La Femme Theatre Productions presents the revival of Tennessee William’s A Lovely Sunday for Creve Coeur, directed by Austin Pendleton. After staging a string of successful co-productions with top Off-Broadway theater companies, La Femme is thrilled to debut its first solo production. Performances begin on September 14 and run through October 21, 2018, with opening night on September 23 at Theatre at the St. Clement’s (423 West 46th St). A fitting venue for this production, St. Clement’s was founded by Tennessee William’s cousin, Reverend Sidney Lanier. Tickets are $55 – $99 and can be purchased by visiting LaFemmeTheatreProductions.org or by calling (866) 811-4111.
In Tennessee Williams’s unique tragicomedy, A Lovely Sunday for Creve Coeur, four women in Depression-era St. Louis live and work together in a valiant effort to stave off loneliness and despair. And, along the way, they uncover false idols — and maybe even themselves.
Clive Barnes of the New York Post said, “This is not your usual Tennessee tourist trip. But it is sweet, honest, compassionate, different.”
Cast includes Kristine Nielsen (Broadway: Present Laughter, You Can’t Take It With You, Vanya and Sonia and Masha and Spike -Tony nomination), Annette O’Toole (TV: “Smallville,” “Man from Nebraska,” “The Kennedys of Massachusetts”- Emmy, Golden Globe nom; NY: Southern Comfort –Lucille Lortel award, Drama Desk and Drama League nom), Jean Lichty (NY: The Traveling Lady, Nora, A Loss of Roses), Polly McKie (NY: The Home Place, A Day by the Sea. Film: Unsane).
“I think some of the late plays of Tennessee’s are some of his best. I think he strikes out in many bold, gentle, brave, funny and very touching directions in these plays. And I think that ‘A Lovely Sunday for Creve Coeur’ is one of the gentlest, funniest, loveliest, and most moving of Tennessee’s later plays — actually of all his plays. And they could not be better served than by our brilliant cast. These women know all about acting, about Tennessee, about life and the idea of all four of them together makes me tingle.” Director, Austin Pendleton
Creative team includes Harry Feiner (Set and Lighting Designer), Beth Goldenberg (Costume Designer), Leah Loukas (Wig and Hair Design), Carrie Mossman (Prop Designer), Amy Stoller (Dialect Designer and Dramaturg), Ron Piretti (Fight Director), Stephanie Klapper (Casting Director), Gary Levinson (Production Manager), Marci Skolnik (Production Stage Manager), and Lisa Dozier King (General Manager).
La Femme Theatre Productions is an all-inclusive theater company dedicated to the exploration and celebration of the universal female experience. La Femme launched in 2014 as an associate producer of William Inge’s lost gem, A Loss of Roses,(featuring Deborah Hedwall and Patricia Hodges), which Terry Teachout called “a triumphant exhumation” and included in the Wall Street Journal’s “2014 Best Theater”. La Femme then co-produced Clifford Odets’s Rocket to the Moon (featuring Katie McClellan, Marilyn Matarrese, Ned Eisenberg, Larry Bull, and Jonathan Hadary – Drama Desk nomination), Ingmar Bergman’s Nora, and last season’s Off-Broadway hit – Horton Foote’s The Traveling Lady (featuring Tony Award nominee Karen Ziemba and Lynn Cohen).
Austin Pendleton (Director) B.A. Yale University, 1961; studied acting in NY with Herbert Berghof, Uta Hagen and Robert Lewis. Apprenticed at Williamstown Theatre Festival; Acting: IVANOV (CSC), Rosmersholm (Pearl Theatre), The Last Will, Love Drunk and Another Vermeer (Abingdon), Mother Courage and Romeo and Juliet (Public Theatre, Shakespeare In The Park), Limonade Tous Les Jours (The Cell), Small Craft Warnings (Mother Of Invention), The Sunset Limited (Steppenwolf in Chicago, 59e59 in NY). Broadway: The Diary of Anne Frank, Doubles, Hail Scrawdyke! (Derwent Award), The Little Foxes and Fiddler on the Roof, Off-Broadway: The Sorrows of Frederick, The Black Monk, Hughie, Sophistry, Educating Rita, The Last Sweet Days of Isaac (Obie and Drama Desk Awards) And Oh Dad… Title roles in Hamlet, Richard III, and Richard II (Off-Off-Broadway), King Lear, Waiting for Godot and Quills (New Rep, Boston); Ivanov and Tartuffe (Yale Rep); Amadeus (Cleveland Playhouse). Film: Bad City (DVD), Wall Street: Money Never Sleeps, A Beautiful Mind, Trial and Error, The Associate, Guarding Tess, Mr. and Mrs. Bridge, The Muppet Movie, Starting Over, Front Page, What’s up Doc, Skidoo, Catch-22. TV: “100 Centre Street,” “Oz,” “Homicide,” “St. Elsewhere.” Directing–Broadway: Spoils of War, The Little Foxes (Tony Nomination), John Gabriel Borkman, The Runner Stumbles and Shelter. Directing–Off-Broadway: The Traveling Lady and Nora (Cherry Lane), Hamlet, Ivanov, Three Sisters (Obie Award) and Uncle Vanya (CSC); Between Riverside and Crazy (Pulitzer Prize) Vieux Carré and Toys in the Attic (Pearl), Fifty Words (MCC). Directing–London: Detroit (National Theatre). Directing–Regional: The Birthday Party, Detroit, Love Song, Frankie and Johnny, Harvey, Cat on a Hot Tin Roof, Three Sisters, Loose Ends, and Say Goodnight Gracie (Steppenwolf). Fathers and Sons, Beach House, The Master Builder, Miss Julie and The Dance of Death (Long Wharf). King Lear, Electra, Angel Street, and The Cherry Orchard (Whole Theatre). Playwright: Orson’s Shadow, Uncle Bob, Booth. Librettist: A Minister’s Wife. Recipient of 2007 Drama Desk Special Award as Renaissance Man of the American Theatre.
The Olivier Awards Return
Celebrate the very best in British theatre in a star-studded evening as the Olivier Awards return to the Royal Albert Hall on April 2nd.
Three-time Olivier Award nominee & Primetime Emmy winner, Hannah Waddingham will be hosting the awards for the first time.
The event will feature performances from all of the Best New Musical nominees, including The Band’s Visit, Standing At The Sky’s Edge, Sylvia and Tammy Faye. Also performing will be Oklahoma! and Sister Act, both nominated for the Best Musical Revival award, as well as Disney’s Newsies, which has been nominated for Matt Cole’s choreography.
The multi-Olivier Award winner The Book of Mormon, will be performing to mark its ten-year anniversary in the West End. Additionally, special award winner Arlene Philips will be honored with a tribute from the cast of Grease.
The ceremony will be broadcast live on Magic Radio from 6pm with Ruthie Henshall and Alice Arnold hosting.
The highlights program will also be aired on ITV1 and ITVX at 10:15 pm in the UK and via Official London Theatre’s YouTube channel elsewhere.
And the nominees are:
Out of Town
The Unpacking of the First Métis Man of Odesa, An Interview
Punctuate! Theatre is unpacking a love story. A love story about a couple. A love story about Ukraine. And a love story against an unbelievably complicated backdrop. Starting at The Theatre Centre in Toronto, the company is ushering forth the world premiere of First Métis Man of Odesa before it spins itself out on stages across Canada. Spanning continents and set against the backdrop of the COVID pandemic and the Russian invasion of Ukraine, Métis playwright and Punctuate! Artistic Director, Matthew MacKenzie (Dora Award-winning playwright for Bears, After the Fire, The Particulars) joins forces with his wife, the award-winning Ukrainian actress Mariya Khomutova (Odesa Film Festival Grand Prix – The Golden Duke award-winner NONNA, Two People), to tell the story of their COVID courtship and share an intimate perspective on the personal impacts of the ongoing war in Ukraine.
Drawn from their real-life love story, a story that is ultimately still unfolding to this very day, First Métis Man of Odesa unpacks the journey of Matt and Masha’s love that spans continents where distance and conflicts can’t tame their passionate connection. After meeting on a theatre research trip in Kyiv, a spark is struck, and a romance between a Métis Playwright and a Ukrainian artist is ignited, taking them from the beaches of the Black Sea to the banks of the North Saskatchewan River, within the onset of a global pandemic, the eruption of a brutal war, but also the many joyous moments that this union begets, including marriage and the birth of their son.
During the height of the lockdown in 2021, an initial version of this piece was presented as a radio play at Factory Theatre, written by MacKenzie and directed by Nina Lee Aquino. This March, First Métis Man of Odesa, as directed by Lianna Makuch (Pyretic Productions/Punctuate!’s Barvinok), makes its stage debut, offering a compelling continuation of the initial story told in that first radio play. The couple, Matthew MacKenzie and his wife, Mariya Khomutova, sat down with Frontmezzjunkies and thankfully answered a few questions about their incredible journey from that first love-struck connection to its World Premiere at The Theatre Centre in Toronto.
Tell me, how you decided to embark on telling your own story and what the beginning of this creative process looked like for you two?
Initially, Matt wrote an audio play for Factory Theatre about our romance, then getting married and having their son during the pandemic. The plan had been to expand the piece for the stage, a plan that took on much urgency after Russia’s full-scale invasion of Ukraine.
Both the pandemic and war have a deeply dehumanizing effect, so our hope in telling our love story is to share the human side of these major world events; a human side that headlines and news clips can’t fully capture.
What aspect of your character, or your involvement with/creation of this play resonates the most powerfully inside you?
For both of us, the opportunity to share all the joy, humour, anger, and frustration we’ve experienced in the past few years is a really therapeutic process. Many of our friends and family only know snippets of what we’ve been through, so the opportunity to tell our story across the country is one we are deeply grateful for.
The phrase “you don’t know what someone is carrying with them” has really hit home over the past couple of years, as we have had to contend with some pretty epic challenges as a couple and as individuals.
Tell me a bit about what it is like to bring your character to the stage? What does mean to you to be telling this story?
We play ourselves in the play, but we very much play versions of ourselves in the play. We had to mine conflict between us out of a few outbursts, as there haven’t actually been a lot of [conflicts] in our relationship so that we could bring the drama of what we are going through to the fore.
Challenges of playing ourselves have included the fact that [Matt] is not a trained actor, while Mariya is. Mariya though comes from a theatre tradition that was almost entirely focused on the classics, so playing herself in a play based on her life is definitely a new and challenging experience!
Tell me a bit more about your development process? Was there a typical ‘first read’ or was it different, given your own story inspired the work…
We were able to conduct several development workshops over a period of six months. There was no shortage of content that we could derive from our lives, so the challenge was determining what to keep and what to let fall away. Even after our first read, we cut 15 pages from our rehearsal draft. Events in our lives and in Ukraine will no doubt continue to necessitate the evolution of our script.
What’s been the most challenging part of this process for you?
For Mariya, it was buying into the idea (that is quite a common one in Canada) that a play about someone’s real life can be art. Seeing Hailey Gillis’s My Ex-boyfriend Yard Sale, really helped her believe this was possible.
For Matt, it met the challenge of performing for the first time in ten years. The last time he performed, he made his friends promise they would never let him perform again, but all agreed it didn’t make much sense for anyone else to play him in this piece.
The most rewarding?
Having already performed several shows in Kamloops, the most rewarding part of this process is sharing this story with refugees from Ukraine. Their responses have been incredible and have really encouraged us to share our story with as many people as possible.
What do you want the audience to get from this play, and from your character?
We want the audience to join us as we relive our sweeping love story, from Odesa to Toronto. We want the audience to see the human side of the conflict in Ukraine. And we want the audience to leave the theatre with the hope that love can and will conquer all.
First Métis Man of Odesa is in Toronto for its world premiere run at the Franco Boni Theatre @ The Theatre Centre from March 30 – April 8, 2023 (opening March 31). Following the world premiere in Toronto, First Métis Man of Odesa will appear at the Citadel Theatre in Edmonton, The Cultch in Vancouver, and the Royal Manitoba Theatre Centre in Winnipeg. For information and tickets, please visit theatrecentre.org/event/first-metis-man-of-odesa/
Ariana DeBose and Bonnie Milligan Debut A Woman Knows
Academy Award winner Ariana DeBose and Drama Desk nominee and Theatre World Award winner Bonnie Milligan record “A Woman Knows,” the exhilarating 11 o’clock number from the upcoming original musical comedy Female Troubles, a period piece.
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