Some Like It Hot is a brand-new Broadway musical comedy, features a book by Matthew López & Amber Ruffin, music by Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman and direction and choreography by Casey Nicholaw. The musical is based on the classic MGM Oscar-winning film Some Like It Hot.
The cast includes Christian Borle as Joe/Josephine, Kevin Del Aguila as Osgood, J. Harrison Ghee as Jerry/Daphne (the Tony Curtis role), Adam Heller as Mulligan, Adrianna Hicks as Sugar (the Marilyn Monroe role), Mark Lotito as Spats and NaTasha Yvette Williams as Sweet Sue.. This brand-new Broadway musical comedy was postponed due to the pandemic.
The ensemble included Tia Altinay, Esther Antione, Ian Campanyo, Jacob Dickey, Casey Gavin, Devon Hadsell, Ashley Elizabeth Hale, Jeremy Hill, Jarvis B. Manning Jr., Brian Martin, Abby Matsusaka, Amber Owens, Destinee Rea, Tyler Roberts, Angie Schworer, Charles South, Brendon Stimson, Anthony Wayne, Raena White, and Richard Riaz Yoder.
This bi-racial musical is not related to the 1972 musical Sugar, that was also based on the film. Some Like It Hot will make its Broadway debut in the Fall 2022
Sony Masterworks Broadway today releases the official music video for “Be The Light” from the Studio Cast Recording of Witness Uganda (An American Musical). The emotionally-charged ballad features vocals by GRAMMY Award-winning R&B songstress Ledisi alongside Griffin Matthews, Emma Hunton, and the Witness Uganda ensemble to create vocal fireworks that are both vulnerable yet fiercely resilient – watch the video here.
Of the song and video, Matt Gould says: “Witness Uganda is about a group of outsiders who come together to forge a place in which they belong. So, as we started to conceptualize the ‘Be The Light’ video, we wanted to not only highlight the literal story of Witness Uganda, but also to zoom out and try to capture stories of other queer artists in their search for belonging. ‘Be The Light’ is meant to be an aspirational ‘prayer’ that one day our houses of worship and communities might be as welcoming to all people as their scriptures profess. Our goal with this video was to capture that hope that someday we might all be welcomed into the places that have shunned us; that one day we might all feel like we are enough.”
Available everywhere now, Witness Uganda is an album of music from the powerful musical envisioned by the creative duo of Matt Gould and Griffin Matthews. It features 24 songs from the show, as performed by Matthews and a star-studded cast including multihyphenate superstar Cynthia Erivo, GRAMMY-winning recording artist Ledisi, and stage-and-screen stars Nicolette Robinson, Emma Hunton and Kristolyn Lloyd, among others.
Featuring a book and score by Griffin Matthews and Matt Gould, and inspired by true events, Witness Uganda documents Griffin’s journey on a volunteer mission to Uganda, during which he builds an unlikely bond with a ragtag group of teenage students. When home doesn’t feel like home, and any family connections must be forged, Griffin and the students discover community where they least expect it.
The album was initially introduced with lead single, “Bricks,” a high-energy ensemble number featuring a resounding chorus and propulsive African rhythms – watch the song visualizer here. Released alongside a stirring music video, follow-up single, “Fall,” features as a duet between Griffin Matthews and Emma Hunton, as they both share their profound personal stories regarding race and body image, and the painful scars that have inevitably developed along the way. Ultimately, the album mirrors the storytelling at the heart of the unabashedly political musical – both funny at times and painfully raw at others, Witness Uganda (An American Musical) brings audiences together and breaks down barriers.
The Studio Cast Recording of Witness Uganda (An American Musical) was produced by GRAMMY® Award-winner Stephen Bray (Madonna, Kylie Minogue, Jennifer Hudson, Respect Movie) who became a fan of the show during one of its early workshops. Recorded over the course of six weeks in Los Angeles and New York, the album was co-produced by Remy Kurs, Cian McCarthy, Michael Verdick, Matt Gould, Griffin Matthews, and Oliver Roth and was executive produced by OHenry Productions, Jana Shea, Jonathan Demar, and Van Dean and Deena Zucker for Broadway Records. David Manella, Terri Nolan, Devon Spencer and Tiffany Dunn at Loeb & Loeb LLP serve as production counsel.
The album marks a full circle moment for the married co-creators, both of whom made separate long-term sojourns to different countries in Africa. During his first trip to Uganda as part of an aid trip, Matthews was inspired to launch UgandaProject, which opens up educational opportunities for Ugandan students. To date, the musical has raised hundreds of thousands of dollars to support UgandaProject. Matthews has starred on stage and across film and television with credits including The Flight Attendant, Dear White People, Ballers, Law & Order: SVU, and more. Meanwhile, Gould has garnered the Richard Rodgers Award twice, The Jonathan Larson Award, and ASCAP’s Dean Kay, Harold Adamson, and Richard Rodgers Awards.
York Theatre Company full casting for its upcoming Off-Broadway world premiere of Penelope, or How The Odyssey Was Really Written, is set to begin performances March 22 ahead of a March 31 opening night at The Theater at St. Jean’s. The shows limited run is scheduled through April 24.
The production will star Philippe Arroyo (Aladdin) as Telemachus, Leah Hocking (Billy Elliot) as Eurycleia, Cooper Howell (Emojiland) as Antinous, Ben Jacoby (Beautiful) as Odysseus, David LaMarr (Jersey Boys) as Mileter, Jacob Alexander Simon (A Chorus Line) as Bassanio, Britney Nicole Simpson (Beauty and the Beast) as Penelope, George Slotin (High Button Shoes) as Haius, Sean Thompson (Sunset Boulevard) as Barius, and Maria Wirries (Dear Evan Hansen) as Daphne.
The musical, with a book and lyrics by Tony nominee Peter Kellogg (Anna Karenina) and music by Stephen Weiner (The Rivals), recasts The Odyssey as letters Odysseus’ wife Penelope writes to herself and pretends are from Odysseus while he’s away fighting the Trojan War.
Working Theater, Radical Evolution, and New Ohio Theatre are proud to present the world premiere of Songs About Trains, a musical exploration of the many cultural communities that built the U.S. rail system. This theatrical concert dives headfirst into conversations on immigration, labor, and Manifest Destiny. Created by a multicultural cohort of artists, Songs About Trains questions the complexity of progress while celebrating the diverse communities instrumental in creating the United States as we know it today. The production runs April 5 – 23, 2022 at New Ohio Theatre with an opening set for April 10.
Through a collection of 21 folk songs from various cultures and imagined letters from those whose stories have been lost to history, Songs About Trains highlights how this pivotal moment in U.S. history helped forge a global superpower, generated unbelievable wealth to a select few, and did so at the expense of thousands of lives, all while inspiring one of the deepest canons of music ever made in this country. This theatrical concert questions the complexity of progress while celebrating the Chinese immigrant, Irish immigrant, Mexican American, African American, Appalachian, and Navajo communities instrumental in creating the United States as we know it today.
The Broadway Advocacy Coalition (BAC) has kicked off the new year with recognition from the National Endowment of the Arts (NEA) and The International Academy of Digital Arts & Sciences (IADAS).
BAC was recently approved to receive an American Rescue Plan grant from the NEA to support the arts and cultural sector recovery from the pandemic. BAC will receive $150,000 to fund their ongoing operations and broaden the reach of the organization’s vital work.
BAC has also been selected as a winner in the inaugural Anthem Awards in the Diversity, Equity & Inclusion – Best Local Community Engagement category for their #BWayforBLM forum held in the summer of 2020. Presented by The Webby Awards, the Anthem Awards celebrate the purpose and mission-driven work of individuals, companies, and organizations worldwide.
“We are honored to be recognized alongside so many other incredible organizations by both of these institutions,” said Executive Director Robb Nanus. “It’s fuel for our team as we continue to push towards a more equitable industry and society alongside these other boundary-pushing leaders.”
“Our nation’s arts sector has been among the hardest hit by the COVID-19 pandemic. The National Endowment for the Arts’ American Rescue Plan funding will help arts organizations, such as Broadway Advocacy Coalition, rebuild and reopen,” said Dr. Maria Rosario Jackson, chair of the NEA. “The arts are crucial in helping America’s communities heal, unite, and inspire, as well as essential to our nation’s economic recovery.”
“We are so proud of what we are building at The Anthem Awards and are humbled by the positive response and extraordinary support from global brands and national organizations to artists, creators and local individuals making an impact in their community,” said Jessica Lauretti, Managing Director, The Anthem Awards. “It’s been incredibly inspiring to see so many interesting and innovative projects from around the world. It is our distinct honor to showcase and highlight this work and recognize its impact across industry and issue areas.”
For more information on the Broadway Advocacy Coalition, visit www.bwayadvocacycoalition.org
Quick News: Betty Buckley Sings Sondheim to be released Friday, March 11th. David Greenspan’s solo show The Patsy, begins performances March 30 at Abrons Arts Center.
Theatre News: Wicked, The Wiz, Hypnotique, Female Troubles and Love In The Time Of Crazy
Broadway’s blockbuster Wicked, in partnership with National Day Calendar, has announced that October 30 will officially become National Wicked Day, in honor of the hit Broadway musical’s debut at the Gershwin Theatre (245 West 51st Street) on October 30, 2003.
This marks the first time that a Broadway show will have its own official day in the National Day Calendar. With this inclusion, Wicked joins some of the most recognizable National Day celebrations, including National Barbie Day, National Star Trek Day, National Scrabble Day, National Winnie the Pooh Day, and National Teacher Appreciate Day, among others.
Read the official announcement HERE.
Currently Wicked 4th longest-running show in Broadway history, and will celebrate its 20th Anniversary on Broadway this October 30th.
The Broadway production of Wicked currently features Alyssa Fox as Elphaba, McKenzie Kurtz as Glinda, John Dossett as The Wizard, Michele Pawk as Madame Morrible, Jordan Litz as Fiyero, Jake Pedersen as Boq, Kimber Elayne Sprawl as Nessarose, and William Youmans as Doctor Dillamond.
Emmy Award®-winning music director and Grammy Award®-winning writer, Adam Blackstone, joins the creative team as Dance Music Arranger for the revival of The Wiz. The Wiz will launch a national tour on September 23, 2023 in Baltimore, MD before returning to Broadway for a limited engagement in the 2023/24 season.
“Joining The Wiz’s creative team has been a very surreal moment. I remember watching the film on VHS daily for years, wondering how it sounded so incredible, how MJ transformed into the Scarecrow, and the score and orchestrations truly told a story all of its own. Fast forward to today, I get to musically partner with Terence Vaughn and reunite with my brother, super choreographer and creative director JaQuel Knight, and explore our own interpretation for a revival of this masterpiece. I am excited and look forward to this body of work changing lives, just like it did for me in the 80’s!” stated Adam Blackstone.
The cast will include previously announced Wayne Brady to lead the production as the Wiz on Broadway in Spring of 2024, San Francisco (January 16 – February 11, 2024) at the Golden Gate Theatre, and Los Angeles (February 13 – March 3, 2024) at the Hollywood Pantages Theatre. Alan Mingo Jr. will star in the role of the Wiz in the following cities of The Wiz National Tour this fall, kicking off with the tour launch in Baltimore, including Cleveland, OH, Washington, DC, Pittsburgh, PA, Charlotte, NC, Atlanta, GA, Greenville, SC, Chicago, IL, Des Moines, IA, Tempe, AZ and San Diego, CA.
The cast will also feature Nichelle Lewis as Dorothy, Deborah Cox as Glinda and Melody A. Betts as Aunt Em and Evillene, Kyle Ramar Freeman as the Lion, Phillip Johnson Richardson as the Tinman, and Avery Wilson as the Scarecrow. The Wiz ensemble includes Maya Bowles, Shayla Alayre Caldwell, Jay Copeland, Allyson Kaye Daniel, Judith Franklin, George, Collin Heyward, Amber Jackson, Jackson, Jones, Jones, Kindle, Mariah Lyttle, Kareem Marsh, Anthony Murphy, Rae, Matthew Sims Jr, Avilon Trust Tate, Keenan D. Washington, and Timothy Wilson.
The production will include ‘Everybody Rejoice’ music and lyrics by Luther Vandross, as well as the ‘Emerald City Ballet’ with music by Timothy Graphenreed.
The McKittrick Hotel (530 West 27th Street, NYC), home of Sleep No More, announced the opening of Hypnotique – A Late Night Sultry Spectacle. Performances have been extended on Friday and Saturday nights through October 14, 2023. The all-new Hypnotique revue offers a unique after-dark experience that envelops you. Audiences are captivated by spontaneous performances and mesmerizing dancers, accompanied by daring sonic soundscapes in a surreal ambiance in The Club Car.
The cast features Chloé Lexia Worthington, Courtney Sauls, Fabricio Seraphin, Haley Bjorn, Jacob Nahor, Jesseca Scott, Maurice Ivy, Maya Kitayama, Samantha Greenlund, Victoria Edwards, and swings Alex Sturtevant, Cameron Arnold, Kennedy Adams, and Stacey Badgett Jr..
Cocktails inspired by the experience, including the signature Hypnotonique (an electrifying punch made with cucumber-infused vodka, elderflower liqueur, and grapefruit juice), are available from The Club Car’s bar.
Performances are offered on Fridays and Saturdays at 10:30PM. General Admission tickets with standing room are currently priced from $65 per person.
Two industry readings for Female Troubles, an original musical comedy, will happen next week at Open Jar Studios. Female Troubles is a completely original musical comedy featuring lyrics by two-time Tony Award nominated and Grammy Award nominated songwriter Amanda Green (Mr. Saturday Night, Hands On A Hardbody, Bring It On), music by three-time Emmy Award nominee Curtis Moore (“The Marvelous Mrs. Maisel”), book by Emmy Award-winning writers Gabrielle Allan and Jennifer Crittenden (“Veep,” “Arrested Development,” “Seinfeld,” “The Simpsons,” “HouseBroken”) and directed by Tony Award winner Christopher Gattelli (Disney’s Newsies, My Fair Lady, “Schmigadoon,” “Schmicago”).
The cast for the readings will includeKrystina Alabado, Kevin Del Aguila, Amanda Green, Lilli Cooper, Lillias White, Lesli Margherita, Ryann Redmond, Kate Rockwell, Matt Saldivar, Alanna Saunders, Trent Saunders, Jake Swain, Sav Souza, Rachel Stern and Frank Viveros.In Female Troubles, Elinor Benton finds herself surprisingly and undeniably “knocked up” — and, since she’s unmarried and this is 19th century England, she has a very big dilemma. Facing ruin, she and her girlfriends embark on a raucous journey to find the one notorious woman who can help them with their “female troubles.” Their misadventures change the course of each of their lives. This uproarious musical comedy asks the trenchant question “Can you believe this sh*t is still happening in 1810?”
I attended the reading of Love In The Time Of Crazy withbook and lyrics by Peter Kellogg (Outer Critics Winner for Desperate Measures), music by Stephen Weiner (two-time Richard Rodgers Award winner) and David Hancock Turner (orchestrator for Desperate Measures and Penelope), directed by Lauren Molina (Desperate Measures ). The cast stared Philippe Arroyo, Stephen DeRosa, Robin Dunavant, David Merino, Josh Lamon, Roe Hartrampf and Alexis Cofield .
Love in the Time of Crazy is a riot, but, you know, in a good way.
The Glorious Corner
WENNER TAKES A DOWN —Jann Wenner always speaks his mind and this week he may have overstepped just a bit. In an interview that ran in the New York Times about his new book called Masters, he quite openly said that there were no black or R&B artists in it, because they were not able to articulate properly. I know, I felt the same way reading that. Minutes later, he was let go by the board of the Rock and Roll Hall of Fame, which he helped start with Ahmet Ertegun way back in 1983.
His Like A Rolling Stone autobiography book was quite an indulgent read last year, but Wenner has in the last several years suffered several health set backs and it was pointed out that he may not be in his right mind. Still, he should have spoken way more carefully. I’ve known Wenner for decades and trust me, he feels he’s way entitled, and that said, you can rest assured that there were dozens and dozens of people (and former employees) waiting to take him down.
The sad fact is that most of the accusations are true. That said, let’s face it Rolling Stone magazine in it’s heyday was a miraculous outlet for so much music and terrific journalism – from Ben Fong-Torres to Hunter Thompson and Jann himself .. it was distinguished. Now, he may have killed it all.
Rolling Stine magazine Monday posted this – essentially disowning his from the magazine: “Jann Wenner’s recent statements to the New York Times do not represent the values and practices of today’s Rolling Stone. Jann Wenner has not been directly involved in our operations since 2019. Our purpose, especially since his departure, has been to tell stories that reflect the diversity of voices and experiences that shape our world. At Rolling Stone’s core is the understanding that music above all can bring us together, not divide us.”
Here’s the report from Deadline: https://deadline.com/2023/09/jann-wenner-removed-rock-and-roll-hall-fame-foundation-board-1235548690/comment-page-1/#comment-3858649
DREW’S BLUES — Boy, what did Drew Barrymore ever do to deserve the treatment she’s been through with the media. Sure, her ideas to bring back her daily-chat fest was a good one, for the right reasons, but everyone from Rosie O;’Donnell to the trade papers have bounced on her like madmen. I never met her, don’t hate her, but really … let’s get back to something real, like these Russell Brand-accusations!
SHORT TAKES — We finally caught David Bryne and Fatboy Slim’s Here Lies Love and absolutely loved it. I remember it well when it premiered at the Public Theater way back when and knew they were trying to get it to Broadway. Honestly, I never thought twice about the Ferdinand and Imelda Marcos story, but the play was riveting then and it remains now. They’ve outfitted NYC’s magnificent Broadway Theater with disco-balls galore and club-lighting and the immersive experience is terrific. Here’s a great re-cap of the play’s evolution from Theatre Guide: https://www.newyorktheatreguide.com/theatre-news/news/how-the-music-of-here-lies-love-evolved-on-the-way-to-broadway …
Micky Dolenz appeared on Sunday’s Breakfast With The Beatles with Chris Carter (on KLOS) and talked about his new Dolenz Sings R.E.M. on Glenn Gretlund’s 7a Records. He also talked about his time with The Beatles and John Lennon. Carter also played a mash-up of Monkees and Beatle-songs which was done in England and it was superb. Here’s a shot from the event at LA’s Hard Rock Cafe on Highland and Hollywood Blvd. … SIGHTING: PR-pasha David Salidor and Benny Harrison at Monday’s Cutting Room tribute to Burt Bacharach … RIP Sammy Ash …
I’ve been thinking the best way to describe Jimmy Buffet and I saw this headline in LA Magazine: leisure evangelist– and it fits perfectly …
Happy Bday Donnie Kehr and Richard Branciforte.
NAMES IN THE NEWS — Dan Mapp; Brad Auerbach; James Clash: Robbie Robertson; Carol Ruth Weber; Randy Alexander; Tom & Lisa Cuddy; Andrew Gans; Kathy Brown; Roger Clark; Chris Boneau; Tricia Daniels; Dan Zelinski; Benny Harrison; Steve Walter; Gil Friesen; Donna Dolenz; Dan Mapp; Brad Auerbach; James Clash; and ZIGGY!
Inside the 2023 American Theatre Wing Gala
The American Theatre Wing 2023 Gala Celebration was held last night, September 11, 2023 at Cipriani 42nd Street. Performers incldued Oscar nominee & Tony Award winner Leslie Odom Jr., Grammy Award-winning rock icon Melissa Etheridge, Emmy nominee Tituss Burgess, “American Idol” star and Broadway favorite Justin Guarini, Tony Award winner LaChanze, Tony Award winner Chuck Cooper, and Tony Award nominees Shoshana Bean, Brandon Victor Dixon, Judy Kuhn, Lilli Cooper, and Eddie Cooper.
The Gala honored “Unsung Heroes of the Theatre Industry.” From dressers who execute seamless quick changes between scenes, to understudies and swings who go into a show with little to no notice and don’t miss a beat, to makeup artists responsible for the flawless faces seen on stage, and so many more vital contributors to the theatrical art form, the 2023 Gala celebrates members of the theatrical community who don’t often get the recognition they deserve.
The Glorious Corner
STRIKE UPDATE— (Via TV Line) “9-1-1, what’s your TV emergency?” The dual WGA and SAG-AFTRA strikes need to be resolved by the end of this month if scripted primetime fare such as 9-1-1: Lone Star and The Cleaning Lady are to return with new episodes in the 2023-24 TV season, says Fox entertainment president Michael Thorn.
When last we tuned in, 29 days ago, the WGA had countered the AMPTP’s latest offer; no next meeting has been scheduled. Things are proceeding even slower on the SAG-AFTRA front. Sources tell TVLine that it will take scripted shows roughly eight weeks to get back into production once the strikes are resolved.
“You’re going get to a point in the fall, in the late fall, where it’s going to be very hard to launch [scripted shows] within the traditional TV viewing season,” Thorn told our sister site Deadline.
If the strikes are resolved later than October 1, that’s where difficult scheduling decisions will have to be made.
“If that means the [delayed scripted] show could work and succeed in the summer [of 2024], great,” Thorn said. Or, “If it’s better to wait for the fall and use football and sports” to promote/launch scripted seasons, “we’ll do that.
“You could use October 1 as the date” by which the writer and actor strikes need to be settled,” Thorn added. “Every show is different but sometimes when you’re staring at a May launch date, you always wonder, ‘Is that the best time?’” to premiere a season/series
Fox’s fall TV slate features one full night of scripted animated fare (on Sundays), while the rest of the week is rife with multiple Gordon Ramsay cooking competitions, new seasons of Special Forces: World’s Toughest Test, Name That Tune and The Masked Singer, 9-1-1: Lone Star reruns, the new, David Spade-hosted Snake Oil game show, and, of course, Friday Night SmackDown.
But whenever the magical day comes for live-action scripted fare to return to our screens, “we’re going to return those shows with vigor,” Thorn avowed. “We really pride ourselves on ‘less is more’ and we were fortunate to be able to really put our money where our mouth is in that regard. When we return, Animal Control is going to get the full backing of this far-reaching platform [as will] John Wells’ new show, Rescue: Hi-Surf, when we launch it.”
Several columns back we posited that the strike might just be settled by Labor Day .. and we were lambasted with emails from a scattering of actors, writers and below-the-line talent that it would not be. They were right. As Gordon Gekko said, greed is good. Is it? Let’s all make nice and good back to work.
SHORT TAKES — As you may know the Toronto Film Festival has been going on and the two films that have received the most buzz are the Paul-Simon/Alex Gibey doc,
In Restless Dreams and Knox Goes Away starring Michael Keaton, who also directs, with Al Pacino, can’t wait to see both. Bravo! …The latest episode of Hulu’s Only Murders In The Building was just OK. So far, this third season has totally underwhelmed us. We said a few columns back it was most likely due to the fact that Martin hasn’t written any of the episodes so far. Why? I have no idea. Matthew Broderick played himself, but with a little more anxiety than usual, but the real highlight of this episode was a video-phone call between Martin Short and Mel Brooks. Irresistibly funny … Hard to believe that it’s the 25th anniversary of MTV’s ground-breaking TRL Live (Total Request Live).
Carson Daly did a nice remembrance on Thursday’s Today Show, even citing John Norris and Kurt Loder, who were key correspondents. They taped many of the shows at NYC’s long-gone Palladium (now an NYU dorm), but many, many memories come to mind; Hall & Oates rehearsing in their dressing room
and running into Debbie Gibson is one. Daly pointed out -and rightly so- TRL was a fan-driven show, where viewers had to request what to hear. These days I guess it’s just a download. Much missed for sure …
Funny watching Carrie Underwood this morning; as she she reminded me so much of Shania Twain. from the music, to her visuals. As always, her “Before He Cheats” is tremendous and a big crowd pleaser … It’s a funny world for sure.
When RL Stine’s Goosebumpsfirst debuted in 1992, it was heralded as refreshingly new, both for the kid-demo and its brilliance. There were a few attempts at a series (even with Stine introducing them) and even a movie in 2015 that did just so-so. Now, with Netflix’s Stranger Things having hit a home run, Disney+ is starting a series, with Justin Long, that appears to veer dangerously close to Stranger Things. Also, oddly enough, Stine does not appear to be involved with it. He says: “I wish I knew something about it. I’m not in the loop. It looked to me like they weren’t going to do an anthology show. They were going to do something different that was some kind of continuing story. That’s what it appeared. But I have no information about it.” It begins on October 31. Have a look at the trailer:
Great Bernie Taupin interview on NY Live with Sara Gore. They’re friends, so the interview as sensational. Check it out:
NAMES IN THE NEWS —Andrew Sandoval; Jacqueline Boyd; Alison Martino; Robert Funaro; Tom & Lisa Cuddy; Roy Trakin; Daryl Estrea; Glenn Gretlund; Jane Blunkell; Roger Friedman; Felix Cavaliere; Dan Mapp; Jim Kerr; Sam Rubin; Liz White; Grace Mendoza; Roy Trakin; and ZIGGY!
Voices: Stars for Foster Kids
On September 18th at 7:00 PM at The Town Hall, 123 West 43rd Street, Voices: Stars for Foster Kids a musical benefit for You Gotta Believe, a NYC organization specializing in helping older foster youth find permanent, loving families will take place. Hosted by SiriusXM’s Seth Rudetsky and James Wesley, expect a plethora of Broadway stars and performers, who will come together to celebrate the power of love and family.
Performers include; Rosie Perez, Bellamy Young, Ta’ Nika Gibson, Charlotte d’Amboise and Terrence Mann, Sharon Catherine Brown, Griffin Matthews and Matt Gould, Krysta Rodriguez, Anika Larsen, Norm Lewis, Gracie McGraw, Patina Miller, Brenda Braxton
The Glorious Corner
White Wine for Summer Send Off
How to Get Your Fall Fabulous Face with Masktini
Romantic and Meaningful Love Quotes For Her To Help Win Her Heart
How to Take Advantage of Virtual Numbers for SMS
Entre Institute Review – Is Jeff Lerner’s Program a Scam?
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