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Theatre News: Rebecca Luker in Song, Tony Awards, Lea Michele, Bad Cinderella, Harmony, Spamalot, Pulitzer and Shucked

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Julie Benko, Nikki Renée Daniels, Ali Ewoldt, More Will Celebrate Rebecca Luker in Song at Symphony Space. In 2018, three-time Tony nominee Rebecca Luker passed away in December 2020 from ALS, took the stage at Symphony Space to perform 18 songs written especially for her as part of a project known as The Rebecca Luker Songbook. On May 22, a host of Broadway artists will gather at that Manhattan venue to perform other works from this project in an evening titled The Rebecca Luker Songbook: A Benefit Concert.

Produced by Joel Fram and Annette Jolles, who also directs, the concert will feature the talents of Julie Benko (Funny Girl), Mikaela Bennett (Encores! Golden Apple), Andréa Burns (On Your Feet!), Carolee Carmello (Bad Cinderella), Nikki Renée Daniels (Company), Laura Darrell (Dietland), Ali Ewoldt (Phantom of the Opera), Marina Kondo (KPOP), Emilie Kouatchou (Phantom of the Opera), Bryce Pinkham (A Gentleman’s Guide to Love and Murder), Scarlet Strallen (Travesties), Jessica Vosk (Wicked), and Sally Wilfert (Assassins).

The evening will premiere songs by composers Carmel Dean (Renascence), Scott Eyerly (Creatures Great and Small), Jenny Giering (The Mistress Cycle), Mike Heitzman and Ilene Reid (Solana), Henry Krieger(Dreamgirls), Andrew Lippa (The Addams Family), David Loud (musical supervision for The Gershwins’ Porgy and Bess), Joshua Rosenblum (Fermat’s Last Tango), Sam Willmott (Bhangin’ It), and more. Joseph Thalken is the musical director.

Attendees can expect to hear 24 songs from The Rebecca Luker Songbook, a collection of over 80 compositions inspired by and written especially for Luker.

A portion of the proceeds from the event will be donated to Project ALS.

Tickets can be purchased at SymphonySpace.org.

Are the Tony Awards going to happen. I am going to predict not until September/ October. Actors’ Equity Association joined the striking WGA picket lines outside of HBO and Amazon’s New York City offices today. Kate Shindle, Equity president, stated the strike’s impact on the upcoming Tony Awards is yet to be determined, but how can they happen as no union will cross a picket line.

“Equity stands unequivocally with the Writers Guild of America in their pursuit of a fair contract,” said Shindle. “The AMPTP needs to get back to the table with a serious offer that reflects the essential contributions of writers, showrunners and others to this multibillion-dollar industry.

In the news Lea Michele revealed she has already lined up another Broadway role after her revival of Funny Girl closes in September. In a new interview with Variety, she spoke out that her next show might be a revival of an already famous musical, snd teased: ‘You know it.’

The producers of Bad Cinderella announced that the final performance of the history-making show will be on Sunday, June 4 at the Imperial Theatre. Speaking of this has anyone seen the video that was streamed live on YouTube? Not sure why they thought this would sell tickets.

The cast of Harmony Photo by Julieta Cervantes

My favorite show last season was Harmony. Directed and choreographed by Tony Award-winner Warren Carlyle, this show is finally coming to Broadway. Expect a fall opening at the Broadway’s Barrymore Theatre with previews starting Wednesday, October 18, ahead of a Monday, November 13 official opening night.

Collaborators Barry Manilow and Bruce Sussman said, “Broadway is where we always dreamed we would be. Dreams really do come true!” Warren Carlyle added, “I’m so thrilled that we are bringing the amazing, true story of Harmony to Broadway. It’s a great honor and privilege to both direct and choreograph such an important story.”

Harmony features an original new score by legendary Tony, Grammy and Emmy Award winner Barry Manilow with lyrics and book by Drama Desk Award Winner, Bruce Sussman.

Based on the unbelievable true story, Harmony tells the tale of the most successful entertainers you’ve never heard of. . . . until now. In the 1920s and 30s, The Comedian Harmonists sold millions of records, made dozens of films, and sold-out the biggest theaters around the world.  Their heavenly harmonies and musical comedy antics catapulted these six talented young men from singing in the subway tunnels of Berlin to international superstardom. What happened next is the story of Harmony.

Time to head to Kennedy Center and their production of Spamalot. The show stars Alex Brightman (BeetlejuiceSchool of Rock) as Sir Lancelot, James Monroe Iglehart (AladdinHamiltonBCS: Guys and Dolls) as King Arthur, Leslie Rodriguez Kritzer (BeetlejuiceElfSomething Rotten!) as Lady of the Lake, Rob McClure (Mrs. DoubtfireBeetlejuice) as The Historian/Prince Herbert, Matthew Saldivar (Honeymoon in Vegas, Broadway Center Stage: Guys and Dolls) as Patsy, Jimmy Smagula (Billy ElliotBroadway Center Stage: Guys and DollsThe Music Man) as Sir Bedevere, Michael Urie (Jane AngerBroadway Center Stage: How to Succeed…) as Sir Robin, and Nik Walker (HamiltonAin’t Too Proud) as Sir Galahad.

The 2023 Pulitzer Prize for Drama has gone to English by Sanaz Toossi. English had its world premiere Off-Broadway at Atlantic Theater Company. The play centers around four Iranian adults preparing for the TOEFL — the Test of English as a Foreign Language, which may determine their eligibility for work, the possibility of leaving Tehran and more. Learning a new language may alter their identities but can also be the chance at a new life.

The two finalists for the Pulitzer are On Sugarland by Aleshea Harris at New York Theatre Workshop in February of 2022 and The Far Country by Lloyd Suh debuted Off-Broadway at Atlantic in November of 2022.

The Pulitzer Prize for Drama is awarded to “for a distinguished play by an American author, preferably original in its source and dealing with American life.” To be eligible, a work must be full-length and playwrights must be U.S. citizens. Plays that opened in the United States between Jan.1, 2022, and Dec. 31, 2023, were eligible for entry.

Photo by Emilio Madrid

Shucked, Broadway’s homegrown hit musical comedy, recently nominated for nine Tony Awards® including Best Musical, celebrated today’s digital release of the Shucked – Original Broadway Cast Recording by hauling members of the cast and creative team through Times Square on a tractor/trailer.

The cast and Tony Award nominated book writer Robert Horn and Tony Award nominated composer Shane McAnally traveling throughout Midtown Manhattan, celebrating, and listening to the cast

Caroline Innerbichler, Grey Henson Photo by Emilio Madrid

The Shucked – Original Broadway Cast Recording is produced by 2023 Tony Award, Drama Desk, and Outer Critics Circle Award nominee Jason Howland, Billy Jay Stein, and the show’s Tony Award nominated composers Shane McAnally, and Brandy Clark. The CD is also available for preorder HERE.

Robert Horn, Kevin Calhoon Photo by Emilio Madrid

With a book by Horn, music and lyrics by Clark and McAnally, and direction by 2023 Tony Award nominee and three-time Tony Award winner Jack O’Brien, Shucked stars the award-winning ensemble of (in alphabetical order) Outer Critics Circle Award nominee John Behlmann, Tony Award and Drama Desk Award nominee Kevin Cahoon, Drama Desk Award nominee Andrew Durand, Tony Award nominee Grey Henson, Theatre World Award winner and Drama Desk Award nominee Caroline Innerbichler, Theatre World Award winner Ashley D. Kelley, and Tony Award, Drama Desk, Outer Critics Circle Award, and Drama League Award nominee Alex Newell.

The ensemble of Shucked features Jimmy Brewer, Audrey Cardwell, Dwayne Clark, Rheaume Crenshaw, Jaygee Macapugay, Scott Stangland, Yasmeen Sulieman, and Quinn VanAntwerp. The swings are Miki Abraham, Ken Wulf Clark, Traci Elaine Lee, and Alan Wiggins.

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

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Lempicka Brings An Artist Work Back To Life

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In 1984, I saw the interactive show Tamara based on the life of the artist Tamara de Lempicka in LA and fell in love with it, so much so that it has stayed one of my favorites to this day. Lempicka is a new musical based more on her sexual choices than her stylized Art Deco portraits that changed and inspired generations. She was one of the first feminists, as Tamara choose art, sexual freedom and a lifestyle in a time of war and destruction.


The musical starts out on a park bench in LA as an older Tamara (Eden Espinosa) reflects on her life. Flash back to Warsaw, Poland as Tamara is to be wed to Lempicka (Andrew Samonsky) an aristocrat and is to live a life of luxury. Then the Bolshevik’s in prison her husband, she uses sexual favors to free him and they flee to Paris with their daughter. When her husband is unwilling to work she becomes a painter and uses the name Lempicka. There she is befriended by a wealthy art patron (Nathaniel Stampley) and his wife (Beth Leavel), is influenced by Marinetti (George Abu), the founder of the Futurist art movement, and is inspired and in love with Rafaela (Amber Iman). Both Lempicka and the musical come alive at this point. Tamara finds friendship and solace with a nightclub owner, Suzy (Natalie Joy Johnson), who gives her and others like her a refuge, until the Nazi’s invade. In the end, while breaking ground Lempicka’s life style becomes rather self centered or should I say one of self preservation as she loses her husband, her daughter and her lover.

Amber Iman, Eden Espinosa Photo by Matthew Murphy/Evan Zimmerman

Matt Gould’s music and Carson Kreitzer’s lyrics are well sung and the show sounds glorious. This is a new take on pop music. The problem here is the minor characters get the songs that make the show come alive. Iman, Abu and Johnson almost steal the show with their numbers. Level gets the 11 O’Clock number and breaks our hearts. Though Espinoza has some good numbers and sells them, none of them really stand out.

George Abud photo by Matthew Murphy/Evan Zimmerman)

Kreitzer also conceived the book and wrote it with Gould. Again the show does and doesn’t work. Instead of focusing on Lempicka’s art, the changing world around her and the fact that she was one of the first feminists, the story is more focused on lesbian repression. The show is billed as a triangle of love, but her husband once they get to Paris is in his own world until she gets together with Rafaela a prostitute. Rachel Chavkin’s direction makes the scenes between Rafaela and Lempicka beautiful and in a strange sense if feels a little like Indecent, however the show as a whole doesn’t jell.

Photo by Matthew Murphy/Evan Zimmerman

I did like Raja Feather Kelly’s choreography that seemed to evoke the changing world around.

Riccardo Hernández’s set of steel, seems like the world is on the verge of collapse and rebuilding. The lighting by Bradley King and projections by Peter Hylenski and Justin Stasi added to that effect. Paloma Young’s costumes missed the mark and seemed like they were in two different stories.

The reason to see Lempicka is it is sung and acted gloriously.

Once you see Lempicka, you will realize how much Tamara de Lempicka’s art change and influenced the world of art. This was a woman who survived at all costs and that should always be admired.

Lempicka: Longacre Theatre, 220 West 48th Street.
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Ken Fallin’s Broadway: The Outsiders

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These boys are taking Broadway by storm Jason Schmidt, Sky Lakota-Lynch, and Brody Grant. In Tulsa, Oklahoma, 1967, the hardened hearts and aching souls of Ponyboy Curtis, Johnny Cade and their chosen family of “outsiders” are in a fight for survival and a quest for purpose in a world that may never accept them. A story of the bonds that brothers share and the hopes we all hold on to, this gripping new musical reinvigorates the timeless tale of “haves and have nots”, of protecting what’s yours and fighting for what could be.

The Outsiders opened on Broadway at the Bernard B. Jacobs Theatre, 242 W 45th Street.

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We Say Good Bye To Costume Designer Extraordinaire Carrie Robbins

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I met Carrie Robbins at an art gallery with Louis St Louis, Baayork Lee and Judy Jacksina. The four of us stayed well into the morning talking, laughing and having a fabulous time. Carrie and I bonded after that as she turned to playwriting. It broke my heart to learn that on the evening of April 12, 2024 Costume Designer extraordinaire Carrie Robbins passed away.

Carrie’s work has been featured in over 30+ Broadway shows, including Class Act, Grease (original), Agnes of God, Yentl, Octette Bridge Club, Sweet Bird of Youth (Lauren Bacall), Frankenstein, Happy End (Mary Streep), Boys of Winter, Cyrano (Frank Langella), & Shadow Box (Mercedes Ruehl).

Her awards and nominations included: 2012 recipient of the Irene Sharaff Lifetime Achievement Award presented by the Theatre Development Fund & the tdf/Costume Collection with the support of the Tobin Theatre Arts Fund. 2 Tony (Noms.), 5 Drama Desks, Maharam, USITT/Prague International, L.A. Dramalogue, Henry Hughes, F.I.T-Surface Design, & Audelco, among others.

Robbins’ costumes for the Irving Berlin musical White Christmas played major cities in the USA, Broadway, and Great Britain. Her regional work included M. Butterfly and On the Verge, for director Tazewell Thompson (Arena Stage) and the Gershwin musical American in Paris by Ken Ludwig for director Gregory Boyd (Alley Theatre, Houston) as well as The Tempest (Anthony Hopkins as Prospero) & Flea in Her Ear (director Tom Moore at Mark Taper Forum), many productions for the Guthrie (MN), Williamstown, and many others from Alaska to Buffalo.


Locally, in NYC, Robbins designed for many productions for The Lincoln Center Repertory Theatre, Chelsea Theatre at BAM, Acting Company at Juilliard and NY Shakespeare Festival.

She also designed for the Opera and they included Death in Venice for Glimmerglass (’08 Prague International Design Exhibit), Samson et Dalila (San Francisco Opera, Houston Grand, more), and many productions for Sarah Caldwell’s Opera Company of Boston. Her work has also been seen at the Hamburg StatsOper.

For film Robbins designed the movie “In The Spirit” (Elaine May, Peter Falk, Marlo Thomas); TV design included: Saturday Nite Live, PBS Arts in America, & several unseen pilots.

Robbins has designed clothes for several seasons of Queen Esther Marrow and The Harlem Gospel Singers’ European Tour. She also did the designs for The Cincinnati Ballet’s new Nutcracker, in December of 2011

Robbins was an MFA grad from the Yale School of Drama and was Master Teacher of Costume Design at the NYU Tisch School of the Arts for many years. She is extremely proud of the extraordinary number of award-winning, successful young costume designers and costume teachers across the country who came out of her classes.

Besides being a costume designer Carrie also was a playwright. In August 2010, her play, The Death & Life of Dr. Cutter, a Vaudeville, based on the true stories told by her husband Dr. R.D.Robbins, had its 4th reading at the Snapple Theatre Center; it was chosen by Abingdon Theatre Co, NYC, to be part of its First Readings Series in Fall, 2009. In 2011-12 the  League of Professional Theatre Women chose The Dragon Quartet as part of its 30th year anniversary celebration. In 2012-13, La MaMa (oldest off-off-Broadway theater in NYC at 51 years) chose The Diamond Eater for its “Concert Reading Series”. In 2013: TACT (The Actors Company Theatre, chose Sawbones for part of its newTACTics New Play Festival. In 2014 both The Diamond Eater and Sawbones  received 6 Nominations from N.Y. Innovative Theatre Awards (the most nominations given out in the 2014 season). In 2015, Le Wedding Dress, was a semi-finalist in NYNewWorks Theatre Festival. In 2016: Obsessions Of An Art Student chosen by NYNewWorks Theatre Festival. In 2016, The Actress, was a finalist in NY Thespis Summer Festival. In 2017, My Swollen Feet, chosen by NY Summerfest Theatre Festival/ Hudson Guild Theatre. In 2018 The Diamond Eater , semi-finalist at the 14th St. Y competition War + Peace/2018/19 season and The Dragon Griswynd, was chosen by Theater for the New City for its “Dream-Up Festival” In 2019 Pie Lessons, was invited by Crystal Field, Exec. Artistic Director of Theater for the New City, to be part of “Scratch Night at TNC”.

The last thing Carrie was working on was For The Lost Children Of Paris. This play was about how the Nazis, with help from the Vichy Government, collected French-Jewish schoolchildren and delivered them to Auschwitz. Excellent German record-keeping revealed 11,400 children were taken. At the liberation, only 200 were found alive. This is the story of one classroom’s collection day and its aftermath.

She did this play using puppets as the children.

Carrie had a voice that she used in a multiple of ways. She was a caring friend, a dedicated teacher, a prolific writer and costume designer, who always cared about others first. Carrie you will be missed.

 





 

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Patti LuPone Returns to Broadway and The Big Screen

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Three-time Tony Award winner Patti LuPone, who gave up her Equity card in 2022, will star opposite Mia Farrow in Jen Silverman’s new play, The Roommate. The production will be directed by Jack O’Brien and will begin previews at the Booth Theatre in August ahead of a September opening.

The Roommate tells the story of Sharon, in her mid-fifties, who is recently divorced and needs a roommate to share her Iowa home. Robyn, also in her mid-fifties, needs a place to hide and a chance to start over. But as Sharon begins to uncover Robyn’s secrets, they encourage her own deep-seated desire to transform her life completely. A dark comedy about what it takes to re-route your life – and what happens when the wheels come off.

The Roommate premiered at the Actor’s Theatre of Louisville in March 2015, and has had several regional productions including at Williamstown Theatre Festival in 2017.

Ms. LuPone will star in the upcoming Marvel series, WandaVision spinoff series Agatha: Coven of Chaos. She’s in a coven of witches, playing Lilia Calderu, who is hot, with a great body and hair. Calderu, first appeared in Marvel comics in 1973 as a 450-year-old Sicilian witch whose power is divination and whose trial is tarot. The other witches are Kathryn Hahn, Aubrey Plaza, and a familiar who is played by Joe Locke. Locke, is currently on Broadway in Sweeney Todd.

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Cabaret Celebrated Broadway Legend Joel Grey’s Birthday

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Last night, Eddie Redmayne currently in previews as the ‘Emcee’ in Cabaret at the Kit Kat Club celebrated Broadway legend Joel Grey’s 92ndbirthday on stage at the August Wilson Theatre. Grey, who originated the role of the ‘Emcee’ on Broadway in 1966 and went on to star in the beloved film of Cabaret, took the stage as the entire cast, band, and creative team sang “Happy Birthday” while a custom cake, shaped like a giant pineapple, emerged from the stage.

 During his speech honoring Grey, Eddie Redmayne said, “Tonight is an extraordinarily special night for us because we are in the presence of an extraordinary human being without whom none of us would be here.” After thunderous applause, Redmayne continued “Your performance in this part changed my life and it was one of the things that made me want to be an actor.”

Joel Grey, Gayle Rankin, and Eddie Redmayne Photo by Jenny Anderson

The cast and Grey were also joined on stage by Cabaret composer John Kander.

Alongside Joel’s daughter Jennifer Grey and Kander, a star-studded crowd came out to fete the theater icon including Anderson Cooper, Candice Bergen, Jackie Hoffman, Jane Krakowski, Lin-Manuel Miranda, David Rockwell, and more. They were joined by numerous alum of Cabaret spanning the decades including Maude Apatow (Sally Bowles in London, 2023), Madeline Brewer (Sally Bowles in London, 2022), Joely Fisher (Sally Bowles on Broadway, 2000), Gina Gershon (Sally Bowles on Broadway, 2001), Mason Alexander Park (Emcee in London, 2023), Adam Pascal (Emcee on Broadway, 2003), Molly Ringwald (Sally Bowles on Broadway, 2002), Jake Shears (Emcee in London, 2023), and Brooke Shields (Sally Bowles on Broadway, 2001).

Cabaret at the Kit Kat Club is now in previews on Broadway at the August Wilson Theatre (245 West 52nd Street). The production, directed by Olivier Award winner Rebecca Frecknall and designed by Tony Award nominee and Evening Standard Award® winner Tom Scutt, will have decadent twin opening night gala celebrations starting Saturday, April 20 and continuing into the following night, with the official press opening on Sunday, April 21. Tickets are on sale now at www.kitkat.club or via Seat Geek HERE.

In addition to Redmayne, Cabaret also stars Gayle Rankin as the toast of Mayfair ‘Sally Bowles, two-time Tony Award winner Bebe Neuwirth as ‘Fraulein Schneider,’ Tony Award nominee Ato Blankson-Wood as ‘Clifford Bradshaw,’ Obie Award winner and Drama Desk Award® nominee Steven Skybell as ‘Herr Schultz,’ Henry Gottfried as ‘Ernst Ludwig,’ and three-time Helen Hayes Award winner Natascia Diaz as ‘Fritzie/Kost.’

The cast of Cabaret includes Gabi Campo as ‘Frenchie,’ Ayla Ciccone-Burton as ‘Helga,’ Colin Cunliffe as ‘Hans,’ Marty Lauter as ‘Victor,’ Loren Lester as‘Herman/Max,’ David Merino as ‘Lulu,’ Julian Ramos as ‘Bobby,’ MiMi Scardulla as ‘Texas,’ and Paige Smallwood as ‘Rosie.’ Swings include Hannah Florence, Pedro Garza, Christian Kidd, Corinne Munsch, Chloé Nadon-Enriquez, and Karl Skyler Urban.

The Prologue Company, the dancers and musicians that welcome audiences to the club, feature dancers Alaïa, IRON BRYAN, Will Ervin Jr., Sun Kim, Deja McNair and swings Ida Saki and Spencer James Weidie. The musicians of the Prologue are Brian Russell Carey (piano & bass), Francesca Dawis (violin), Keiji Ishiguri (dedicated substitute), Maeve Stier (accordion), and Michael Winograd (clarinet).

For this thrilling production of Cabaret, the creative team have transformed the August Wilson Theatre into the Kit Kat Club with an in-the-round auditorium and custom spaces which guests will be invited to explore during the Prologue, the production’s pre-show entertainment. After purchasing tickets, guests will receive a “club entry time” to allow them to take in the world of the club before the show starts.

Patrons can upgrade their experience at the Kit Kat Club with exclusive dining or drinks packages that allow them to soak up the pre-show atmosphere. These various upgrades offer unparalleled service and unique experiences in the heart of the Kit Kat Club. Drinks can be enjoyed before and during the show, while food will be cleared shortly before the performance begins, ensuring uninterrupted and unmissable views of Cabaret. For a complete menu and more information on the upgrade packages, please visit www.kitkat.club/upgrade.

The 2021 Original London Cast Recording of Cabaret featuring Eddie Redmayne and recorded during a live performance is available on Decca Records as a CD and to stream on all major platforms. To order the album or stream it, please visit https://cabaret.lnk.to/ListenNow

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