With Be More Chill at the Signature Theatre taking the theatre community by storm, Here’s a look at what’s coming off Broadway and what we think will be the sure fire must sees.
Days to Come: The Beckett Theatre, 410 West 42nd Street. This is staged by the Mint Theater Company who is on a role with producing some really excellent revivals. Days to Come, is a rare revival written by Lillian Hellman and starring the wonderful Mary Bacon, Janie Brookshire, Larry Bull, Chris Henry Coffey, Dan Daily, Ted Deasy, Roderick Hill, Betsy Hogg, Kim Martin-Cotten, Geoffrey Allen Murphy, with Evan Zes and directed by J.R. Sullivan. In previews, opens August 26th.
Collective Rage: A Play in 5 Betties: Lucille Lortel Theatre, 121 Christopher Street. Meet five different women named Betty: one rich, one lonely, one charismatic, one lovelorn, and one who keeps working on her truck. Oh, and one has decided to stage a production of that play-within-a-play by… that old English guy, what’s his name? Ah, forget it. In Collective Rage: A Play in 5 Betties, five women collide at the intersection of rage, love, and the “thea-tah,” provoking each other to take a look in the mirror and face the person they didn’t know they could be. This New York premiere comedy invites us all to be a little braver, live a little louder, laugh a little harder, and unleash our inner Betty. Written by Jen Silverman, directed by Mike Donahue and staring Dana Delany (Betty 1), Lea DeLaria (Betty 4), Adina Verson (Betty 2), Ana Villafañe (Betty 3), and Chaunté Wayans (Betty 5). Previews start August 16th, opens September 12th.
The True: Pershing Square Signature Center, 480 West 42nd. Street. When it comes to Dorothea “Polly” Noonan – a blunt, profane, decades-long defender of Albany’s Democratic Party machine – politics is only personal, especially now that her hero, “mayor for life” Erastus Corning II, is battling for party control while at the same time fighting the fiercest primary challenge of his life. The True is an intimate portrait of the bounds of love, loyalty, and female power in the male-dominated world of 1977 patronage politics.Written by Share White, directed by Scott Elliot and starring. Austin Cauldwell (as Bill McCormick), Edie Falco (as Dorothea Noonan), Glenn Fitzgerald (as Howard C. Nolan), Michael McKean (as Erastus Corning II), John Pankow (as Charlie Ryan) and Peter Scolari (as Peter Noonan). Previews start September 4th, opens September 20, 2018
**Girl from the North Country: Public Theater, 425 Layette Street. The Public Theater presents the North American premiere of Conor McPherson’s Girl from the North Country, featuring the songs of Bob Dylan. Girl from the North Country originally premiered at London’s Old Vic. The show stars Todd Almond (as Elias Burke), Jeannette Bayardelle (as Mrs. Neilson), Stephen Bogardus (as Nick Laine), Sydney James Harcourt (as Joe Scott), Caitlin Houlahan (as Kate Draper), Robert Joy (as Dr. Walker), Marc Kudisch (as Mr. Burke), Luba Mason (as Mrs. Burke), Tom Nelis (as Mr. Perry), David Pittu (as Reverend Marlowe), Colton Ryan (as Gene Laine), Kimber Sprawl (as Marianne Laine), and Mare Winningham (as Elizabeth Laine), with Matthew Frederick Harris, John Schiappa, Rachel Stern, and Chelsea Lee Williams. Previews start September 11th, opens October 1, 2018
Final Follies: Cherry Lane Theatre, 38 Commerce Street. To honor A.R. Gurney, Primary Stages kicks off its 2018-2019 season with a uniquely curated selection of three one-act plays: The Love Course, The Rape of Bunny Stuntz and the titular Final Follies. The Love Course, an observation of the culminating meeting of an undergraduate romantic literature course, co-taught by two of academia’s most eccentric professors; The Rape of Bunny Stuntz, an enigmatic story of an overburdened woman anxiously trying to keep her personal life from the throes of chaos while leading a rowdy community meeting; and the titular Final Follies, the last chapter in Gurney’s oeuvre of short plays examining WASP life in America, about a forlorn Manhattanite searching for the key to adulthood in the most truly, and literally, adult place imaginable. Directed by David Saint, starring Betsy Aidem (as Professor Carroway/Wilma), Colin Hanlon (as Nelson/Mike), Mark Junek (as Walter), Piter Marek (as Professor Burgess/Howie), Greg Mullavey (as Grandfather), Rachel Nicks (as Tanisha/Sally), and Deborah Rush (as Bunny Stuntz). Previews start September 12, opens October 2nd.
On Beckett: Irish Repertory Theatre, 132 West 22nd Street. Bill Irwin can’t escape Samuel Beckett. He has spent a lifetime captivated by the Irish writer’s language. In this intimate 90-minute evening, Irwin will explore a performer’s relationship to Beckett, mining the physical and verbal skills acquired in his years as a master clown and Tony Award-winning actor. Irwin’s approach to the comic, the tragic, to every side of Beckett’s work – including Waiting for Godot, Endgame, and Texts for Nothing – will allow audiences to experience the language in compelling new ways. Whether you’re encountering the Nobel Prize winner’s writing for the first time, or building on a body of Beckett knowledge. Staring Bill Iriwn, with Finn O’Sullivan. Previews start September 26th, opens October 3rd.
**Popcorn Falls: Davenport Theatre, 354 West 45th Street. Two-time Tony Award winner and Broadway favorite Christian Borle makes his New York directorial debut in James Hindman’s comedy about a small town with two actors playing over twenty roles in under ninety minutes. Welcome to Popcorn Falls, a small American town, whose only claim to fame – their namesake waterfall – has dried up. Now bankrupt, their last chance is a large grant that can only be used if the town produces a play in a week. Led by the Mayor and the local handyman, the enterprising townsfolk try to rise to the challenge and prove that art can save the world. Staring Adam Heller and Tom Souhrada. Previews start September 14th, opens October 8, 2018
Black Light: Barrow Street Theatre, 27 Barrow Street. We loved Black Light at Joe’s Pub from February 12 to March 25, 2018, the Public Theater production of Black Light, created by Daniel Alexander Jones and starring his alter ego Jomama Jones, returns to off-Broadway for a limited engagement at the re-christened Greenwich House Theater. Previews start September 24th, opens October 10th.
Fireflies: Atlantic Theater Company – Linda Gross Theater, 336 West 20th Street. World premiere of Donja R. Love’s Fireflies, directed by Saheem Ali. Somewhere in the Jim Crow South, the sky is on fire. A pregnant Olivia’s fierce speech writing is the sole force behind her charismatic husband Charles and his successful Movement to galvanize people to march towards freedom. When four little girls are bombed in a church, Olivia and Charles’ marriage is threatened – as this tragedy and years of civil unrest leave Olivia believing that “this world ain’t no place to raise a colored child.” Starring Khris Davis (as Charles) and DeWanda Wise (as Olivia). Previews start September 26th, opens October 15th.
**Apologia: Roundabout Theatre Company – Harold and Miriam Steinberg Center for Theatre, 111 West 46th Street. Following an acclaimed run in London’s West End in 2017, Tony & Emmy Award winner Stockard Channing stars in Roundabout Theatre Company’s off-Broadway premiere of Alexi Kaye Campbell’s Apologia, directed by Daniel Aukin. You do not mess with Kristin Miller. In the 1960s, she was a radical activist and political protester. Now a celebrated art historian, the publication of her memoir threatens to split her family apart. But Kristin has never been one to shy away from a fight. Apologia is a passionate, human and humorous clash of generations and beliefs—a lively look at yesterday’s rebels living in today’s reality. Stockard Channing (as Kristin Miller), Hugh Dancy (as Peter and Simon), Megalyn Echikunwoke (as Claire), Talene Monahon (as Trudi), and John Tillinger (as Hugh). Previews start September 27th opens October 16th.
**Mother of the Maid: Public Theater, 425 Layette Street. New York premiere of Jane Anderson’s Mother of the Maid, directed by Matthew Penn and starring six-time Academy Award nominee and three-time Tony & Emmy Award winner Glenn Close as the mother of Joan of Arc. Mother of the Maid tells the story of Joan of Arc’s mother, a sensible, hard-working, God-fearing peasant woman whose faith is upended as she deals with the baffling journey of her odd and extraordinary daughter. This riveting play is an epic tale told through an unexpected and remarkable new perspective and is a deeply moving drama about the glories and challenges of raising an exceptional child. Previews from start September 25th, opens October 17th.
**Ordinary Days: Clurman Theatre, 410 West 42nd Street. New York revival of Adam Gwon’s musical Ordinary Days, directed by Jonathan Silverstein. Ordinary Days, a refreshingly humorous and inspiring musical about making simple connections in a chaotic city, tells the story of four young New Yorkers whose lives intersect in unexpected ways as they search for success, happiness, love, and taxis. Previews start October 2nd, opens October 17th.
**Gloria: A Life: Daryl Roth Theatre, 20 Union Square East. A new play about Gloria Steinem as a symbol of past, present and future change, directed by Tony Award winner Diane Paulus and starring Oscar, Emmy and Golden Globe winner Christine Lahti. Gloria: A Life weaves together personal and history-changing moments of the past fifty years, from consciousness among a few women, to the majority tipping point of national and global consciousness that we are now witnessing. Starting with Gloria’s early adventures as a rare female reporter, the revelations of the play include stories of the people who inspired her and led her to inspire others. Previews start October 2nd, opens October 18th.
Plot Points in Our Sexual Development: Lincoln Center Theater – Claire Tow Theater, 150 West 65th Street. Theo and Cecily want to be honest about their sexual histories, but what happens when telling the truth jeopardizes everything? A contemporary queer love story, Plot Points in Our Sexual Development explores gender, intimacy, and the dangers of revealing yourself to the person you love. Starring Jax Jackson and Marianne Rendon. Previews start October 6th, opens October 22nd.
School Girls; Or, The African Mean Girls Play: Lucille Lortel Theatre, 121 Christopher Street. A special return engagement for Jocelyn Bioh’s hit comedy. Previews start October 16th, opens October 22nd.
India Pale Ale: New York City Center, 131 West 55th Street. This is the world premiere of India Pale Ale, written by Jaclyn Backhaus and directed by Lucille Lortel Award nominee Will Davis. In a small Wisconsin town, a tight-knit Punjabi community gathers to celebrate the wedding of a traditional family’s only son, just as their strong-willed daughter announces her plans to move away and open a bar. As they come together for feasts filled with singing and dancing, one generation’s cherished customs clash with another’s modern-day aspirations, and ghosts and pirates from the family’s past linger in everyone’s thoughts – until one sudden event changes everything. Previews start October 2nd, opens October 23rd.
The Niceties: New York City Center, 131 West 55th Street. The Niceties, written by Eleanor Burgess and directed by Kimberley Senior. At an elite East Coast university, an ambitious young black student and her esteemed white professor meet to discuss a paper the college junior is writing about the American Revolution. They’re both liberal. They’re both women. They’re both brilliant. But very quickly, discussions of grammar and Google turn to race and reputation, and before they know it, they’re in dangerous territory neither of them had foreseen – and facing stunning implications that can’t be undone. Previews start October 12th, opens October 25th.
Eve’s Song: Public Theater, 425 Layette Street. This world premiere is written by Patricia Ione Lloyd and directed by Jo Bonney. Eve’s Song is a stunning, genre-bending new drama about the haunting of a black family in America. In the aftermath of a messy divorce and a daughter coming out as queer, Deborah is trying to keep things normal at home. But as black people continue to be killed beyond their four walls, the outside finds its way in, blurring the lines between family dynamics, politics, and the spirit world. How long can family dinners keep the dangers outside at bay? Filled with dark humor and boiling suspense, Eve’s Song examines our present racial climate through the eyes of a regular American family. Previews fstart October 23rd, opens November 7th.
Thom Pain (based on nothing): Pershing Square Signature Center, 480 West 42nd. Street. Written by Will Eno and directed by Obie Award-winner Oliver Butler. This surreal and very real one-man show follows Thom Pain as he desperately, and hilariously, tries to save his own life…or at least make it into something worth dying for. Starring Michael C. Hall (as Thom Pain). Previews start October 23rd, opens November 11th.
**A Chorus Line – Gala Presentation: New York City Center, 131 West 55th Street. One night only, led by the musical’s original co-choreographer Bob Avian and original cast member Baayork Lee (who played Connie). In 1975, the stories of seventeen Broadway dancers were brought to life when A Chorus Line opened Off-Broadway. The musical was born of workshop sessions with actual Broadway dancers (eight of whom appeared in the original cast) who laid bare their personal stories and the challenges they faced in pursuit of their dreams. November 14th.
Wild Goose Dreams: Public Theater, 425 Layette Street. Written by Hansol Jung and directed by Leigh Silverman. Minsung is a “goose father,” a South Korean man whose wife and daughter have moved to America for a better life. Deeply lonely, he escapes onto the internet and meets Nanhee, a young defector forced to leave her family behind in North Korea. Amidst the endless noise of the modern world, where likes and shares have taken the place of love and touch, Minsung and Nanhee try their best to be real for each other. But after a lifetime of division and separation, is connection possible? Wild Goose Dreams is a strikingly original play with music about two people, from two cultures, forced to choose between family and freedom. Previews start October 30th, opens November 14th.
**Downstairs: Cherry Lane Theatre, 38 Commerce Street. Theresa Rebeck’s gripping new family drama, Downstairs, starring real-life siblings Tyne and Tim Daly, who will be appearing together on the New York stage for the first time ever. In Downstairs, Teddy is a bit lost and has found himself staying in his older sister Irene’s unfinished basement, which has infuriated her husband Gerry. As Irene and Teddy struggle with this less-than-ideal living arrangement, they quickly find themselves grappling with the burden of their family’s troublesome history. While trying to mend the past, the pair unearths a foreboding danger threatening to break the perilously thin bonds holding them together. Previews start November 7th, opens November 18th.
The Hard Problem: Lincoln Center Theater – Mitzi E. Newhouse Theater, 150 West 65th Street. The New York premiere of Tom Stoppard’s The Hard Problem, directed by Jack O’Brien. Hilary is a young psychology researcher at the Krohl Institute for Brain Science where psychology and biology meet. If there is nothing but matter, what is consciousness? This is “the hard problem” facing science, and for Hilary the possibility of genuine altruism, without a hidden Darwinian self-interest, depends on the answer. Meanwhile she is nursing a private sorrow. She needs a miracle and is prepared to pray for one. Staring Eshan Bay, Adelaide Clemens, Nina Grollman, Katie Beth Hall, Chris O’Shea, Tara Summers, and Karoline Xu. Previews from October 25th, opens November 19th.
The Emperor’s Nightingale: Clurman Theatre, 410 West 42nd Street. The New York premiere of Damon Chua’s The Emperor’s Nightingale, directed by Chongren Fan. The Emperor’s Nightingale is an adaptation of Hans Christian Andersen’s story “The Nightingale,” set in 18th-century China, bringing to light the youthful exploits of the future Emperor Qianlong who befriends a magical bird who helps him learn what he must do to be King. The play employs traditional Chinese lion dance, puppetry, and a pair of tigers and pandas to tell this fun, thrilling tale. Previews start November 26th, opens December 2nd.
Dr. Seuss’ How the Grinch Stole Christmas!: Hulu Theater at Madison Square Garden. One of Dr. Seuss’ most loved (and loathed) characters returns to the New York stage for the 2018 Holiday season as How the Grinch Stole Christmas! The Musical plays a limited engagement from December 13 to 30th.
**Blue Ridge: Atlantic Theater Company – Linda Gross Theater, 336 West 20th Street. The world premiere of Abby Rosebrock’s Blue Ridge, directed by Taibi Magar and starring Tony Award nominee Marin Ireland. A progressive high-school teacher with a rage problem retaliates against her unscrupulous boss and is sentenced to six months at a church-sponsored halfway house, where she attends to everyone’s recovery but her own. Set in Southern Appalachia, Blue Ridge is a pitch-dark comedy about heartbreak, hell-raising and healing. Previews start December 12th, opens January 7th.
Theatre News: Bob Fosse’s Dancin’, Parade, The Shubert Organization and Millennials Are Killing Musicals,
Tovah Feldshuh, Huma Abedin, Hillary Clinton at Opening Night of Bob Fosse’s DANCIN’. Photo by Emilio Madrid
The curtain was raised last night at The Music Box Theatre (239 West 45th Street) as Bob Fosse’s Dancin’, the American showbusiness legend’s landmark musical tribute to the artform that defined his life, opened on Broadway 45 years after the original smash-hit production premiered. The production’s direction and musical staging is by Tony Award-winner Wayne Cilento, one of the stars of the original Broadway production, and is produced in cooperation with Nicole Fosse.
In attendance on opening night were Secretary Hillary Rodham Clinton, Nicole Fosse; original A Chorus Line cast members Baayork Lee, Donna McKechnie, Priscilla Lopez; Chita Rivera; Erich Bergen; Jordan E. Cooper; Tovah Feldshuh; J. Harrison Ghee; Jane Krakowski; Adam Lambert; Ralph Macchio; Abby Lee Miller; Audra McDonald; Casey Nicholaw; Justin Peck; Tiler Peck; Bernadette Peters; Tonya Pinkins; Tony Roberts; David Rockwell; Krysta Rodriguez; Christopher Sieber; Jennifer Simard; Will Swenson and more.
Dancin’is Fosse’s full-throated, full-bodied celebration of dancers and dancing. Utterly reimagined for the 21st century, this Dancin’brims with a level of warmth, emotion, and color seldom seen in modern interpretations of Fosse’s influential style and features some of his most inventive and rarely performed choreography. With New York’s hottest cast performing wall-to-wall dance, including Fosse classics such as “Mr. Bojangles,” and “Sing Sing Sing.” Dancin’ delivers the quintessential Broadway experience for Fosse fans and first-timers alike. You think you’ve seen dancing, but you’ve never seen Dancin’like this.
The cast, consisting of some of the best of Broadway’s elite dancers includes Ioana Alfonso (Hometown: Miami via DR/PR), Yeman Brown (Hometown: Tallahassee, FL), Peter John Chursin (Hometown: San Francisco, CA), Dylis Croman (Hometown: Dallas, TX), Jovan Dansberry (Hometown: St. Louis, MO), Karli Dinardo (Hometown: Melbourne, Australia), Tony d’Alelio (Hometown: Roanoke, VA), Aydin Eyikan (Hometown: Fairfield, CT), Pedro Garza (Hometown: Abilene, Texas), Jacob Guzman (Hometown: Brockton, MA), Manuel Herrera (Hometown: Charlotte, NC), Afra Hines (Hometown: Miami, FL), Gabriel Hyman (Hometown: Chesapeake, VA), Kolton Krouse (Hometown: Gilbert, Arizona), Mattie Love(Hometown: Layton, UT), Krystal Mackie (Hometown: Brooklyn, NY), Yani Marin (Hometown: Miami, FL), Nando Morland (Hometown: Colombia / Denver, CO), Khori Michelle Petinaud (Hometown: Centreville, VA), Ida Saki (Hometown: Dallas, TX), Ron Todorowski (Hometown: Pittsburgh, PA), and Neka Zang (Hometown: Scottsdale, AZ).
Bob Fosse’s Dancin’ is produced by Joey Parnes, Hunter Arnold, Kayla Greenspan, Rodger Hess & Michael Seago, Jay Alix & Una Jackman, Bob Boyett, The Shubert Organization, James L. Nederlander, Tim Forbes, Carson Gleberman, Park West Productions, McCabe Ventures, Fran Kirmser & Jodi Kaplan, Greg Young, The Fabulous Invalid, Julie Hess & Tommy Hess, and The Old Globe in cooperation with Nicole Fosse.
Bob Fosse’s Dancin’ originally opened on Broadway at the Broadhurst Theatre on March 27, 1978 and later transferred to the Ambassador Theatre. The production ran for 1,774 performances. Dancin’ was nominated for seven Tony Awards, including Best Musical, and brought Fosse his seventh Tony Award for Best Choreography.
This production of Bob Fosse’s Dancin’ premiered at San Diego’s Old Globe Theatre from April 19, 2022, to June 5, 2022.
Interscope Records is proud to announce the cast album for the “brilliant” (Variety) 2023 revival of Parade — Alfred Uhry and Jason Robert Brown’s award-winning musical, which opened on March 16 at New York’s Bernard B. Jacobs Theatre to rave reviews. Parade (2023 Broadway Cast Recording) features the vocal talents of Tony, Grammy, and Emmy Award® winner Ben Platt and Micaela Diamond and conducted by composer Jason Robert Brown, and will be released on Thursday, March 23. Pre-order it HERE.
Leo and Lucille Frank (Ben Platt and Micaela Diamond) are a newlywed Jewish couple struggling to make a life in the old red hills of Georgia. When Leo is accused of an unspeakable crime, it propels them into an unimaginable test of faith, humanity, justice, and devotion. Riveting and gloriously hopeful, Parade reminds us that to love, we must truly see one another.
The current revival of Parade, which is directed by two-time Tony Award nominee Michael Arden, has received overwhelming acclaim since its debut. Entertainment Weekly called it “a phenomenal production that feels more poignant and powerful than ever,” while Variety said, “Ben Platt stuns in a powerful Broadway production of an essential American musical.”
Platt (Dear Evan Hansen, The Book of Mormon) and Diamond’s performances (The Cher Show) were singled out for praise. Deadline gushed “Ben Platt has no trouble reminding us just why he’s become one of Broadway’s most beloved performers. His vocals here are stunning in a pitch-perfect performance,” while The Guardian raved that “Micaela Diamond’s singing voice is luminous.” “Micaela Diamond, as Lucille Frank, breaks your heart with no affectation whatsoever, and a voice directly wired to her emotions,” wrote The New York Times in its Critic’s Pick review. Tickets are available now at www.paradebroadway.com.
Parade (2023 Broadway Cast Recording) showcases their voices, as well as other members of the all-star cast, while capturing the essence of a musical that, Entertainment Weekly writes, “is the most gorgeous production on Broadway.” Viewers will get a special preview of the musical on March 23 when Platt and Diamond perform its signature ballad “This Is Not Over Yet” on NBC’s Today accompanied by Jason Robert Brown on piano.
Out of the Box Theatrics (Elizabeth Flemming, Founder and Producing Artistic Director; Ethan Paulini, Associate Artistic Director) is pleased to announce that Grammy and Emmy Award winner Kristolyn Lloyd (Dear Evan Hansen) will star in the Off-Broadway developmental production of Millennials Are Killing Musicals, written by Drama League songwriting contest and NAMT Challenge winner Nico Juber. The production, to be directed by Ciara Renée(Waitress, Frozen), will play a limited engagement from May 7-28, 2023, at Theatre 71 at the Church of the Blessed Sacrament (152 West 71st Street). Opening night is May 15. Tickets are on sale now at Ovation Tix.
The Entertainment Community Fund, formerly The Actors Fund, the national human services organization supporting the needs of those working in the entertainment and performing arts industry, today announced that The Shubert Organization has made a $5 million gift to the Fund to support expansion of The Samuel J. Friedman Health Center for the Performing Arts in New York City, the Actors Fund Home in Englewood, New Jersey, and affordable housing and a community arts center at The Hollywood Arts Collective in Los Angeles.
The $5 million gift will be used to expand doctors’ offices and services at The Samuel J. Friedman Health Center for the Performing Arts in New York City, with additional support to the Actors Fund Home in Englewood, NJ. Funds will also be used to bolster the construction and programs of The Hollywood Arts Collective, a new affordable housing and community arts center located in the heart of Hollywood where the Central Gardens will be named in honor of The Shubert Organization.
The Shubert Organization has long supported the Fund’s ongoing work to help people in performing arts and entertainment. In 2017, The Shubert Organization unveiled The Shubert Pavilion: an expansion to the Actors Fund Home, an assisted living and skilled nursing care facility located in Englewood, New Jersey. The Shubert Pavilion houses a 25-bed short-stay rehabilitation center available to the general public and intended for people who are recovering from illness or surgery, as well as 14 assisted living beds. The facility also includes a fully equipped gym for physical, occupational and speech therapies.
Robert E. Wankel, Chairman and CEO of The Shubert Organization, also serves as Chair of The Actors Fund Housing Development Corporation Board of Directors, a role in which he supports and guides the development of affordable housing for the performing arts and entertainment community to improve lives, create jobs, foster economic development and revitalize communities. In 2022, Wankel received the Entertainment Community Fund’s Medal of Honor, an award presented at the Fund’s annual gala that recognizes individuals who have had a profound impact on the entertainment community.
“The Entertainment Community Fund is honored by the long-standing commitment of The Shubert Organization and the countless ways it supports our work to provide a safety net for people in the performing arts community,” said Fund Board Chair Brian Stokes Mitchell. “A special thank you to Bob Wankel for his continued leadership not only at The Shubert Organization, but also with the Actors Fund Housing Development Corporation Board of Directors.”
“The Shubert Organization is proud to strengthen the Entertainment Community Fund’s ability to provide affordable housing, medical care, emergency financial assistance and so much more to those in our industry,” said Robert E. Wankel. “We look forward to all that’s to come in our ongoing collaborations, from Englewood to Times Square to Hollywood and beyond.”
Asi Wind’s Inner Circle Where Cards Are Magical and Slight of Hand is Astounding
My guest absolutely loved Asi Wind’s Inner Circle, but if you have been to Speakeasy Magick at The McKittrick Hotel, much of what is here will seem repetitive, though still amazing.
Asi is good looking, charming, amusing and displays a wonderful sleight of hand. The Gym at the Judson has been designed and lit by Adam Blumenthal to make the space warm and inviting. The space only has 100 seats, so you are up-close and personal.
Before the show starts, audience members are asked to write their names and initials on a blank card with red or black sharpies. These are the cards he uses as his deck, so that each night the show is personalized.
Wind is a wonderful storyteller and loves his craft. He is infectious about his passion and so brings his audience in. Each trick is celebrated as he builds his momentum. You will have seen most of these tricks before if you have been to The McKittrick, but Asi makes it fun and exciting.
My guest could not wait to bring her grandson and thoroughly enjoyed the show. That alone made the performance special.
Asi Wind’s Inner Circle: Gym at Judson, 243 Thompson Street, until May 28th.
Theatre News: Andrew Lloyd Webber, Bad Cinderella, John Kander, KPOP and The Rewards of Being Frank
A Statement From Andrew Lloyd Webber
I am absolutely devastated to say that my eldest son Nick is critically ill.
As my friends and family know, he has been fighting gastric cancer for the last 18 months and Nick is now hospitalised.
I therefore have not been able to attend the recent previews of Bad Cinderella and as things stand, I will not be able to cheer on its wonderful cast, crew and orchestra on Opening Night this Thursday.
We are all praying that Nick will turn the corner. He is bravely fighting with his indomitable humour, but at the moment my place is with him and the family.
Opening Night Performance of Andrew Lloyd Webber’s new musical Bad Cinderella is Thursday, March 23, 2023 at Imperial Theatre, 249 W 45th Street.
Red Carpet arrivals of celebrity guests including Afyia Bennett, Senator Barbara Boxer, Alex Brightman, Tory Burch, Kandi Burruss, Jordan E. Cooper, Erin Dana Lichy, Lamar Dawson, Machine Dazzle, Bethenny Frankel, Mandy Gonzalez, Amber Gray, Jae Gurley, Amber Iman, Ashley Longshore, Carson Kressley, Judy Kuhn, Loosey LaDuca, Luann de Lesseps, Marcia Marcia Marcia, Martyna Majok, Ingrid Michaelson, Andy Mientus, Minnie Mills, Pablo Montalban, Justin Peck, Wendell Pierce, Zac Posen, T. Oliver Reid, Krysta Rodriguez, Daphne Rubin-Vega, Sylvester Stallone, Elizabeth Stanley, Alex Timbers, Tommy Tune, Tanairi Sade Vasquez, Ana Villafane, Anna Wintour and the cast and creative team of Bad Cinderella including Andrew Lloyd Webber, Linedy Genao, Carolee Carmello, Grace McLean, Jordan Dobson, Sami Gayle, Morgan Higgins, Cameron Loyal, Christina Acosta Robinson, Savy Jackson, Mike Baerga, Raymond Baynard, Lauren Boyd, Tristen Buettel, Alyssa Carol, Gary Cooper, Kaleigh Cronin, Josh Drake, Ben Lanham, Angel Lozada, Mariah Lyttle, Robin Masella, Sarah Meahl, Michael Milkanin, Chloe Nadon-Enriquez, Christian Probst, Larkin Reilly, Julio Rey, Lily Rose, J Savage, Dave Schoonover, Tregony Shepherd, Paige Smallwood, Lucas Thompson, Alena Watters and more.
John Kander celebrates his 96th birthday on Saturday, March 18, six days before New York, New York, his 16th original Broadway musical begins performances at the St. James Theatre., giving him the distinction of being the oldest composer to open a new musical on Broadway. To honor the legendary composer Susan Stroman, Lin-Manuel Miranda, Colton Ryan, Anna Uzele and the cast and creative team of New York, New York surprised John Kander with a Big-Apple-sized rendition of “Happy Birthday.” You can watch the video here.
A titan of the American Theatre, John Kander made his Broadway debut as the rehearsal pianist for the original production of Gypsy starring Ethel Merman in 1951. The first Kander & Ebb musical, Flora The Red Menace, debuted in 1965 and starred Liza Minnelli in a Tony-winning performance. What followed was a string of legendary musicals including Chicago, Cabaret, Steel Pier, Curtains, The Visit and The Scottsboro Boys, all culminating in this new musical set in post-war New York, inspired by the 1977 Martin Scorsese film of the same name, which features the iconic song “New York, New York.” New York, New York marks the 15th Kander & Ebb musical to open on Broadway.
New York, New York marks the first new John Kander & Fred Ebb musical to open on Broadway since 2015’s The Visit, which was nominated for 5 Tony Awards including Best Musical. The legendary duo is also currently represented on Broadway with Chicago, which holds the distinction of being the longest-running American musical in Broadway history.
New York, New York stars Colton Ryan (Girl From The North Country, Hulu’s “The Girl From Plainville”) as Jimmy Doyle, Anna Uzele (Six, Apple TV+’s “Dear Edward”) as Francine Evans, Clyde Alves (On The Town) as Tommy Caggiano, John Clay III (Choir Boy) as Jesse Webb, Janet Dacal (In The Heights) as Sofia Diaz, Ben Davis (Dear Evan Hansen) as Gordon Kendrick, Oliver Prose as Alex Mann (Broadway Debut), Angel Sigala (Broadway Debut) as Mateo Diaz, and Tony Award nominee Emily Skinner (Side Show) as Madame Veltri. The ensemble includes Wendi Bergamini, Allison Blackwell, Giovanni Bonaventura, Jim Borstelmann, Lauren Carr, Mike Cefalo, Bryan J. Cortés, Kristine Covillo, Gabriella Enriquez, Haley Fish, Ashley Blair Fitzgerald, Richard Gatta, Stephen Hanna, Naomi Kakuk, Akina Kitazawa, Ian Liberto, Kevin Ligon, Leo Moctezuma, Aaron Nicholas Patterson, Dayna Marie Quincy, Julian Ramos, Drew Redington, Benjamin Rivera, Vanessa Sears, Davis Wayne, Jeff Williams, Darius Wright. New York, New York begins performances Friday, March 24, 2023 and officially opens Wednesday, April 26, 2023 at Broadway’s St. James Theatre (246 West 44th Street).
Featuring music and lyrics by Tony, Emmy & Grammy Award winners and Academy Award nominees John Kander & Fred Ebb (Chicago, Cabaret), written by Tony Award nominee David Thompson (The Scottsboro Boys, Steel Pier), co-written by Sharon Washington (Audible’s Feeding The Dragon) and featuring additional lyrics by Pulitzer, Tony, Emmy & Grammy Award winner and Academy Award nominee Lin-Manuel Miranda (Hamilton, In The Heights), New York, New York will be directed and choreographed by five-time Tony Award winner Susan Stroman (The Producers, The Scottsboro Boys).
It is 1946, the war is over, and a resurgent New York is beginning to rebuild. As steel beams swing overhead, a collection of artists has dreams as big and diverse as the city itself.
Among them is New York native Jimmy Doyle, a brilliant but disillusioned musician looking for his “major chord” in life: music, money, love. The odds are against him getting all three until he meets Francine Evans, a young singer just off the bus from Philly, who is destined for greatness. If they can make it there, they can make it anywhere.
Tickets for New York, New York are now on-sale at www.NewYorkNewYorkBroadway.com. Tickets start at $59.
This new musical is inspired by the Metro-Goldwyn-Mayer Motion Picture New York, New York written by Earl M. Rauch.
Sony Masterworks Broadway, along with producers Tim Forbes and Joey Parnes, share new track “Super Star” from KPOP – Original Broadway Cast Recording – listen here. Featuring vocals from chart-topping Korean songstress and show lead Luna as well as the show’s talented cast of performers, “Superstar” is the second track to debut from the album, which arrives digitally on Monday, May 8 and on CD Friday, May 12. “Super Star” premieres today alongside an accompanying video featuring Luna – watch here.
Available for preorder and presave now, KPOP – Original Broadway Cast Recording was produced by Helen Park, Matt Stein, and Harvey Mason jr.(NCT 127, Red Velvet), and features music, lyrics, music production and arrangements by Park and music and lyrics by Max Vernon. The first-ever Broadway musical to celebrate Korean culture with Korean, Korean-American, and API representation on and off-stage, the album features a star-studded cast of performers from the world of K-pop, including chart-topping superstar and lead Luna, BoHyung (from the K-pop group SPICA and half of the duo KEEMBO), Min (from the K-pop group Miss A), Kevin Woo (from the K-pop group U-KISS), and more.
The Rewards of Being Frank, currently running through March 26, 2023 at the Mezzanine Theatre at ART/New York Theatres (502 West 53rd Street), is now available for streaming, also through March 26 only. The World Premiere play, written by Alice Scovell, is a sequel to Oscar Wilde’s immortal 1895 comedy, The Importance of Being Earnest. https://ci.ovationtix.com/35099/store/donations/49755 The cast for The Rewards of Being Frank feature Moboluwaji Ademide Akintilo (New York Classical’s The Importance of Being Earnest (Two Ways), Shakespeare’s Globe Theatre’s A Midsummer Night’s Dream) as Frank, James Evans (The McKittrick Hotel’s The Woman in Black) as Algernon, Kelly Mengelkoch (Cincinnati Shakespeare Company) as Gwendolyn, Tora Nogami Alexander (The Acting Company’s Twelfth Night) as Cecily, Jeremy Dubin (Cincinnati Shakespeare Company) as Ernest, and Christine Pedi(Broadway’s Chicago, Talk Radio, Off-Broadway’s Forbidden Broadway) as Lady Bracknell. Oscar Wilde’s much-loved The Importance of Being Earnest receives a hilarious sequel in this world premiere. Set seven years after Wilde’s play, see what happens to our characters when they meet Frank. After all, the only thing more Important than being Earnest, is being Frank! Performances are Tuesday-Sunday at 7:00 PM with matinees on Wednesdays at 2:00 PM. Running time is two hours including intermission. Tickets are available on the NY Classical website. Advance reservations are $35 per seat. These reservations are refundable—in cash, at the theatre—following each regular performance.* All NY Classical programs are free and open to the public. Pending seating availability, FREE admission will be available beginning one hour before curtain, on a first-come, first-served basis.The Rewards of Being Frank is a co-production of New York Classical Theatre (Stephen Burdman, Founding Artistic Director, Matthieu Chapman, Literary Director) and Cincinnati Shakespeare Company (Brian Isaac Phillips, Producing Artistic Director). Mr. Burdman directs. The streaming version of The Rewards of Being Frank is available for a donation of $10 or higher. You can watch the recording as often as you wish and at any time. The link will expire at 10:00 pm on Sunday, March 26, 2023. To order, or for more information, please visit:
Tech2 years ago
How to Take Advantage of Virtual Numbers for SMS
Business2 years ago
Entre Institute Review – Is Jeff Lerner’s Program a Scam?
Entertainment2 years ago
A Star is Born – Barvina Takes Entertainment World by Storm
Events3 months ago
New Year’s Eve Traditions In The US and Around The World
Film9 months ago
Elvis and The Mob Connection
Broadway2 years ago
Broadway Reopening: The Theatre Listings
Spiritual2 years ago
The History of Numerology
Family2 years ago
Who Is Justine Ang Fonte and Why Are We Letting Her Near Children?
Broadway11 months ago
Funny Girl Makes Julie Benko a Star
Events2 years ago
The Question On Everyone’s Mind Should Be How Did The Haitians Get To Mexico