Broadway
Theatre News: Almost Famous, Lena Horne, A Beautiful Noise, The Neil Diamond Musical, Hadestown and Some Like It Hot

Jimmy Fallon has accepted the invitation of Cameron Crowe’s to reprise his role from the Almost Famous film for the new Broadway stage musical adaptation. Crowe made a casual pledge to his old Almost Famous actor Fallon that when the then-developing musical adaptation of the film makes it to Broadway, Fallon has an open invitation to reprise his role as harried (and hairy) band manager Dennie Hope. “I’m in!” Fallon exclaimed.
Almost Famous opens tonight on the Red Carpet music-legend Joni Mitchell, Amir Aronson, Irving Azoff, Melissa Benoist, David Bryan, Clive Davis, Donald & Libby Fagan, John Heilemann, Paul Rudd, Joe Scarborough & Mika Brzezinski, Lynn Nottage, Tommy Tune, Brenda Vacarro, Jann & Gus Wenner, Christopher Wheeldon, and the original inspiration for ‘Penny Lane,’ Pennie Trumbull.
Also walking the carpet will be the creative team of Almost Famous Academy Award-winner Cameron Crowe (book & lyrics), Jeremy Herrin (director), Tom Kitt(music, lyrics, orchestrations & arrangements), and principal cast members: Chris Wood (Russell Hammond), Anika Larsen (Elaine Miller), Solea Pfeiffer (Penny Lane), Drew Gehling (Jeff Bebe), Rob Colletti (Lester Bangs), and introducing Casey Likes (William Miller), and many more special guests.
The Nederlander Organization unveiled the new Lena Horne Theatre in honor of iconic entertainer and civil rights activist Lena Horne. This is the first Broadway theatre in history to be named for a Black woman.
James (Jimmy) L. Nederlander’s father, James M. Nederlander, was instrumental as one of the lead producers of Lena Horne: The Lady and Her Music which played at the Nederlander Theatre in 1981.
New York Governor Kathy Hochul and New York City Mayor Eric Adams were there, as was Tamara Tunie, Audra McDonald and Karen Boykin-Towns of the NAACP. The event included special performances from Vanessa L. Williams and LaChanze. Williams sang “Stormy Weather,” while LaChanze performed “I’m Here.”
The former Brooks Atkinson Theatre currently houses the two-time Tony Award-winning show, Six: The Musical.
A Beautiful Noise, The Neil Diamond Musical will perform as part of NBC’s broadcast of the 96th Annual Macy’s Thanksgiving Day Parade on Thursday, November 24. A Beautiful Noise began preview performances and opens Sunday, December 4 at Broadway’s Broadhurst Theatre (235 West 44th Street).
The Original Broadway Cast Recording of A Beautiful Noise, produced by Grammy Award® winner and Rock & Roll Hall of Fame inductee Bob Gaudio, who is also one of the show’s producers with Broadway veteran Ken Davenport, will be released by UMe tonight at midnight on all major streaming platforms. The CD will be exclusively available at the Broadhurst Theatre (235 West 44th Street) and released Friday, December 2. To pre-order the CD of the Original Broadway Cast Recording of A Beautiful Noise, The Neil Diamond Musical click HERE.
Finally, the show announces its digital lottery policy powered by Telecharge Lottery, giving theater lovers a way to get low-priced tickets. Beginning with the Thursday, November 3 performance, entries for the A Beautiful Noise’s digital lottery, will start at 12 AM ET, one day before the performance, and winners are drawn the same day at 9 AM ET and 3 PM ET. Winners may buy up to 2 tickets at $55 each. Please visit rush.telecharge.com to enter and for additional information.
The cast of A Beautiful Noise is led by Tony Award® nominee Will Swenson as Neil Diamond – Then, Mark Jacoby as Neil Diamond – Now, Robyn Hurder as Marcia, and Linda Powell as Doctor. They are joined by Jessie Fisher as Jaye Posner; Michael McCormick as Paul Colby, Tommy O’Rourke; Tom Alan Robbins as Bert Berns, Kieve Diamond; and Bri Sudia as Ellie Greenwich, Rose Diamond.
Producers announced that Patrick Page will play his final performance in Hadestown, Broadway’s Tony Award®-winning Best Musical, on Friday, December 30.
Page first played Hades, lord of the underworld, in 2015 in early readings and workshops of Hadestown and has starred in each developmental production of the musical including the world premiere at NYTW (2016), Edmonton’s Citadel Theatre (2017), London’s National Theatre (2018), and on Broadway at the Walter Kerr Theatre (2019).
For his performance, Page has been heralded as “electrifyingly maleficent” (New York Times), “a sensation” (New York Magazine), “astonishing,” (The Evening Standard), and “incomparable” (Time Out New York). He received a Grammy Award for Hadestown as well as a Tony Award nomination and Lortel Award nomination.
In addition to Hadestown, Page is a series regular in HBO’s “The Gilded Age,” will appear in the upcoming season of Apple+’s “Schmigadoon,” and will be in the holiday film Spirited alongside Ryan Reynolds and Will Farrell which begins streaming on Apple+ on Friday, November 18.
Anaïs Mitchell, the Tony Award-winning writer of Hadestown said, “Patrick’s Hades was terrifying, funny, vulnerable, even lovable. As a writer I learned so much from Patrick, about his character and about drama itself. His miraculous voice, his electrifying intelligence and honesty will be sorely missed both on and offstage. Eternal gratitude to you, Patrick, can’t wait to see what you do next.”
Page said, “Hadestown has been one of the greatest blessings of my life. Over the past seven years I have had a front row seat to the genius of Anaïs Mitchell and Rachel Chavkin as the show evolved from its initial production Off-Broadway through its Canadian and British incarnations and now, on Broadway. I will always be connected to the character of Hades in some way – but it’s time to move on. I’m grateful beyond measure.”
Starting Tuesday, January 3, 2023 Tony Award nominee Tom Hewitt will return to the Kerr as Hades. He will be joined by Jewelle Blackman as Persephone, Grammy Award® winner Reeve Carney as Orpheus, two-time Tony Award nominee Eva Noblezada as Eurydice, and Tony Award winner Lillias White. They are joined by Amelia Cormack, Soara-Joye Ross, and Mariand Torres as the Fates. The chorus of Workers is played by Emily Afton, Malcolm Armwood, Brandon Cameron, Alex Puette, and Grace Yoo. The cast includes swings Tara Jackson, Max Kumangai, Sayo Oni, Yael “YaYa” Reich, and Davis Wayne.
This brand-new Broadway musical comedy features a book by Matthew López (The Inheritance) & Amber Ruffin (“The Amber Ruffin Show”), music by Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman (Hairspray) and direction and choreography by Casey Nicholaw (The Book of Mormon). The musical is based on the classic MGM film Some Like It Hot which has been named the “Funniest American Movie of All Time” by the American Film Institute.
Set in Chicago when Prohibition has everyone thirsty for a little excitement, Some Like It Hot is the rollicking story of two musicians forced to flee the Windy City after witnessing a mob hit. With gangsters hot on their heels, they’re on the run as the newest members of the swingingest big band ever to cross the country. Can they hide in plain sight without completely losing themselves? Or will the mob, the truth, and maybe even love itself finally catch up to them?
The creative team includes Scott Pask (Sets), Gregg Barnes (Costumes), Natasha Katz (Lights), Brian Ronan (Sound), Josh Marquette (Hair & Wigs), Milagros Medina-Cerdiera (Makeup Designer), Cheryl Thomas (Hair and Skin Consultant), Christian Borle & Joe Farrell (Additional Material), Mary-Mitchell Campbell (Music Supervisor), Darryl Archibald (Music Director), Kristy Norter (Music Coordinator), Charlie Rosen and Bryan Carter (Orchestrations), Glen Kelly (Dance and Incidental Music Arrangements) and The Telsey Office, Bethany Knox, CSA. (Casting). Karen Moore will serve as Production Stage Manager. The production team also includes Steve Bebout (Associate Director), John MacInnis (Associate Choreographer), and Juniper Street Productions (Production Management). 101 Productions, Ltd. serves as the general manager.
The company is led by Tony Award winner Christian Borle as Joe, J. Harrison Ghee as Jerry, Adrianna Hicks as Sugar, Kevin Del Aguila as Osgood, NaTasha Yvette Williams as Sweet Sue, Adam Heller as Mulligan, Mark Lotito as Spats. The ensemble includes Tia Altinay, TyNia René Brandon, Ian Campayno, DeMarius Copes, Casey Garvin, Devon Hadsell, Ashley Elizabeth Hale, Jenny Hill, K.J. Hippensteel, Abby Matsusaka, Jarvis B. Manning Jr., Brian Thomas Martin, Amber Owens, Kayla Pecchioni, Richard Riaz Yoder, Angie Schworer, Charles South, Brendon Stimson, Raena White, and Julius Williams.
Broadway
The New Dramatists’ 71st Annual Benefit Luncheon and You are There

On Tuesday the New Dramatists’ 71st Annual Benefit Luncheon was held at the New York Marriott Marquis, 1535 Broadway, Broadway ballroom 6th floor.
Tony® Honor recipient and the nation’s premier playwright development laboratory, was honored with its 2023 Distinguished Achievement Award at their 71st Annual Spring Luncheon Tribute
Tony Award winner, Kenny Leon, director of Parks’ recent revival of Topdog/Underdog lead the tributes.
In Attendance were:

Justin Cooley (Kimberly Akimbo), Ben Platt (Parade) and Colton Ryan (New York, New York) photo by Michael Hull

Justin Cooley (Kimberly Akimbo), Brian Stokes Mitchell, Suzan-Lori Parks, Victoria Clark (Kimberly Akimbo) and Bonnie Milligan (Kimberly Akimbo) at The New Dramatists Spring Luncheon. photo by Michael Hull
Also Artistic Director Emily Morse and Executive Director Joel Ruark,
Hiran Abeysekera (Life of Pi), Betsy Aidem (Leopoldstadt), Steven Boyer (Kimberly Akimbo), Faye Castelow (Leopoldstadt), Rashad Chambers (Topdog/Underdog), Ben Davis (New York, New York), Eisa Davis (New York, New York), Micaela Diamond (Parade), Delia Ephron (Love Loss & What I Wore), Corey Hawkins (Topdog/Underdog), Jessica Hecht (Summer, 1976), Amy Herzog (A Doll’s House), Robert Horn (Shucked), Mark Jacoby (A Beautiful Noise, The Neil Diamond Musical), LaChanze (Here Lies Love, Kimberly Akimbo), event co-chair Caissie Levy (Leopoldstadt), Judith Light (Other Desert Cities), David Lindsay-Abaire (Kimberly Akimbo), Neil Meron (Some Like It Hot), Alli Mauzey (Kimberly Akimbo), Lauren Mitchell (A Bronx Tale), Arian Moayed (A Doll’s House), Casey Nicholaw (Some Like It Hot), Linda Powell (A Beautiful Noise, The Neil Diamond Musical), Daryl Roth (Kinky Boots), Sarah Ruhl (in The Next Room), Stark Sands (& Juliet), Miriam Silverman (The Sign in Sidney Brustein’s Window), Marcel Spears (Fat Ham), Katy Sullivan (Cost of Living), David Stone (Wicked), Jeanine Tesori (Kimberly Akimbo), Paula Vogel (How I Learned To Drive), Sharon Washington (New York, New York), Scott WIttman (Some Like It Hot), Kara Young (Cost of Living), David Zayas (Cost of Living).
Performing were:

Daniel Fulton, Orville Mendoza, Suzan-Lori-Parks, Lauren Molina and Leland Fowler photo by Michael Hull

Suzan-Lori-Parks and New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull

Suzan-Lori-Parks New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull
Stay tuned for our interviews.
Broadway
The New Dramatists’ 71st Annual Benefit Luncheon and You Are There

On Tuesday the New Dramatists’ 71st Annual Benefit Luncheon was held at the New York Marriott Marquis, 1535 Broadway, Broadway ballroom 6th floor.
Tony® Honor recipient and the nation’s premier playwright development laboratory, was honored with its 2023 Distinguished Achievement Award at their 71st Annual Spring Luncheon Tribute
Tony Award winner, Kenny Leon, director of Parks’ recent revival of Topdog/Underdog lead the tributes.
In Attendance were:

Justin Cooley (Kimberly Akimbo), Ben Platt (Parade) and Colton Ryan (New York, New York) photo by Michael Hull

Justin Cooley (Kimberly Akimbo), Brian Stokes Mitchell, Suzan-Lori Parks, Victoria Clark (Kimberly Akimbo) and Bonnie Milligan (Kimberly Akimbo) at The New Dramatists Spring Luncheon. photo by Michael Hull
Also Artistic Director Emily Morse and Executive Director Joel Ruark,
Hiran Abeysekera (Life of Pi), Betsy Aidem (Leopoldstadt), Steven Boyer (Kimberly Akimbo), Faye Castelow (Leopoldstadt), Rashad Chambers (Topdog/Underdog), Ben Davis (New York, New York), Eisa Davis (New York, New York), Micaela Diamond (Parade), Delia Ephron (Love Loss & What I Wore), Corey Hawkins (Topdog/Underdog), Jessica Hecht (Summer, 1976), Amy Herzog (A Doll’s House), Robert Horn (Shucked), Mark Jacoby (A Beautiful Noise, The Neil Diamond Musical), LaChanze (Here Lies Love, Kimberly Akimbo), event co-chair Caissie Levy (Leopoldstadt), Judith Light (Other Desert Cities), David Lindsay-Abaire (Kimberly Akimbo), Neil Meron (Some Like It Hot), Alli Mauzey (Kimberly Akimbo), Lauren Mitchell (A Bronx Tale), Arian Moayed (A Doll’s House), Casey Nicholaw (Some Like It Hot), Linda Powell (A Beautiful Noise, The Neil Diamond Musical), Daryl Roth (Kinky Boots), Sarah Ruhl (in The Next Room), Stark Sands (& Juliet), Miriam Silverman (The Sign in Sidney Brustein’s Window), Marcel Spears (Fat Ham), Katy Sullivan (Cost of Living), David Stone (Wicked), Jeanine Tesori (Kimberly Akimbo), Paula Vogel (How I Learned To Drive), Sharon Washington (New York, New York), Scott WIttman (Some Like It Hot), Kara Young (Cost of Living), David Zayas (Cost of Living).
Performing were:

Daniel Fulton, Orville Mendoza, Suzan-Lori-Parks, Lauren Molina and Leland Fowler photo by Michael Hull

Suzan-Lori-Parks and New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull

Suzan-Lori-Parks New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull
Stay tuned for our interviews.
Broadway
And The Winners of The 2023 Drama Desk Awards Are ………

The 2023 67th Drama Desk Awards, honoring artistic excellence on Broadway, Off-Broadway and Off-Off-Broadway, will take place on June 6 at Sardi’s Restaurant. Today the winners were announced.
Outstanding Play: “Leopoldstadt,” by Tom Stoppard
Outstanding Musical: “Some Like it Hot”
Outstanding Revival of a Play: “The Piano Lesson”
Outstanding Revival of a Musical: “Parade”
Outstanding Lead Performance in a Play: Jessica Chastain, “A Doll’s House” and Sean Hayes, “Good Night, Oscar”
Outstanding Lead Performance in a Musical: Annaleigh Ashford, “Sweeney Todd”
and J. Harrison Ghee, “Some Like it Hot”
Outstanding Featured Performance in a Play: Miriam Silverman, “The Sign in Sidney Brustein’s Window,” Brooklyn Academy of Music and Brandon Uranowitz, “Leopoldstadt”
Outstanding Featured Performance in a Musical: Kevin Del Aguila, “Some Like it Hot” and Alex Newell, “Shucked”
Outstanding Direction of a Play: Max Webster, “Life of Pi”
Outstanding Direction of a Musical: Thomas Kail, “Sweeney Todd”
Outstanding Choreography: Casey Nicholaw, “Some Like it Hot”
Outstanding Music: Brandy Clark and Shane McAnally, “Shucked”
Outstanding Lyrics: Scott Wittman and Marc Shaiman, “Some Like it Hot”
Outstanding Book of a Musical: Matthew López and Amber Ruffin, “Some Like it Hot”
Outstanding Orchestrations: Charlie Rosen and Bryan Carter, “Some Like it Hot”
Outstanding Music in a Play: Suzan-Lori Parks, “Plays for the Plague Year,” The Public Theater
Outstanding Scenic Design of a Play: Tim Hatley, “Life of Pi”
Outstanding Scenic Design of a Musical: Beowulf Boritt, “New York, New York”
Outstanding Costume Design of a Play: Emilio Sosa, “Ain’t No Mo’”
Outstanding Costume Design of a Musical: Gregg Barnes, “Some Like it Hot”
Outstanding Lighting Design of a Play: Natasha Chivers and Willie Williams (video), “Prima Facie”
Outstanding Lighting Design of a Musical: Natasha Katz, “Sweeney Todd”
Outstanding Projection and Video Design: Andrzej Goulding, “Life of Pi”
Outstanding Sound Design of a Play: Ben & Max Ringham, “A Doll’s House”
Outstanding Sound Design of a Musical: Scott Lehrer and Alex Neumann, “Into the Woods”
Outstanding Wig and Hair: Mia M. Neal, “Ain’t No Mo’”
Outstanding Solo Performance: Jodie Comer, “Prima Facie”
Unique Theatrical Experience: “Peter Pan Goes Wrong”
Outstanding Fight Choreography: B.H. Barry, “Camelot”
Outstanding Adaptation: “A Doll’s House,” by Amy Herzog
Outstanding Puppetry: Nick Barnes and Finn Caldwell, “Life of Pi”
Shows with multiple wins
Some Like It Hot: 8
Life of Pi: 4
A Doll’s House: 3
Sweeney Todd: 3
Ain’t No Mo’: 2
Leopoldstadt: 2
Prima Facie: 2
Shucked: 2
Special Awards
Harold Prince Lifetime Achievement Award
Stephen McKinley Henderson has been bringing in-depth, gripping portrayals of memorable characters to the stage for over four decades. With his return to Broadway this season as Pops in “Between Riverside and Crazy,” which the Drama Desk previously nominated in 2015, this year’s Harold Prince Lifetime Achievement Award marks Henderson’s role in this powerful production as a celebration of his brilliant career.
Ensemble Award
The cast of Soho Rep’s “Public Obscenities” – Tashnuva Anan, Abrar Haque, Golam Sarwar Harun, Gargi Mukherjee, NaFis, Jakeem Dante Powell, and Debashis Roy Chowdhury – embodied the transnational world of Shayok Misha Chowdhury’s bilingual play with memorable authenticity, remarkable specificity, and extraordinary warmth.
Sam Norkin Off-Broadway Award
From his standout performance in american (tele)visions, to writing and performing the autobiographical “Dark Disabled Stories,” Ryan J. Haddad’s work this season has expanded on and interrogated what the idea of “accessibility” really means. Whether riding a shopping cart like a throne, or relating his experiences on a “gay, pink bus,” Haddad shared with audiences an unabashed queer fabulosity that was both unforgettable and deeply human.
Broadway
Ken Fallin’s Broadway: Remembering Angela Lansbury in Sweeney Todd

On Sunday look for a brand new charcuterie of Josh Groban and Annaleigh Ashford in Sweeney Todd.. I loved the new production, and it’s two leads.
Broadway
League of Professional Theatre Women’s 10th Annual Women Stage The World March

The League of Professional Theatre Women (LPTW) will hold its 10th Annual “Women Stage the World March” — a Suffragette-inspired project to educate the public about the role of women in the theatre industry — on Saturday, June 17. The march will begin at noon, at Shubert Alley and weave through Times Square and the Broadway Theatre District, wrapping up at about 2 p.m.
“The event is FREE and LPTW invites all theatre women and allies to join us as we increase awareness, lift our voices, and advocate for more opportunities for women in theatre,” said Ludovica Villar-Hauser, Co-President of LPTW.
“The Women Stage the World March is designed to educate the public about the role women play in creating theatre and the barriers they face as men continue to outnumber women by 4 to 1 in key roles such as playwright, director and designers. Women buy 67% of the tickets and represent 65% of the audience, yet 80% of the storytelling on stage is shaped by men’s voices,” said Katrin Hilbe, Co-President of LPTW.
Handouts during the March will prompt ticket-buyers to ask three questions as they make buying decisions: (1) Who wrote, directed and designed this play? (2) What is this theatre’s track record in giving opportunities to women? (3) How can you spread the word and promote women’s voices?
“All participants are encouraged to dress as their favorite historical theatre woman, or dress all in white. March participants will gather at Shubert Alley starting at 11:30 AM, in preparation for the start of the march at noon. Women Stage the World sashes and signs will be provided, as supplies last,” noted Penelope Deen, LPTW member and organizer of the event. Those interested in participating in the event please R.S.V.P. at: https://www.theatrewomen.org/women-stage-the-world or contact Penelope Deen at: Womenstagetheworld@Theatrewomen.org
LPTW Co-President Ludovica Villar-Hauser added: “The League of Professional Theatre Women stands alongside the Writers Guild of America (WGA) as they demand fair wages and take action to ensure more protections for artists. We encourage LPTW members to find a time to join the WGA on the picket lines this month as the strike continues. Women writers are the future of the film and television industry, just as they lead the way in theatre. LPTW supports the women on the frontlines of this movement as they call for long overdue change. We are stronger together.”
For the past 10 years LPTW members, affiliated union members, theatre artists and their allies have hit the streets in a March reminiscent of the Suffragette parades of the early 20th Century, with some marchers dressed in traditional suffrage garb and colors. Like the Suffragettes before them, participants in the Women Stage the World March empower women and men to become aware, take action and influence others.
The League of Professional Theatre Women (LPTW) is a membership organization championing women in theatre and advocating for increased equity and access for all theatre women. Our programs and initiatives create community, cultivate leadership, and increase opportunities and recognition for women working in theatre. The organization provides support, networking and collaboration mechanisms for members, and offers professional development and educational opportunities for all theatre women and the general public. LPTW celebrates the historic contributions and contemporary achievements of women in theatre, both nationally and around the globe, and advocates for parity in employment, compensation and recognition for women theatre practitioners through industry-wide initiatives and public policy proposals. LPTW is celebrating its 40th Anniversary in 2023.
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