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Theatre News: Enemy of the People, Broadway at Tavern, Changemakers, First Date, City Of Dark and Bill’s 44th

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This summer, Park Avenue Armory presents the world premiere of Enemy of the People, an interactive adaption of Henrik Ibsen’s play, devised and directed by acclaimed playwright and director Robert Icke and starring Emmy Award–winning actor Ann Dowd. The fourth commissioned work in the Armory’s Social Distance Hall series, Enemy of the People is a timely reimagining of a classic play that delves into issues of collective responsibility, economic stability vs. public health, and how democracy functions in moral crises of magnitude—all of which have taken on heightened resonance during the pandemic year. The production runs in the Armory’s Drill Hall from June 22 through July 25, 2021.

Enemy of the People features Dowd as each of the central characters in the tale of a scientist who discovers that the local baths—a major source of revenue for the former manufacturing town—are contaminated, and the ensuing ethical crisis when she, the Mayor, and the townspeople must decide what to do with this knowledge. The audience, sitting in pods of friends or family, plays the role of the townspeople; at critical moments of the story, audience members will be invited to vote, with the majority vote determining the play’s direction at each juncture.

TodayTix Originals brought Broadway back to Tavern on the Green (Central Park West at 67th Street) with the opening night of Broadway at Tavern last night, a special series of live concerts from stars of the New York stage under the stars at New York’s most iconic eatery. Safely reuniting Broadway’s best artists with audiences, this exclusive TodayTix Originals concert series launched last night on Tuesday, May 25 with a one-night-only performance by original Hamilton cast member and star of Steven Spielberg’s West Side Story, Tony Award nominee Ariana DeBose. 

Broadway star and recording artist, Shoshana Bean will be performing on Tuesday, June 8 & Wednesday, June 9 at 8:30pm ET.

Now streaming online, Changemakers, a collection of 20 original, two-minute plays and musicals inspired by community leaders, activists, and front-line workers who have fought for change over the course of the past year. Changemakersexplores our nation’s most critical current events, told through a series of comic and dramatic vignettes created specifically for this moment. This collaborative work, written by commissioned playwrights working alongside students from University of Kansas, premiered this spring before a limited, in-person audience, and is now streaming, for free, on YouTubeChangemakers was cowritten by members of the student cast in collaboration with 20 professional playwrights commissioned for this production. Commissioned playwrights include KU alumni, Tony-nominated librettist and lyricist Bill Russell (Side ShowPageantElegies For Angels, Punks and Raging Queens) and Award winning and internationally produced playwright James Still (The Heavens Are Hung in BlackThe Secret History of the Future); and Broadway actor and award-winning playwright Rodney Hicks (featured in Broadway’s Come From AwayRentThe Scottsboro Boys). This production is directed by University of Kansas’ Markus Potter (off-Broadway’s Stalking the BogeymanChurch & State) and Darci Jens Fulcher (Goat in the Road Productions, New Orleans), with musical direction and live accompaniment by Ryan McCall (The Ballad of Lefty and Crabbe, Chicago Musical Theater Festival).


Art Lab and ShowTown Productions are pleased to announce that Diana DeGarmo and Ace Young – former “American Idol” contestants who are married in real life – will co-star in a new virtual production of the 2013 Broadway musical comedy, First Date. The production, directed by Meg Fofonoff, will stream for five performances from July 23-25 on the ticketing platform, Stellar. 

Founding Artistic Director Akia Squitieri announced today that Rising Sun Performance Company will be presenting a new Hybrid workshop production of “City Of Dark” which will be Live Streamed from the Stage of the theatre at the 14th Street Y. Rising Sun Performance Company’s first live-streamed hybrid workshop production takes us to the apocalyptic end of the world in Michael Hagin’s original production City of Dark. Desperation turns to violence as walls close in on six outcasts who fight to survive the end of the world. How does humanity manifest when resources run short when the world is about to explode when the outside threatens our lives? This timely play explores the depth of human nature and how desperation and survival transform us. 

This workshop production marks Rising Sun Performance Company’s first in-person return to working in person since March of 2020. Through a partnership with the Theater at the 14th St Y, the company created a two-week development laboratory, and is using this opportunity to explore this new play in person and will be streaming the performances from onstage at the theatre. These performances will not have a live-in-house audience. Through City of Dark, Rising Sun continues to their exploration of this ever-changing and growing new medium, and expands on how they foster theatrical creativity.

Dixon Place presents Bill’s 44th by Andy Manjuck & Dorothy James as part of its Spring 2021 Production Season of puppetry commissions, performed live from June 2-5 at 7:30pm EDT with video on demand (VOD) streaming available from June 8 through June 15, 2021. In-person performances will take place at 161A Chrystie Street, New York, NY. Tickets are $10-$35 and can be purchased online at dixonplace.org/productions-2021/. 
Bills 44th by Andy Manjuck & Dorothy James

June 2, 3, 4, 5, 2021 at 7:30pm EST (Live performances with limited in-person audiences)Available to stream from June 8-15, 2021.

The streamers are hung, the punch has been spiked, and the cake is just begging to be eaten! Now all Bill has to do is wait for his guests to arrive. But waiting is hard. Bill’s 44th is an original comedic show that brings two puppeteers together to create one (very worried) protagonist. Many styles of puppetry, raucous balloons, and a cheeky piece of crudité all collide to examine the pitfalls of impatience and the wonder of loneliness. Approx. run time: 55 minutes. Rated PG.

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Broadway

And The Winners of The 2023 Drama Desk Awards Are ………

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The 2023 67th Drama Desk Awards, honoring artistic excellence on Broadway, Off-Broadway and Off-Off-Broadway, will take place on June 6 at Sardi’s Restaurant. Today the winners were announced.

Outstanding Play: “Leopoldstadt,” by Tom Stoppard

Outstanding Musical: “Some Like it Hot”

Outstanding Revival of a Play: “The Piano Lesson”

Outstanding Revival of a Musical: “Parade”

Outstanding Lead Performance in a Play: Jessica Chastain, “A Doll’s House” and Sean Hayes, “Good Night, Oscar”

Outstanding Lead Performance in a Musical: Annaleigh Ashford, “Sweeney Todd”
and J. Harrison Ghee, “Some Like it Hot”

Outstanding Featured Performance in a Play: Miriam Silverman, “The Sign in Sidney Brustein’s Window,” Brooklyn Academy of Music and Brandon Uranowitz, “Leopoldstadt”

Outstanding Featured Performance in a Musical: Kevin Del Aguila, “Some Like it Hot” and Alex Newell, “Shucked”

Outstanding Direction of a Play: Max Webster, “Life of Pi”

Outstanding Direction of a Musical: Thomas Kail, “Sweeney Todd”

Outstanding Choreography: Casey Nicholaw, “Some Like it Hot”

Outstanding Music: Brandy Clark and Shane McAnally, “Shucked”

Outstanding Lyrics: Scott Wittman and Marc Shaiman, “Some Like it Hot”

Outstanding Book of a Musical: Matthew López and Amber Ruffin, “Some Like it Hot”

Outstanding Orchestrations: Charlie Rosen and Bryan Carter, “Some Like it Hot”

Outstanding Music in a Play: Suzan-Lori Parks, “Plays for the Plague Year,” The Public Theater

Outstanding Scenic Design of a Play: Tim Hatley, “Life of Pi”

Outstanding Scenic Design of a Musical: Beowulf Boritt, “New York, New York”

Outstanding Costume Design of a Play: Emilio Sosa, “Ain’t No Mo’”

Outstanding Costume Design of a Musical: Gregg Barnes, “Some Like it Hot”

Outstanding Lighting Design of a Play: Natasha Chivers and Willie Williams (video), “Prima Facie”

Outstanding Lighting Design of a Musical: Natasha Katz, “Sweeney Todd”

Outstanding Projection and Video Design: Andrzej Goulding, “Life of Pi”

Outstanding Sound Design of a Play: Ben & Max Ringham, “A Doll’s House”

Outstanding Sound Design of a Musical: Scott Lehrer and Alex Neumann, “Into the Woods”

Outstanding Wig and Hair: Mia M. Neal, “Ain’t No Mo’”

Outstanding Solo Performance: Jodie Comer, “Prima Facie”

Unique Theatrical Experience: “Peter Pan Goes Wrong”

Outstanding Fight Choreography: B.H. Barry, “Camelot”

Outstanding Adaptation: “A Doll’s House,” by Amy Herzog

Outstanding Puppetry: Nick Barnes and Finn Caldwell, “Life of Pi”

Shows with multiple wins

Some Like It Hot: 8

Life of Pi: 4

A Doll’s House: 3

Sweeney Todd: 3

Ain’t No Mo’: 2

Leopoldstadt: 2

Prima Facie: 2

Shucked: 2

Special Awards

Harold Prince Lifetime Achievement Award

Stephen McKinley Henderson has been bringing in-depth, gripping portrayals of memorable characters to the stage for over four decades. With his return to Broadway this season as Pops in “Between Riverside and Crazy,” which the Drama Desk previously nominated in 2015, this year’s Harold Prince Lifetime Achievement Award marks Henderson’s role in this powerful production as a celebration of his brilliant career.

Ensemble Award

The cast of Soho Rep’s “Public Obscenities” – Tashnuva Anan, Abrar Haque, Golam Sarwar Harun, Gargi Mukherjee, NaFis, Jakeem Dante Powell, and Debashis Roy Chowdhury – embodied the transnational world of Shayok Misha Chowdhury’s bilingual play with memorable authenticity, remarkable specificity, and extraordinary warmth.

Sam Norkin Off-Broadway Award

From his standout performance in american (tele)visions, to writing and performing the autobiographical “Dark Disabled Stories,” Ryan J. Haddad’s work this season has expanded on and interrogated what the idea of “accessibility” really means. Whether riding a shopping cart like a throne, or relating his experiences on a “gay, pink bus,” Haddad shared with audiences an unabashed queer fabulosity that was both unforgettable and deeply human.

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Ken Fallin’s Broadway: Remembering Angela Lansbury in Sweeney Todd

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On Sunday look for a brand new charcuterie of Josh Groban and Annaleigh Ashford in Sweeney Todd..  I loved the new production, and it’s two leads.

I saw the original with Angela Lansbury and Len Cariou, which was also a favorite. I think it’s Sondheim’s greatest work.
Here is my drawing of Angela as Mrs. Lovett, to salute the original.
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Broadway

League of Professional Theatre Women’s 10th Annual Women Stage The World March

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 The League of Professional Theatre Women (LPTW) will hold its 10th Annual “Women Stage the World March”  — a Suffragette-inspired project to educate the public about the role of women in the theatre industry — on Saturday, June 17.   The march will begin at noon, at Shubert Alley and weave through Times Square and the Broadway Theatre District, wrapping up at about 2 p.m.

“The event is FREE and LPTW invites all theatre women and allies to join us as we increase awareness, lift our voices, and advocate for more opportunities for women in theatre,” said Ludovica Villar-Hauser, Co-President of LPTW.

“The Women Stage the World March is designed to educate the public about the role women play in creating theatre and the barriers they face as men continue to outnumber women by 4 to 1 in key roles such as playwright, director and designers.  Women buy 67% of the tickets and represent 65% of the audience, yet 80% of the storytelling on stage is shaped by men’s voices,” said Katrin Hilbe, Co-President of LPTW.

Handouts during the March will prompt ticket-buyers to ask three questions as they make buying decisions: (1) Who wrote, directed and designed this play? (2) What is this theatre’s track record in giving opportunities to women? (3) How can you spread the word and promote women’s voices?

“All participants are encouraged to dress as their favorite historical theatre woman, or dress all in white.  March participants will gather at Shubert Alley starting at 11:30 AM, in preparation for the start of the march at noon.   Women Stage the World sashes and signs will be provided, as supplies last,” noted Penelope Deen, LPTW member and organizer of the event. Those interested in participating in the event please R.S.V.P. at: https://www.theatrewomen.org/women-stage-the-world or contact Penelope Deen at:  Womenstagetheworld@Theatrewomen.org

LPTW Co-President Ludovica Villar-Hauser added:  “The League of Professional Theatre Women stands alongside the Writers Guild of America (WGA) as they demand fair wages and take action to ensure more protections for artists. We encourage LPTW members to find a time to join the WGA on the picket lines this month as the strike continues.  Women writers are the future of the film and television industry, just as they lead the way in theatre.  LPTW supports the women on the frontlines of this movement as they call for long overdue change. We are stronger together.”

For the past 10 years LPTW members, affiliated union members, theatre artists and their allies have hit the streets in a March reminiscent of the Suffragette parades of the early 20th Century, with some marchers dressed in traditional suffrage garb and colors. ​ Like the Suffragettes before them, participants in the Women Stage the World March empower women and men to become aware, take action and influence others.

The League of Professional Theatre Women (LPTW) is a membership organization championing women in theatre and advocating for increased equity and access for all theatre women. Our programs and initiatives create community, cultivate leadership, and increase opportunities and recognition for women working in theatre. The organization provides support, networking and collaboration mechanisms for members, and offers professional development and educational opportunities for all theatre women and the general public.  LPTW celebrates the historic contributions and contemporary achievements of women in theatre, both nationally and around the globe, and advocates for parity in employment, compensation and recognition for women theatre practitioners through industry-wide initiatives and public policy proposals.   LPTW is celebrating its 40th Anniversary in 2023.

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Ken Fallin’s Broadway: Chicago

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John Kander & Fred Ebb / Bob Fosse musical Chicago is now the longest running show playing on Broadway. Having played 10,338 performances, Chicago is the Tony Award-winning, record-breaking hit musical playing at the Ambassador Theatre, 219 W. 49th St., NYC.

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Ham4Ham: Some Like It Hot, Parade and Shucked With Special Guests

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Lin-Manuel Miranda brought out a. special edition of Ham4Ham outside the Richard Rodgers Theater yesterday and it was a star studded afternoon.

J Harrison Ghee

First up Leopoldstadt stars Josh Molina and Brandon Uranowitz introduced Some Like It Hot‘s J. Harrison Ghee, who performed “You Coulda Knocked Me Over With a Feather” accompanied by the show’s composer, Marc Shaiman. You can watch the beginning of this and the whole performance of that song here.

The crowds

Then Nikki Crawford and playwright James Ijames from Fat Ham, introduced composer Jason Robert Brown and performers Ben Platt and Michaela Diamond who perform the duet “This Is Not Over Yet” from the must see revival of Parade.

The Thanksgiving Play stars D’Arcy Carden and Chris Sullivan introduced book writer Robert Horn and the Tony-nominated cast of Shucked recreated new lyrics for “We Love Jesus” and a parody of Hamilton‘s “The Story of Tonight.”led by Ashley D. Kelley, Grey Henson, Andrew Durand and Kevin Cahoon

This was a spectacular afternoon that can only be had in NYC.

Kevin Cahoon

T2c would love to thank these three ladies who gave us a chair to sit on.

 

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