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Theatre News: Jeremy O. Harris Wants To Burn Theatre Down, Howell Binkley, Kristin Chenoweth, The Michael Friedman Collection

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Burn it all down.” That’s what Slave Play playwright Jeremy O. Harris told the undefeated.com. “I think that until we get rid of all of our memories of these spaces, our ties to these spaces, our relationships with the people that are inside of these spaces, we can’t get anything done,” Harris said. “So let’s just burn it all down and start over.” Just thought the theatre world should see this article.

Pat Addiss
Pat Addiss

Producer Pat Addiss states “I have been involved in several black plays ….the most important recently was Eclipsed, written by a black playwright Danai Guirira and directed by a black woman Liesl Tommy. The lead producers were black and had no clue how to market to a black audience. The show was a tough sell despite starring Lupita Nyong’o. Last season had several black musicals including Ain”t Too Proud and Tina.There have been quite a few black musicals….but no one talks about all the black off Broadway shows of which there were many! By the way The Wrong Man who won my award for best musical OFF Broadway! tearing down does not help, building up does.

Tony Award-winning lighting designer, Howell Binkley, has passed away, after a battle with lung cancer. Binkley was currently represented on Broadway by Hamilton, Ain’t Too Proud, and Come From Away.

Binkley won the 2016 Tony Award and a 2018 Olivier Award for Best Lighting Design of a Musical for Hamilton. He also received nominations for Come From Away, After Midnight, the recent revival of How to Succeed in Business Without Really Trying, the 2009 revival of West Side Story, In the Heights, Jersey Boys and Kiss of the Spider Woman.

For Kiss of the Spider Woman he received the Binkley Olivier and Canadian Dora Awards. He is a two-time Henry Hewes Design Award winner for both work Jersey Boys and Hamilton. Binkley is also a five-time Helen Hayes Award recipient.

He lit and designed Avenue Q, Parade, Summer: The Donna Summer Musical, Escape to Margaritaville, Prince of Broadway, Allegiance, Doctor Zhivago, Honeymoon in Vegas, Memphis, A Christmas Story, Jesus Christ Superstar, Baby It’s You!, The People in the Picture, Million Dollar Quartet, Guys and Dolls, Cry-Baby, Gypsy, A Bronx Tale, Magic/Bird, Long Story Short, Lombardi, To Be or Not to Be, Golda’s Balcony, The Look of Love, Hollywood Arms, Minnelli on Minnelli, Taking Sides, Sacrilege, My Thing of Love, Bobbi Boland, The Farnsworth Invention, Xanadu, LoveMusik, Bridge & Tunnel, Steel Magnolias, Grease, High Society, The Full Monty, Gore Vidal’s The Best Man, Seussical, Dracula, and countless off-Broadway, regional productions, and national tours. In addition to his work in the theatre, Binkley is the co-founder and resident lighting designer for Parsons Dance.

Ghostlight Records and The Civilians have announced that the second installment of world premiere albums of The Michael Friedman Collection, are available for streaming and download starting today,  Friday, August 14. Two new titles, (I Am) Nobody’s Lunchand Paris Commune, follow the first three – The Great ImmensityThe Abominables, and This Beautiful City  that were released last year. (I Am) Nobody’s Lunch features music and lyrics by Michael Friedman and a book by Steve Cosson, from interviews by the company. Paris Commune, was written by Steve Cosson and Michael Friedman, with songs translated and adapted by Michael Friedman. This extraordinary long-term project will eventually comprise the premiere recordings of nine musicals from the beloved late Obie Award-winning songwriter Michael Friedman. For more information, and to stream or download the albums, please visit TheMichaelFreidmanCollection.com.

Michael Friedman

Ghostlight Records and The Civilians will host an online interactive listening party for both new albums on Thursday, August 27 at 8:00 PM Eastern. Tune in at youtube.com/ShKBoomGhostlight

Ghostlight previously recorded Friedman’s Broadway score to Bloody Bloody Andrew JacksonThe Fortress of Solitude and Love’s Labour’s Lost at the Public Theater, as well as Pretty Filthy and Gone Missing with The Civilians.

(I Am) Nobody’s Lunch, a dark ride through the landscape of American public culture, asks the thorny question — how do we know what we know when everyone in power seems to be lying? Is it possible to know what’s really going on in the world when information is manipulated to serve particular interests? Delving into the politics of information, The Civilians conducted extensive interviews with subjects ranging from a policymaker to a plucky extraterrestrial to soldiers guarding the New York subway. Turning these subjects into a mercurial cabaret-play, a versatile cast inhabits an eccentric cast of characters, all taken from real life. The New York Times hailed the show as “a funny, searching, at times plaintive look at the dangerous blurring of fact and myth in American culture.” Time Out New York called it “an elegant balance of intellectual inquisitiveness, political comment and sly entertainment.” (I Am) Nobody’s Lunch received its U.S. Premiere by The Civilians at 59E59 Theaters in New York City in 2006. Later that year, it received its London Premiere by the Civilians at Soho Theatre. The album features Quincy Tyler Bernstine, Nick Blaemire, Adam Chanler-Berat, Brad Heberlee, Daoud Heidami, Osh Ghanimah, Ashley Pérez Flanagan, Rebecca Naomi Jones, Jennifer R. Morris, Sarah Beth Pfeifer, Brian Charles Rooney, and Mary Testa, with an ensemble including Ashley Pérez Flanagan, Sarah Beth Pfeifer, Stephen Schapero, and Jacob Keith Watson. 

Paris Commune is musical play which brings the explosive events of 1871 to life, as working-class Parisians overthrew the French government, declared Paris autonomous and launched an attempt to radically reinvent society. The show employs a bold theatrical form to tell the story of this first socialist revolution in Europe. It uses found texts and original songs from the time period to tell the story of this extraordinary event in which the Parisian community radically reimagined its entire society. Paris Commune was praised for its “dizzy exhilaration” by The New York Times and called a “wistfully, tunefully scholarly collage” by New York Magazine and “passionate and cleverly constructed” by The Boston GlobeParis Commune had its world premiere in the 2012 BAM Next Wave Festival and ArtsEmerson in Boston, with previous productions at The Public Theater and La Jolla Playhouse. The album features Kate Buddeke, Aysan Celik, Charlotte Dobbs, Rebecca Hart, Nina Hellman, Daniel Jenkins, Brian Sgambati, and Sam Breslin Wright, with an ensemble including Randy Blair, Ally Bonino, Sarah Beth Pfeifer, and Jonathan Raviv. 

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Broadway

How To Dance In Ohio Shows How Broadway Musicals Should Be Done

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The show starts as the seven autistic kids, playing the seven autistic kids in the show introduce themselves. They are Desmond Edwards, Amelia Fei, Marc J. Franklin, Madison Kopec, Liam Pearce, Imani Russell, Conor Tague and Ashley Wool. Their enthusiasm, has us and our hearts in the palm of their hands. This new musical How to Dance in Ohio – inspired by Alexandra Shiva’s Peabody Award-winning documentary of the same name is breaking ground, as it opened last night at the Belasco Theatre.

What makes this show remarkable is that the book and lyrics by Rebekah Greer Melocik, music by Jacob Yandura, choreography by Mayte Natalio and direction by Sammi Cannold are all making their Broadway debuts. These newcomers are showing Broadway how it is done, when it is done well.

Photo Curtis Brown

How to Dance in Ohio is endearing, heartfelt and shows us how much we all have the desire to connect and need courage to put ourself out into the world. As a group of seven autistic young adults prepare for their first ever formal dance they face challenges that breaks open their routines as they experience love, stress, excitement, and independence. How to Dance in Ohio is a story about people on the cusp of the next phase of their lives, facing down hopes and fears, ready to take a momentous first step…and dance.

Based on actual events, these youngsters are in a support group for autistic young adults in Columbus, Ohio. The group is run by the supportive Dr. Amigo (Caesar Samayoa), who also over steps the boundaries and doesn’t know when to stop pushing. While trying to help his clients make college plans, the doctor decides that the group should plan a spring formal to celebrate their milestones. The idea causes considerable anxiety for these people who for the most part have never even had a date, dressed up or even danced.

Liam-Pearce Photo by Curtis Brown

The show leads up to this event with each dealing with their own deep seated anxiety and getting over it and expanding their horizons. There’s Drew (a winning Pearce), who is bright and has college’s wanting him, but he’s not ready or willing to live home. He likes the new girl Marideth (Kopec), who is socially withdrawn and retreats into her books that give her facts and a stability. Tommy (Tague), wants his his drivers license, so he can drive his brothers car. Remy (The fabulously funny Edwards), whose gender inclusive costumes he is uploading. Caroline (Fei), has her first boyfriend who is abusive and her friendship with Jessica (Wool), is suffering because of it. Jessica dreams of leaving home, no longer wanting to take the bus and is crushing on Tommy and Mel (Russell), works at a pet store, reads self-help books and wants to get to the next level.

Nick Gaswirth, Madison-Kopec Photo by Curtis Brown

In the meantime the doctor betrays his clients by meddling in Drew’s college plans behind his back and when a newspaper reporter (Melina Kalomas), and a local blogger (Carlos L Encinias) wants the story, it is only his needs that matter. For a doctor, this one is flawed in more ways than one way. He also cares more about his own feeling than that of his daughter Ashley (Cristina Sastre), who has returns home due to a dance injury from Juilliard and is now re-thinking her path.

Darlesia Cearcy, Haven-Burton. Photo by Curtis Brown

Another added plot is the mothers (Haven Burton and Darlesia Cearcy) of Caroline and Jessica, are so excited that their autistic daughters are “Getting Ready For The Dance,” and are finally being able to live their lives they way they wished for them.

The score makes Pearce shine with “Waves and Wires” and “Building Momentum.” Edwards also has a chance to take over in “Nothing At All.”

Robert Brill’s set design, Bradley King’s lighting design and Sarafina Bush’s costume’s make this show take flight.

Mayte Natalio’s choreography services the show, after all these are not dancers, nor should they be made to look like it, but it is infectious and joyous. The book is a little overstuffed, but the direction grabs your heart and utilizes these terrific kids who are having the time of their lives. I left loving life and thrilled to be attending.

How To Dance In Ohio: Belasco Theatre, 111 W. 44th Street.

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Broadway

Ken Fallin’s Broadway: Sarah Paulson

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Broadway’s newest show Appropriate starring Sarah Paulson, at Second Stage’s Hayes Theatre nearly sold out their first week. The play, written by Branden Jacobs-Jenkins and co-starring Elle Fanning and Corey Stoll, opens December 18th.

Paulson has received an Emmy, Golden Globe, and SAG Awards in her three-decade career. She made her Broadway debut in 1994 as an understudy in Wendy Wasserstein’s The Sisters Rosensweig. She later took on the role of Tess Goode in the production. She returned to the stage in two other Broadway productions: 2005’s The Glass Menagerie (as Amanda Wingfield) and 2010’s Collected Stories (originating the role of Lisa Morrison). She also appeared in six Off-Broadway productions between 1994 and 2013, including Crimes of the Heart, Still Life,Colder Than Hereat the Lucille Lortel Theatre, Killer Joeat SoHo Playhouse, Talking Picturesat Signature Theatre andthe Pulitzer-nominated Talley’s Folly with Roundabout Theatre Company.

Paulson is perhaps best known for starring in nine seasons of Murphy’s American Horror Story, first appearing on the show in 2011. Her performances collectively earned nine Emmy Award nominations.

In 2023, after 10 years away from the New York stage, Paulson returns to Broadway as Toni in Appropriate, the Broadway-debut play of Branden Jacobs-Jenkins.

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Broadway

Head To The The Algonquin Hotel For Some Holiday Cheer

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As we head into the holiday season, The Algonquin Hotel’s December event lineup is open to both hotel guests and New York City locals. The hotel will spread holiday cheer with a variety of festive performances, cocktails, and experiences including:

  • Cocoa and Carols Happy Hour: Daily, 5-8PM, Every evening this December, all are invited to enjoy Specialty Cocoa while Christmas carols chime at the Blue Bar. Drinks will include Mexican Hot Chocolate spiked with mezcal
  • KT Sullivan Cabaret:  December 5th, 12th and 19th, Sullivan will perform her iconic Christmas Cabaret. As noted by The New York Times, Sullivan is a thrilling Off-Broadway performer with over eight published albums
  • Rocco Dellaneve’s Rat Pack Christmas: December 7th, 14th and 21st, Rocco Dellaneve will perform iconic songs from the Rat Pack Christmas album with special inclusions of Santa with Sinatra, Rocco of the Snow, Rudolph and the Rat pack
  • The Serafina’s and Broadway Vocalists: December 8th, 15th and 22nd, enjoy the high kicking – precision line dancing Christmas tradition around The Algonquin tree. The Serafina’s will be available for pictures and autographs from 6pm to 7pm, followed by special Broadway vocalists

A portion of proceeds from all events will be donated to Toys for Tots.

Beyond the December events, The Algonquin Hotel is located in a prime position nestled in the heart of Times Square and Fifth Avenue, making it the perfect launchpad for a New York City holiday experience. The hotel is a historical jewel that emphasizes the importance of making unique, storied experiences. Since its opening in 1902, The Algonquin Hotel is famous for its timeless style and desire to honor the literary and cultural elite. The distinguished Round Table Restaurant and Blue Bar offer tasteful dining inclusions and curated cocktails that are sure to excite everyone.

Photo credit: The Algonquin Hotel, Autograph Collection

 

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Book Reviews

Countdown to Christmas: For The Dancer and Theatre Lover Chita Rivera

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2o days to go! Every year people panic to find the perfect gift. We at T2C have been collecting idea’s all year long to bring you the perfect gift guide at all price levels. When you’re at the end of your rope trying to find the perfect Christmas present this year, come to this guide for some great suggestions.

Chita & Patrick Pacheco at Drama Book Shop event May 15, 2023 Photo by Merle Frimark

There are a lot of books out there this year but we highly recommend Chita: A Memoir , the critically-acclaimed book is written by the legendary Broadway icon Chita Rivera with arts journalist Patrick Pacheco. Chita takes fans behind-the-scenes of all her shows and cabaret acts, she shares candid stories of her many colleagues, friends, and lovers. She speaks with empathy and hindsight of her deep associations with complicated geniuses like Fosse and Robbins, as well as with the mega-talent Liza Minnelli, with whom she co-starred in The Rink. She openly discusses her affair with Sammy Davis, Jr. as well as her marriage to Tony Mordente and her subsequent off-the-radar relationships. Chita revisits the terrible car accident that threatened to end her career as a dancer forever. Center stage to Chita’s story are John Kander and Fred Ebb, the songwriters and dear friends indelibly tied to her career through some of her most enduring work: Chicago, The Rink, Kiss of the Spider Woman, and The Visit.

Chita’s love of performing began as a child in Washington, D.C., when her mother enrolled her in a local ballet school to channel her boundless energy. Still a teenager, she moved to New York to attend the School of American Ballet after an audition for George Balanchine himself and winning a scholarship. But Broadway beckoned, and by twenty she was appearing in the choruses of Golden Age shows like Guys and Dolls and Can-Can. In the latter, she received special encouragement from its star Gwen Verdon, forging a personal and professional friendship that would help shape her career. The groundbreaking West Side Story brought her into the orbit of Leonard Bernstein, Jerome Robbins, Arthur Laurents, Hal Prince, and Stephen Sondheim.  After Bye Bye Birdie further burnished her rising star, she reunited with Verdon and her then-husband Bob Fosse to work on the film version of Sweet Charity and the celebrated original Broadway production of Chicago.

Chita: A Memoir was published in English and Spanish and the English audio version of the Memoir was recorded by Chita.  A Spanish audio version is also available. 

“Chita Rivera blazed a trail where none existed so the rest of us could see a path forward. She has been part of some of the greatest musicals in the history of the form, from Anita in the trailblazing West Side Story through Claire Zachanassian in the underrated masterpiece The Visit, over 60 years later. She is a Puerto Rican Broadway icon and the original ‘triple threat.’ We’re so lucky to be alive in the same timeline as Chita Rivera.” — Lin-Manuel Miranda.

“A frank and fascinating memoir from one of the truly great artists of the American Theater. Lots of stories … Lots of insight … and quite a few caustic statements from Chita’s alter ego, Dolores. An illuminating history and a guaranteed pleasure!” John Kander

Broadway legend and national treasure Chita Rivera, multi-Tony Award winner, Kennedy Center honoree, and recipient of the Presidential Medal of Freedom – has taken no prisoners on stage or screen for seven decades. From her trailblazing performance as the original Anita in West Side Story—for which she tapped her own Puerto Rican roots—to her haunting 2015 star turn in The Visit. Chita has proven to be much more than just a captivating dancer, singer, and actress beloved by audiences and casts alike. In her equally captivating and one-of-a-kind memoir, Written with Patrick Pacheco, the woman born Dolores Conchita Figueroa del Rivero shares an incomparable life, both on stage and behind the curtain.

By the way this Memoir has won a Gold Medal for “Best Autobiography – English” at the 2023 International Latino Book Awards. https://www.latinobookawards.org/

Click here to buy your copy.

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Broadway

Ken Fallin’s Broadway: Spamalot

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Here is the amazing cast of Spamalot. Christopher Fitzgerald as Patsy, James Monroe Iglehart as King Arthur, Leslie Rodriguez Kritzer as The Lady of the Lake, Ethan Slater as The Historian/Prince Herbert, Jimmy Smagula as Sir Bedevere, Michael Urie as Sir Robin, Nik Walker as Sir Galahad andTaran Killam as Lancelot.

I was so inspired I drew the whole cast.

To read T2C’s review click here.

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