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Theatre News: Broadway Flea Market, The Pulitzer Prize, Songs by an Immigrant, Seth Rudetsky’s Broadway Concert Series, Studio Tenn Talks, The Princess Bride Virtual Fundraiser, The Cody Renard Richard Scholarship Program

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Broadway Flea Market and Grand Auction goes virtual on September 20 event, including a live and silent auction and an online store for theatre collectibles. There will be one-on-ones (replacing the autograph table and photo booth) with Broadway favorites. Look for more news next week.

The Pulitzer Prize Board is consider streaming and cancelled the 2021 drama prize. The prize will encompass theatrical productions that were scheduled to or able to open between Jan. 1 and Dec. 31, 2020. Dramatic works can also decide to hold off and can determine when they are ready for award consideration.

I am so thrilled to announce that Alex Lacamoire, Mandy Gonzalez, and more will be c ollaborating on the new Jaime Lozano Album Songs by an Immigrant. Lin-Manuel Miranda who has touted Jaime’s brilliance has written liner note.

Beth Leavel

Seth Rudetsky’s Broadway concert series, hosted by SiriusXM On Broadway personality and Stars in the House co-host Rudetsky, Beth Leavel, Lillias White and Judy Kuhn.

Chita Rivera
Chita Rivera photo by ElizaBeth Taylor

Join Studio Tenn Talks with Chita Rivera, Lisa Mordente, & Casey Hebbel
September 21, 2020

Episode 23: Debbie Gibson & Drew Ogle
September 28, 2020

Episode 24: Michael Feinstein
October 5, 2020

Episode 25: Adam Guettel
October 12, 2020

Whoopi Goldberg, Josh Gad, Eric Idle & more join The Princess Bride Virtual Fundraiser For the Democratic Party of Wisconsin.

Veteran Broadway stage manager and one of Variety’s 2020 Broadway Players to Watch, Cody Renard Richard (HamiltonFreestyle Love Supreme), in partnership with the Broadway Advocacy Coalition, announces The Cody Renard Richard Scholarship Program to honor, uplift, and support the next generation of Black, Asian, Latinx, Indigenous, and People of Color (BIPOC) theatre-makers working behind the scenes. The program will provide financial support, as well as mentorship through online seminars focusing on community building, leadership, and social justice from Richard and various leaders from the theatrical industry.    

In the inaugural year, selected recipients will receive a $1,500 scholarship for the Spring 2021 semester. The scholarship program strives to encourage more Black, Asian, Latinx, Indigenous, and People of Color to pursue degrees in the theatrical management and artistic fields, such as Stage Management, Technical Theatre, Theatre Design, Playwriting, Directing, or Theatre Management. In partnership with the Broadway Advocacy Coalition, the program also hopes to build a community of scholars who will connect with each other through leadership seminars as they continue their various educational journeys. 

“As someone who has navigated this business rarely seeing a reflection of myself in other managers, designers, or directors I know first-hand how important it is to be exposed to theatrical leaders that look like you,” says Richard. “Future generations of BIPOC theatre-makers deserve to have access to current working professionals who can provide them with resources and help usher them into the industry. This program is a result of a long-time dream of mine and I am thrilled to be able to release it into the world. I have always been passionate about paying it forward and providing space for early career professionals, my hope is that the recipients will not only benefit from the financial aspect but will also grow as artists and leaders as they join the program.”  

“Broadway Advocacy Coalition is committed to supporting the leadership of individuals directly affected by systems of racism which make this scholarship particularly exciting during this time of reckoning and accountability within our theater community,” said Britton Smith, President and co-founder of Broadway Advocacy Coalition.

Submissions for The Cody Renard Richard Scholarship Program are open through Sunday, October 25th at 11:59pm EST.Eligible applicants will need to submit a one-minute video essay describing why they are the ideal candidate for the program, along with their current transcript and two letters of recommendation. 

The 2020/2021 selection committee features prominent BIPOC theatrical professionals including Richard and Smith, Narda E. Alcorn, Saheem Ali, Lawrence Bennett, Jhanaë Bonnick, Yang-Yang Chen, Matthew Lopez, Zhailon Levingston, Tina McCartney, Laurie Woolery, and Nzinga Williams. 

Donations are now open with seed funding for the program provided by Broadway Cares/Equity Fights AIDS.  To make a donation or inquire about sponsorship opportunities, please visit CodyRenard.com/scholarship or email scholarship@codyrenard.com.

For additional information, please visit CodyRenard.com/scholarship or @CRRScholarship on Instagram

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Broadway

The New Dramatists’ 71st Annual Benefit Luncheon and You are There

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On Tuesday the New Dramatists’ 71st Annual Benefit Luncheon was held at the New York Marriott Marquis, 1535 Broadway, Broadway ballroom 6th floor.

Suzan-Lori-Parks photo by Michael Hull

Tony® Honor recipient and the nation’s premier playwright development laboratory, was honored with its 2023 Distinguished Achievement Award at their 71st Annual Spring Luncheon Tribute

Kenny Leon photo by Michael Hull

Tony Award winner, Kenny Leon, director of Parks’ recent revival of Topdog/Underdog lead the tributes.

photo by Michael Hull

In Attendance were:

Ben Platt (Parade) photo by Michael Hull

Annaleigh Ashford  (Sweeney Todd) photo by Michael Hull

Brandon Uranowitz (Leopoldstadt) photo by Michael Hull

J. Harrison Ghee  (Some Like It Hot) photo by Michael Hull

Kevin Cahoon (Shucked) photo by Michael Hull

Natasha Yvette Williams  (Some Like It Hot) photo by Michael Hull

Wayne Cilento (Dancin’) photo by Michael Hull

Betsy Wolfe (& Juliet) and Linedy Genao (Bad Cinderella) photo by Michael Hull

Justin Cooley (Kimberly Akimbo), Ben Platt (Parade) and  Colton Ryan (New York, New York) photo by Michael Hull

Justin Cooley (Kimberly Akimbo), Brian Stokes Mitchell, Suzan-Lori Parks, Victoria Clark (Kimberly Akimbo) and Bonnie Milligan (Kimberly Akimbo) at The New Dramatists Spring Luncheon. photo by Michael Hull

Also Artistic Director Emily Morse and Executive Director Joel Ruark,

Executive Director Joel Ruark photo by Michael Hull

Jeannie Tessori photo by Michael Hull

Hiran Abeysekera (Life of Pi), Betsy Aidem (Leopoldstadt), Steven Boyer (Kimberly Akimbo), Faye Castelow (Leopoldstadt), Rashad Chambers (Topdog/Underdog), Ben Davis (New York, New York), Eisa Davis (New York, New York), Micaela Diamond (Parade), Delia Ephron (Love Loss & What I Wore), Corey Hawkins (Topdog/Underdog), Jessica Hecht (Summer, 1976), Amy Herzog (A Doll’s House), Robert Horn (Shucked),  Mark Jacoby (A Beautiful Noise, The Neil Diamond Musical), LaChanze (Here Lies Love, Kimberly Akimbo), event co-chair   Caissie Levy (Leopoldstadt), Judith Light (Other Desert Cities), David Lindsay-Abaire (Kimberly Akimbo), Neil Meron (Some Like It Hot), Alli Mauzey (Kimberly Akimbo), Lauren Mitchell (A Bronx Tale), Arian Moayed (A Doll’s House), Casey Nicholaw (Some Like It Hot), Linda Powell (A Beautiful Noise, The Neil Diamond Musical), Daryl Roth (Kinky Boots), Sarah Ruhl (in The Next Room), Stark Sands (& Juliet), Miriam Silverman (The Sign in Sidney Brustein’s Window), Marcel Spears (Fat Ham), Katy Sullivan (Cost of Living), David Stone (Wicked), Jeanine Tesori (Kimberly Akimbo), Paula Vogel (How I Learned To Drive), Sharon Washington (New York, New York), Scott WIttman (Some Like It Hot), Kara Young (Cost of Living), David Zayas (Cost of Living).

Performing were:

Suzan-Lori-Parks photo by Michael Hull

Daniel Fulton, Orville Mendoza, Suzan-Lori-Parks, Lauren Molina and Leland Fowler photo by Michael Hull

Brandon and Jason Dirden photo by Michael Hull

New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull

Suzan-Lori-Parks and New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull

Suzan-Lori-Parks New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull

Suzan-Lori-Parks photo by Michael Hull

Tony Kushner photo by Michael Hull

NYC Public Advocate Jumaane D. Williams, Suzan-Lori-Parks photo by Michael Hull

Stay tuned for our interviews.

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Broadway

The New Dramatists’ 71st Annual Benefit Luncheon and You Are There

Published

on

On Tuesday the New Dramatists’ 71st Annual Benefit Luncheon was held at the New York Marriott Marquis, 1535 Broadway, Broadway ballroom 6th floor.

Suzan-Lori-Parks photo by Michael Hull

Tony® Honor recipient and the nation’s premier playwright development laboratory, was honored with its 2023 Distinguished Achievement Award at their 71st Annual Spring Luncheon Tribute

Kenny Leon photo by Michael Hull

Tony Award winner, Kenny Leon, director of Parks’ recent revival of Topdog/Underdog lead the tributes.

photo by Michael Hull

In Attendance were:

Ben Platt (Parade) photo by Michael Hull

Annaleigh Ashford  (Sweeney Todd) photo by Michael Hull

Brandon Uranowitz (Leopoldstadt) photo by Michael Hull

J. Harrison Ghee  (Some Like It Hot) photo by Michael Hull

Kevin Cahoon (Shucked) photo by Michael Hull

Natasha Yvette Williams  (Some Like It Hot) photo by Michael Hull

Wayne Cilento (Dancin’) photo by Michael Hull

Betsy Wolfe (& Juliet) and Linedy Genao (Bad Cinderella) photo by Michael Hull

Justin Cooley (Kimberly Akimbo), Ben Platt (Parade) and  Colton Ryan (New York, New York) photo by Michael Hull

Justin Cooley (Kimberly Akimbo), Brian Stokes Mitchell, Suzan-Lori Parks, Victoria Clark (Kimberly Akimbo) and Bonnie Milligan (Kimberly Akimbo) at The New Dramatists Spring Luncheon. photo by Michael Hull

Also Artistic Director Emily Morse and Executive Director Joel Ruark,

Executive Director Joel Ruark photo by Michael Hull

Jeannie Tessori photo by Michael Hull

Hiran Abeysekera (Life of Pi), Betsy Aidem (Leopoldstadt), Steven Boyer (Kimberly Akimbo), Faye Castelow (Leopoldstadt), Rashad Chambers (Topdog/Underdog), Ben Davis (New York, New York), Eisa Davis (New York, New York), Micaela Diamond (Parade), Delia Ephron (Love Loss & What I Wore), Corey Hawkins (Topdog/Underdog), Jessica Hecht (Summer, 1976), Amy Herzog (A Doll’s House), Robert Horn (Shucked),  Mark Jacoby (A Beautiful Noise, The Neil Diamond Musical), LaChanze (Here Lies Love, Kimberly Akimbo), event co-chair   Caissie Levy (Leopoldstadt), Judith Light (Other Desert Cities), David Lindsay-Abaire (Kimberly Akimbo), Neil Meron (Some Like It Hot), Alli Mauzey (Kimberly Akimbo), Lauren Mitchell (A Bronx Tale), Arian Moayed (A Doll’s House), Casey Nicholaw (Some Like It Hot), Linda Powell (A Beautiful Noise, The Neil Diamond Musical), Daryl Roth (Kinky Boots), Sarah Ruhl (in The Next Room), Stark Sands (& Juliet), Miriam Silverman (The Sign in Sidney Brustein’s Window), Marcel Spears (Fat Ham), Katy Sullivan (Cost of Living), David Stone (Wicked), Jeanine Tesori (Kimberly Akimbo), Paula Vogel (How I Learned To Drive), Sharon Washington (New York, New York), Scott WIttman (Some Like It Hot), Kara Young (Cost of Living), David Zayas (Cost of Living).

Performing were:

Suzan-Lori-Parks photo by Michael Hull

Daniel Fulton, Orville Mendoza, Suzan-Lori-Parks, Lauren Molina and Leland Fowler photo by Michael Hull

Brandon and Jason Dirden photo by Michael Hull

New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull

Suzan-Lori-Parks and New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull

Suzan-Lori-Parks New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull

Suzan-Lori-Parks photo by Michael Hull

Tony Kushner photo by Michael Hull

NYC Public Advocate Jumaane D. Williams, Suzan-Lori-Parks photo by Michael Hull

Stay tuned for our interviews.

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And The Winners of The 2023 Drama Desk Awards Are ………

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The 2023 67th Drama Desk Awards, honoring artistic excellence on Broadway, Off-Broadway and Off-Off-Broadway, will take place on June 6 at Sardi’s Restaurant. Today the winners were announced.

Outstanding Play: “Leopoldstadt,” by Tom Stoppard

Outstanding Musical: “Some Like it Hot”

Outstanding Revival of a Play: “The Piano Lesson”

Outstanding Revival of a Musical: “Parade”

Outstanding Lead Performance in a Play: Jessica Chastain, “A Doll’s House” and Sean Hayes, “Good Night, Oscar”

Outstanding Lead Performance in a Musical: Annaleigh Ashford, “Sweeney Todd”
and J. Harrison Ghee, “Some Like it Hot”

Outstanding Featured Performance in a Play: Miriam Silverman, “The Sign in Sidney Brustein’s Window,” Brooklyn Academy of Music and Brandon Uranowitz, “Leopoldstadt”

Outstanding Featured Performance in a Musical: Kevin Del Aguila, “Some Like it Hot” and Alex Newell, “Shucked”

Outstanding Direction of a Play: Max Webster, “Life of Pi”

Outstanding Direction of a Musical: Thomas Kail, “Sweeney Todd”

Outstanding Choreography: Casey Nicholaw, “Some Like it Hot”

Outstanding Music: Brandy Clark and Shane McAnally, “Shucked”

Outstanding Lyrics: Scott Wittman and Marc Shaiman, “Some Like it Hot”

Outstanding Book of a Musical: Matthew López and Amber Ruffin, “Some Like it Hot”

Outstanding Orchestrations: Charlie Rosen and Bryan Carter, “Some Like it Hot”

Outstanding Music in a Play: Suzan-Lori Parks, “Plays for the Plague Year,” The Public Theater

Outstanding Scenic Design of a Play: Tim Hatley, “Life of Pi”

Outstanding Scenic Design of a Musical: Beowulf Boritt, “New York, New York”

Outstanding Costume Design of a Play: Emilio Sosa, “Ain’t No Mo’”

Outstanding Costume Design of a Musical: Gregg Barnes, “Some Like it Hot”

Outstanding Lighting Design of a Play: Natasha Chivers and Willie Williams (video), “Prima Facie”

Outstanding Lighting Design of a Musical: Natasha Katz, “Sweeney Todd”

Outstanding Projection and Video Design: Andrzej Goulding, “Life of Pi”

Outstanding Sound Design of a Play: Ben & Max Ringham, “A Doll’s House”

Outstanding Sound Design of a Musical: Scott Lehrer and Alex Neumann, “Into the Woods”

Outstanding Wig and Hair: Mia M. Neal, “Ain’t No Mo’”

Outstanding Solo Performance: Jodie Comer, “Prima Facie”

Unique Theatrical Experience: “Peter Pan Goes Wrong”

Outstanding Fight Choreography: B.H. Barry, “Camelot”

Outstanding Adaptation: “A Doll’s House,” by Amy Herzog

Outstanding Puppetry: Nick Barnes and Finn Caldwell, “Life of Pi”

Shows with multiple wins

Some Like It Hot: 8

Life of Pi: 4

A Doll’s House: 3

Sweeney Todd: 3

Ain’t No Mo’: 2

Leopoldstadt: 2

Prima Facie: 2

Shucked: 2

Special Awards

Harold Prince Lifetime Achievement Award

Stephen McKinley Henderson has been bringing in-depth, gripping portrayals of memorable characters to the stage for over four decades. With his return to Broadway this season as Pops in “Between Riverside and Crazy,” which the Drama Desk previously nominated in 2015, this year’s Harold Prince Lifetime Achievement Award marks Henderson’s role in this powerful production as a celebration of his brilliant career.

Ensemble Award

The cast of Soho Rep’s “Public Obscenities” – Tashnuva Anan, Abrar Haque, Golam Sarwar Harun, Gargi Mukherjee, NaFis, Jakeem Dante Powell, and Debashis Roy Chowdhury – embodied the transnational world of Shayok Misha Chowdhury’s bilingual play with memorable authenticity, remarkable specificity, and extraordinary warmth.

Sam Norkin Off-Broadway Award

From his standout performance in american (tele)visions, to writing and performing the autobiographical “Dark Disabled Stories,” Ryan J. Haddad’s work this season has expanded on and interrogated what the idea of “accessibility” really means. Whether riding a shopping cart like a throne, or relating his experiences on a “gay, pink bus,” Haddad shared with audiences an unabashed queer fabulosity that was both unforgettable and deeply human.

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Ken Fallin’s Broadway: Remembering Angela Lansbury in Sweeney Todd

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On Sunday look for a brand new charcuterie of Josh Groban and Annaleigh Ashford in Sweeney Todd..  I loved the new production, and it’s two leads.

I saw the original with Angela Lansbury and Len Cariou, which was also a favorite. I think it’s Sondheim’s greatest work.
Here is my drawing of Angela as Mrs. Lovett, to salute the original.
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Broadway

League of Professional Theatre Women’s 10th Annual Women Stage The World March

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 The League of Professional Theatre Women (LPTW) will hold its 10th Annual “Women Stage the World March”  — a Suffragette-inspired project to educate the public about the role of women in the theatre industry — on Saturday, June 17.   The march will begin at noon, at Shubert Alley and weave through Times Square and the Broadway Theatre District, wrapping up at about 2 p.m.

“The event is FREE and LPTW invites all theatre women and allies to join us as we increase awareness, lift our voices, and advocate for more opportunities for women in theatre,” said Ludovica Villar-Hauser, Co-President of LPTW.

“The Women Stage the World March is designed to educate the public about the role women play in creating theatre and the barriers they face as men continue to outnumber women by 4 to 1 in key roles such as playwright, director and designers.  Women buy 67% of the tickets and represent 65% of the audience, yet 80% of the storytelling on stage is shaped by men’s voices,” said Katrin Hilbe, Co-President of LPTW.

Handouts during the March will prompt ticket-buyers to ask three questions as they make buying decisions: (1) Who wrote, directed and designed this play? (2) What is this theatre’s track record in giving opportunities to women? (3) How can you spread the word and promote women’s voices?

“All participants are encouraged to dress as their favorite historical theatre woman, or dress all in white.  March participants will gather at Shubert Alley starting at 11:30 AM, in preparation for the start of the march at noon.   Women Stage the World sashes and signs will be provided, as supplies last,” noted Penelope Deen, LPTW member and organizer of the event. Those interested in participating in the event please R.S.V.P. at: https://www.theatrewomen.org/women-stage-the-world or contact Penelope Deen at:  Womenstagetheworld@Theatrewomen.org

LPTW Co-President Ludovica Villar-Hauser added:  “The League of Professional Theatre Women stands alongside the Writers Guild of America (WGA) as they demand fair wages and take action to ensure more protections for artists. We encourage LPTW members to find a time to join the WGA on the picket lines this month as the strike continues.  Women writers are the future of the film and television industry, just as they lead the way in theatre.  LPTW supports the women on the frontlines of this movement as they call for long overdue change. We are stronger together.”

For the past 10 years LPTW members, affiliated union members, theatre artists and their allies have hit the streets in a March reminiscent of the Suffragette parades of the early 20th Century, with some marchers dressed in traditional suffrage garb and colors. ​ Like the Suffragettes before them, participants in the Women Stage the World March empower women and men to become aware, take action and influence others.

The League of Professional Theatre Women (LPTW) is a membership organization championing women in theatre and advocating for increased equity and access for all theatre women. Our programs and initiatives create community, cultivate leadership, and increase opportunities and recognition for women working in theatre. The organization provides support, networking and collaboration mechanisms for members, and offers professional development and educational opportunities for all theatre women and the general public.  LPTW celebrates the historic contributions and contemporary achievements of women in theatre, both nationally and around the globe, and advocates for parity in employment, compensation and recognition for women theatre practitioners through industry-wide initiatives and public policy proposals.   LPTW is celebrating its 40th Anniversary in 2023.

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