Cabaret
What To Watch Aug 30th To Take Away The Blues
***Please note that the Next to Normal Reunion was rescheduled to September 15th. Last night was Daisy and Violet Hilton Reunion with Emily Skinner and Alice Ripley

Virtual Godspell Concert By Hope Mill Theatre. Manchester’s Hope Mill Theatre will present a virtual concert of the Stephen Schwartz musical Godspell August 27–29.
The cast will be led by Ruthie Henshall (Chicago) and Darren Day (Joseph and the Amazing Technicolor Dreamcoat), who were featured in a 1993 cast recording of the musical. They’ll be joined by Sam Tutty (Dear Evan Hansen), Ria Jones (Evita), and Jenna Russell (Sunday in the Park With George).
The cast will also include Jodie Steele, Danyl Johnson, Jenny Fitzpatrick, Natalie Green, John Barr, Sally Ann Triplett, Gerard McCarthy, Alison Jiear, Shekinah McFarlane, and Lucy Williamson.
Godspell, which tells a series of parables leading up to the Passion of Christ, features a score by Schwartz (Wicked, Pippin, The Prince of Egypt) and a book by John-Michael Tebelak. Songs include “Day By Day,” “Save The People,” “Learn Your Lessons Well,” “All Good Gifts,” “Turn Back, O Man,” and “By My Side.”
9am: Q&A with Jonathan Hollander London-based Dance Dispatches presents a Q&A with Battery Dance Founder and Artistic Director Jonathan Hollander.

1pm: Practical Playwriting: How to Write for Commercial Production Theater Resources Unlimited (TRU) presents a virtual workshop, Practical Playwriting: How to Write for Commercial Production, open to playwrights everywhere.
This one-day intensive will be taught by TRU Literary Manager Cate Cammarata and commercial producer Patrick Blake (The 39 Steps, My Life Is a Musical, Bedlam Theater’s Hamlet/St. Joan, The Exonerated, In the Continuum, Play Dead) founding artistic director of Rhymes Over Beats.
2pm: Plays in the House The Smell of the Kill By Michele Lowe. Starring Krysta Rodriguez, Courtney Reed, Olivia Puckett, Jason SweetTooth Williams. Directed by Adrienne Campbell-Holt. Artistic Director: Jane Abramson. Streaming Director: Hudson Flynn.

2pm: SummerStage Anywhere: Brooklyn Dance Festival The Brooklyn Dance Festival celebrates dance and performance art for all Brooklynites, providing services, opportunities, and outreach for all manner of dancers and highlighting diverse talents throughout the borough. They are joining us for the final SummerStage Anywhere: People Speak Sunday, with guest curation by the festival’s co-founder Tamia Santana and hosted by former Alvin Ailey star dancer, Dwana Smallwood, whose youth ensemble will join Earl Mosley’s Diversity of Dance, the New York City Ballet, The Orsano Project, Kristin Sudeikis Dance, Ballet Hispanico, the Urban Dance League, Maria Torres Dance Company, and the Brooklyn Dance Festival’s own company with Ailey Professional Division students as featured dance companies. On the 1s and 2s is the DJ, barber, and community organizer, DJ Zaki The Barber. Tune in for the first hour at 2pm EST, which will feature IG Live interviews with Smallwood and Diversity of Dance founder Fredrick Earl Mosley and Kristin Sudeikis, founder of Kristin Sudeikis Dance and FORWARD_SPACE.
2pm: Theater for the New City: Liberty or Just Us: A City Park Story


3pm: The Seeing Place: A Midsummer Night’s Dream These couples in just can’t catch a break, have you noticed that? Everyone is trying to tell them how to be and who to love: the government, their parents, themselves, crazy woodland fairies. It’s a lot like the society we live in now where lovers, especially in the LGBTQIA+ community, just can’t do their own thing without everyone and their mother trying to get involved. Our cast and production team, with a majority representing the LGBTQIA+ community (featuring Hermia and Lysander as a lesbian couple and a herd of non-binary fairies), will dive deep into this messy web of tyranny and prejudice to expose it for how silly it really is.

3pm: Fabulous Fanny: The Songs and Stories of Fanny Brice Legendary Fanny Brice– Torch Singer, Comedianne, Ziegfeld Follies Broadway Star, voice of “Baby Snooks’ on the Radio, Golden Era Movie Star and inspiration for musical/movie Funny Girl and Funny Lady, come alive in this critically acclaimed solo show.
Fabulous Fanny takes the audience on a nostalgic journey into the life and relationships of Brice and entertains with many of her popular hits including “My Man”, “Second-Hand Rose”, “Rose of Washington Square”, “Cooking Breakfast for the One I Love”, “When a Women Loves a Man”, “Sadie Salome”, as well as songs inspired by the legend herself such as “Don’t Rain On My Parade” and “People”.
Treat yourself to a program of stunning musicality and intimate stories; entertainment that will leave you in the musical moment, feeling entertained and enlightened by Fanny’s anecdotes, antics and artistry captured as no one else does.
Creative Team: starring as Fanny Brice: Kimberly Faye Greenberg; Director:Brian Childers; Musical Director/Arranger:Jeff Biering; Choreographer:Justin Boccitto; Costume Designer:Ryan Matthieu Smith; Writer: Kimberly Faye Greenberg; Additional Material: Brian Childers; Additonal Arrangements: Julianne B. Merrill and Creative Consultant:Kimberly Rehfuss
4pm: Marie’s Crisis Virtual Piano Bar scheduled pianists are Adam Michael Tilford (@Adam-Tilford-1) and Dan Daly (@DanDalyMusic).

5pm: Madonna of Damascus Hypokrit Theatre Company and Rebel Theatre Company have teamed up, in association with the Equity in the Arts & Culture Committee of the Brooklyn Branch of the NAACP, to present a live virtual reading of Madonna of Damascus, a play by Rajendra Ramoon Maharaj (artistic director of Rebel Theatre Company).
The reading is scheduled for Sunday, August 30th, 2020 at 5PM EST, and will be followed by a 30-minute conversation between the cast, creative team, and the audience.
The readings will be directed by Arpita Mukherjee (artistic director of Hypokrit Theatre Company), with the cast comprised of Aya Aziz, Mariam Bazeed, and SEVAN.

6pm: Escape From Camp Erie Andrew Barth Feldman has wrangled a host of Broadway favorites to star in the next edition of Broadway Whodunit, including Rob McClure, Lesli Margherita, Solea Pfieffer, and Celia Rose Gooding. Rounding out the cast are Feldman himself, Sky Lakota-Lynch, Gabrielle Carrubba, Jason Tam, Alex Boniello, and Will Roland.
Audiences will serve as detectives as they track down suspects in the live, unscripted, and interactive performance, this time set at an ill-fated summer camp. The stars will receive nothing but their character descriptions beforehand. When the show begins, they will receive a set of objectives to achieve their characters’ goals.
Ticketholders will receive a link to a website that contains virtual rooms, where they can follow characters around during the performance. In addition, chat rooms will be available to discuss theories as they track down the culprit. Detectives will also receive a link to submit their guess for who the murderer is. Those with correct guesses will receive points based on how quickly they submitted. Using those points, detectives will be ranked on the leaderboard. These points accumulate through all future mysteries.

7pm: LimeFest: Vessel of a Woman “Vessel of a Woman” is a poetry cycle concieved by Merlixse Ventura; exploring the themes of pandemic, privilege and patriarchy from the perspective of an Afro-Dominican woman. Written, Directed & Performed By Merlixse Ventura
7:15pm: Quantum Theatre: Constellations Roland, a beekeeper, and Marianne, a quantum physicist, meet through a chance encounter and a multitude of possibilities stretch out before them. Three couples of married actors lead us through shifting realities and an infinity of parallel universes in this romantic play exploring the intersection of free will, destiny, and love. Starring Julianne Avolio, John Michnya, Daina Griffith, Daniel Krell, Marva Williams-Parker and Rico Romalus Parker
Originally produced on Broadway by the Manhattan Theatre Club, Lynne Meadow, Artistic Director, Barry Grove, Executive Producer, and The Royal Court Theatre by special arrangement with Ambassador Theatre Group and Dodgers on December 16, 2014.
The production is offered in two live 30-minute segments, and presented over four nights. Live broadcasts begin each evening at 8:00 PM, preceded by recordings of Part 1 on Friday and Sunday. Though we hope fans will tune into the livestream, registered participants will also be able to view a recording of the broadcast at their convenience throughout the 4-day period.

7pm: The 19th Amendment Project Burning Coal Theatre is pleased to present The 19th Amendment Project, a collection of short plays written by some of the most accomplished women and/or non-binary playwrights working today, writing on the passage of the 19th Amendment 100 years ago and its ongoing impact. Tonight She drove me to the town hall when I turned 18 so I could register to vote by Kelly Doyle

7:30: Falstaff Verdi finished his sublime final opera when he was almost 80 years old, capping a fruitful career with a bawdy adaptation of scenes from Shakespeare’s The Merry Wives of Windsor and Henry IV. His classic operatic farce charts a knight’s gold-digging efforts to seduce two married women, leading to belly-flopping failure on both counts. The score, meanwhile, is a complete tour de force, demonstrating the old master’s still-youthful panache, as well as his profound insight into human nature.

8pm: The Seth Concert Series: Sierra Boggess is an Olivier nominated actress, best known world-wide not only for re-inventing the coveted role of ‘Christine Daae’ in Lord Andrew Lloyd Webber’s The Phantom of the Opera, but for Lord Webber himself going on record to say that “she’s the best, the best Christine certainly.” Boggess portrayed the role in the Broadway, West End, and the televised 25th Anniversary concert productions of Phantom.Sierra made her Broadway debut as Ariel in Disney’s The Little Mermaid, receiving Drama Desk and Drama League Nominations. Her additional Broadway credits include Master Class, It Shoulda Been You, The Phantom of The Opera, and School of Rock. Boggess’ Off-Broadway credits include Love, Loss, and What I Woreand Music in the Air, alongside Kristin Chenoweth, for New York City Center’s Encores! Series. In the West End, Boggess has appeared as Fantine in Les Miserablesand originated the role of Christine Daae in Love Never Dies, the critically acclaimed sequel to The Phantom of the Opera, receiving an Olivier Award Nomination for her performance. Sierra starred as Cinderella in the highly anticipated Hollywood Bowl production of Into the Woods where the Los Angeles Times raved of her “crystalline singing and gameness for comedy… Boggess’ Cinderella was enchanting.” Prior to that she starred as Danielle DeBarbarac in the new musical, Ever After at the Alliance Theatre as well as starred in the world premiere of the new play The Age of Innocence at Hartford Stage for which she received a nomination for a Connecticut Critics Circle Award for her portrayal of Countess Ellen Olenska.Sierra’s concert appearances include multiple engagements with BBC Proms at Royal Albert Hall, Lincoln Center’s American Songbook Series The Lyrics of David Zippel, The New York Pops at Carnegie Hall, Broadway By The Year at Town Hall, Guys and Dollsat Carnegie Hall opposite Patrick Wilson, Megan Mullally and Nathan Lane, and The Secret Gardenat Lincoln Center. She has toured with her cellist sister, Summer Boggess and musical director, Brian Hertzall over the United States as well as Japan and Australia with her concert show which has been preserved live and released on CD, Awakening: Live at 54 Below.

8pm: Lucille Ball Virtual Comedy Festival: Debra Messing By The National Comedy Center Hosted by Frank DeCaro, the National Comedy Center presents a conversation with Debra Messing.
The sit-down will explore Messing’s work in comedy and discuss Lucille Ball, who was a major influence on Messing’s career. One of the last episodes of Will & Grace this past April was a tribute to I Love Lucy entitled “We Love Lucy,” in which Messing portrayed beloved I Love Lucycharacters Lucy Ricardo, Ethel Mertz and Fred Mertz.

8pm: Plays for the People: Cell Surface By Black Lives Black Words International Project. Black Lives Black Words International Project’s Plays for the People series continues with Dominic Taylor’s Cell Surface. Jerrell Henderson directs.
Cell Surface is a play about making a play in Zoom about two amazing African-American scientists, Dr. E.E. Just and Dr. Roger Young. Ernest Everett Just was the first Black graduate of Dartmouth. His graduate assistant, while he was a professor at Howard University, was Dr. Roger Young. She was the first Black woman to get a Ph.D. in science from U Penn.

8pm: Brian Nash has been a proud member of the Duplex staff since 2003. Brian works extensively on the Broadway and off-Broadway theater scene, and is the Music Director and Orchestrator of the off-Broadway hit, SILENCE! The Musical. He was a producer on Bare: The Musical for its recent revival off-Broadway and is a resident music director and performer for Atlantis Events worldwide. His cabaret work with Natalie Joy Johnson has earned them recognition from the Village Voice and has been named one of the Top 10 Cabaret Acts by TimeOut New York. Brian has also music directed for Andy Bell of Erasure, Tonya Pinkins, Julia Murney, Rob Evan, Mandy Gonzales, Michael McElroy, Jonathan Hellyer, Trevor Ashley, and many others. His piano playing was recently extensively featured on alternative pop band Boys Like Girls 2012 album, Crazy World (Columbia Records). Other recent theater projects include The Last 5 Years (Asolo Rep) , A Night In Seville (Epic Theater Ensemble), Crossing Brooklyn (Transport Group), Writing Arthur and Something’s Wrong With Amandine at TheatreWorks New Works Festival in Palo Alto, CA, Writing Arthur at NAMT with Kelli O’Hara and Ana Gasteyer, The Unauthorized Musicology of Ben Folds I and II and But I’m A Cheerleader for the New York Musical Theatre Festival, and A Broadway Diva Christmas, starring Ellen Greene and Kathy Brier. Other NYC and regional credits include Songs for a New World, The Sexless Years, Red, Lend Me a Tenor, Jesus Christ Superstar, and The Rocky Horror Show. Brian has produced albums for singer/songwriters Justin Tranter, Shanna Sharp, and Stacy Allyn Baker, recently performed at Town Hall, the Kennedy Center, Jazz at Lincoln Center, and Birdland with Natalie Douglas, and produced and produced Kate Pazakis’ debut album, Unzipped: Live at the Zipper for PS Classics. Brian is in extensive demand as a pianist and singer throughout NYC and has played sold out concerts of the music of Tori Amos; he is also been a featured performer on Rosie and Kelli O’Donnell’s r family vacations cruises. His first songs were written for two recent editions of TheATrainPlays, and were featured on NPR’s All Things Considered. Brian holds a Bachelor’s of Music degree from Boston Conservatory and studied record production at Berklee College of Music. For more info, please visit BrianJNash.com.
Cabaret
My View: Another Win For Sydnie Christmas…..This Time at Sony Hall
Sony Hall was packed for last night’s Sydnie Christmas concert with a wait-list of lines down 46th street, and quite frankly, I’ve rarely witnessed an audience respond to a performer with the kind of enthusiasm that Sydnie received. Coming from the era when black and white television talent shows were often the launching pad for extraordinary careers it was my opportunity to discover whether the phenomenon that began on Britain’s Got Talent can evolve into something far bigger.
The applause meter on Arthur Godfrey’s Talent Scouts, one of the most widely watched television shows of the 1950’s was a proving ground for some remarkable talent. Vic Damone, Tony Bennett, Pat Boone, Connie Francis, Eddie Fisher, and Rosemary Clooney all went on to become household names after appearing on the show (Elvis Presley auditioned but was rejected). Other contest winners were Frank Sinatra on Major Bowes’ Original Amateur Hour and Gladys Knight on Ted Mack’s Amateur Hour.
As the 2024 winner of the British counterpart to America’s Got Talent, Christmas captured audiences with a series of remarkable performances before taking the title. Now, with a string of successful concerts behind her, the real question is whether that television triumph can be the beginning of a substantial and enduring career.
The manufactured drama woven into today’s television talent shows often dictates not only the songs contestants choose but also the vocal fireworks they unleash. A singer’s style can be every bit as important as the voice itself when it comes to winning over judges and the public. Does Sydnie Christmas have something else besides that type of performance that targets the judges and the public?….She attempted to answer that question from the very start, opening with a haunting “Amazing Grace,” followed by a two-act concert filled with Pop, Broadway, Soul and Disco standards, as well as several originals. Many of the songs received standing ovations from an audience that had clearly come to celebrate—and exalt—their hero.
There is no question that Sydnie Christmas is likable, possesses a powerful instrument, and brings an original approach to a song. It’s easy to understand why the jury and audience at BGT gave her such an enthusiastic thumbs-up. But this “jury” is still deliberating. We need to hear more before reaching a final verdict.
Cabaret
Oh, What a Night! The Midtown Men Bring Broadway and the ’60s to Eisenhower Park
Some Broadway friendships end when the final curtain comes down. Others apparently turn into a rock-and-roll band.
The Midtown Men brought their irresistible combination of Broadway polish, four-part harmony and pure 1960s swagger to Eisenhower Park’s Harry Chapin Lakeside Theatre, proving once again that Jersey Boys may have introduced these four men to one another, but it certainly wasn’t the end of their story.
Tony Award winner Christian Hoff, Michael Longoria, Daniel Reichard and Tony Award nominee J. Robert Spencer first shared a stage as members of the original Broadway company of Jersey Boys, the musical phenomenon that turned the story and songs of Frankie Valli and The Four Seasons into one of Broadway’s biggest hits.
They spent more than a thousand performances together before doing something rather unusual: instead of simply moving on to their next individual Broadway jobs, they took the chemistry they had developed eight shows a week and created something of their own.
The result was The Midtown Men.
And while their pedigree is unmistakably Broadway, this isn’t Jersey Boys on tour. The Midtown Men became their own musical act, expanding beyond The Four Seasons to embrace the glorious pop landscape of the 1960s—The Beatles, The Beach Boys, Motown, The Rascals, The Mamas & the Papas, The Ronettes and more. Their official repertoire has long celebrated the decade that gave America some of its most enduring pop music, with four singers who know exactly how to sell both a harmony and a story.
What makes the group work isn’t simply nostalgia. Plenty of acts can recreate the music of the ’60s. The Midtown Men have something considerably harder to manufacture: history with one another.
They learned how to listen to one another on a Broadway stage. They know where the other voices are going, when to step forward, when to pull back and how to turn four leading men into one sound. Reichard has recalled that while they were still performing Jersey Boys, the four would gather in dressing rooms between shows and work out harmonies to other songs they loved from the decade. In other words, The Midtown Men were quietly being born backstage while another show was happening out front.
That musical shorthand followed them to Eisenhower Park.
Hoff brings the confidence that won him the Tony Award for his portrayal of Tommy DeVito. Reichard, Broadway’s original Bob Gaudio, possesses the musical-theatre storyteller’s instinct for finding the character inside a song. Spencer, the original Nick Massi and later a Tony nominee for Next to Normal, supplies formidable Broadway chops, while Longoria—who originated Joe Pesci before succeeding John Lloyd Young as Frankie Valli—knows a thing or two about sending a voice soaring above a crowd.
Together, however, they stop being four Broadway résumés and become a genuine group.
There is something wonderfully circular about what happened to these men. They began as actors playing a band, only to discover along the way that they actually were one. What started under Broadway lights developed into years of concerts across the country, recordings and even a nationally televised concert special.
The Harry Chapin Lakeside Theatre is precisely the sort of setting where this music feels at home. These songs weren’t created to sit politely behind glass as artifacts of another era. They were made for summer nights, for dancing, singing along and suddenly realizing that you remember every word to a song you haven’t consciously thought about in twenty years.
That’s the pleasure of The Midtown Men. They don’t treat the 1960s as a museum exhibition. They remind you why this music became permanent in the first place.
The Beatles gave us exuberance. Motown gave popular music sophistication and irresistible rhythm. The Beach Boys made adolescent longing sound like California sunshine. The Four Seasons gave us those impossible harmonies and that unmistakable falsetto.
Four Broadway actors fell in love with all of it. Nearly two decades after first coming together, Hoff, Longoria, Reichard and Spencer are still standing beside one another, still singing, still touring and still having what appears to be a ridiculously good time doing it.
Not bad for four guys who were originally hired to pretend to be a band. Turns out they were just getting started.
Cabaret
How to Make August (and September) Even Hotter
Ironically, the hottest show in town is also the coolest. This can only mean that Karen Mason is back at Don’t Tell Mama for her return engagement of “More SPF!..The Summer ”
In this case, the SPF doesn’t refer to sun protection but rather Songs, Patter and Fun, which she delivers copiously.
Catch her one-more-night-only show on August 18th at 7 pm. From an original review: Her sleek frame allows her to dramatically punctuate a lyric with a quick twitch of her shoulder or hip. It feels like every corpuscle in her body is working double time to make sure she gives an unforgettable performance, which translates into her love for the music and the audience.
By the way, Karen is launching a new CD “Birthday Bash at Birdland” on September 28 at—where else?–Birdland. Even though she’s an April baby, this is one party you won’t want to miss.
I’ll add my acclaim to the enthusiastic critical response for “The Winter’s Tale” currently playing at the Delacorte Theatre in Central Park. And hats off to the Public for giving this lesser-known Shakespeare play the attention it deserves. Everything from the stunning performances by Raul Esparza and Lily Rabe to the costumes and set, this Winter’s Tale was a perfect complement to a warm summer evening in Central Park.
A real treat awaits musical theatre lovers on August 23rd at 6 pm when the AMT Theatre will present
Broadway: The Golden Age, Rick McKay’s beloved documentary, which features interviews with dozens of Broadway legends. Historian Rob Schneider will moderate a Q&A with two-time Tony nominee (Applause, Rex) Penny Fuller after. The following week is same format/different film: Broadway Musicals: A Jewish Legacy. AMT is at 354 W. 45th Street; for further information and tickets call 917.388.2630.
Just back from a week on Queen Mary 2, the Glenn Crytzer Quartet will be at Birdland on August 30 at 5:30. I can personally attest to the fact that they had passengers enthralled with their renditions of songs from the early part of the previous century.
They are the perfect hors d’ouevre, so to speak, for Bryce Edwards show at the same stage next month on September 14th. And if you love Bryce (and who doesn’t?) you’ll love these four musicians.
Back from Las Vegas and Chicago, Jeff Harnar returns to the stage that launched him—Don’t Tell Mama—on September 16th in a show entitled “Blame It On My Youth.” From an original review: There is always a poetic sensitivity to Harnar’s work, perhaps most keenly achieved in this program. Harnar is truly one of the masters of the cabaret artform. See for yourself!
Cabaret
My View: Like A Bolt Of Lightning and Shinny Cloth Isaac Mizrahi hits the Stage of 54 Below
Like a Bolt of Lightning (and shinny cloth) fashion icon Isaac Mizrahi charged onto the stage of 54 Below last night wearing a silver suit and declaring to a cheering audience…”It’s a mess out there but it’s beautiful in here”! There are singers whose earthy, distinctive voices may not necessarily send chills down your spine, yet they can be enormously appealing because of their innate musicality and their ability to deliver a lyric with honesty and sincerity. Isaac Mizrahi is that kind of performer. He is chaotic, lovable, bawdy, witty, hysterical, and most importantly, completely authentic in his performances. What this product of the Garment Center may lack in vocal chops, he more than makes up for with a musician’s innate sense of time and phrasing. The result is an exciting reimagining of the dozen excellent tunes Isaac weaves (also knits) seamlessly between his humorous exchanges with the audience.
Having also spent my career in the Garment Center and also being a pianist, I like to think I know good “material” when I hear it—whether in textiles or music. Isaac, newly appointed Creative Director at Large for Target Stores performed several of our favorites, and on more than one occasion he tugged at our musical heartstrings with his interpretations of “Baubles, Bangles & Beads,” Laura Nyro’s “Save the Country,” and “Some Other Time” from On the Town, to name just a few. His story about meeting Betty Comden is absolutely hysterical, but I won’t spoil it’s surprise ending for you.
Whether he is entertaining or enlightening us through his music, fashion, or commentary, Isaac Mizrahi is truly a one-of-a-kind and formidable force in the entertainment world.
In his current show “Hooray” at 54 Below Isaac again appears with his excellent band of six musicians playing world class arrangements..Music director Benjamin Waltzer, Daniel Freedman (drums) Bruce Jamar Christopher (trumpet) Kellin Hanas (trumpet), Daniel Duke (bass), Dan Aran (percussion)
Cabaret
My View: The Best Is Yet To Come…And It’s Here…Songbook Sunday’s Tony Bennett at Dizzy’s Club
One of Tony Bennett’s signature songs famously reminds us that “The Best Is Yet to Come.” But for the audience at Dizzy’s Club last night, there was no need to wait—the best had already arrived with the latest edition of Songbook Sundays, hosted by Deborah Grace Winer and with Debby Boone opening the show with Tony’s signature song.
Set against the breathtaking backdrop of Columbus Circle and Central Park, Dizzy’s offered the perfect stage for a stellar gathering of world-class entertainers, adding another memorable chapter to New York City’s cabaret celebrations honoring the music and legacy of Tony Bennett during his Centennial Year.
Ms. Winer assembled an impressive roster of talent to celebrate the timeless music of Tony Bennett, including two Grammy winners. Billy Stritch, fresh from his critically acclaimed Tony Bennett solo show at 54 Below, served as the evening’s musical director, pianist, and vocalist. Joining him was Debby Boone, also a Grammy winner who became a household name with her legendary, chart-topping hit “You Light Up My Life.” Rounding out the stellar lineup were celebrated jazz vocalist Gabrielle Stravelli and rising young artist David Marino.
As usual, I won’t give away any spoilers, although I suspect most readers are already quite familiar with the Tony Bennett songbook. Still, hearing these timeless favorites brought to life by such talented vocalists was a wonderful reminder of just how enduring Bennett’s music remains. His music was represented beautifully throughout the evening, and, as always, Deborah Grace Winer—one of the foremost experts on the American Songbook—added fascinating stories and insights that brought the songs and their history to life.
Tony was a perfectionist when it came to choosing his musicians, and he undoubtedly would have approved of Marc MacLean on drums, Caylen Brant on bass, and Jacob Chung on saxophone. And, of course, Billy, who served as Tony’s musical director during one momentous year with the legend, provided the perfect musical foundation and created the ideal accompaniment for the evening.
Tony Bennett lived just a few blocks from Jazz at Lincoln Center, and it wasn’t unusual for Eda and I to see him walking these very streets on his way to an event at Dizzy’s Club. Somehow, it feels especially fitting to imagine him taking in this particular Songbook Sunday. He would have loved every moment of it.
Photos: Stephen Sorokoff
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