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There’s A Lot of Cool Talk of the Blues Overheard at Joe’s

There’s A Lot of Cool Talk of the Blues Overheard at Joe’s
It’s a fun loud environment that you enter when attending the inventive new show upstairs in the McHales Bar just off of 8th Ave on 51st. It’s right across the street from two hit musicals on Broadway, Wicked and Once on this Island, but Overheard in Joe’s couldn’t be more different. Created and directed by Christian Kelty with a cast of six improv actors, this interactive barroom chat of a show showcases a rotating roster of special musical guests, with the iconic Michelle Shocked being featured the night I went.  I must admit that she is and was the biggest draw for me, the thing that made me definitively say yes to the press invite. And it’s her voice that ushers us into this interactive bar experience and it’s a voice of strong conviction and soulfulness drenched in the blues. It’s a gift that I have missed for years, and a great entrance into this collective chat on forgiveness, emotionality, and connection. Her voice and performance is strong and emotionally rich. I only wish she was featured more and more as I’d snap my fingers along with her any day of the week. I did wonder later on if that was a fierce bit of acting she put on in the end, because if it was, you had me completely in your power, making me feel uneasy and concerned. A feeling I had trouble shaking.
Michelle Shocked - Photo 3
Michelle Shocked. 
The man behind the bar, Christian Kelty has a great story sitting on ice back behind the draft beer fonts, a family history that leads this reinvention of a immersive form held dearly in his heart.  Pulled from his familial past, this is an ode to Josephine and her speak-easy, when speaking to one another was exactly that: easy and fun, and an integral part of the neighborhood bar experience.  My partner in crime that night was overjoyed to experience this talkback approach to theatre (I’m not sure I can call him a true theatrejunkie like myself, but I knew he’d love Michelle Shocked, and he always loves a good beer at a bar, so it just seemed natural to invite him). The cast of six improv actor/patrons; Andy Hilbrands, Jay Malsky, Mary-Alice McNab, Sarah Nowak, Adrian Sexton, and Adam Sullivan, help Kelty keep us on track; guiding us with a steady but softly applied hand to our backside. They keep the talk going through a thinly structured pathway of conversing on what it means to get in touch with our feelings and share our emotional selves with our neighbors. He tells us to pull up a bar stool, grab a drink, and share a story, or just sit back and listen. I’m not sure I’d call this theatre, but an immersive experience of what it means to be human. My guest that night told me after the show that some of his best nights out were much like this one, when organic conversation amongst bar patrons blossomed out of nowhere with strangers ending up as friends. At Joe’s, trust and betrayal are on the bar menu, and in many different forms. Friends are told to ask for forgiveness, and others are asked to come to terms with what is being revealed. Tantrums and truths fly wide and high. And although the dialogue sometimes feels forced or gets stalled, this talented crew of actors nudge it back on track and do their best to keep the drink-fueled conversation flowing. They have a nack for gently pulling most of us into the game using a pleasantly applied probing question here and there from the appealing Kelty. Half of me wanted to be addressed, as did my guest, but the other half wasn’t so sure.
Overheard at Joes - Photo 4
Andy Hilbrands. Photo by Hunter Canning.
I must admit that seeing the word ‘interactive’ printed anywhere near the word ‘theatre’ always makes me sweat a bit. I was hoping, as was the case one night at Hunger Artist, the one man show I saw in the East Village last year, that when the actor on stage pointed his finger at me (true story), an older man one row in front of me insisted it was he who was pointed at, even as the solo stage artist argued against. Luckily for all he went up on stage and was infinitely better at the task laid out before him than I would have been, especially without my reading glasses. But here at Overheard, the questions posed were made with such a warm and inquisitive nature, that my heart rate never accelerated nor did my hands shake or my voice betray myself. I shared my thoughts, and much to my surprise, had the urge on and off throughout the 100 minute talk party to add my 2 or 3 cents to the proceedings. It’s not as easy as it sounds for this soul, but I was surprised by the inclination. And the show is all the better for that open warm feeling of caring and sharing.  It was a fun and memorable night, something unique and surprising, and even with the unsettling tantrum that happened as the show strutted its way to the end, one that I had a hard time shaking off, the speaking was good and easy at Joe’s, and a breath of some new air at 51st and 8th. I’ll have a second round, if you don’t mind.
Overheard at Joes - Photo 2
Adrian Sexton and Rich Templeton. Photo by Hunter Canning.

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Off Broadway

My love for theater started when I first got involved in high school plays and children's theatre in London, Ontario, which led me—much to my mother’s chagrin—to study set design, directing, and arts administration at York University in Toronto. But rather than pursuing theater as a career (I did produce and design a wee bit), I became a self-proclaimed theater junkie and life-long supporter. I am not a writer by trade, but I hope to share my views and feelings about this amazing experience we are so lucky to be able to see here in NYC, and in my many trips to London, Enlgand, Chicago, Toronto, Washington, and beyond. Living in London, England from 1985 to 1986, NYC since 1994, and on my numerous theatrical obsessive trips to England, I've seen as much theater as I can possibly afford. I love seeing plays. I love seeing musicals. If I had to choose between a song or a dance, I'd always pick the song. Dance—especially ballet—is pretty and all, but it doesn’t excite me as, say, Sondheim lyrics. But that being said, the dancing in West Side Story is incredible! As it seems you all love a good list, here's two. FAVORITE MUSICALS (in no particular order): Sweeney Todd with Patti Lupone and Michael Cerveris in 2005. By far, my most favorite theatrical experience to date. Sunday in the Park with George with Jenna Russell (who made me sob hysterically each and every one of the three times I saw that production in England and here in NYC) in 2008 Spring Awakening with Jonathan Groff and Lea Michele in 2007 Hedwig and the Angry Inch (both off-Boadway in 1998 and on Broadway in 2014, with Neal Patrick Harris, but also with Michael C. Hall and John Cameron Mitchell, my first Hedwig and my far), Next To Normal with Alice Ripley (who I wish I had seen in Side Show) in 2009 FAVORITE PLAYS (that’s more difficult—there have been so many and they are all so different): Angels in American, both on Broadway and off Lettice and Lovage with Dame Maggie Smith and Margaret Tyzack in 1987 Who's Afraid of Virginai Woolf with Tracy Letts and Amy Morton in 2012 Almost everything by Alan Ayckbourn, but especially Woman in Mind with Julia McKenzie in 1986 And to round out the five, maybe Proof with Mary Louise Parker in 2000. But ask me on a different day, and I might give you a different list. These are only ten theatre moments that I will remember for years to come, until I don’t have a memory anymore. There are many more that I didn't or couldn't remember, and I hope a tremendous number more to come. Thanks for reading. And remember: read, like, share, retweet, enjoy. For more go to

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