Broadway
Theatre News: Sweeney Todd, Funny Girl, A Wonderful World, Pirates of Penzance, Cost of Living, Kimberly Akimbo and Clive Barnes Awards

We told you it was coming, now it’s official a new Broadway production of the Stephen Sondheim-Hugh Wheeler classic musical Sweeney Todd: The Demon Barber of Fleet Street starring Josh Groban and Annaleigh Ashford will begin performances on February 26, 2023, at Broadway’s Lunt-Fontanne Theatre with an official opening night of March 26, 2023.
Directing will be Thomas Kail (Hamilton). Additional casting will be announced at a later date.
Rumor has it Lea Michele and Tovah Feldshuh kicked it out of the park last night at Funny Girl. Can not wait to re-review. I have stated since day one all this show needed was a singer who could act!
Thomas E. Rodgers Jr. and Renee Delaplaine, in association with Martian Entertainment (Carl D. White and Gregory Rae), will present a private industry reading in New York City of A Wonderful World, a new musical based on the life and songs of jazz legend and American icon Louis Armstrong, starring Tony Award® winner James Monroe Iglehart. The two presentations are set for Monday, September 19 and Tuesday, September 20 at 2:30 pm.
Told from the perspective of the women in Armstrong’s life, A Wonderful World charts Armstrong’s journey from the birth of jazz in his native New Orleans through his international stardom. The musical also focuses on the complex history of race in America, leading up to the Civil Rights Era. Conceived by Drama Desk Award winner and Tony Award® nominee, Christopher Renshaw (Broadway’s Taboo, The King and I), and Andrew Delaplaine, A Wonderful World has a an original book by Aurin Squire, the multi-talented playwright and television writer (“This is Us,” “The Good Fight,” “Evil”), and features songs recorded and made popular by Armstrong, arranged and orchestrated by Annastasia Victory and Michael O. Mitchell. Renshaw directs and Rickey Tripp (associate choreographer for Broadway’s Once on This Island and Choir Boy) will choreograph. Christina Sajousserves as Associate Director and Aurelia Michael as Associate Choreographer. The reading stars Tony Award® winner James Monroe Iglehart as Louis Armstrong, Krystal Joy Brown as Alpha Smith, Patrice Covington as Lucille Wilson, Jennie Harney-Fleming as Lil Harden, Aisha Jackson as Daisy Parker, Matt Bogart as Joe Glaser, Kevin Dennis as Johnny Collins, DeWitt Fleming Jr. as Lincoln Perry, Gavin Gregory as King Joe Oliver and Xavier McKnight as Young Louis. Additional cast includes Rachel Schur Chase, Nigel Jamal Hall, Afra Hines, Joshua Keith, Krystal Imani Mackie, Barrett Martin, Aurelia Michael, Micah Jeremiah Mims, Alysha Morgan, Kevin Ricardo Tate, Sir Brock Warren and Dori Waymer.On Monday, October 17, 2022 at 7:30 PM, at The American Airlines Theatre Roundabout Theatre Company will present a special Benefit Concert Reading of The Pirates of Penzance, the Tony Award-winning musical adapted by Rupert Holmes, with music by Arthur Sullivan, libretto by W.S. Gilbert and direction by Scott Ellis.
The performance will star Tony Award winner David Hyde Pierce as “Major General,” Tony Award nominee Ramin Karimloo as “Pirate King,” Tony Award nominee Lilli Cooper as “Ruth,” Colton Ryan as “Frederic,” and Samantha Williams as “Mabel.”
Other cast members include Eddie Cooper, Cicily Daniels, Jōvan Dansberry, Alex Dorf, Rick Faugno, Leslie Donna Flesner, Curtis Holland, Madison McBride, Ryan Worsing with remaining cast to be announced soon.
Please visit www.roundabouttheatre.org/pirates for information and to purchase tickets.
Cost of Living begins performances on Tuesday, September 13 and opens on Monday, October 3.
The show is written by 2018 Pulitzer Prize Winner for Drama Martyna Majok and directed by Obie Award Winner Jo Bonney. Tony Award nominee Kara Young (Jess) and David Zayas (Eddie) join acclaimed original stars Gregg Mozgala (John) and Katy Sullivan (Ani) in this production.
The box office for the critically-lauded and wildly popular new musical, Kimberly Akimbo, will open on Wednesday, September 7 at 10am at the Booth Theatre (222 West 45th Street). The Booth Theatre box office will be open Monday through Saturday from 10am to 6pm.
After opening to rave reviews last fall, Kimberly Akimbo will begin previews on Broadway on October 12th and officially opens November 10th.
Kimberly Akimbo features a book and lyrics by Pulitzer Prize-winner David Lindsay-Abaire and music by Tony Award-winner Jeanine Tesori. It is based on the critically acclaimed play of the same name by David Lindsay-Abaire, choreographed by Danny Mefford, and directed by Jessica Stone.
The Broadway company of Kimberly Akimbo will feature the “sensational” (Washington Post) company from the Atlantic Theater world premiere production: Tony Award-winner Victoria Clark (The Light in the Piazza, Gigi) as Kimberly, Justin Cooley (who is making his Broadway debut), Tony Award nominee Steven Boyer (Hand to God, Time and the Conways), Alli Mauzey (Cry Baby, Wicked), Bonnie Milligan (Head Over Heels), Olivia Elease Hardy (Broadway debut), Fernell Hogan (The Prom, Mean Girls US Tour), Michael Iskander (Broadway debut), and Nina White (Broadway debut). Colleen Fitzpatrick, Skye Alyssa Friedman, Miguel Gil, Jim Hogan, Betsy Morgan, and Alex Vinh round out the cast as understudies.
Kim is a bright and funny Jersey teen, who happens to look like a 72-year-old lady. And yet her aging condition may be the least of her problems. Forced to maneuver family secrets, borderline personalities, and possible felony charges, Kim is determined to find happiness in a world where not even time is on her side.
The Clive & Valerie Barnes Foundation, under the leadership of Holly Jones and Lloyd Mayor, announced today the date for the 12th Annual Clive Barnes Awards. Hosted by New York 1’s Frank DiLella, the presentation of the awards recognizing excellence in theater and dance will take place on Sunday, September 18th, 2022 at 3pm at the Westbeth Studio, 11th floor, 55 Bethune Street, (in Greenwich Village) New York, NY.
The finalists for this year’s Theater Artist Award are Justin Cooley—Kimberly Akimbo; Jasai Chase-Owens—Sanctuary City; Erin Wilhelmi—To Kill a Mockingbird; and Samantha Williams—Caroline, or Change.
This year’s Dance Artist Award finalists are Zimmi Coker—American Ballet Theatre; Erica Lall—American Ballet Theatre; Mira Nadon—New York City Ballet; and Jake Tribus—Gibney Dance Company.
The winners will be announced during the ceremony on Sunday, September 18, 2022.
All finalists receive a cash prize of $500, while the winners will each receive an award of $5000.
Previous finalists in theater include Annaleigh Ashford, MJ Rodriquez, Derek Klena, Rob McClure, Alex Sharp, and Timothée Chalamet.
Previous finalists in dance include Isaabella Boylston, Lauren Lovette, Lloyd Mayor, Calvin Royal III, Zoey Anderson, Gemma Bond, and Indiana Woodward.
The finalists and winners for the dance and theater awards are chosen by a Selection Committee, which is comprised of critics and performers in each field. This year’s selection committee for the Clive Barnes Awards includes Mindy Aloff, William H. Ausman, Diana Byer, Jenny Chiang , Frank DiLella, Nicole Duffy, Erik Forrest Jackson, Marshall Heyman, Patrick Pacheco and William Whitener.
Throughout his professional life, Clive Barnes was caring and generous to his colleagues and friends; always ready to advise and listen. After his death, many condolence letters spoke of his generosity and practical help, especially to young people. In this spirit, The Clive & Valerie Barnes Foundation was formed in 2009 to create Annual Awards giving recognition, encouragement and financial support to two talented young professionals and, thus, honoring the memory of the many years of critical work and the warm personal generosity of Clive Barnes.
The Foundation gives an Annual Award to two talented young professions in the artistic fields of dance and theater.
The Clive & Valerie Barnes Foundation Board of Directors includes William H. Ausman, Charles Askegard, Diana Byer, Pia Catton, George Dorris, Paloma Herrera, Holly Jones, Michelle Mathesius, Lloyd Mayor, Michael Riedel, and Spring Sirkin.
Broadway
The New Dramatists’ 71st Annual Benefit Luncheon and You are There

On Tuesday the New Dramatists’ 71st Annual Benefit Luncheon was held at the New York Marriott Marquis, 1535 Broadway, Broadway ballroom 6th floor.
Tony® Honor recipient and the nation’s premier playwright development laboratory, was honored with its 2023 Distinguished Achievement Award at their 71st Annual Spring Luncheon Tribute
Tony Award winner, Kenny Leon, director of Parks’ recent revival of Topdog/Underdog lead the tributes.
In Attendance were:

Justin Cooley (Kimberly Akimbo), Ben Platt (Parade) and Colton Ryan (New York, New York) photo by Michael Hull

Justin Cooley (Kimberly Akimbo), Brian Stokes Mitchell, Suzan-Lori Parks, Victoria Clark (Kimberly Akimbo) and Bonnie Milligan (Kimberly Akimbo) at The New Dramatists Spring Luncheon. photo by Michael Hull
Also Artistic Director Emily Morse and Executive Director Joel Ruark,
Hiran Abeysekera (Life of Pi), Betsy Aidem (Leopoldstadt), Steven Boyer (Kimberly Akimbo), Faye Castelow (Leopoldstadt), Rashad Chambers (Topdog/Underdog), Ben Davis (New York, New York), Eisa Davis (New York, New York), Micaela Diamond (Parade), Delia Ephron (Love Loss & What I Wore), Corey Hawkins (Topdog/Underdog), Jessica Hecht (Summer, 1976), Amy Herzog (A Doll’s House), Robert Horn (Shucked), Mark Jacoby (A Beautiful Noise, The Neil Diamond Musical), LaChanze (Here Lies Love, Kimberly Akimbo), event co-chair Caissie Levy (Leopoldstadt), Judith Light (Other Desert Cities), David Lindsay-Abaire (Kimberly Akimbo), Neil Meron (Some Like It Hot), Alli Mauzey (Kimberly Akimbo), Lauren Mitchell (A Bronx Tale), Arian Moayed (A Doll’s House), Casey Nicholaw (Some Like It Hot), Linda Powell (A Beautiful Noise, The Neil Diamond Musical), Daryl Roth (Kinky Boots), Sarah Ruhl (in The Next Room), Stark Sands (& Juliet), Miriam Silverman (The Sign in Sidney Brustein’s Window), Marcel Spears (Fat Ham), Katy Sullivan (Cost of Living), David Stone (Wicked), Jeanine Tesori (Kimberly Akimbo), Paula Vogel (How I Learned To Drive), Sharon Washington (New York, New York), Scott WIttman (Some Like It Hot), Kara Young (Cost of Living), David Zayas (Cost of Living).
Performing were:

Daniel Fulton, Orville Mendoza, Suzan-Lori-Parks, Lauren Molina and Leland Fowler photo by Michael Hull

Suzan-Lori-Parks and New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull

Suzan-Lori-Parks New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull
Stay tuned for our interviews.
Broadway
The New Dramatists’ 71st Annual Benefit Luncheon and You Are There

On Tuesday the New Dramatists’ 71st Annual Benefit Luncheon was held at the New York Marriott Marquis, 1535 Broadway, Broadway ballroom 6th floor.
Tony® Honor recipient and the nation’s premier playwright development laboratory, was honored with its 2023 Distinguished Achievement Award at their 71st Annual Spring Luncheon Tribute
Tony Award winner, Kenny Leon, director of Parks’ recent revival of Topdog/Underdog lead the tributes.
In Attendance were:

Justin Cooley (Kimberly Akimbo), Ben Platt (Parade) and Colton Ryan (New York, New York) photo by Michael Hull

Justin Cooley (Kimberly Akimbo), Brian Stokes Mitchell, Suzan-Lori Parks, Victoria Clark (Kimberly Akimbo) and Bonnie Milligan (Kimberly Akimbo) at The New Dramatists Spring Luncheon. photo by Michael Hull
Also Artistic Director Emily Morse and Executive Director Joel Ruark,
Hiran Abeysekera (Life of Pi), Betsy Aidem (Leopoldstadt), Steven Boyer (Kimberly Akimbo), Faye Castelow (Leopoldstadt), Rashad Chambers (Topdog/Underdog), Ben Davis (New York, New York), Eisa Davis (New York, New York), Micaela Diamond (Parade), Delia Ephron (Love Loss & What I Wore), Corey Hawkins (Topdog/Underdog), Jessica Hecht (Summer, 1976), Amy Herzog (A Doll’s House), Robert Horn (Shucked), Mark Jacoby (A Beautiful Noise, The Neil Diamond Musical), LaChanze (Here Lies Love, Kimberly Akimbo), event co-chair Caissie Levy (Leopoldstadt), Judith Light (Other Desert Cities), David Lindsay-Abaire (Kimberly Akimbo), Neil Meron (Some Like It Hot), Alli Mauzey (Kimberly Akimbo), Lauren Mitchell (A Bronx Tale), Arian Moayed (A Doll’s House), Casey Nicholaw (Some Like It Hot), Linda Powell (A Beautiful Noise, The Neil Diamond Musical), Daryl Roth (Kinky Boots), Sarah Ruhl (in The Next Room), Stark Sands (& Juliet), Miriam Silverman (The Sign in Sidney Brustein’s Window), Marcel Spears (Fat Ham), Katy Sullivan (Cost of Living), David Stone (Wicked), Jeanine Tesori (Kimberly Akimbo), Paula Vogel (How I Learned To Drive), Sharon Washington (New York, New York), Scott WIttman (Some Like It Hot), Kara Young (Cost of Living), David Zayas (Cost of Living).
Performing were:

Daniel Fulton, Orville Mendoza, Suzan-Lori-Parks, Lauren Molina and Leland Fowler photo by Michael Hull

Suzan-Lori-Parks and New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull

Suzan-Lori-Parks New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull
Stay tuned for our interviews.
Broadway
And The Winners of The 2023 Drama Desk Awards Are ………

The 2023 67th Drama Desk Awards, honoring artistic excellence on Broadway, Off-Broadway and Off-Off-Broadway, will take place on June 6 at Sardi’s Restaurant. Today the winners were announced.
Outstanding Play: “Leopoldstadt,” by Tom Stoppard
Outstanding Musical: “Some Like it Hot”
Outstanding Revival of a Play: “The Piano Lesson”
Outstanding Revival of a Musical: “Parade”
Outstanding Lead Performance in a Play: Jessica Chastain, “A Doll’s House” and Sean Hayes, “Good Night, Oscar”
Outstanding Lead Performance in a Musical: Annaleigh Ashford, “Sweeney Todd”
and J. Harrison Ghee, “Some Like it Hot”
Outstanding Featured Performance in a Play: Miriam Silverman, “The Sign in Sidney Brustein’s Window,” Brooklyn Academy of Music and Brandon Uranowitz, “Leopoldstadt”
Outstanding Featured Performance in a Musical: Kevin Del Aguila, “Some Like it Hot” and Alex Newell, “Shucked”
Outstanding Direction of a Play: Max Webster, “Life of Pi”
Outstanding Direction of a Musical: Thomas Kail, “Sweeney Todd”
Outstanding Choreography: Casey Nicholaw, “Some Like it Hot”
Outstanding Music: Brandy Clark and Shane McAnally, “Shucked”
Outstanding Lyrics: Scott Wittman and Marc Shaiman, “Some Like it Hot”
Outstanding Book of a Musical: Matthew López and Amber Ruffin, “Some Like it Hot”
Outstanding Orchestrations: Charlie Rosen and Bryan Carter, “Some Like it Hot”
Outstanding Music in a Play: Suzan-Lori Parks, “Plays for the Plague Year,” The Public Theater
Outstanding Scenic Design of a Play: Tim Hatley, “Life of Pi”
Outstanding Scenic Design of a Musical: Beowulf Boritt, “New York, New York”
Outstanding Costume Design of a Play: Emilio Sosa, “Ain’t No Mo’”
Outstanding Costume Design of a Musical: Gregg Barnes, “Some Like it Hot”
Outstanding Lighting Design of a Play: Natasha Chivers and Willie Williams (video), “Prima Facie”
Outstanding Lighting Design of a Musical: Natasha Katz, “Sweeney Todd”
Outstanding Projection and Video Design: Andrzej Goulding, “Life of Pi”
Outstanding Sound Design of a Play: Ben & Max Ringham, “A Doll’s House”
Outstanding Sound Design of a Musical: Scott Lehrer and Alex Neumann, “Into the Woods”
Outstanding Wig and Hair: Mia M. Neal, “Ain’t No Mo’”
Outstanding Solo Performance: Jodie Comer, “Prima Facie”
Unique Theatrical Experience: “Peter Pan Goes Wrong”
Outstanding Fight Choreography: B.H. Barry, “Camelot”
Outstanding Adaptation: “A Doll’s House,” by Amy Herzog
Outstanding Puppetry: Nick Barnes and Finn Caldwell, “Life of Pi”
Shows with multiple wins
Some Like It Hot: 8
Life of Pi: 4
A Doll’s House: 3
Sweeney Todd: 3
Ain’t No Mo’: 2
Leopoldstadt: 2
Prima Facie: 2
Shucked: 2
Special Awards
Harold Prince Lifetime Achievement Award
Stephen McKinley Henderson has been bringing in-depth, gripping portrayals of memorable characters to the stage for over four decades. With his return to Broadway this season as Pops in “Between Riverside and Crazy,” which the Drama Desk previously nominated in 2015, this year’s Harold Prince Lifetime Achievement Award marks Henderson’s role in this powerful production as a celebration of his brilliant career.
Ensemble Award
The cast of Soho Rep’s “Public Obscenities” – Tashnuva Anan, Abrar Haque, Golam Sarwar Harun, Gargi Mukherjee, NaFis, Jakeem Dante Powell, and Debashis Roy Chowdhury – embodied the transnational world of Shayok Misha Chowdhury’s bilingual play with memorable authenticity, remarkable specificity, and extraordinary warmth.
Sam Norkin Off-Broadway Award
From his standout performance in american (tele)visions, to writing and performing the autobiographical “Dark Disabled Stories,” Ryan J. Haddad’s work this season has expanded on and interrogated what the idea of “accessibility” really means. Whether riding a shopping cart like a throne, or relating his experiences on a “gay, pink bus,” Haddad shared with audiences an unabashed queer fabulosity that was both unforgettable and deeply human.
Broadway
Ken Fallin’s Broadway: Remembering Angela Lansbury in Sweeney Todd

On Sunday look for a brand new charcuterie of Josh Groban and Annaleigh Ashford in Sweeney Todd.. I loved the new production, and it’s two leads.
Broadway
League of Professional Theatre Women’s 10th Annual Women Stage The World March

The League of Professional Theatre Women (LPTW) will hold its 10th Annual “Women Stage the World March” — a Suffragette-inspired project to educate the public about the role of women in the theatre industry — on Saturday, June 17. The march will begin at noon, at Shubert Alley and weave through Times Square and the Broadway Theatre District, wrapping up at about 2 p.m.
“The event is FREE and LPTW invites all theatre women and allies to join us as we increase awareness, lift our voices, and advocate for more opportunities for women in theatre,” said Ludovica Villar-Hauser, Co-President of LPTW.
“The Women Stage the World March is designed to educate the public about the role women play in creating theatre and the barriers they face as men continue to outnumber women by 4 to 1 in key roles such as playwright, director and designers. Women buy 67% of the tickets and represent 65% of the audience, yet 80% of the storytelling on stage is shaped by men’s voices,” said Katrin Hilbe, Co-President of LPTW.
Handouts during the March will prompt ticket-buyers to ask three questions as they make buying decisions: (1) Who wrote, directed and designed this play? (2) What is this theatre’s track record in giving opportunities to women? (3) How can you spread the word and promote women’s voices?
“All participants are encouraged to dress as their favorite historical theatre woman, or dress all in white. March participants will gather at Shubert Alley starting at 11:30 AM, in preparation for the start of the march at noon. Women Stage the World sashes and signs will be provided, as supplies last,” noted Penelope Deen, LPTW member and organizer of the event. Those interested in participating in the event please R.S.V.P. at: https://www.theatrewomen.org/women-stage-the-world or contact Penelope Deen at: Womenstagetheworld@Theatrewomen.org
LPTW Co-President Ludovica Villar-Hauser added: “The League of Professional Theatre Women stands alongside the Writers Guild of America (WGA) as they demand fair wages and take action to ensure more protections for artists. We encourage LPTW members to find a time to join the WGA on the picket lines this month as the strike continues. Women writers are the future of the film and television industry, just as they lead the way in theatre. LPTW supports the women on the frontlines of this movement as they call for long overdue change. We are stronger together.”
For the past 10 years LPTW members, affiliated union members, theatre artists and their allies have hit the streets in a March reminiscent of the Suffragette parades of the early 20th Century, with some marchers dressed in traditional suffrage garb and colors. Like the Suffragettes before them, participants in the Women Stage the World March empower women and men to become aware, take action and influence others.
The League of Professional Theatre Women (LPTW) is a membership organization championing women in theatre and advocating for increased equity and access for all theatre women. Our programs and initiatives create community, cultivate leadership, and increase opportunities and recognition for women working in theatre. The organization provides support, networking and collaboration mechanisms for members, and offers professional development and educational opportunities for all theatre women and the general public. LPTW celebrates the historic contributions and contemporary achievements of women in theatre, both nationally and around the globe, and advocates for parity in employment, compensation and recognition for women theatre practitioners through industry-wide initiatives and public policy proposals. LPTW is celebrating its 40th Anniversary in 2023.
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