MvVO Art Launches AD ART SHOW
Off Broadway

Theresa Rebeck’s What We’re Up Against a Timely Piece of Theatre

Theresa Rebeck’s What We’re Up Against a Timely Piece of Theatre
Marg Helgenberger, Krysta Rodriguez

Marg Helgenberger, Krysta Rodriguez Photo by Joan Marcus

“They told me it wasn’t like this anymore. Why is it still like this?” states Eliza (Krysta Rodriguez) to a female co-worker, Janice (Marg Helgenberger). The problem here is Janice has adopted the “team player” attitude and doesn’t stir the pot in Theresa Rebeck’s, What We’re Up Against. About ten minutes into this play I realized I saw a fabulous production last year handled with aplomb by Life Force Arts, Inc. and director Lorca Perez. Everything I thought about that production holds true now. The workforce is still sexist and if you are talented in a man’s world, they will try to put you down. Here, the men down expensive scotch, curse up a storm, vomit vulgarities that would make Trump look saintly, and think calling women the “C” word is acceptable.

Damian Young, Skylar Astin

Damian Young, Skylar Astin, Krysta Rodriguez Photo by Joan Marcus

Hitting the architecture firm’s glass ceiling for five months, Eliza has confronted her supervisor, Stu (Damian Young). She has turned in plans for a 6-million-dollar strip-mall redesign, with a solution to an air duct problem that nobody can solve. She credits the plan to Weber (Skylar Astin) so that she can see just how sexist this firm is. Webber, who is lower on the totem pole, is a kiss ass described as the “golden boy”, and more importantly, he is a man in a man’s world. Webber is all talk, but no action and Eliza is sick of a man with less seniority getting all the breaks. When she reveals the deception, Stu is out for blood…Eliza’s. He complains to Ben (Jim Parrack) who is agreeable with the “no women” in the workplace clause. When Ben hears that Eliza has solved the problem, he wants to see those plans. Instead, Stu adds Janice to the team. When Eliza hears this, she storms in with threats of going above Stu to the head of the company, David, because she is his hire and he considers her “eight times smarter than the rest of the department”, and in truth she is. To placate Eliza, Stu gives her a low paying job Janice was to accomplish. When she does just that, the wolves are out for more of her blood. In a meeting, Janice throws Eliza under the bus, as does everyone except Ben. In the end, Eliza prevails, but at what cost to her soul?

Skylar Astin, Marg Helgenberger

Skylar Astin, Marg Helgenberger Photo by Joan Marcus

What We’re Up Against shows how sexism remains entrenched to the bowels, even in an upscale workplace. Men are not just the enemy; women turn like backstabbing vipers when their place is threatened.

Damian Young

Damian Young Photo by Rose Billings

What is never explained is why Eliza doesn’t just go to David. There are a few twists and turns that could be cleaner.

Skylar Astin

Skylar Astin and his family Photo by Rose Billings

Damian Young starts off with a banter that puts Mamet to shame and we understand every word. He has the biggest arc in the play. Krysta Rodriguez takes what could have been a role written for a shrew and makes her rabid with ferocity, but allows us to see the venerability underneath. Skylar Astin is the perfect kiss ass. Marg Helgenberger is wasted but does well, and Jim Parrack holds his own.

Marg Helgenberger

Marg Helgenberger Photo by Rose Billings

Adrienne Campbell-Holt doesn’t bring out the layers as much as Ms. Perez did, and I found myself comparing the two productions, with Life Force Arts, Inc. bringing a much more well-rounded production.

 Jim Parrack

Jim Parrack Photo by Rose Billings

The bi-level set by Narelle Sissons gives us a parallel view. Telly Grimes’ costumes are disjointed and do not tell us what the time frame is, but Grant Yager’s lighting is well done.

Krysta Rodriguez

Krysta Rodriguez Photo by Rose Billings

Written in 1992, Ms. Rebeck’s play is dark, timely, foulmouthed, juicy, and seems like it is placed in the 50’s, not now, but the truth is we have not come a long way baby. We delude ourselves if we think we have.

What We’re Up Against: The Women’s Project at McGinn/Cazale Theater, 2162 Broadway, until Nov. 26th.

Off Broadway

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. Currently she has a screenplay in the works, which she developed with her mentor and friend the late Arthur Herzog. She was the Broadway Informer on the all access cable TV Show “The New Yorkers,” soon to be “The Tourist Channel.” email:

More in Off Broadway

Michael McKean, Edie Falco, Peter Scolari

He Says: The True – In Polly’s Opinion, Wins Big

RossSeptember 22, 2018
Kara Young, Donnell E Smith, Toni Ann DeNoble, James Udom

He Says: Jonathan Payne’s The Revolving Cycles Roll’d Through the Powerful and Dangerous Oblong

RossSeptember 21, 2018
Collective Rage: A Play in 5 Betties

Betty & Beer Night

Suzanna BowlingSeptember 21, 2018
Edie Falco, Michael McKean

She Says: Edie Falco, Michael McKean and Peter Scolari Embody Sharr White’s The True

Suzanna BowlingSeptember 20, 2018

Be More Chill Resonates Far and Wide Beyond YouTube

RossSeptember 20, 2018
Billy Crystal

Kevin Kline, Annette Benning, Dick Cavett, Keegan-Michael Key, Darrell Hammond and More Join Billy Crystal’s Have a Nice Day

Suzanna BowlingSeptember 18, 2018
Errol Rappaport, Cindy Marinangel, Russell Daisey

Panning for Theatrical Gold at New York New Works Theatre Festival

Jeffery Lyle SegalSeptember 18, 2018
Kathryn Hunter.

The Emperor Kathryn Solitarily Surrounded by her Loyal Servants

RossSeptember 17, 2018
igail Hawk, Jeanne Lauren Smith and Dorothy Lyman star in In the Bleak Midwinter. Photo courtesy of Sally Davis / Provided by Alton PR with permission

Dorothy Lyman’s In the Bleak Midwinter is a Touching Look at Growing Old

Suzanna BowlingSeptember 17, 2018