Theater Resources Unlimited (TRU) presents its annual free introductory panel Thursday, September 20, 2018: WHO IS TRU? A Free Introduction to Our Community and Programs at 7:30pm (doors open for networking at 7pm) at The Playroom Theatre, 151 W. 46th Street, 8th fl., NYC. This panel is free but please reserve using the bright red reservation box at https://truonline.org/events/who-is-tru/, or call at least a day in advance (or much sooner) for reservations: 212-714-7628; or e-mail TRUStaff1@gmail.com.
Learn about our programs, including our Producer Development & Mentorship Program, the TRU Voices Reading Series, Essentials of Successful Self-Producing and other Producer Boot Camps, Writer-Producer Speed Date, Director-Writer Communications Lab, How to Write a Musical That Works workshop and more. And let us know what we don’t offer that you wish we did.
Lee Feldshon has over 23 years of experience in entertainment and corporate law. He recently formed Feldshon Law PLLC to launch his private practice, after having partnered with David Schwartz in Feldshon & Schwartz, LLP for the last 10 years. He represents producers, co-producers, composers, bookwriters, lyricists, directors, and other creatives in the live theatrical industry. He has represented the New York Musical Theatre Festival since its 2004 founding. He was production counsel for the Broadway revival of Pump Boys & Dinettes and represented stars (including a Tony-award winning actor) in connection with the Tony-award winning Broadway musical The 25th Annual Putnam County Spelling Bee. He did legal work for Desperate Measures (2018 Drama Desk Award for original music and lyrics), Who’s Your Baghdaddy, Money Talks, Bloody, Bloody, Jessica Fletcher, Liberty, Emojiland,Rooms, and other Off Broadway shows. He represents co-producers on the Broadway productions of Moulin Rouge, King Kong, and Chasing Rainbows. He negotiates screenplay option/purchase agreements and financing documents for film producers, and has worked as film production counsel for Good Girls Gone, Fly Away (SXSW Official Selection), and the documentary Darkon: An American Fantasy (2006 SXSW Audience Award). While Director of Legal Affairs and Business Development of the Radio City Entertainment division of Madison Square Garden, L.P., he worked on The Radio City Christmas Spectacular, A Christmas Carol, and Rockettes performances. As a Levine Plotkin & Menin associate, he worked on Rent (Broadway, touring), The Wild Party (Broadway), De La Guarda (Off Broadway), and other shows. He started his career as a corporate associate at White & Case. He received a B.A. from Columbia College in 1991 (magna cum laude, Rhodes Scholar State Finalist) and a J.D. from Columbia Law School in 1994 (Harlan Fiske Stone Scholar). Bar Admissions: New York.
Skip Kennon was the overall Artistic Coordinator of the BMI Lehman Engel Musical Theatre Workshop and the teacher of the first year there for two decades. He wrote the music for the one-man musical Herringbone (Playwrights Horizons – starring David Rounds, Hartford Stage – starring Joel Grey, Edinburgh Festival, Philadelphia’s Prince Music Theater, Chicago’s St. Nicholas Theater, 2007 season opener at Williamstown Theater Festival – starring B.D. Wong), the music for Here’s Our Girl (workshopped at the New York Shakespeare Festival/Public Theater), and the music and lyrics for the musical version of The Last Starfighter (Storm Theatre, Village Theatre Festival of New Musicals – summer 2006, New York Musical Theatre Festival readings – fall 2006), Blanco (Goodspeed Opera House at Chester, National Alliance for Musical Theatre, National Music Theater Network), Feathertop(WPA Theater, Pennsylvania Stage Co.), and Time and Again (Manhattan Theatre Club, San Diego’s Old Globe Theater, Eugene O’Neill Center National Music Theater Conference). Kennon also wrote the music and lyrics for the one-act musical Plaisir d’Amour (book by Terrence McNally), which was produced at New York’s Triangle Theater and seen in workshop at Circle Rep, as well as the music for the one-act musical Afternoon Tea (book & lyrics by Eduardo Machado), which was performed at Theater Row Theaters in 2005 by Ed Harris and Amy Madigan. He was a classical music critic at the Hollywood Reporter for five years.