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Theatre News: First Black Glinda, Sidney Poitier , The 24 Hour Plays, Empire Records and Saving Theatre 80

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Brittney Johnson will take over the role of Glinda in the Broadway blockbuster Wicked, beginning performances on February 14, 2022 at Broadway’s Gershwin Theatre (222 West 51st Street). Currently the Glinda standby, Ms. Johnson will be the first Black actress to assume the role of Glinda.

Brittney Johnson has appeared on Broadway in Les Misérables (Éponine), Motown, Sunset Boulevard, Beautiful: The Carole King Musical, and Kristin Chenoweth: For the Girls.

Ms. Johnson will assume the role of Glinda opposite Lindsay Pearce as Elphaba, Alexandra Billings as Madame Morrible, Michael McCormick as The Wizard, Sam Gravitte as Fiyero, Jordan Barrow as Boq, Mili Diaz as Nessarose, and Michael X. Martin as Doctor Dillamond.

Sidney Poitier – Photo by Sherrie Burgess Brooks

The legendary life of Academy Award-winning actor, filmmaker, activist and human-rights trailblazer Sidney Poitier set to be a new Broadway play produced by Ron Gillyard (Born for This, Mr. Soul); Poitier’s daughter, filmmaker Anika Poitier; and Barry Krost. 

Chosen by the Poitier family, Charles Randolph-Wright (author of Blue, director of Roundabout Theatre Company’s critically acclaimed revival of Alice Childress’ Trouble in Mind, and the upcoming American Prophet: Frederick Douglass In His Own Words) has penned  Sidney, based on Poitier’s best-selling autobiography The Measure of a Man

The family has also selected Tony Award winner Ruben Santiago-Hudson (author, director and star of Lackawanna Blues, director of the Tony-winning Broadway premiere of August Wilson’s Jitney, director of the upcoming Broadway premiere of Dominique Morisseau’s Skeleton Crew) to direct. 

Sidney dramatizes Mr. Poitier’s life, from his upbringing on Cat Island in the Bahamas to his rise to become America’s most revered actor and activist. With his unique career, Sidney Poitier helped change many racial attitudes that had persisted in this country for centuries. He built the bridges and opened the doors for countless artists in succeeding generations. He is an actor who stood for hope, for excellence, and who has given happiness to millions of people around the world. Paying tribute to Sidney Poitier in 1967, Dr. Martin Luther King, Jr. said, “He is a man of great depth, a man of great social concern, a man who is dedicated to human rights and freedom.”  The play explores the nature of sacrifice and commitment, pride and humility and the price for artistic integrity. Poitier has inspired many artists in multiple fields including encouraging Alice Childress to begin writing when they were both members at American Negro Theatre. 

Playwright Charles Randolph-Wright says, “The first time I met Sidney Poitier was decades ago when he saw a show I co-wrote and directed in Los Angeles. We went to dinner and I literally could not speak. He said to me, ‘If in any way I have inspired you, you have more than paid me back with what I saw this evening.’ I have held onto those words my entire career.  And now to place his astonishing life on stage is the ultimate challenge and the ultimate joy. To have the trust of Mr. Poitier and his family is one of the greatest gifts I have been given – what an honor to get to dramatize the true measure of this monumental man. I look forward to the world discovering the astounding person that is behind one of our most prodigious heroes, a man who continues to inspire.”

Director Ruben Santiago-Hudson says,  “Sir Sidney Poitier is clearly one of the greatest actors in the history of cinema. His integrity and standard of excellence set the bar for generations to come. It is an honor to be a part of celebrating the incomparable Sidney Poitier’s monumental career in this play but also the man and his extraordinary life.”

Published in 2000, The Measure of a Man: A Spiritual Autobiography spent several weeks on The New York Times’ list of best sellers, and the audio edition, narrated by Mr. Poitier, won a Grammy Award for best spoken word album. In 2007, Oprah Winfrey relaunched her Book Club with the memoir. 

Casting, creative team and production timeline will be announced at a later date.

Producer Bill Weiner next stage of development for the new Broadway-bound musical based on the beloved cult-hit film Empire Records.  Featuring original music and lyrics by Jonathan Larson Grant winner Zoe Sarnak, and a book by the film’s screenwriter Carol Heikkinen (Center Stage)Empire Records: The Musical will receive a private industry reading helmed by Obie Award-winning director Trip Cullman (Choirboy) on December 7, 2021 at Roundabout Studios in NYC. 

The cast of the reading features Tony Award nominee Kathryn Gallagher (Jagged Little Pill, Deaf End’s Spring Awakening), Drew Gehling (Waitress, Jersey Boys), Drama Desk Award nominee Rebecca Naomi Jones (Oklahoma!, American Idiot), Lorna Courtney (Dear Evan Hansen, West Side Story), Hilary Fisher (Cyrano, Pamela’s First Musical), Ilan Eshkenazi (Sing Street), newcomer Brody Grant, De’Lon Grant (Come From Away), Veronica Otim (Jagged Little Pill), J Daughtry (Ain’t Too Proud, The Color Purple), Sam Poon (Sing Street, The King and I), Eric Weigand (Plaza Suite), Gabe Violett (Spring Awakening), and Ashley Perez Flanagan (Freestyle Love Supreme, …The Great Comet of 1812). The reading has music direction by Grammy Award Nominee Bryan Perri, casting by Stephen Kopel & Carrie Gardner, and stage management by Narda E. Alcorn.

Empire Records, the last of the independent small-town record stores, employs a tight-knit group of music-savvy youths. Hearing that the shop may be sold to a big chain, slacker employee Lucas places a big bet with a chunk of the store’s money, hoping to get a big return and save the store. When plans go awry, Empire Records falls into serious trouble, and the teens must find a way to fend off the encroaching Music Town overlords.

Released in 1995 by New Regency, the film Empire Records starred Liv Tyler, Renée Zellweger, Anthony LaPaglia, Robin Tunney, Rory Cochrane, Ethan Embry and Johnny Whitworth, directed by Allan Moyle. The film quickly cemented its status as a cult classic, and 25 years later, it is still hailed by BuzzFeed as “the film of a generation” and “the teen-movie equivalent of the mid-‘90s alt-rock zeitgeist… a film that managed, however oddly, to capture the ineffable feeling of being a quasi-alienated teenager in a very specific time.” 

New York State ordered theaters to close almost two years ago, forcing a number of theaters and theater companies to close forever. The State set us out into the danger of COVID without enough lifeboats.Theaters in New York were already in danger before COVID hit. We had lost seventy-five theaters in the ten years before the pandemic, not due to lack of audience, but due to hyperinflation. While proclaiming our city to be a world cultural capital, the government allowed speculation on property to kill off theater after theater. We are being forced into default on our mortgage, by state action, without mitigation. In every way, it is the equivalent of an eminent domain seizure without compensation. The government is allowing disaster profiteers to make over two million dollars profit in a year.The company which bought our debt is not the only disaster profiteers we face today. Others seeking to profit on this world-wide disaster are attempting to profit on our hardship through frivolous lawsuits and outright fraud on the court. Imagine if the Titanic sank in warm, shark infested waters, and that would perfect the image of what New York State has been doing to us. There is not a large class of businesses harmed to the degree we have been. We had a hard money loan, which had a provision which allowed for a UCC sale in the face of default rather than a foreclosure process. This loan was not protected by the State in the face of a direct order from the government to stop doing business to halt the spread of the illness.

What can you do? Write to Governor Hochul, and ask that New York State to give a low interest loan to mitigate the damage the Cuomo administration has done by not including properties in our class under protections against UCC sales.Please, write, phone and email. You don’t have to be a New Yorker to tell the governor how important Theatre 80 is to New York. If you have visited from overseas… also contact Governor Hochul.By Mail: Please send us copies, or inform us about phone calls. Sample letter to follow, feel free to write your own.The Honorable Kathy Hochul Governor of New York State NYS State Capitol BuildingAlbany, NY 12224By phone:1-518-474-8390 | Office hours: 9:00am to 5:00pmBy email: (Contact form) https://www.governor.ny.gov/content/governor-contact-form

Sample Letter:To the Honorable Governor Kathy Hochul

Dear Governor Hochul,

I am writing to ask that you involve your office to stop a grave injustice. Theatre 80 Saint Marks has been a jewel in the crown of New York’s cultural heritage since 1965. It is owned by Lorcan and Genie Otway, a senior citizen couple who have selflessly served the the community for decades, running the theater, museum and tavern at 80 Saint Marks Place, making it a world-famous site for people to experience the New York which people are fast losing to hyperinflation and now the aftermath of COVID. An oversight by the Cuomo administration made it possible for a predatory company to take advantage of the COVID crisis to increase the debt of this historic building by millions of dollars in a year and now is attempting to sell the property leaving the owners broke and homeless as a reward for their dedicated service to New York’s history and place as an international cultural center.When the state ordered theaters and museums to close, Lorcan and Genie supported the plan fully, knowing that it would make things difficult for some time to come. What they could not have imagined was that for nearly two years their theater would be shut, and that the state would allow a company to purchase their debt after the state forced them into default on their mortgage. A major part of the separation of the United States from Britain concerned protection of property rights. These rights were insured in our founding documents. What is happening is the equivalent of an eminent domain case without compensation for the State’s taking of property. We ask that the State of New York address this unconstitutional taking in the face of international disaster, by extending to the Otway’s a low interest loan to save this vital part of New York’s tourist and theater experience, and as an acknowledgement of Lorcan’s five decades of service to New York’s cultural reputation.

Respectfully

Name and address

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Broadway

Suffs We Still Have A Long Way To Go

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“There never was a young woman who did not think that if she had had the management of the work from the beginning, the cause would have been carried out long ago,” Susan B. Anthony.

Shaina Taub

The new musical by Shaina Taub Suffs, has completely rewritten itself from when it played at The Public Theatre. What was an overstuffed story about the women’s movement, has become a polished version of how far and how little we have come. This is an uplifting tale and you will leave the theatre satisfied.


When Suffs begin,s we meet Carrie Chapman Catt (a terrific and staunch Jenn Colella) asking men to “Let Mother Vote.” Enter the young newcomer Alice Paul (Taub). Alice wants to do a protest march on Washington, to further the cause along, Catt wants women to be refined in their approach. Needless to say the two do not see eye to eye.

Hannah Cruz and Cast

Alice recruits Lucy (Ally Bonino) her friend from college, Inez Milholland (A star turn by Hannah Cruz, who commands the stage), “the it girl of her time,” who then recruits Ruza Wenclawska (another standout performance by Kim Blank), a militant labor organizer and Doris Stevens (Nadia Dandashi), who chronicles the movement.

Anastacia McCapaguy, Laila Erica, Nikki M.James

Enter Ida B. Wells (a fabulous Nikki M. James) and other Black suffragists such as Mary Church Terrell (Anastacia McCapaguy), the first president of the NAACP, to a march on Washington, however the Southern women and backers do not want them there and they are told to march in the back. Wells refuses singing the powerful ballad “Wait My Turn”. It is their story that pacts a punch.

Tsilala Brock, Grace McLean

The President at the time is Woodrow Wilson (the phenomenal Grace McLean), who “loves the ladies, with all his heart, until they start to speak,” He plays games with Alice and her cohorts, as well as with Ms. Catt. However Ms. Catt concedes to help the President, where Ms. Paul does not.

The new Suffs start their own organization The National Women’s Party (NOW) with the help of a rich socialite (a terrific Emily Skinner). They take their grievances public, get arrested, stage hunger strikes and finally win the vote.

The cast is entirely made of women, non-binary performers and musicians who are extremely talented. Ms. Taub does extremely well as Alice. I loved and hated Grace McLean’s outstanding portrayals. Nikki M. James almost steals the show, but it is Jenn Colella who really makes us understand the power play between women.

Leigh Silverman’s staging, keeps the show moving at 2 hours and 45 minutes. Riccardo Hernadez’s set keeps The White House always in play, and Paul Tazewell’s lighting warms it up. Mayte Natalio’s choreography is subtle, yet effective.

There are 33 songs by Ms Taub which are very musical theatre with hints of pop. Ms. Taub’s lyrics are smart, almost Hamilton esq. Especially clever are the lyrics to “If We Were Married.” Musically however, some of the songs bring to mind Beyonce’s “I’m A Survivor” and in “Ladies” “The Ballad of Guiteau” from Assassins. The stand outs are “Finish the Fight,” “This Girl,” “Wait My Turn,”  “Find a Way” and the anthem “Keep Marchin”. Musical director Andrea Grody and her orchestra should be commended. The underscoring is fabulous.

Ms Taub also penned the book, which sometimes misses the mark.

In the end the cycle between the established suffragettes and the newer, younger models will always be at odds.

Ironically what was cut was it was Mrs Woodrow Wilson who refused to sign for women to vote. After her husband had a stroke she states; “Now the presidential vote belongs to me. Support for Suffrage? Absolutely NO!” It was a women who turned the vote down.

Suffs: The Music Box Theatre, 239 W 45th Street.

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Live From The Hotel Edison Times Square Chronicles Presents at Addiss and Dan Lauria

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I am so pleased to announce our guests for next Wednesday’s show on April 24th are Producer Pat Addiss and Dan Lauria.

Pat Flicker Addiss has been a producer on the following shows: Little Women​, Chita Rivera: A Dancer’s Life, Bridge & Tunnel, Spring Awakening, Passing Strange, 39 Steps, Vanya, Sonia, Masha & Spike, Promises, Promises, Gigi, Love Letters, Eclipsed, War Horse, A Christmas Story ​and Harmony on Broadway. Off-Broadway she produced Jane Anger and Buyer and Cellar starring Michael Urieher show, Dinner With The Boys with Dan Lauria and Desperate Measures, is currently playing around the country. A native New Yorker. She was a child model and actress. Went to Finch College where she majored and graduated in honors in Costume Design and Merchandising. She started her own Company Pat Addiss Enterprises which designed and manufactured all items and widgets with Corporate names and logos. For her work she was honored by the LPTW Oral History that was filmed for the archives of Lincoln Center Performing Arts Library. She was also given the Woman of Purpose Award by the “Three Tomatoes.”. With colleague, Magda Katz, she has initiated a formula to connect women through YaYa lunches, dinners and now the addition of upscale tea. She loves to speak to women over 50 “How to Reinvent Yourself.”

Dan Lauria is best known for playing the dad Jack Arnold on the TV series The Wonder Years. He also played NASA Administrator James Webb in the 1998 TV miniseries From the Earth to the Moon and Commanding Officer, USA in 1996’s Independence Day. More recently he has appeared as Police Commissioner Eustace Dolan in The Spirit. He appeared as Coach Hamstrung in The Three Stooges N.Y.U.K. on AMC in 2000. Lauria appeared on stage in New York in the summer of 2006 in an off-Broadway production of A Stone Carver by William Mastrosimone with Jim Iorio and Elizabeth Rossa. Lauria also had a small role in a season two episode of Army Wives, as well as a season one episode of The Mentalist. In 2009, Lauria has appeared as General Lee Whitworth, M.D. in Criminal Minds season 4. He has also appeared in an episode of Boy Meets World. In late 2009, Lauria returned to the off-Broadway stage, appearing as Jimmy Hoffa in Brian Lee Franklin’s Good Bobby, a fictionalized account of Robert F. Kennedy’s rise.

Dan is also a very familiar face to the off-off, off and regional theatre scene having performed, written or directed over 50 professional stage productions.  He has appeared as a guest star in over seventy television episodic programs and more than twenty ‘Movie Of The Week’ productions plus a score of motion picture credits.  

In 2010-11 Dan was seen on Broadway in the long running production of Lombardi as the legendary coach Vince Lombardi with the beautiful and talented Judith Light, directed by Thomas Kail of Hamilton fame and returned again in the 2013-14 productions of the Tony nominated A Christmas Story: The Musical, directed by John Rando. 

Dan and dear friend, the lovely and talented Ms. Wendie Malick have performed the play The Guys by Anne Nelson (about our first responders) for numerous theatre and fire departments, around the country. Wendie and Dan also perform Love Letters as a fundraiser for regional theatres, for the development of new plays.  

Dan has now wrote and starred in the off Broadway production of Dinner With The Boys produced by the one and only Pat Addis and the NJ Rep. This was followed by a off Broadway production of The Stone Witch  and the upcoming Regional production of Lee Blessings new play; Tea With The Boss with Gwenn and Wendie Malick.  

He is about to star inJust Another Day written by Lauria. The show will run May 3-June 30 at Theater555 and also stars Patty McCormack (The Bad Seed). Between them, Lauria and McCormack have over 100 years of live theatrical experience, as well as over 150 television shows and films.

“Live From The Hotel Edison Times Square Chronicles Presents ”, is a new show filmed in the lobby of the iconic Hotel Edison, before a live audience. To see our first episode click here second episode click here,  third episode click here, fourth episode click here, fifth episode here, six episode here, seventh episode here, eight episode here and ninth episode here.

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Move Over Daisy Jones & The Six Stereophonic Has Taken Up The Gauntlet

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Daisy Jones & the Six is a hit series on Amazon Prime that follows a rock band in the 1970s from their rise in the LA music scene to becoming one of the most famous bands in the world. This was based on Taylor Jenkins Reid’s book of the same name and was partly inspired by Fleetwood Mac. Stereophonic is like binge watching episodes of this TV series, live on stage for three hours. 


Opening tonight, David Adjmi’s high drama play is set in a recording studio in Sausalito, California in 1976, until the last act when they record in LA. The set by David Zinn, has us inside the control room where we can see inside the sound booth. In the beginning, it is hard to hear the words as everyone is talking over each other. Sex, drugs especially coke, alcohol, cigarettes, joints, infidelity and music are what’s at stake and we are eavesdropping in.

Andrew R. Butler and Eli Gelb Photo by Julieta Cervantes

We first meet Grover (Eli Gelb), an untested producer who has lied to everyone about his credentials and his nerdy assistant Charlie (Andrew R. Butler), who are trying to keep the band who are very much like Fleetwood Mac on track. On lead guitar and vocals, Peter (Tom Pecinka) a control freak, perfectionist, lead songwriter and vocalist who is emotionally abusive. He is in a nine year relationship with Diana (Sarah Pidgeon), also the lead singer who is insecure, neurotic, an up and coming songwriter, who very much like Riley Keough in Daisy Jones & the Six. From England are keyboardist and singer Holly (Juliana Canfield) who is stable, warm and going through a terrible marriage to bassist Reg (Will Brill), who is an addict in every sense of the word. And finally Simon (Chris Stack), a drummer who parties to the hilt, as his marriage falls apart due to the recording of the album going way over the time frame given.

Photo by Julieta Cervantes

The question becomes; can this group of talented performers complete this album without killing each other or themselves? In the course of the 3+ hours, we start to really care about the outcome.

Sarah Pidgeon Photo by Julieta Cervantes

In the meantime, we hear fragments and whole songs that are really well done. Tender, yearning ballads of hope and despair written by Will Butler highlight this slice of life. The songs become the feelings that are unexpressed.

Chris Stack and Will Brill Photo by Julieta Cervantes

The cast is incredible, with each one giving us a complete profile. Gelb and Butler give us comedic dazed and confused nerds, whose chemistry is infectious. Gelb’s character is so out of his depth, as he is forced to be the one to keep this gang together despite Pecinka egocentric narcissistic personality. Pidgeon and Pecinka are perfect as lovers tearing each other apart. Stack gives us loss that is heartbreaking. Canfield gives us layers in a role that could be lost but it is Brill who steals the show with his brilliant portrayal as a rock star who lives his life to access.

Juliana Canfield Photo by Julieta Cervantes

Juliana Canfield Photo by Julieta Cervantes

Enver Chakartash’s costumes, Tommy Kurzman’s wigs and hairstyling, Jiyoun Chang’s  lighting, and Ryan Rumery’s multidirectional sound are groovy and out a sight.

Tom Pecinka and Sarah Pidgeon Photo by Julieta Cervantes

Director Daniel Aukin keeps this chaos intact, as the music exacts its reward.

Tom Pecinka, Juliana Canfield and Sarah Pidgeon by Julieta Cervantes

The music is so good that Sony Masterworks Broadway will release an original cast recording produced by Playwrights Horizons where the show originally played and features the original songs by Academy Award® nominee and Grammy Award® winner Will Butler, formerly of Arcade Fire wrote. The digital album arrives May 10, 2024, with the physical CD release set for June 14. The Album is available for preorder now.

Stereophonic: Broadway’s Golden Theatre, 252 W. 45th Street.

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Chip Zien Is Honored at Sardi’s and The Original Cast of Falsettos Unite

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The iconic Chip Zien was honored with his portrait at Sardi’s. Sierra Boggess roasted him to the hilt

Zien has spent almost 50 years on Broadway.


Zien was the Baker in the original 1987 production of Stephen Sondheim and James Lapine’s Into the Woods filmed by the PBS.

The Baker’s Wife Joanna Gleason

In the 90’s he replaced Michael Jeter is Grand Hotel.

Stephen Bogardus, Chip Zien, Alison Fraser, Mary Testa

In 1992 he was Mendel in the groundbreaking William Finn and James Lapine musical Falsettos. He appeared in all of the “Marvin Trilogy” musicals by Finn: In Trousers (1979), March of the Falsettos (1981), Falsettoland (1990) and Falsettos (1992).

Carolee Carmella

Alison Fraser

Gregg Edelman, Barbara Walsh, Stephen Bogardus, Chip Zien,  Carolee Carmello, Mary Testa, Alison Fraser

Gregg Edelman, Barbara Walsh, Stephen Bogardus, Chip Zien, Carolee Carmella, Mary Testa, Alison Fraser

In 1998 Zien was featured in another Finn musical A New Brain. He received a 1999 Drama Desk Award nomination for Outstanding Featured Actor in a Musical for this role.

Anne Nathan and Mary Testa

He appeared in the Off-Broadway play Isn’t It Romantic by Wendy Wasserstein and was nominated for the 1984 Drama Desk Award, Featured Actor in a Play.

Gregg Edelman, Carolee Carmella, Christine Pedi

In 2005, Zien played the part of Goran in Chitty Chitty Bang Bang on Broadway.

In 2007, Zien was a replacement in the Broadway revival of Les Misérables in the role of Monsieur Thénardier.

Richard Kind

From April 1 to June 19, 2011, Zien appeared in the Roundabout Theatre Company’s production of The People in the Picture, which played at Studio 54 on Broadway.

Sierra Boggess

Zien appeared in the Broadway musical It Shoulda Been You at the Brooks Atkinson Theatre.

Chip signing his portrait

In 1973, Zien made his television debut on an episode of Love, American Style. More guest roles followed. In 1981, he appeared on Ryan’s Hope and began a two-year run in Love, Sidney, then Reggie. He provided the voice of the title character in Marvel Comics’ Howard the Duck. Zien later starred on the short-lived CBS drama Shell Game in 1987.

Carolee Carmello, Joanna Gleason, CHip Zien

In the 1990s, Zien was part of the ensemble cast of the CBS sitcom Almost Perfect and had regular roles in the daytime soaps Guiding Light and All My Children, until 2001.

Stefano Da Frè, Chip Zien, Sierra Boggess

From 1999 to 2000, Zien had a recurring guest role on the CBS primetime drama Now and Again and  appeared repeatedly as Attorney Cromwell on Law & Order.

During the 2002–03 season, Zien was the announcer on daytime’s The Caroline Rhea Show, and in 2006, he appeared in the critically acclaimed film United 93 was in the vampire comedy film Rosencrantz and Guildenstern Are Undead.

Joy Hermalyn

He was also in Caroline or Change on Broadway.

Bruce Sussman

Sierra Boggess, Chip Zien, Danny Kornfeld

Blake Roman, Steven Telsey,Sean Bell, Chip Zien, Danny Kornfeld, Eric Peters, Zal Owen

His last show was Harmony, the musical by Barry Manilow and Bruce Sussman. His role as the adult Rabbi, the last surviving Harmonist was hailed by the critic’s and audiences alike. He was nominated for a Drama Desk Award for his portrayal.

It was so fitting that this prolific performer hang on these hallowed walls. Congregations this was well deserved.

Up Next for Chip Zien is Titanic at City Centers Encore series.

 

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Barry Manilow and Bruce Sussman for Hamony at The Museum of Broadway

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On Thursday, April 18th, The Museum of Broadway located at 145 W. 45th Street, just east of Times Square, presented a brief A Cappella performance by The Comedian Harmonists played by Steven Telsey, Blake Roman, Danny Kornfeld, Eric Peters, Sean Bell and Zal Owen, welcoming remarks were made by Julie Boardman, Co-Founder Museum of Broadway, Chip Zien the lead in Harmony was in attendance, as were Barry Manilow & Bruce Sussman.

The reason for this event was the unveiling of the Museum of Broadway’s Harmony-inspired window dedicated to The Comedian Harmonists.


In Berlin, 1927, The Comedian Harmonists were six remarkably talented young men form a singing group who become international sensations: They sold millions of records, starred in major motion pictures, and played the biggest theaters around the world. By 1935, they were never heard from again. What happened? That’s the extraordinary true story of Harmony that played on Broadway. Now The Museum of Broadway is keeping their memory alive.

Bruce Sussman and Barry Manilow

Barry Manilow

The Comedian Harmonists and Bruce Sussman and Barry Manilow

Julie Boardman, Co-Founder Museum of Broadway

Steven Telsey, Blake Roman, Danny Kornfeld, Eric Peters, Sean Bell and Zal Owen, and Chip Zien

 

 

 

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