock. I said “Okay, well, we got this song. All you got to do is go ahhhhh.” [Laughs] And her sound and her feel on it really helped the song a lot.

You have a note in your credits thanking Stevie Nicks for the “cool dulcimer.” And you’re actually holding the instrument on the cover of the album. Can you tell me about that?

Yeah, I hope she sees the cover, ’cause I think she will appreciate it. There’s a story with that. When I was doing the Mac project, we were at rehearsal one day, and Mick Fleetwood came in with one of those customized dulcimers, just beautiful. And I was talking to him about it and saying “Oh, this is really a nice instrument.” I guess she overheard the conversation and a week later, I walk in and she says “Here, this is for you.” She went and bought one just like it for me. I was blown away. In fact, I even wrote the song — “Innocent Man” was written on that dulcimer, on the album. But the funny thing is, I took it home and played it — it’s in my studio — and then a couple of weeks later, she came up, she said, “You probably never even play it, do you?” [Laughs] I said “I play it all the time!” You know, that’s so Stevie. So, I hope that she sees the cover and knows that I covered it and used it.

You’ve had a number of full circle moments, so to speak, in the last few years. I’m thinking of your time touring with Fleetwood Mac and reconnecting with Stevie Nicks, or playing with Bob Dylane at Farm Aid last year. You also shot the “Dare to Dream” music video with the Dirty Knobs at the Church Studio in Tulsa, Oklahoma, which was where the Heartbreakers signed their very first record deal. Is there anything else along those lines you’d like to do? Anything you want to revisit?

Well, I enjoyed the Tulsa thing quite a bit. That was not my idea, but the idea came up [from] management. And I thought it was very touching to go back where Tom and I had passed through on the way to get a record deal and to revisit that energy and those ghosts in the studio there. I enjoyed that a lot. But to be honest with you, I’d rather like, think forward and not think backward because sometimes nostalgia can be sad, you know? I’m real proud of that video, though. But I think I want to move forward and think forward.

Speaking of blasts from the past: The Wallflowers are going to be playing a show in L.A. later this year and the plan is for them to perform the entirety of their album Bringing Down the Horse, which you played on, and also the entirety of the Heartbreakers’ Long After Dark. What do you think about that?

You know, it’s wonderful that people are pulling out this music and revisiting it, you know, and I love Dylan — Jakob Dylan. I played on their first single, “Sixth Avenue [Heartache],” which was really fun and I’ve always been proud of his career. And I think he’s taken on a lot to do all those songs in one set, but more power to him. I’m sure he’ll do a great job.

What are you most looking forward to about touring with this new Knobs music?

I’m thrilled beyond to go out on the road with my band and play the new album. I’m real proud of it and the songs sound great in rehearsal. And the show will be a lot of the new album, and I’ll be throwing in a couple of surprise Heartbreaker songs that I think people will like here and there.

Howie Mandel

SHORT TAKES — Why does Howie Mandel seem to be channeling Boy George’s fashion-look on the new America’s Got Talent season. A cry for help for sure …

I got a memo about a co-op for sale located at 12 West 21st Street in NYC. It took me a minute to recall that that was the address for the long gone and much missed Private Eyes club; where Scott Blackwell was DJ. Great memories for sure: https://en.wikipedia.org/wiki/Private_Eyes_(nightclub)

The Eagles will do a residency at the Sphere in Las Vegas: https://www.forbes.com/sites/hughmcintyre/2024/06/13/the-eagles-announce-new-residency-at-las-vegas-sphere/

Seth Meyers

Is NBC really cutting the 8G band (led by Fred Armisen) for the Late Night with Seth Meyers? Read Roger Friedman’s exclusive take on this development: https://www.showbiz411.com/2024/06/12/nbc-cheaps-out-cuts-seth-meyers-live-band-from-show-beginning-in-september ..

PR-pasha David Salidor called to tell  us about a new book project. Steven J. Immerman’s In Search of Pleasure Island.  Here’s the logline: “In Search of Pleasure Island” delves into the bowels of ‘international sex trafficking’ as Dr. MATHEW NOBLE (a professor of criminology and retired special warfare operator) journeys across the globe in the search for his daughter and the men responsible for her abduction and his wife’s murder – stay tuned for more on this … Happy Bday Roger Friedman …

Mark James

RIP Tony LoBianco and Mark James, who wrote “Suspicious Minds” and “Hooked On A Feeling.”

NAMES IN THE NEWS — Tony Seidel; Mark Bego; Robert Shalom; Anni Bella; Terry Guerin; Terry Jastrow; Deb Caponetta; Melissa Davis; Dan Zelinski; Adam White; Glenn Friscia; Glenn Friscia; Vito Bruno; Lush Ice; Tom & Lisa Cuddy; Mitch Dolan; Race Taylor; Kent & Laura Denmark; Kevin Costner; Tony King; Elton John; Freddie Mercury; Donald Fagen; Warner LeRoy; and CHIP!

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