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Theatre News: Fast News, The Minutes, Penelope, Los Otros and Epiphany

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Fast News: Broadway will maintain its mask and vaccine requirements through April 30, the Broadway League announced. Broadway’s Phantom of the Opera is set to close in 2023 to make way for Phantom Prequel. Nikki Renee Daniels will be on as Bobbie in Company and the fabulous Tally Sessions will go on as Harry. Tony Award winner Aaron Tveit’s caricature has been added to the Sardis picture wall.

Steppenwolf’s production of Tracy Letts’ new play The Minutes begins performances today, Saturday, April 2, with an official opening night set for Sunday, April 17 on Broadway at Studio 54 (254 West 54th Street).

The cast of The Minutes  includes Ian Barford, Blair Brown, Cliff Chamberlain, K. Todd Freeman, Tracy Letts, Danny McCarthy, Jessie Mueller, Sally Murphy, Austin Pendleton, Noah Reid, Jeff Still.

The Minutes, the record-breaking hit production from Steppenwolf Theatre Company, takes a hard look at the inner workings of a city council meeting and the hypocrisy, greed and ambition that bubble to the surface when a newcomer to the small town of Big Cherry starts to ask the wrong questions. Why is someone on the council mysteriously missing? What happened to all those bicycles? Is there skullduggery afoot with the city’s finances? What’s the deal with the available parking space? What the F is going on with the Lincoln Smackdown? And why are the minutes from the last meeting being kept secret? “Nothing in this explosive 90-minute play is as it seems.

The York Theatre Company’s World Premiere of Penelope, Or How the Odyssey Was Really Written resumes performances. This new musical comedy, with book & lyrics by Peter Kellogg (York’s Desperate Measures), music by Stephen Weiner (The Rivals), directed and choreographed by Emily Maltby (York’s Lolita, My Love), with music direction and orchestrations by David Hancock Turner (York’s Cheek to Cheek, Desperate Measures) and vocal arrangements by David Hancock Turner, Steve Delehanty, and Stephen Weiner.

The cast features Philippe Arroyo (Aladdin) as Telemachus, Leah Hocking (Billy Elliot) as Eurycleia, Cooper Howell (Emojiland) as Antinous, Ben Jacoby (Beautiful) as Odysseus, David LaMarr (Jersey Boys) as Mileter, Jacob Alexander Simon (A Chorus Line) as Bassanio, Britney Nicole Simpson (Beauty and the Beast) as Penelope, George Slotin (High Button Shoes) as Haius, Sean Thompson (Sunset Boulevard) as Barius, Maria Wirries (Dear Evan Hansen) as Daphne, with Bebe Browning (Miss Saigon) and Constantine Pappas (Into the Woods).

PREMIERES NYC (Paulette Haupt, Artistic Director), the New York based music theater organization whose mission is “to bring new music theater to light”, is proud to announce the expansion of its bi-annual commissioning series INNER VOICES with the New York premiere production of Los Otros, a musical in one act with book & lyrics by Tony Award nominee Ellen Fitzhugh (Grind, Paradise Found) and music by five-time Tony Award nominee Michael John LaChiusa (The Wild Party, Giant). Previews will begin on Wednesday, August 24, 2022, for a limited run through Saturday, October 8, 2022, at A.R.T./New York Theatres – Mezzanine Theatre (502 West 53rd Street – between 10th & 11th Avenues). Opening Night is Wednesday, August 31, 2022.

Through a series of beautiful and intimate moments, two Californians, Lillian and Carlos, explore significant moments in their lives, discovering they are linked in unexpected ways. Semi-autobiographical, Los Otros captures a universal story of interconnectedness, love, risk, and revelation through the lens of two people’s lives. Acclaimed director Noah Himmelstein (The Lucky Star; I Am Harvey Milk) helms the New York premiere of this unique musical which will feature musical direction by J. Oconer Navarro (Caroline, or Change). Los Otros received its East Coast premiere production in 2017 at Everyman Theatre in Baltimore, MD under Himmelstein’s direction.

The cast of Los Otros is three-time Tony Award nominee and Drama Desk Award winner Carolee Carmello (Parade, Finding Neverland) and Javier Muñoz (In the Heights, Hamilton). The production and creative team will be announced at a later date.

“PREMIERES is thrilled to be “back in business” after an extended pause of the past two years,” stated Artistic Director Paulette Haupt. “We thought it fitting to take a look back and expand our INNER VOICES series for the first time. Los Otros began as Tres Ninas, one of three solo pieces presented in our inaugural 2008 season. Michael and Ellen have created a beautiful and moving work for two voices and we are happy to welcome Carolee and Javier to the family to share theirs.”

Lincoln Center Theater (under the direction of André Bishop) is pleased to announce its upcoming production of Epiphany, a new play by Brian Watkins, directed by Tyne Rafaeli.  Epiphany will begin previews Thursday, May 19 and open on Thursday, June 16 at the Mitzi E. Newhouse Theater (150 West 65 Street).

Epiphany will feature Francois Battiste, Marylouise Burke, Heather Burns, Jonathan Hadary, Omar Metwally, Colby Minifie, David Ryan Smith, C.J. Wilson, and Carmen Zilles.

An uncanny evening. Snow falls softly. An eager host gathers old friends to try and resuscitate a forgotten tradition. But when the guest of honor is unusually late, the group becomes unmoored, craving answers. And there might not be enough wine, or goose, or time to fend off the long-neglected questions that now haunt their souls.

Epiphany will have sets by John Lee Beatty, costumes by Montana Levi Blanco, lighting by Isabella Byrd, original music and sound by Daniel Kluger.  Roxana Khan is the Stage Manager.

Brian Watkins’ plays include WyomingEvergreensInto The Earth With YouMy Daughter Keeps Our Hammer, and High Plains among others. Most recently, he is the creator, showrunner, and executive producer of the upcoming series Outer Range starring Josh Brolin, premiering April 15th on Amazon Prime Video. His plays have been produced by Druid Theatre at the Galway International Arts Festival under the direction of Garry Hynes, at The Flea Theater and Lesser America under the direction of Danya Taymor, as well as at the Williamstown Theatre Festival, The Juilliard School, Edinburgh Fringe, Creede Repertory, and more. His plays have been developed with Lincoln Center Theater, Atlantic Theater Company, New York Theatre Workshop, LAByrinth, Rattlestick, Ensemble Studio Theatre, CATF, Intar, and Seven Devils, among others. Watkins is the recipient of a Jerome Foundation Emerging Artist Fellowship, a Stavis Playwriting Award nominee, a Sundance Lab and O’Neill finalist, a recipient of the John Osborne Award for the Performing Arts, a Heideman Award finalist, and is under commission from the Denver Center Theatre Company. He is a Juilliard Lila Acheson Wallace Playwriting Fellow and a New Dramatists resident playwright. Upcoming film work includes an independent feature with Circle of Confusion for which he serves as writer and producer. Currently, Watkins is writing an original screenplay for Steven Spielberg’s Amblin. Epiphany will be Mr. Watkins’ Lincoln Center Theater debut and marks his first professional production in New York.

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Broadway

Music For A Summer Night With The Connector, Here We Are, The Heart of Rock and Roll, Hell’s Kitchen, Fangirls and Parting Gift: The Songs of Gerald Ginsburg

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One of my favorite musical last year was Jason Robert Brown’s The Connector. Concord Theatricals Recordings has released the original cast recording of MCC Theater’s acclaimed world premiere production. The album is now available on digital platforms worldwide. Digital sheet music for the songs, published by Concord Music Publishing and released by Hal Leonard, is also available today.

Stream or download the album, as well as purchase digital sheet music, Here.

Watch Hannah Cruz, Scott Bakula and the cast record “The Whole World Changed” Here.

Watch Ben Levi Ross sing “See Yourself” Here.

The album is produced by four-time Emmy® Award-winner Jeffrey Lesser and three-time Tony Award-winner Brown (Parade, The Bridges of Madison County), who also serves as arranger, orchestrator and pianist. Three-time GRAMMY® Award-winner Sean Patrick Flahaven, Chief Theatricals Executive for Concord, is the album’s co-producer. The album was recorded by Isaiah Abolinand mastered by Oscar Zambrano with art direction by Derek Bishop.

With a book by Jonathan Marc Sherman and conceived and directed by Daisy Prince, this timely new musical tells the story of two talented young journalists: a fast-rising writer who must confront how far he’ll go for the ultimate scoop, and an editor who must decide how far she’ll go to stop him. The Connector’s world premiere production from MCC Theater ran in a limited engagement from January 12 through March 17, 2024.

The album features original cast members Scott Bakula, Max Crumm, Hannah Cruz, Ashley Pérez Flanagan, Danielle Lee Greaves, Mylinda Hull, Daniel Jenkins, Jessica Molaskey, Fergie Philippe, Eliseo Román, Ben Levi Ross, Ann Sanders and Michael Winther.

Tom Murray is the album’s music director and Kristy Norter is music coordinator. The band includes Brown, Jamie Eblen, Hidayat Honari, Adam Kaufman, Randy Landau, Todd Reynolds and Alison Shearer.

Complete production credits can be found in the album booklet HERE.

The company of Here We Are. Photo by Emilio Madrid.

I don’t know how this happened but the original cast recording Here We Are the last musical with music and lyrics by Stephen Sondheim featuring Francois Battitse, Tracie Bennett, Bobby Cannavale, Micaela Diamond, Amber Gray, Jin Ha, Rachel Bay Jones, Denis O’Hare, Steven Pasquale, David Hyde Pierce, and Jeremy Shamos is on YouTube. Click here to listen. What a great summer treat.

The The Heart of Rock and Roll may be closing but the Original Broadway Cast Recording of the Broadway musical The Heart of Rock and Roll is out and available on all music streaming services.

The album is produced by Huey Lewis, Brian Usifer and Will Van Dyke with Hunter Arnold, Tyler Mitchell and Kayla Greenspan serving as Executive Producers.

Joy Machine Records is a new venture from Ian Kagey, Sonny Paladino, Brian Usifer and Will Van Dyke. The record label was formed in 2023 to bring an artist-driven approach to the recorded music industry by using the theatrical principles of collaboration and community. Their focus is on providing services that amplify the voices of new artists within the field of musical theater, releasing cast albums for Broadway and Off-Broadway shows, as well as collaborating on solo albums with established theater performers. The label’s services seek to support a developing musical from inception to its Broadway cast album.

The album will include the original cast of The Heart of Rock and Roll including Corey Cott, McKenzie Kurtz, Josh Breckenridge, F. Michael Haynie, Zoe Jensen, Tamika Lawrence, Raymond J. Lee, John-Michael Lyles, Orville Mendoza, Billy Harrigan Tighe and John Dossett.

The Heart of Rock and Roll, the new musical inspired by the iconic songs of Huey Lewis and The News, opened on Broadway on April 22, 2024 at The James Earl Jones Theatre (138 W 48th St, New York, NY)

The Original Broadway Cast Recording for critically acclaimed new Broadway musical, currently nominated for 13 Tony Awards, the most of any new musical this season, Hell’s Kitchen is available now via Alicia Keys Records/Interscope Records on streaming and digital platforms worldwide with a physical release to follow. Additionally, the official music video for “If I Ain’t Got You” featuring Brandon Victor Dixon and Maleah Joi Moon is out now and can be found here.

Ghostlight Records has announced the release of the new single “Learning to Be Lonely” from Fangirls the multi-award-winning, smash-hit musical with book, musical and lyrics by wunderkind Yve Blake. The song is available in both vocal and instrumental versions. Following unprecedented sell-out success across Australia, a brand-new production of FANGIRLS is being mounted in London as a co-production between Sonia Friedman Productions and the Lyric Hammersmith Theatre, premiering on July 13. Tickets are available Here.

Shereen Ahmed, Mikaela Bennett, Philip Chaffin, Will Chase, Victoria Clark, Jason Danieley, Adrienne Danrich, Jordan Donica, Colin Donnell, Telly Leung, Paul Lincoln, Patti Murin, Kelli O’Hara, Elena Shaddow, Nathaniel Stampley, Elizabeth Stanley, and Lauren Worsham come together to record some of the most beautiful music never before heard on disc. The collection highlights the composer’s lifelong work, a style he dubbed “theater lieder.” Two dozen musical settings of poetry by such luminaries as W. B. Yeats, Edna St. Vincent Millay, and E. E. Cummings are being unveiled for the first time. The songs are orchestrated by Jonathan Tunick, Doug Besterman, Larry Hochman, Michael Starobin, Chris Jahnke, and John Baxindine, among others, and performed by an orchestra of 17 under the baton of Richard Carsey. The album is produced by Tommy Kraskerand Bart Migal.

Gerald Ginsburg — born in Lincoln, Nebraska, in 1932 — attended Oberlin College and the Manhattan School of Music before embarking on a career as a composer. But after a lauded debut at Carnegie Hall in 1974, self-doubt led Ginsburg to keep much of his music to himself, although he continued to compose for the remainder of his life. When he died in 2019, the full evidence of his years of solitary work was revealed: an archive of highly lyrical, emotionally moving and entertaining songs. PS Classics is proud to present Parting Gift: The Songs of Gerald Ginsburg, the legacy of an under-recognized composer who channeled his emotions into the intersection of poetry and music — and left behind something glorious.

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The Glorious Corner

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G.H. Harding

GIAMATTI’S TREK — (via DEADLINE) Paul Giamatti has joined the cast of the upcoming Paramount+ original series Star Trek: Starfleet Academy in a recurring role. He will play the Season 1 villain, a man with an ominous past connected to one of our cadets.

“Sometimes you’re lucky enough to discover that one of the greatest actors alive is also a huge Star Trek fan, and meeting Paul was one of those miraculous moments for us. The sheer delight with which he dove in on Starfleet Academy is only surpassed by the gratitude we feel about him joining our incredible cast,” shared co-showrunners and executive producers Alex Kurtzman and Noga Landau in a joint statement.

He joins previously announced Holly Hunter, who will star in the series as the captain and chancellor of Starfleet Academy. The series will begin production later this summer.

Star Trek: Starfleet Academy follows a young group of cadets who come together to pursue a common dream of hope and optimism. Under the watchful and demanding eyes of their instructors, they discover what it takes to become Starfleet officers as they navigate blossoming friendships, explosive rivalries, first loves and a new enemy that threatens both the Academy and the Federation itself.

Alex Kurtzman and Noga Landau serve as co-showrunners and executive producers of the series alongside executive producers Gaia Violo, Aaron Baiers, Olatunde Osunsanmi, Jenny Lumet, Rod Roddenberry, Trevor Roth, Frank Siracusa and John Weber. The series premiere episode is written by Gaia Violo.

Star Trek: Starfleet Academy is produced by CBS Studios in association with Secret Hideout and Roddenberry Entertainment and is distributed by Paramount Global Content Distribution.

HEART STOPPED — (Via Deadline) The Heart of Rock and Roll, the struggling musical built around the hits of Huey Lewis, will play its final performance at a matinee on Sunday, June 23. The show will have played 24 previews and 72 performances.

In a statement, producer Hunter Arnold said, “It was pure joy working on the show with the team of creatives headed by writer Jonathan A. Abrams, director Gordon Greenberg, choreographer Lorin Latarro, music arranger and orchestrator Brian Usifer and special gratitude to the support and participation of the iconic music legend Huey Lewis.

The musical began previews on March 29 and opened on April 22.

“We were honored,” he continued, “to have an amazing cast and crew who brought their immense enthusiasm, commitment and talent to each and every performance. With our original cast album just released and talks underway for a national tour and international productions, the musical will continue to delight audiences for years to come.”

The musical, received by critics with lukewarm reviews, did not received any Tony Award nominations and has been struggling at the box office, sometimes with the James Earl Jones Theatre just more than half-full with audience members. For the week ending June 9, the show grossed a tiny $272,051.

SHORT TAKES — Francis Ford Coppola’s Megalopolis will be released through Lionsgate. Tepid reviews? Not really. Face it, Coppola’s a genius. Check out Roger Friedman’s (SHOWBIZ 411) take: https://www.showbiz411.com/2024/06/17/coppola-leases-megalopolis-to-lions-gate-for-september-release-in-distribution-only-deal

Darius Rucker said that the bandmates in Hootie and the Blowfish tried to outparty each other? Interesting. Check this out here: https://www.yahoo.com/entertainment/darius-rucker-says-hootie–the-blowfish-bandmates-tried-to-outparty-each-other-that-was-just-how-we-lived-214135068.html

Add one more Jon Bon Jovi-intervene to the list. NBC’s Sunday With Willie Geist. Was good, but nothing on Richie Sambora and nothing new. He’s not going to tour; he wants to tour; a surprise gig in Nashville ….

Micky Dolenz and Michael Stip (R.E.M.)

what’s going on? More kudos for his PR-man Brad Cafarelli … Congrats to R.E.M. on their Songwriters Hall of Fameinduction … HAPPY BDAY Michelle Toscas!

NAMES IN THE NEWS — Tom & Lisa Cuddy; Mark Adelman; Christine Nagy; Race Taylor; Anthony Noto; Robert Funaro; Al Roker; Tony LoBianco; Les Moonves; Les Schwartz; Marion Perkins; Mary Wilson; Tony Seidel; Bob Schartoff; Julie Laufer; Liza Lillien; Richie Ridge; William Schill; Dan Zelinski; Carol Ross; Gary Gershoff; David Adelson; Roy Trakin; Lee Jeske; Anthony Mason; and BELLA!

Images on this page have been licensed under the Creative Commons Attribution-Share Alike 4.0 International license.

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And The Winners Of The 77th Tony Awards Are: The Outsiders, Merrily We Roll Along, Stereophonic and Appropriate

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Hillary Clinton did show and the Tony’s gave her a standing ovation, but against all odds the best musical of the year The Outsiders won. I have never been so happy to be wrong in my predictions as The Outsiders was my favorite show this year. I am so proud of this industry for honoring this amazing production.

Merrily We Roll Along, Stereophonic, Sarah Paulson, Appropriate, Maleah Joi Moon and so many other predicted choices took home the coveted award.

Ariana DeBose hosted the night, where the surprises were Jeremy Strong, Danya Taymor for The Outsiders, Kecia Lewis for Hell’s Kitchen.…yeah! 

The playbill for the night and the 77th Tony Awards, had speeches that were powerful. Especially in Act One. The theatre before the event.

In the show a tribute to Chita Rivera, Chita you will be missed.

Here is the list of the winning shows and performers:

BEST MUSICAL: The Outsiders

Daniel Radcliffe, Jonathan Groff, and Lindsay Mendez in NYTW’s Merrily We Roll Along. Photo: Joan Marcus.

BEST MUSICAL REVIVAL: *Merrily We Roll Along

BEST ACTRESS (MUSICAL): *Maleah Joi Moon, Hell’s Kitchen

BEST ACTOR (MUSICAL): *Jonathan Groff, Merrily We Roll Along. 

BEST FEATURED ACTRESS (MUSICAL):***Kecia Lewis — Hell’s Kitchen

BEST FEATURED ACTOR (MUSICAL): *Daniel Radcliffe, Merrily We Roll Along

BEST DIRECTOR (MUSICAL): ***Danya Taymor — The Outsiders. This win gives me such hope as Danya Taymor directs with heart. Her directorial performance in Jonah also was a tour de force. Taymor makes you feel.

BEST BOOK Of A MUSICAL: *Shaina Taub for Suffs

BEST MUSICAL SCORE: * Shaina Taub for Suffs

BEST ORCHESTRATIONS: *Jonathan Tunick, Merrily We Roll Along

BEST CHOREOGRAPHY: *Justin Peck, IIinoise

SCENIC DESIGN (MUSICAL): Tom Scutt — Cabaret at the Kit Kat Club

COSTUME DESIGN (MUSICAL): *Linda Cho, The Great Gatsby 

LIGHTING DESIGN (MUSICAL): ***Brian MacDevitt and Hana S. Kim — The Outsiders

SOUND DESIGN (MUSICAL): ***Cody Spencer — The Outsiders

PLAYS

Tom Pecinka and Sarah Pidgeon Photo by Julieta Cervantes

BEST PLAY: * Stereophonic

Sarah Paulson and Elle Fanning in 2ST’s Appropriate. Photo by Joan Marcus.

BEST PLAY REVIVAL: *Appropriate 

BEST ACTRESS (PLAY): *Sarah Paulson, Appropriate

BEST ACTOR (PLAY): Jeremy Strong — An Enemy of the People

BEST FEATURED ACTRESS (PLAY): *Kara Young, Purlie Victorious

BEST FEATURED ACTOR (PLAY): **Will Brill, Stereophonic. Thrilled for this win. One of my favorite performances of the year.

BEST DIRECTOR (PLAY): *Daniel Aukin, Stereophonic

BEST SCENIC DESIGN (PLAY): David Zinn, Stereophonic

BEST COSTUME DESIGN (PLAY): *Dede Ayite, Jaja’s African Hair Braiding 

BEST LIGHTING DESIGN (PLAY): Jane Cox — Appropriate

BEST SOUND DESIGN (PLAY): *Ryan Rumery, Stereophonic

Audra McDonald

Given special awards were: The Wilma Theatre Outstanding Regional Theatre,

lifetime Achievement to George C. Wolfe, Excellence in Theatre Education to CJay Philip

Harvey Fierstien

lifetime Achievement to Jack O’Brien

Brian Stokes Mitchell and Billy Porter

Isabelle Stevenson Award Billy Porter

*our prediction to win.

** our prediction to what should win

*** our prediction for Best but we did not think would win

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James Monroe Iglehart At The Drama Desk and A Rap For A Wonderful World: The Louis Armstrong Musical

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T2C was at the Drama Desk Awards and talked to our friend James Monroe Iglehart. Years ago I learned that James could make up raps instantaneously, so I had him do one at the Hamilton opening night for Lin Manuel Miranda. Since James is opening up in October in A Wonderful World: The Louis Armstrong Musical, I ask him to do a rap to plug his show. This is the result.

James’s new musical is about the life and loves of Louis Armstrong and Tony Award® winner James Monroe Iglehart is the legendary American icon. A Wonderful World charts Armstrong’s incredible journey from the birth of jazz in his native New Orleans through his international stardom. It features beloved songs recorded and made popular by Armstrong, including favorites like “What a Wonderful World” and “When You’re Smiling,” among many other standard favorites.

The show is conceived by Tony Award® nominee and Drama Desk Award winner Christopher Renshaw (Broadway’s The King and I, Taboo), and novelist Andrew Delaplaine. Book by Aurin Squire (“This is Us,” “The Good Fight”). Directed by Renshaw, with choreography by Rickey Tripp (Associate Choreographer for Broadway’s Hell’s Kitchen, Once on This Island, and Choir Boy). Featuring classic songs from Armstrong’s catalogue.

We look forward to seeing James and this new musical.

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Who Should/Will/Did Win a 2024 Tony Award? Predictions and Actual Winners.

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Here’s my list of who I think will win, who I think should win, and who ended up winning on June 11th, Tony night, as I like to call it. There are a number of obvious choices, but a few races that are difficult to call. Like the Jessica Vs Sarah American Horror alumn battle, or the emotional contest of Best New Musical. Here are mine.

Below is the full list of winners (🏆), my predictions (⭐️), who I think should win (👍), and all of the nominations:

Here goes nothing.

⭐️= Who I think Will Win

👍= Who I Think Should Win

🏆= Who Did in the End Win (stay tuned Sunday, June 11th, 2023 from the United Palace Theatre in NYC)

Best Book of a Musical

Hell’s Kitchen – Kristoffer Diaz

The Notebook – Bekah Brunstetter

The Outsiders– Adam Rapp and Justin Levine

👍 ⭐️ Suffs – Shaina Taub

Water for Elephants – Rick Elice

Best Original Score (Music and/or Lyrics) Written for the Theatre

Days of Wine and Roses – Music & Lyrics: Adam Guettel

Here Lies Love – Music: David Byrne and Fatboy Slim – Lyrics: David Byrne

👍 The Outsiders – Music & Lyrics: Jamestown Revival (Jonathan Clay and Zach Chance) and Justin Levine

Stereophonic – Music & Lyrics: Will Butler

⭐️ Suffs – Music & Lyrics: Shaina Taub

Jeremy Strong in An Enemy of the People – Photo by Emilio Madrid.

Best Performance by an Actor in a Leading Role in a Play

William Jackson Harper, Uncle Vanya
Leslie Odom, Jr., Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
Liev Schreiber, Doubt: A Parable
👍 ⭐️ Jeremy Strong, An Enemy of the People
Michael Stuhlbarg, Patriots

This is a hard one, but I’m leaning on the overall effect of the riveting An Enemy of the People leading Strong to a Tony victory. Stuhlbarg was excellent in the lesser excellent Patriots. Odom and Harper are two good actors who I believe underperformed, and I’m hoping their star-power doesn’t push them over the winning line.

Best Performance by an Actress in a Leading Role in a Play

Betsy Aidem, Prayer for the French Republic
Jessica Lange, Mother Play
Rachel McAdams, Mary Jane
👍 ⭐️ Sarah Paulson, Appropriate
Amy Ryan, Doubt: A Parable

Although everyone here excelled, particularly Aidem and Ryan, I do believe Paulson delivered something more profound and detailed than Lange, probably because the play gave her so many more complex opportunities which she gobbled up fantastically for our pleasure.

Sarah Paulson and Elle Fanning in 2ST’s Appropriate. Photo by Joan Marcus.

Best Performance by an Actor in a Leading Role in a Musical

Brody Grant, The Outsiders
👍 ⭐️ Jonathan Groff, Merrily We Roll Along
Dorian Harewood, The Notebook
Brian d’Arcy James, Days of Wine and Roses
Eddie Redmayne, Cabaret at the Kit Kat Club

No shocker here. This is Groff’s moment, even though I loved Grant and Redmayne in their lesser received shows. James was also good, vocally, in a musical that I just didn’t connect to, so I wasn’t as connected to him or his performance. The same can be said of O’Hara. I just didn’t care, even within the dramatic ending.

Best Performance by an Actress in a Leading Role in a Musical

👍 Eden Espinosa, Lempicka
⭐️ Maleah Joi Moon, Hell’s Kitchen
Kelli O’Hara, Days of Wine and Roses
👍 Maryann Plunkett, The Notebook
Gayle Rankin, Cabaret at the Kit Kat Club

I think the new kid on the block might take home the prize, although I would not be disappointed if either Espinosa or Plunkett jumped to the front of the Hell’s Kitchen train.

Eden Espinosa in Lempicka. Photo: MATTHEW MURPHY AND EVAN ZIMMERMAN

Best Performance by an Actor in a Featured Role in a Play

👍 Will Brill, Stereophonic
⭐️ Eli Gelb, Stereophonic
Jim Parsons, Mother Play
Tom Pecinka, Stereophonic
Corey Stoll, Appropriate

Such a hard call, but I fully believe that, as in many categories including this one, it will be a winning Stereophonic night. Some say Stoll might snatch it up, but I’d be very surprised.

Best Performance by an Actress in a Featured Role in a Play

Quincy Tyler Bernstine, Doubt: A Parable
👍 Juliana Canfield, Stereophonic
Celia Keenan-Bolger, Mother Play
👍 Sarah Pidgeon, Stereophonic
⭐️ Kara Young, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch

Gosh. Young was, for me, by far the best thing in this revival elevating it spectacularly leaving everyone, including the bland Odem, Jr. At the bottom of the hill.

Leslie Odom, Jr. and Kara Young in PURLIE VICTORIOUS – Photo by Marc J. Franklin.

Best Performance by an Actor in a Featured Role in a Musical

Roger Bart, Back To The Future: The Musical
👍 Joshua Boone, The Outsiders
Brandon Victor Dixon, Hell’s Kitchen
Sky Lakota-Lynch, The Outsiders
👍 ⭐️ Daniel Radcliffe, Merrily We Roll Along
Steven Skybell, Cabaret at the Kit Kat Club

I’ll be cheering for Radcliffe when he wins the Tony for his performance in this stellar production, but I did love The Outsiders maybe more than most, and Boone really gave the new musical its solid emotional heart.

Best Performance by an Actress in a Featured Role in a Musical

Shoshana Bean, Hell’s Kitchen
Amber Iman, Lempicka
Nikki M. James, Suffs
Leslie Rodriguez Kritzer, Monty Python’s Spamalot
👍 ⭐️ Kecia Lewis, Hell’s Kitchen
Lindsay Mendez, Merrily We Roll Along
👍 Bebe Neuwirth, Cabaret at the Kit Kat Club

What an amazing group, and I’d really be happy anyway this one went, but Neuwirth feels so damn perfect in the part, and Lewis made me cry, so there’s that….

Steven Skybell and Bebe Neuwirth in CABARET at the Kit Kat Club at the August Wilson Theatre. Photo by Marc Brenner.

Best Scenic Design of a Play

dots, Appropriate
dots, An Enemy of the People
Derek McLane, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
David Zinn, Jaja’s African Hair Braiding
👍 ⭐️ David Zinn, Stereophonic

Conrad Ricamora (Ninoy Aquino – left), Arielle Jacobs (Imelda Marcos – right), and the cast of Here Lies Love in the Broadway Theatre.
Photo Credit: Billy Bustamante, Matthew Murphy and Evan Zimmerman (2023)

Best Scenic Design of a Musical

AMP featuring Tatiana Kahvegian, The Outsiders
Robert Brill and Peter Nigrini, Hell’s Kitchen
Takeshi Kata, Water for Elephants
David Korins, Here Lies Love
Riccardo Hernández and Peter Nigrini, Lempicka
Tim Hatley and Finn Ross, Back To The Future: The Musical
👍 ⭐️ Tom Scutt, Cabaret at the Kit Kat Club

Best Costume Design of a Play

Dede Ayite, Appropriate
⭐️ Dede Ayite, Jaja’s African Hair Braiding
👍 Enver Chakartash, Stereophonic
Emilio Sosa, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
David Zinn, An Enemy of the People


Eddie Redmayne (center) and the cast of CABARET at the Kit Kat Club at the August Wilson Theatre. Photo by Marc Brenner.

Best Costume Design of a Musical

Dede Ayite, Hell’s Kitchen
Linda Cho, The Great Gatsby
David Israel Reynoso, Water for Elephants
👍 Tom Scutt, Cabaret at the Kit Kat Club
⭐️ Paul Tazewell, Suffs

Best Lighting Design of a Play

Isabella Byrd, An Enemy of the People
Amith Chandrashaker, Prayer for the French Republic
👍 ⭐️ Jiyoun Chang, Stereophonic
Jane Cox, Appropriate
👍 Natasha Katz, Grey House

The cast of The Outsiders. Photo by Matthew Murphy.

Best Lighting Design of a Musical

Brandon Stirling Baker, Illinoise
⭐️ Isabella Byrd, Cabaret at the Kit Kat Club
Natasha Katz, Hell’s Kitchen
Bradley King and David Bengali, Water for Elephants
👍 Brian MacDevitt and Hana S. Kim, The Outsiders

Best Sound Design of a Play

Justin Ellington and Stefania Bulbarella, Jaja’s African Hair Braiding
Leah Gelpe, Mary Jane
Tom Gibbons, Grey House
Bray Poor and Will Pickens, Appropriate
👍 ⭐️ Ryan Rumery, Stereophonic

The cast of Stereophonic on Broadway. Photo by Julieta Cervantes.

Best Sound Design of a Musical

M.L. Dogg and Cody Spencer, Here Lies Love
👍 Kai Harada, Merrily We Roll Along
Nick Lidster for Autograph, Cabaret at the Kit Kat Club
⭐️ Gareth Owen, Hell’s Kitchen
Cody Spencer, The Outsiders

Best Direction of a Play

👍 ⭐️ Daniel Aukin, Stereophonic
Anne Kauffman, Mary Jane
Kenny Leon, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
Lila Neugebauer, Appropriate
Whitney White, Jaja’s African Hair Braiding

Gabriel Olivera de Paula Costa and Wade McCollum in WATER FOR ELEPHANTS – Photo by Matthew Murphy.

Best Direction of a Musical

👍 ⭐️ Maria Friedman, Merrily We Roll Along
Michael Greif, Hell’s Kitchen
Leigh Silverman, Suffs
👍 Jessica Stone, Water for Elephants
Danya Taymor, The Outsiders

Friedman, in a way, did the impossible with this formerly problematic musical so her win is well deserved. But Stone also delivered a spectacular worthy of the Water for Elephants story it told.

Best Choreography

Annie-B Parson, Here Lies Love
Camille A. Brown, Hell’s Kitchen
👍 Rick Kuperman and Jeff Kuperman, The Outsiders
⭐️ Justin Peck, Illinoise
Jesse Robb and Shana Carroll, Water for Elephants

Ricky Ubeda and Ben Cook of Broadway’s Illinoise. Photo by Liz Lauren.

Best Orchestrations

Timo Andres, Illinoise
👍 Will Butler and Justin Craig, Stereophonic
Justin Levine, Matt Hinkley and Jamestown Revival (Jonathan Clay and Zach Chance), The Outsiders
Tom Kitt and Adam Blackstone, Hell’s Kitchen
⭐️ Jonathan Tunick, Merrily We Roll Along

Best Play

Jaja’s African Hair Braiding – Author: Jocelyn Bioh

Mary Jane – Author: Amy Herzog

Mother Play – Author: Paula Vogel

Prayer for the French Republic – Author: Joshua Harmon

👍 ⭐️ Stereophonic – Author: David Adjmi

No contest. Really. And that’s no slight to the other wonderfully written plays in this group.

Kecia Lewis and Maleah Joi Moon in Hell’s Kitchen on Broadway. Photo by Marc J. Franklin.

Best Musical

⭐️ Hell’s Kitchen

Illinoise

👍 The Outsiders

Suffs

👍 Water for Elephants

This is a hard call cause none of them are perfect yet all deliver something pretty special. And unique. I loved The Outsiders, more than I imagined I would. Its heart beats the strongest for me, but I think Keys will triumph for expanding the genre and the audience up so many floors.

Natalie Gold, Alyssa Emily Marvin, Michael Esper, Sarah Paulson, and Corey Stoll in 2ST’s Appropriate. Photo by Joan Marcus.

Best Revival of a Play

⭐️ Appropriate – Author: Branden Jacobs-Jenkins

👍 An Enemy of the People – Author: Amy Herzog

Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch

An Enemy of the People is solid and as strong as its Strong star, but Appropriatedelivers in so many unexpected ways it’s impossible not to be taken in completely, laughing in its uncomfortableness and its tense emotional turmoil.

Best Revival of a Musical

Cabaret at the Kit Kat Club

Gutenberg! The Musical!

👍 ⭐️ Merrily We Roll Along

The Who’s Tommy

Another no-contest win. But I also loved Cabaret far more than your average critic. And I’m still a little surprised by that.

Daniel Radcliffe, Jonathan Groff, and Natalie Wachen in Merrily We Roll Along. Photo by Mathew Murphy.

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