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Vivian Reed

Vivian Reed

Vivian Reed is a multi-award winner with two Tony Award nominations, a Drama Desk Award, a Theatre world Award, Outer Critics Circle Award, Dance Education of America Award, NAACP Award and several others. Studying at the famed Juilliard School of Music she also had extensive dance training and became a polished performer under the guidance of Honi Coles. In 1968, Vivian popularized a Gerri Goffin and Carol King tune “Yours Until Tomorrow,” but it was in Bubbling Brown Sugar that she captured the attention of Pierre Cardin who booked her into his theater and held her over for several weeks.

Vivian Reed, Bubbling Brown Sugar

Vivian in Bubbling Brown Sugar

Vivian has appeared on many TV variety talk shows, One Life to Live has performed with Bill Cosby, Patti Labelle, Brian Stokes Mitchell, Audra McDonald, Elaine Stritch, Alan King, Sammy Davis Jr., Quincy Jones, Ashford and Simpson and Charles Aznavour just to name a few. On film she portrayed Josephine Baker. Vivian received critical acclaim in major productions of Sophisticated Ladies, Roar of the Greaspaint, Smell of the Crowd, Blues in the Night, Don’t Bother Me, I Can’t Cope, High Rollers, Show Boat, Tintypes and was featured in Michael John LaChiusa’s Marie Christine at Lincoln Center. Ms. Reed also has a series of plays under her belt. Vivian has given back of her talent by teaching at Berklee College of Music in Boston where she created a performance class teaching the many aspects of performing and establishing a yearly concert event called Singer’s Night. Recently she presented her nightclub act to two sold out houses and concluded two book musical workshops One For My Baby and The Countess Of Storyville.

Besides her theatrical career she has made a total of six albums, has a career in voice overs as well as TV commercials, is a professional photographer and scarf designer. On Friday she heads to Feinstein’s/ 54 Below to perform in Central Park And Other Dreams. T2C had a chance to talk to this prolific and giving performer.

T2C: Bubbling Brown Sugar shot you to fame on Broadway and you became known for “Sweet Georgia Brown.” What was that experience like?

Vivian Reed: I also sang “God Bless The Child.” I was very young when I did that show. I had done 2 or 3 shows before that. I was with the show from the very beginning. I created the role in BBS at AMAS and it was wonderful to have a show that highlighted my strengths.

T2C: In your mind was there a moment before that that defined your career?

Vivian Reed: I had done a few records and concerts. One song, ‘Yours Until Tomorrow,’ got on the national R&B charts. Everything that you do shapes you and gives you experience. This made me ready for the next steps ahead. It’s a journey.

T2C: What other moments were highlights?

Vivian Reed: Going to Paris and working with Pierre Cardin, to Japan with my band and touring Europe with Bubbling Brown Sugar. I had never been to other countries. I also love doing straight plays because you don’t have to worry about your singing voice. I loved doing The Second Tosca by Tom Rowan. The character and I had a lot in common. This was the first time I didn’t want to paraphrase how the dialogue was written.

T2C: I read that you were on One Life to Live. Who did you play? Did you enjoy the soap opera experience?

Vivian Reed: I played myself. Yes, it was wonderful, but I don’t think I could do a soap opera for long, it is stressful having to learn those lines on the same day you shoot.

T2C: You worked with Michael John LaChiusa and Audra McDonald on Marie Christine. What was that like?

Vivian Reed: I did it because Graciella Danielle wanted me. I originally did not want to do it because the role was small. However, Michael wrote this wonderful song for me “Miracles and Mysteries.” You needed to be musically very educated to do this show. It was very hard and I went into the show two weeks late. It was a challenge but I rose to the occasion. Marie Christine is more a contemporary opera.

T2C: Are their other songwriters you would like to work with?

Vivian Reed: Stephen Schwartz, Jason Robert Brown, Frank Wildhorn… I don’t stress over who I work with. For me the melody and the story have to be strong with a great message. I did Sondheim Unplugged and it wasn’t until “Losing My Mind,” was submitted to me that I found the perfect song for that show.

T2C: What roles would you like to take on?

Vivian Reed: Hello Dolly!, A Homeless Person, I love character work.

T2C: Has Broadway changed for you?

Vivian Reed: Yes, now the producers want huge names and it hurts theatre performers who don’t have big names, so you have to go another way. I went into the clubs.

T2C: What song or song medleys describe who you are?

Standards and More, Vivian Reed

Vivian Reed: “Standards and More” is an album I released a month ago. On it I did a medley of “Just One of Those Things,” “Almost Like Being In Love” and “I’m going to live till I Die.” I, recently, did a Lena Horne show in Pittsburgh and it will be in NY, November 9th at 54 Below. Lena was kind to me when I was at Julliard, she gave me a trunk filled with glamorous gowns she wasn’t wearing anymore. I ended up meeting her a few years later. Songs have to mean something to me, I have to identify with them. I arrange every song I do. I don’t chart them, but I know how I want the songs to go.  When I was rehearsing for TinTypes, at Hartford Stage, one of my songs was “I Ain’t Never Done Nothing to Nobody.” When I got together with the musical director, I wanted to change the approach to the song. The scene was directed differently from Broadway and I was allowed to take a different approach with the song….. the writer loved what I did. You have to make the music fit the moment.

T2C: What is Central Park And Other Dreams about?

Vivian Reed: It’s a new song cycle of which I sing two songs. The show is all about New York and the seasons. William Schermerhorn and Matthew Sklar’s writing is innocent and lovely. The first song I sing is “Prelude.” it’s short, simple and to the point. “Stroke,” is about  people swimming and rowing and how she met her man in Central Park. I also sing a duet, “A Train,” with Alan Harris.  Most of us doing the show all come from Pittsburgh.

T2C: I hear you have a scarf company.

Vivian Reed: I’ve had a shop on Etsy for over three years. My mother taught me to sew at the age of 10. When my mom passed away I started my line and opened my shop. I make them all myself. https://www.etsy.com/shop/vjrscarves?section_id=16762031

T2C: What would you like our readers to know about you?

Vivian Reed: I take what I do very seriously. I have worked very hard on my craft. If you see someone who is doing what you want to do, don’t be jealous and hate, put in the work and be the best you can be. Success is relative. What are your goals? I would like to do more in my career and if that does not happen, I am grateful for what I have accomplished thus far because what I have done might be only a dream for someone else. You have to put in the work… there are no short cuts.

Find the joy in putting your stamp on it, keep the integrity of the piece and find your voice.

Central Park And Other Dreams plays at Feinstein’s/ 54 Below 5/19 at 9:30

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Cabaret

Cabaret Loses The West Bank Cafe and Laurie Beechman Theatre

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The West Bank Cafe and the Laurie Beechman theatre are closing their doors in August.

The West Bank Cafe opened in 1978. The restaurant’s early clients even included the notorious Irish gang, the Westies. The neighborhood was rough. In 1980, The New York Times awarded West Bank two stars, which increased its visibility and attracted a wider range of diners. 
In this era, West Bank Cafe’s owner, Steve Olsen opened the Laurie Beechman Theatre downstairs from the Cafe, which staged plays and hosted events nightly. A young Lewis Black was named playwright-in-residence; Howard Stern aired his third-annual live birthday broadcast from the theater; and the restaurant’s regulars included Tennessee Williams, Arthur Miller and Bruce Willis, among others.

Soon the redevelopment of 42nd Street spread further west, bringing new businesses and residents to the area. Throughout the 1980s and ’90s, the restaurant was a leader in the growing Theater District and Hell’s Kitchen dining scenes. As new theaters opened in the area, the restaurant’s connection to stage and screen remained strong as well. The Laurie Beechman Theatre continued to regularly stage the work of emerging writers, actors, and singers (many of whom later became stars) as well as established acts: The Who even gave four live performances at the restaurant while their musical Tommy was running on Broadway.

After 45 years, the restaurant’s surrounding neighborhood and America’s culinary tastes have changed dramatically. West Bank Cafe has evolved along with the neighborhood and maintained a commitment to serving high-quality food in a unpretentious setting where both theater-goers and theatre stars feel at home.

In 2020 the West Bank was likely to close imminently as it faced mounting debts and a steep drop-off in customers due to COVID. By Tuesday, though, there was an online fundraiser had raised more than $330,000, shooting past its initial goal of $250,000. Donations came pouring in thanks to Tom D’Angora, a Broadway producer and longtime customer. But things took off on Christmas Day, thanks to a star-studded, nine-hour telethon, featuring speeches and performances by Sean Penn, Nathan Lane, Pete Townshend, Debra Messing, Andre De Shields and dozens more performers who have called themselves West Bank regulars during its 42-year history.

The money raised allowed Olsen to pay off the cafe’s debts and save some cash for the future. Sadly it seems 2024 might be the end.

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Cabaret

Jason Robert Brown To Perform at Carnegie Hall In October

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Now here is a concert I will definitely be attending. Three-time Tony Award-winning composer Jason Robert Brown will perform a special concert event at Carnegie Hall on October 25, 2024, at 8:00 PM. He already had a sold-out concert at the London Palladium.

Expect to hear “Still Hurting,” and “Stars and the Moon.” I have included some of my favorite video’s of Mr. Brown’s music sung to perfection.

His repertoire, spans over thirty years of unforgettable and some of the best musical theatre songs ever written.

At the concert some of his closest collaborators and newest friends and some of the most celebrated performers of the stage and the music world – soon to be announced.

The Orchestra of St. Luke’s, New York’s own chamber orchestra, will accompany Jason and his guests with their virtuosic 22-piece ensemble. The evening will be conducted by Jason Robert Brown and Georgia Stitt.

Tickets go on sale to the general public at 11am EST on July 19, 2024, with a general pre-sale on Wednesday, July 17th, and a Live Nation presale, starting Thursday, July 18th. Tickets start at $59.50. For ticketing information and further details, please contact CarnegieCharge at (212) 247-7800, carnegiehall.org, or visit the Box Office on 57th Street and Seventh Avenue.

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Cabaret

My View: Lucie Arnaz…..How Did She Get This Job?

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With apologies to politicians who tout their job creating policies, Lucie Arnaz did not need any assistance to get her current job at 54 Below with a show titled “I Got The Job”.  Lucie got this gig because she is a supremely talented actor/singer/dancer who possesses a distinguished resume and long career of memorable performances on the stages of Broadway, Cabaret, and Concert Halls all over the world… and as I’ve said before about this show….

Lucie Arnaz hit the stage of 54Below with all cylinders on burn and guns ablaze! She performed an evening she calls “I GOT THE JOB” and kept the New York City audience entranced from beginning to end, garnering multiple ovations that seemed as natural as breathing.

For 85 minutes, she owned the stage, dressed to work, in black tights with tuxedo rhinestone striping and a dazzling orange silk blouse with glimmering buttons and cuffs. Basic, simple, perfect. This woman comes with all the equipment to perform, entertain and break your heart. She’s a master storyteller with impeccable timing and the voice shows up for her song after song, from show after show, exhibiting range and colors and nuancing that engage the audience at every turn. The star, of course, is the daughter of showbiz royalty, but she doesn’t rely on that one bit and has her own stories to tell, and they are mesmerizing.

Lucie Arnaz has had an extraordinary life and career and judging by what was on display, last night, I imagine, as Cy Coleman & Carolyn Leigh wrote, “The Best Is Yet To Come.” Lucie wrote and directed herself in this show, which opened the Birdland Theater years ago, but it has been fully fleshed out and brought to vivid life. Sharing the stage with her is what appears to be a musical soulmate in her Musical Director, Arranger and “Acting Partner,” Ron Abel, whose hands gave Ms. Arnaz her orchestra.

During the evening we were treated to a story of her audition (in a theatre) for THEY’RE PLAYING OUR SONG. During the audition, Neil Simon walked onto the stage and told her she was a breath of fresh air. She later “got the job.” Last night, she also stole our hearts and, now, we’re helpless and LOVE LUCIE.

LUCIE ARNAZ

LUCIE ARNAZ

RON ABEL

54 BELOW

LUCIE ARNAZ

RON ABEL & LUCIE ARNAZ

54 BELOW

MACRON PRICKETT

54 BELOW

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Cabaret

Cabaret Shows To Watch

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At Birdland Jazz Club the return of songwriter Scott Alan on Monday, August 5 at 7:00 PM. Alan will be joined by some of today’s brightest stars singing his compositions, including Audrey Belle Adams, Beatriz Melo, Marylee Fairbanks, LaRaisha DiEvelyn Dionne, Carla Mongado, Ashlyn Combs, Natalie Ortega, Cassidy Ewert, Eli Thomas, T’Arica Crawford, Jenna Miller Ferreira, Julian Carli, and Kendall Paige Parrett. There is a $34-45 music charge. Birdland is located at 315 West 44th Street in New York.

Scott Alan is an internationally acclaimed songwriter who has worked with some of the biggest names in theater, TV, film, and recording. Some of those artists include Grammy Award-winning Pentatonix; Grammy Award-nominated artists Jane Monheit, Marc Broussard, Marc Feehily, and Taylor Dayne; Tony Award-winning artists Sutton Foster, Adriane Lenox, Randy Graff, Frances Ruffle, and Lea Salonga; film and TV stars Tracie Thoms, Patina Miller, Katie Stevens, Danny-Boy Hatchard, Cheyenne Jackson, Megan Hilty, Samantha Barks, and Jeremy Jordan; and reality stars Sam Bailey, Collabro, Diane DeGarmo, Christina Marie, and RJ Helton, among others.

After the 2007 release of his debut album Dreaming Wide Awake, Alan has gone on to release seven follow up albums that include KeysWhat I Wanna Be When I Grow UpLiveAnything Worth Holding on ToCynthia Erivo and Oliver Tompsett sing Scott AlanLifeline, and Nothing More. His compositions have been featured on “American Idol,” “So You Think You Can Dance,” “Entertainment Tonight,” HBO, MTV, and VH1.

Scott Alan on Monday, August 5 at 7:00 PM. There is a $35-45 music charge and a $20 food and beverage minimum. Birdland is located at 315 West 44th Street (between 8th and 9th Avenues) in Manhattan. For reservations, please call (212) 581-3080 or visit www.BirdlandJazz.com.

At Birdland Jazz Club Julie Benko returns. The Broadway star of Funny Girl and Harmony – as she marches her band out again on Monday, August 12 at 7:00 PM. Following her recent tour of sold-out shows at San Francisco’s Venetian Room at the Fairmont Hotel, Los Angeles’ Catalina Jazz Club, and New York’s Café Carlyle, and after announcing she was expecting her first baby, Julie introduces a new show that explores the surprises, challenges, and joys of pregnancy. This evening of music will highlight female songwriters (Brandi Carlisle, Laura Nyro), Broadway favorites (selections from Into the Woods, Baby and more), and Disney classics (songs from Cinderella, The Jungle Book, and more). The new arrangements are by her longtime music director and husband (and, of course, the father-to-be!) Jason Yeager. In addition to Yeager on piano, the show features Paul Francis on drums, Michael O’Brien on bass, Justin Poindexter on guitars and mandolin, and Gabe Terraciano on violin. Jeremiah James, Benko’s former Funny Girl co-star, will be featured as guest vocalist. There is a $40 music charge. Birdland is located at 315 West 44th Street in New York.

Jeff Harner

Jeff Harner

PS CLASSICS, the label dedicated to the heritage of Broadway and American Popular Song, has announced that the new album from MAC and Bistro Award-winning concert artist Jeff Harner – Jeff Harnar Sings Sammy Cahn: The Second Time Around – is available for iTunes pre-order starting today, Tuesday, July 16. This pre-order allows for instant download of two tracks, “I’ll Only Miss Him When I Think of Him” and “Come Fly with Me,” which features Grammy Award winner Nicole Zuraitis. The album will be released on CD and digital formats on Friday, July 26. Harnar revisits his 2001 Sammy Cahn recording, long out-of-print: the original album has been remixed, reimagined and expanded upon, reflecting both Harnar’s desire to widen his perspective on the lauded lyricist’s work – new tracks feature guest appearances by Grammy Award nominee Clint Holmes, the acclaimed vocal trio MOIPEI and Nicole Zuraitis – and his own growth as an artist and interpreter. The Second Time Around is also available for pre-order on Amazon.com. A special video trailer for the album, featuring exclusive studio footage, can now be viewed on YouTube HERE.

Harnar will celebrate the album with concerts at New York’s 54 Below on Friday, July 26 and Saturday, July 27. The album’s guest vocalists – Clint Holmes, MOIPEI, and Nicole Zuraitis – will appear on Saturday, July 27, while MOIPEI, Sally Mayes, and Eric Comstock will appear Friday, July 26. Harnar will also feature the Cahn program in London, England at The Pheasantry (9/13-14, 2024) and Boca Raton, FL, at the Adolph & Rose Levis JCC (1/22-23, 2025), with other tour dates to be announced.

July 22 (Monday) 7:00 PM – Birdland Jazz Club Telly Leung – “Back to Birdland”. Telly Leung is the  Broadway star of the musicals Aladdin, Allegiance, Godspell, Rent, and more – returns in the new show “Back to Birdland.” Leung’s six-year hiatus has taken him all over the world as a performer and director. Expect to hear Broadway classics, as well as songs from his solo recordings, featuring a trio of New York’s finest musicians with Gary Adler on piano, Mary Ann McSweeney on bass, and Joe Choroszewski on drums. Leung is a Chinese-American, New York City native, Broadway and television performer, recording artist, producer, director, theater arts teacher, and coach. His Broadway and national touring performing credits include Aladdin in Disney’s Aladdin on Broadway, In Transit, Allegiance (with George Takei and Lea Salonga), Godspell, Rent (final Broadway company), Wicked (Boq, original Chicago company), Pacific Overtures, and Rodgers & Hammerstein’s Flower Drum Song. In 2010, he starred as Angel in Rent at the Hollywood Bowl opposite Wayne Brady, directed by Neil Patrick Harris. Television audiences will remember him as Marcel in Season three of “Warrior” (HBO Max), Wes the Warbler on “Glee,” as well as his guest star appearances on “Instinct,” “Odd Mom Out,” “Deadbeat,” and “Law & Order: Criminal Intent.” Telly is featured as a performance coach for the Jimmy Awards in the PBS documentary, Broadway or Bust.

July 29 (Monday) 7:00 PM – Birdland Jazz Club. A Celebration of Maurice Hines – Tappin’ Thru Life”. This concert will honor the life and legacy of show business icon Maurice Hines through his award-winning, autobiographical show “Tappin’ Thru Life.” The original cast, including John Manzari (vocals/tap), Leo Manzari (vocals/tap) and The DIVA Jazz Orchestra, will reunite to celebrate Maurice’s remarkable career. Special guests will include Clint Holmes and Ann Hampton Callaway on vocals.

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Cabaret

My View: An Evening With Rex Reed, Will Friedwald, & POLLY BERGEN

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Will Friedwald’s Clip Joint presented the legendary film critic and personality “Rex Reed Remembers Polly Bergen” last night at the TRIAD Theater.  It was a fascinating evening as Rex, who was one of Polly Bergen’s closest friends told fly on the wall show biz stories and personal anecdotes about her remarkable life.  An especially hilarious one occurred at the annual OSCAR NIGHT party that Polly had every year in her New York apartment.  There was Rex, watching the Oscars on a TV in Polly’s bedroom, Lucille Ball on one side of him and Paul Newman on the other .  Milton Berle who had been in another room parades past them wearing one of Polly’s gowns that he snatched from her closet!

Will and Rex reminisced about her amazing career in the movies ( including three classic comedies with Dean Martin & Jerry Lewis) but even more so on television.  In fact, her career spans the very history of the small screen medium, starting with appearances on pioneering broadcasts of the late 1940’s right up to a memorable regular role in the hit series DESPERATE HOUSEWIVES-although she was probably best known for starring in the legendary 1957 PLAYHOUSE 90 live television biography of HELEN MORGAN.  In other guises, she was an entrepreneur and political activist. 

Will Friedwald brought along his extensive library of film clips of her appearances on The Hollywood Palace, The Andy Williams Show, The Dean Martin Show, The Perry Como Kraft Music Hall, The Dinah Shore Chevy Show and appearances with Phil Silvers, George Burns, Red Skelton, Andy Williams and many more. Polly Bergen (1930-2014) had three husbands, and unfortunately became a Doris Day type financial victim because of her last one. And now “here’s the rest of my personal Polly Bergen story”.

Many years ago a firm placed a large order with my factory.  When I checked with our credit insuring agency they advised me that the company did not have enough finances to purchase that amount of goods and consequently the agency would only insure half the order.  Not wanting to reject a sizable order I made an appointment to meet the owner in his garment center office and check out his business for myself.  During the course of the conversation somehow the entertainment business came up (of course it did) and he mentioned that he was married to Polly Bergen.  Being a fan and and having reverence for the famous and talented artists in this world I dropped my usual due diligence guard and the hour was spent talking about show business, I loved it, especially when he invited me over to their apartment to watch the Super Bowl.   Well, I shipped all the merchandise…and you can guess what happened….Years later I met Polly Bergen at one of Rex Reed’s evenings and introduced myself with the opening line “ you cost me a lot of money” and then related the story of how her husband never paid.   Polly put her arm around me and said in her bawdy way, “ honey, you’re lucky it was only that much, he bankrupted me”.

WILL FRIEDWALD

REX REED & WILL FRIEDWALD

POLLY BERGEN

REX REED

POLLY BERGEN & DEAN MARTIN

PERRY COMO & POLLY BERGEN

REX REED & WILL FRIEDWALD

ANDY WILLIAMS & POLLY BERGEN

POLLY BERGEN & SANDLER & YOUNG

REX REED & POLLY BERGEN

REX REED & EDA SOROKOFF

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