Entertainment
What To Watch December 21st To Take Away The Blues

The Prom: Netflix An adaption by Ryan Murphy of the Broadway musical.

It’s a Wonderful Life Mile Square Theater on demand through December $25. A live radio play by Joe Landry, directed by Kevin R. Free, based on the screenplay of Frank Capra’s beloved 1946 play starring Jimmy Stewart as a man who gets to see how much he matters. Audio description and closed captions are available.


#ENOUGH: Plays to End Gun Violence Mile Square Theater. Eight years after the shooting at the Sandy Hook Elementary School, some 50 theaters throughout the country (including Mile Square Theater in Hoboken) will present free readings of the seven plays by high school students who won a national contest
Kris Kringle The Musical offers 25 Christmas gifts that can be shared with everyone you love! Beginning December 1st, the viewer will be led through a virtual Advent Calendar door to enjoy a different part of the story, with bonus videos, including a Spanish version of one of the show’s most popular songs ‘My North Star.

Christmas Day will share the most wonderful gift of all: a full-length production of Kris Kringle The Musical.
What’s more — all of the videos are free and fun and can be gifted to family, friends, and loved ones!
Discover what happens when an evil toy company CEO crosses paths with a young, jobless toymaker whose family name carries a curse with the power to destroy Christmas. From the top of the world in the North Pole, Kris Kringle (Kyle Sherman) teams up with Santa (Jason Simon) and Mrs. Claus (Kim Crosby), the beautiful Evelyn Noel (Amy Weaver), a band of hilarious apprentices and elves, and magical toys to remind us what Christmas is really all about: love, hope, and finding a family in the most unlikely of places.
The musical features an underlying story, book and additional lyrics by Maria Ciampi, with lyrics and music by Tim Janis and Angelo Natalie. Jaimie Selke directs with musical direction by Randy Glass.

Ham: A Musical Memoir Sam Harris’s sensitive and prodigiously talented boy survives the Bible Belt through talent and moxie, which lead to fame and fortune, but when the rocky road of desperately seeking acceptance finally reaches a dead end, he is forced to confront the internal demons that haunt him.

Encores! Inside the Revival: Tap Dance Kid New York City Center. Directed by Kenny Leon (A Raisin in the Sun) dives into the 1983 Tony-nominated musical The Tap Dance Kid, centered around the life of an upper-middle class Black family and a ten-year-old’s dream of being a professional tap dancer despite the challenges posed by his lawyer father and society. Leon, alongside book adapter Lydia Diamond, will give audiences an up-close look at the percussive heart of the story with the help of choreographer Jared Grimes and cast member from the original Broadway production Dulé Hill.

The Haunting of Alice Bowles A new theatrical production streaming online from Original Theatre Company (Apollo 13: The Dark Side of The Moon) debuts.
The Haunting of Alice Bowles by Philip Franks, based on M.R. James’ short story The Experiment, stars Janie Dee, Max Bowden, Stephen Boxer, Jack Archer, Alexandra Guelff, Robert Mountford, Poppy Roe, and Tim Treloar.
In 1918, the recently widowed Alice Bowles is left destitute as she seeks to solve a mystery left by her late husband Francis. Moving to 2020, YouTube urban explorers Matt and Caitlin uncover a mysterious grave in an abandoned churchyard. What starts as harmless entertainment turns darker when their discovery begins to unwrap a mystery which has lain dormant for over a century.
The digital production is co-directed by Philip Franks and Alastair Whatley, designed by Adrian Linford, and edited by Tristan Shepherd, with sound design and original music composed by Max Pappenheim.

The Pack Podcast: Jenny and Mrs. Brown, Starring Sarah Jessica Parker & Eva Marie Saint An online spoken word performance series benefitting The Actors Fund & Feeding America.
The Pack Podcast features star-studded casts performing short comedies by Emmy-nominated & Drama Desk-winner Eugene Pack in the style of classic radio plays.
Trees The Wild Project available an demand through Dec 24 $15
Inspired by the Hidden Life Of Trees by Peter Wohlleben, the new musical by the visual and performance artist Mur gives a dystopian future through the voices of the last remaining Trees on Earth. Featuring: Mur, Aisha Karensa, Haley Fortune, Jade Litaker & Nyah Raposo

Peter Pan–A Musical Adventure Chicago Shakespeare Theater will present free, streaming performances of Peter Pan–A Musical Adventure.
The production is available to stream through January 1, 2021.
The newly re-mastered recording of the theatre’s 2018 production—directed and choreographed by Amber Mak—was filmed by multiple cameras in front of a live audience and stars Johnny Shea, Elizabeth Stenholt, Cameron Goode, Carter Graf, James Konicek, Rengin Altay, Sean Patrick Fawcett, Roberta Burke, Jonathan Butler-Duplessis, Christina Hall, Colin Lawrence, Michael Kurowski, John Marshall Jr., and Travis Austin Wright.
Based on J.M. Barrie’s tale about the boy who wouldn’t grow up, Peter Pan–A Musical Adventure has a score by George Stiles, lyrics by Anthony Drewe, and a libretto by Elliot Davis based on the book by Willis Hall.

8am and 2pm: A Christmas Carol Old Vic available until December 24
This is the adaptation by Jack Thorne and directed by Matthew Warchus and stars Andrew Lincoln as Ebenezer Scrooge.

3pm: Adam Pascal & Seth Rudetsky Adam Pascal, a Tony-nominee and Obie and Theatre World Award winning star, has created some of the most memorable roles in recent Broadway history. He shot to stardom for originating the role of Roger in the Broadway blockbuster Rent, as well as the London production, and starred in the film version. He also originated the role of Radames in Elton John and Tim Rice’s Aida, and was featured as the Emcee in the critically acclaimed revival of Cabaret directed by Sam Mendes. He has recently starred on Broadway in Memphis, Chicago and the original cast of Disaster! (co-written by Seth Rudetsky!) Other of his recent performances include the role of Freddie in Chess at the Royal Albert Hall in London, alongside both Idina Menzel and Josh Groban. This performance was recorded for PBS’ Great Performances series and has been released on DVD. He also reprised his starring role in the 2009 Broadway Tour of Rent. His film work, in addition to the screen version of Rent, includes SLC Punk!, School of Rock and the movie musical Temptation. He has also released two solo rock albums, “Model Prisoner” and “Civilian” for Sh-K-Boom Records. Adam was seen recently as William Shakespeare in the 2017 National Tour of the Tony Award-winning musical comedy Something Rotten! and starred last season as Edward in the new musical Pretty Woman on Broadway.

7pm: Miracle on 34th Street Chain Theatre Available through Dec 21
$11 A radio play about a single mother raising her daughter in New York City who soon has her world turned upside down by a curious man who claims he is Santa Claus. It will also include appearances by City Council Corey Johnson and State Senator Jose Serrano, both arts advocates.

7pm: Hip Hop Cinderella – A New Musical Amas Musical Theatre in association with HipHopMusicals.com present Hip Hop Cinderella – A New Musical, a family-friendly intergalactic romp with a cool, hip-hop vibe, laughs, adventure and unforgettable songs.
Click here for tickets. This virtual theatrical experience is available on-demand through December 27, 2020. All proceeds benefit Amas Musical Theatre’s education programs.
In this reimagining of the classic fairy tale, teenage Cinderella and her rapping robot companion Runka live on planet Zolla. They toil under the thumb of Cinderella’s stepmom, Lady Zurka, and her two social media obsessed stepsisters, Zig and Zag. The galaxy has lost its groove, and the Prince is throwing a Hip Hop Ball and Rap Competition to turn the beat around. Traveling via a quantum time warp, Cinderella transforms into “Ella C” and fights to win the competition. Upon returning to planet Zolla, Ella C is forced into a royal rap battle against Lady Zurka with a surprising result.
Directed by Christopher Scott, with musical direction by Evan Alparone, the cast features alumni students of the Rosetta LeNoire Musical Theatre Academy. They are: Alexis Aguiar, Cassandra Barckett, Jamiel Tako L. Burkhart, Brian Criado, Emily Lang and Lexy Piton. The stage manager is Benjamin A. Vigil and Nikki Wen is assistant stage manager.

7pm: Meet Me in St. Louis Irish Rep available through January 2
A holiday musical based on the MGM movie. With Shereen Ahmed, William Bellamy, Rufus Collins, Kerry Conte, Melissa Errico, Ali Ewoldt, Kathy Fitzgerald, Ian Holcomb, Austyn Johnson, Jay Aubrey Jones, Kylie Kuioka, Ashley Robinson, and Max Von Essen.https://www.youtube.com/embed/uapNFbBLc7o
7:30pm: BSC’s Holiday Getaway By Barrington Stage Company A virtual concert starring Alan H. Green, Alysha Umphress, and Joel Waggoner. The concert will be filmed in advance at BSC’s Boyd-Quinson Mainstage. Through December 23 at 7:30 PM ET.
BSC’s Holiday Getaway will be a holiday concert unlike any other to commemorate a year unlike any other. Three of Barrington Stage’s favorite performers will join forces to spread some much-needed seasonal cheer–and the relief that 2020 is almost over–with an evening of hilarious new holiday songs as well as traditional favorites.

7:30: Mozart’s The Magic Flute Mozart’s final completed opera is many things—mystical fable, earthy comedy, humanist manifesto, arcane Masonic credo. More than all this, though, it is one of the greatest testaments to the composer’s miraculous musical and theatrical powers. No matter how you approach or interpret the story, it whisks you away into its uniquely enchanted world, and, like the magic flute that gives the work its title, has the power to “transform sorrow” and “increase the joy and contentment of mankind.” This performance, the first ever Live in HD transmission, features the Met’s abridged, English-language version of the opera, perfect for audiences of all ages.

8pm ET: Plays In The House: Intelligence By Jacqueline E. Lawton. Starring Kelly AuCoin, Leila Buck, Crystal Dickinson, Marin Ireland, Natalie Lall, Jacqueline E. Lawton, Daniella Topol, Bernard White. Hosted by Jacqueline E. Lawton and Daniella Topol. Directed by Daniella Topol.

8pm: Pajama Cast Party & Studio Tenn Present “A Broadway Christmas” As a special holiday treat, Jim Caruso’s Pajama Cast Party is joining forces with Patrick Cassidy, the Host and Artistic Director of Studio Tenn Talks. Featuring live musical performances by Liz Callaway, Linda Lavin, Lesli Margherita, Julia Murney, and Brandie Inez Sutton.
Patrick Cassidy, Artistic Director of Studio Tenn, created “Studio Tenn Talks: Theater Conversations with Patrick Cassidy,” a virtual talk show which has been featuring performing artists from Broadway, film and music. Guests have included Patti Lupone, Adam Guettel, Jason Alexander, Kelli O’Hara, and Victor Garber, among many others. The shows air every Monday at 7pm CST at StudioTennTalks.com. Studio Tenn is a professional regional theater company and a 501(c)3 nonprofit organization based in Franklin, Tenn. Its programming centers around innovative, custom-designed presentations of classic plays and musicals as well as an original “Legacy” series of theatrical concerts celebrating the work of time-honored musicians. See studiotenn.com. After hosting his weekly Cast Party every Monday night at Birdland since 2003, showman Jim Caruso wasn’t about to let the temporary pandemic shutdown of the iconic NYC nightclub put a halt to his award-winning open mic night. Instead, with the technical expertise of producer Ruby Locknar, he went virtual, to bring the popular musical variety show into the homes of viewers everywhere via the YouTube Cast Party Network. Musical guests of “Jim Caruso’s Pajama Cast Party,” include Kristin Chenoweth, Betty Buckley, Christine Ebersole, Chita Rivera, Michael Feinstein, Pam Tillis, Isaac Mizrahi, Mary Wilson, and Ty Herndon, who have all served musical performances via livestream from their homes. See pajamacastparty.com. “I’ve been a fan of Patrick Cassidy since I first saw him singing his head off as Frederic in The Pirates of Penzance on Broadway,” says Caruso. “He made an exciting pivot to the other side of the footlights when he became the artistic director of Studio Tenn in Franklin, Tennessee in November of 2019. Recently, I’ve enjoyed watching him create and host his in-depth talk show featuring a dazzling array of guests. We have a lot in common…we both love to laugh, and we are both obsessed with talented people. I can’t wait to co-host “A Broadway Christmas” with Patrick, and look forward to many more projects together!”

8pm: A Christmas Carol, Starring Raúl Esparza By Primary Stages a virtual reading adapted by Theresa Rebeck and Erin Daley. Through December 22. Esparza, recently appeared in Rebeck’s play Seared Off-Broadway. His three co-stars from that production—Krysta Rodriguez, David Mason, and W. Tré Davis—are also among the cast.
Rounding out the company are Mary Bacon, Abadi Bacon Leynse, Kimberly Chatterjee, and Matthew Saldivar. Rebeck directs.

8pm: Hershey Felder Tchaikovsky By TheatreWorks Hershey Felder rings in the holiday season with a live streamed performance of his hit show Hershey Felder Tchaikovsky, offering viewers at home a front row seat for this work that brings to life the famed Russian composer of “The Nutcracker Suite.”
Following the live stream, the performance is available for streaming on-demand access through December 27.
Hershey Felder Tchaikovsky features an extended focus on the composer’s iconic work The Nutcracker ballet, as well as delving into Tchaikovsky’s life in Italy, and his array of works from the ballets Swan Lake and Sleeping Beauty, to his 1812 Overture, and other symphonic works.

8pm: Broadway Princess Holiday Party Feinstein’s/54 Below. Available on demand through December 26 $28.50
A concert featuring host Laura Osnes, Susan Egan, Courtney Reed along with musical director Benjamin Rauhala, Adam J. Levy and Aisha Jackson.
8pm: Who’s Holiday through December 15 Matthew Lombardo’s Off-Broadway comedy Who’s Holiday!, starring Lesli Margherita, will stream to benefit Broadway Cares/Equity Fights AIDS. Filmed during the show’s 2017 run at Off-Broadway’s Westside Theatre, this will mark its first streamed performance.
Who’s Holiday! tells the story of a middle-aged Cindy Lou Who—of Dr. Seuss fame—now residing in a beaten-down trailer in the snowy hills of Mount Crumpit. As she prepares to host a Christmas Eve party for her friends, she recalls her own perspective of that fateful night when she first met the Grinch, and the strange turn of events her life has taken for the past 40 years.
Who’s Holiday! was directed onstage by Carl Andress, with set design by David Gallo, costume design by Jess Goldstein, wig design by Charles G. Lapointe, lighting design by Ken Billington and Jonathan Spencer, and sound design by Bart Fasbender. The Off-Broadway run was originally produced by Whoville Theatrical, Scott and Jenny Beck, Jason Shaw, Ken Fakler, Drew Desky/Dane Levens, and Darren Bagert. The show was filmed by David Kane.
Margherita, an Olivier Award winner for her West End debut in Zorro, made her Broadway debut originating the role of Mrs. Wormwood in Matilda The Musical. After more than 1,000 performances, she crossed the street to The Helen Hayes to star as the diva Mona Kent in the Broadway premiere of Dames at Sea. She has had recurring roles on Homeland, Instinct, Seven Seconds, Transparent, and The Crew and will be seen in the upcoming film The Many Saints of Newark (the prequel to The Sopranos).
Brought to you by the people who brought you Sharon Needle’s Mask it or Casket, and Ute Lemper’s Rendevous with Marlene on Stellar
Off Broadway
Talking to The Creatives Of War Words

I was so moved by War Words the Pulitzer Prize nominated docu-play based on the words of the men and women who served in the U.S. Military during the Afghanistan and Iraq wars, T2C set up an interview with the playwright Michelle Kholos Brooks, Sarah Norris the director and Donald Calliste on of the actors in the show, who is also a vet and served in the Afghanistan and Iraq wars.
War Word is based on Michelle Kholos Brooks interviews with veterans of the 20-year Long War and their families, War Words is composed of heroic and heartbreaking stories of the veterans, families, and allies of people who served: those who came home, and those who were left behind. The playwright and NewYorkRep have felt that there was always a need for civilians to better understand the motivation and sacrifice one makes to serve.
War Words: by NewYorkRep in association with New Light Theater Project at A.R.T. Theatre, 502 West 53rd Street, through December 17th.
Video by Magda Katz
Entertainment
Park Terrace Hotel, Hotel Chocolat and Ofreh

Hotel Chocolat kicked-off the holidays and unveil the Velvetiser‘s pop-up for the season.
We miss the fireworks at the Bryant Park Christmas Tree lighting ceremony but we did watch Ofreh sing Christmas (Baby Please Come Home). Click here to hear her husband Andy Karl singing “Sleigh Bells”.
There was plenty of holiday cheer, a holiday sing-along and plenty of European style hot chocolate, festive cocktails and bites. What a way to start the season.
Entertainment
Bryant Park Tree Lighting and Andy Karl

Tonights tree lighting was hosted by Broadway performer Mauricio Martínez and Tony Award nominee and Grammy Award winner Jenn Colella, the Tree Lighting event featured live skating performances from Olympic skaters Mariah Bell, Karen Chen, Ryan Bradley, and World Champion skating pair Alexa Knierim and Brandon Fraizer, as well as Ice Theatre of New York, Figure Skating in Harlem, and The Skyliners.
However I was across the street at the Park Terrace Hotel where Hotel Chocolat kicked-off the holidays and unveil the Velvetiser‘s pop-up for the season.
t where Andy Karl and his wife Orfeh. Here is Andy singing “Sleigh Bells”.
Tomorrow look for the performances from Jenn Colella and Mauricio Martínez.
Broadway
Broadway’s Harmony Sounds Great But Lacks Emotive Power

I don’t think I knew, going in, that Harmony, the new musical from book/lyric writer, Bruce Sussman (Ted Tally’s Coming Attractions) and music writer Barry Manilow now on Broadway at the Ethel Barrymore Theater, is based on a true story. But as it sings itself out to us, it starts by taking us back to the Carnegie Hall stage of 1933, but then shifts even further back to Berlin, Germany 1927, giving us a clearer picture of what might be coming at us. Panning out in tones not so subtle and utilizing the narrative structure of a standard memory play, a narrator, played by the endearing Chip Zien (Broadway’s original Baker in Sondheim/Lapine’s Into the Woods), stands forward, center stage, ushering us into the past and this story. His name, he tells us, is Rabbi, and he once was, back in the day, a member of a comedic singing group in Berlin made up of six young men who could harmonize and craft a joke like few others could. The group, ‘The Comedian Harmonists‘, was an internationally famous, all-male German close harmony ensemble that performed between 1928 and 1934. As one of the most successful musical groups in Europe before World War II, they steadfastly rose to fame and fortune as the Nazis came to power in Germany, and within that historic framework, the dye has been cast and the stage set.
Zien is most definitely an affable figure, one guaranteed to take us through this complicated and emotional story with expert ease, and we feel safe in his testimony. The elder Rabbi pulls us in, ushering us back to the first days of the group, and joining in with the fun whenever he can. It’s a tender beginning, and as directed and choreographed with energy by Warren Carlyle (Broadway’s After Midnight), we are forever cognizant of where this all will be heading. Zien quickly lets us into the framework, informing us that he is the only surviving member of this long-forgotten troop of singers, and he’s here to tell us their story so they won’t be forgotten. Noting the historical landscape, we can’t help but know where we are being delivered to, and it’s not all that shocking where we will end up.

in Broadway’s Harmony. Photo by Julieta Cervantes.
With a group name that doesn’t exactly roll off the tongue, they come together with a joyful clarity, delivering the cool notes of a well-cast harmonic group. The crew of six, including a very good Matthew Mucha (CFRT’s Memphis)-an understudy for the absent Danny Kornfeld (Barrington’s Fiddler on the Roof) who usually plays the parallel part of Rabbi, younger and sweetly entwined with the other five; Sean Bell (HBO’s “Succession”) as Bobby; Zal Owen (Broadway’s The Band’s Visit) as Harry; Eric Peters (National tour: Motown the Musical) as Erich; Blake Roman (Paramount+’s “Blue Bloods”) as Chopin; and Steven Telsey (National tour: The Book of Mormon) as Lesh; come together neatly. They all fit into nicely categorized stereotypes that sing, make scene jokes, and travel the world entertaining their audiences with an ever-increasing amount of success, all under the watchful, but pseudo-approving eyes of the Nazis.
The six singers, all delicious and delightful to watch, deliver the goods solidly, even with songs that aren’t exactly memorable. But they sure look and sound good (and sometimes even great). No wonder they are seen as good public relations personas to the world, especially with their diversity, but as an audience member who knows what’s coming, it doesn’t sit so easily in the pit of our stomachs. The Nazis, as embodied by Andrew O’Shanick (“Pitch Perfect“) as Standartenführer – who claims to be a fan – don’t even seem to mind that a number of the group members, but not all, are in fact Jewish. This comes as a surprise, as most Jews and their equivalents were being robbed of their livelihood, their money, and their passports. But not these boys. Even when they push the boundaries of their PR protections outside of Germany, nothing happens, at least not right away.
The drama of the musical’s story is played out with conviction on a straightforward uncomplicated set by scenic designer Beowulf Boritt (Broadway’s New York, New York), with formula costuming by Linda Cho (Broadway’s Take Me Out) and Ricky Lurie (Gallery Players’ Godspell), inventive lighting by Jules Fisher + Peggy Eisenhauer (Broadway’s Gary), and a solid sound design by Dan Moses Schreier (Roundabout’s Trouble In Mind). It charges forward, but oddly, doesn’t hold us emotionally tight in its arms, running too long, and feeling soft-focused and sometimes generic in tone and form.

Even so, the musical does ride melodically and (a bit too) melodramatically forward, courtesy of music director John O’Neill (Broadway’s The Music Man), orchestrations by Doug Walter (Broadway’s The Blonde in the Thunderbird), and music coordination by Michael Aarons (Broadway’s & Juliet), showcasing finely tuned numbers that don’t hang around in the head for very long. The musical also offers up some romance, but only for two of the six members of this group. The others, I guess, just really focused on their voices and their all-for-one unanimous approach. The strongest focus, naturally, is on the young Rabbi’s love for the non-Jewish Mary, beautifully embodied by talented Sierra Boggess (Broadway’s School of Rock). It is a sweetly compassionate engagement, but to be honest, the more interesting, but less embraced relationship is with Ruth, played forcibly by a strong Julie Benko (Broadway’s Funny Girl understudy), a Jewish political activist who falls for and marries the non-Jewish handsome piano man, Chopin, who fails her when things start heating up. The two couples occupy the only relationships unpacked, beyond the secretly wealthy and connected Erich‘s briefly presented affair with the fabulous Josephine Baker, played enthusiastically by Allison Semmes (Broadway’s Motown). That’s a side journey that doesn’t really take us anywhere beyond a fun Act Two opener. But, the foursome makes for an interesting and problematic connecting of opposing faith dots, giving plenty of chances for drama and emotional insincerity.
Unfortunately for the six, they aren’t as clear or concerned as we are with their ongoing safety and security in Germany. And that’s basically the turning point of this musical. Beyond that, it’s pretty standard issue stuff. The unfortunate part for us is that not much here in Harmony is done with any subtlety or nuance. The book is cut from a standardized cloth and melody, and with Barry Manilow credited with composing and arranging the songs, one would think the songs would be more memorable and/or catchy. But there are a few that stand out, especially the ones sung most beautifully by the talented two female leads in this male-dominated cast. Particularly, the very pretty and meaningful “Where You Go“, which radiates warmth and care. It carried a certain something special, well at least for the first two-thirds of the song.
Here lies the main problem with many of the narrative songs and the show itself, including the lovely “Where You Go.” Too many of the numbers sound like and were directed to be 11 o’clock numbers, with some of the songs having more than one 11 o’clock moment stuffed inside. So after the third or fourth one of these high dramatic finishes, they start to lose their appeal and punch. When we finally do get to Rabbi’s big finale number “Threnody“, we have been worn down by too many big powerhouse endings. ‘Threnody’, it turns out, means “a wailing ode, song, hymn, or poem of mourning composed or performed as a memorial to a dead person“, which makes complete sense as the show’s main 11 o’clock number. Not the subtlest of song titles, I might add, but unfortunately for Harmony, because of all the other big numbers before it, the song, powerfully performed by Zien for the other five members, fails to land (beyond being impressively sung), especially in the emotional way it was intended to.
Beyond the silliness of some well-known cameos, like Josephine Baker and Zien in a wig playing Albert Einstein (and more), Harmony tries to emotionally engage so often that we start to feel numb to it all, which is exactly the opposite thing this show set out to do. It’s too bad, since the talent, many of whom are making their Broadway debut, is all there sounding good and singing their hearts out. And the story is a compelling one. But Harmony didn’t find its way forward into my emotional core. There are no subtle undercurrents, which makes it hard to stay tuned in, beyond just the surface level. Cabaret the musical, as we will see once again on Broadway in the spring, found the right components to unpack the horror without hitting us too hard with it all, like the moment inside Harmony when the Nazi officer salutes straight out into the audience, an act that both triggers some trauma (especially with what’s going on in the world today) and clobbers us way too hard and without any subtlety with the heavy gravity of the situation. Some may disagree with me on this, but for this theatergoer, the understated stance is more profound than the hard hit, with too many big 11 o’clock numbers hammering home the point, one after the other. One “Threnody” would suffice.
For more go to frontmezzjunkies.com
Broadway
Can’t Wait For Boop To Come To Broadway

At the CIBC Theatre in Chicago, BOOP! The Musical, the new Broadway-bound musical extravaganza is making its debut . Actress Jasmine Amy Rogers is currently bringing her to life in Chicago, as she proves in this exciting song “Where I Wanna Be”.
The show is created by Tony Award®–winning director/choreographer Jerry Mitchell (Kinky Boots, La Cage aux Folles, Hairspray) who brings the Queen of the Animated Screen to the theater with celebrated multiple-time Grammy®-winning composer David Foster (“I Have Nothing,” “After the Love Is Gone,” “The Prayer”), Tony-nominated lyricist Susan Birkenhead (Working, Jelly’s Last Jam), and Tony-winning bookwriter Bob Martin (The Drowsy Chaperone, The Prom).
I am obsessed with the songs already. First was “Something To Shout About” and now “Where I Wanna Be”.
For almost a century, Betty Boop has won hearts and inspired fans around the world with her trademark looks, voice, and style. Now, in BOOP!, Betty’s dream of an ordinary day off from the super-celebrity in her black-and-white world leads to an extraordinary adventure of color, music, and love in New York City—one that reminds her and the world, “You are capable of amazing things.” Boop-oop-a-doop!
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