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What to Watch in The New Year: April 11

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The Sound Inside Maggie Bofill and Ephraim Birney star in TheaterWorks Hartford’s streaming production of Adam Rapp’s play. The Sound Inside follows the story of Yale creative writing professor Bella Baird and her brilliant-but-guarded student Christopher Dunn. Available through April 30.

12pm soundcheck/ 3pm and 8pm show: Ali Stoker Ali Stroker won the 2019 Tony Award for Best Featured Actress in a Musical for her role as ‘Ado Annie’ in Rodgers and Hammerstein’s Oklahoma! She most recently starred in the Lifetime holiday film, Christmas Ever After. Ali made history as the first actor in a wheelchair to appear on Broadway in Deaf West’s acclaimed 2015 revival of Spring Awakening. She starred in 12 episodes of The Glee Project, winning a guest role on Fox’s Glee. She recurred in the ABC series, Ten Days in the Valley and guest starred on CBS’ Blue Bloods, Freeform’s The Bold Type, Fox’s Lethal Weapon, CBS’ Instinct, The CW’s Charmed and Comedy Central’s Drunk History. She’s performed her cabaret act at Green Room 42 and solo’ed at the Kennedy Center in Washington, DC, New York’s Town Hall, Lincoln Center for the Performing Arts and Carnegie Hall. Her mission to improve the lives of others through the arts, disabled or not, is captured in her motto: “Turning Your Limitations Into Your Opportunities.”

12pm: Artist Talk with Battery Dance By Battery Dance. Each week, artists from around the world join BatteryDanceTV for a 30-minute talk.

3pm: Tails From the Stage: Annie Bill Berloni is a widely recognized expert in animal behavior and known for his dedication to animal rescue work as you celebrate the furriest of Broadway and theatrical celebrities. Tails From The Stage audiences will meet Bill and his paw-tastic companions, hear stories from the stage and behind the scenes, learn what it takes to work with animals in a live setting, and virtually interact with his friends – both furry and human!

4pm: Underneath the Freeways of Los Angeles Clue meets Chinatown in Underneath the Freeways of Los Angeles, a live-streamed, interactive murder mystery experience inspired by historical events. It’s 1960, and two bodies have been discovered in the lake at East L.A.’s Hollenbeck Park, right below the newly-built section of the Golden State Freeway that runs directly overhead. You, the audience, will question the witnesses and persons of interest. Who is the guilty party? Each virtual performance is live. Every performance is different. 

5pm, 6pm and 7pm: Islands of Contentment Co-produced by Hypokrit Productions and The Tank in association with Autonomous Works, Dipti Bramhandkar’s Islands of Contentment is a moving meditation comprised of thirteen monologues.

An elegy to the (dis)harmony of romantic relationships, each piece invites us into the intimate, poignant, and hilarious interactions with significant others in the form of modern-day confessionals.

Thirteen characters reflect on moments that feel strangely familiar: the break-up dream, the plight of the nice guy, the ex who unexpectedly shows up, and even a baking fetish. No one writes love songs about this stuff. 

5pm and 8pm: Prometheus Bound By The Tank Through the prism of racial and gender injustice, Prometheus Bound is a protest against the discrepancy between what’s legal and what’s right, against oppression veiled as order.

Director Ran Xia sets Howard Rubenstein’s adaptation of Aeschylus’s Prometheus Bound against a backdrop of the tumultuous American socio-political climate. Prometheus Bound is fully designed and staged for an audience of no one in The Tank’s 98-seat theater. Instead, it is captured for the screen by Iris Media Works as a purely cinematic experience, with masks, original music and deeply compelling performances of the late Rubenstein’s visionary text.

The cast for Prometheus Bound includes Sophia Aranda, Juan Arturo, Olivia Rose Barresi, Chloe Simone Crawford, Brenda Crawley, Iván 

5:30pm: From Number to Name East West Players continues its Virtual 55th Anniversary Season, Between Worlds, led by Producing Artistic Director Snehal Desai, with From Number to Name, a world premiere two night event devised and directed by powerhouse artist, activist and elected political representative K​ristina Wong​.

In From Number to Name, formerly incarcerated Asian Americans and those in the API community impacted by mass incarceration take us on a journey through their experiences and ​challenge viewers to reflect on our criminal justice system and imagines its future. 

The production is being presented by EWP in partnership with API Rise, a nonprofit organization that seeks to empower the Asian, Native Hawaiian and Pacific Islander American communities and specifically those individuals who have been impacted by the criminal justice system.

7pm: Delejos (from afar) This performance is written and directed explicitly for Zoom. The show transforms a Zoom room into an immersive theatre experience, re-imagining it’s familiar presentation tools through live set changes, lighting cues, “camera angles”, a musical score, at-home VR “headsets”, and a sprinkling of magical realism.

Delejos takes you into Julie Piñero’s pre-pandemic pursuit of a question that became central to today’s COVID world: Do we lose something simply because we’re far from it?

When Julie’s partner Jose Zambrano unexpectedly died in 2019, she decided to take a journey through his work-in-progress design for a VR video game he called “Delejos.” It’s a game about overcoming physical separation, inspired by his own experience of forced immigration from Venezuela.

By his design, players journey to connect to something they love from afar. So, equipped with his larger-than-life legacy and the tools Julie mines from her own latinidad, she ventures through his game in search of connection with him. What she finds, however, is his larger path to hope in the face of chaos.

Writer-performer Piñero is a comedian and producer best known for her work on Audible’s Mind Power Mixtape and Come Out, Come Out, HuffPost’s Crash the Party, and Thrillist’s Food/Groups. Producer Caitlin Stone has worked for video teams at HuffPost, Bravo Digital, and Bon Appétit.

7:30pm: Verdi’s Luisa Miller Based on Schiller’s charged play Kabale und Liebe, this gripping opera came near the close of Verdi’s early period and gave the world an early glimpse of the composer’s burgeoning genius. The tale of a pious and naive Tyrolean maiden in love with the wrong villager, the opera includes several trademark Verdi features: a soaring aria for the lead tenor, a nuanced and poignant father-daughter relationship for baritone and soprano, and a sublime third act that ends in tragedy.

Hindsight 2020 Those Women Productions and Rebecca Haley Clark are proud to present Hindsight 2020, a collaboration with diverse artists in various disciplines from around the world to create a devised, virtual time capsule of a year that defies all categorization. Hindsight 2020 will be presented online April 9 – 17, 2021. https://www.youtube.com/embed/Mv1kz47HqFs?feature=oembed

Spring Break Broadway Student Summit Broadway favorites Patti Murin, Christy Altomare, George Salazar and more lead an immersive weekend of workshops, mentorship and more for theater students with the Broadway Teaching Group. The three-day summit runs through April 11.

Mother’s Day Debra Jo Rupp, Andy Lucien, Virginia Kull and Edward Astor Chin star in a reading of a new play by Bekah Brunstetter for Barrington Stage Company. Mother’s Day follows Mara as she approaches her forties and clings to the hope of becoming a mother. Audiences can watch the production through April 11.

Disenchanted! which played Off-Broadway’s Westside Theatre in 2015 after a run the previous year at Theatre at St. Clement’s, will be revived in London digitally beginning April 9 via Stream.Theatre. The stream will be available through April 11.

Heading the cast will be several Six stars, including Jodie Steele as Snow White, Sophie Isaacs as Cinderella, Grace Mouat as Pocahontas, and Millie O’Connell as The Little Mermaid plus Rent’s Shanay Holmes as The Princess Who Kissed The Frog. Tom Jackson Greaves directs.

The company also includes fellow Six star Courtney Bowman (Everybody’s Talking About Jamie), Natalie Chua (Priscilla Queen of the Desert), Allie Daniel (Rent), Aisha Jawando (Tina—The Tina Turner Musical), and Jenny O’Leary (Heathers).

Disenchanted!, which brings together a band of not-so-merry princesses, keen to rewrite their tales, has a book, music, and lyrics by Dennis T. Giacino. 

Reverb Theatre Arts Festival through May 20th. Reverb Theatre Arts Festival presents the voices of artists with disabilities on the virtual stage. Artists from around the country submitted their works of original theatre—monologue, spoken word, dance, or music—based on creative prompts on the theme of Connection. The work is the result of twenty-four collaborations between Participating Artists and Collaborating Artists. 

Ute Lemper: Rendezvous with Marlene Cabaret superstar Ute Lemper revives her acclaimed show Rendezvous with Marlene virtually after its debut in London in 2019. Based on the true story of a phone call Ute received by the film legend 35 years ago in France.

Directed by Daniel Nardicio, Rendezvous with Marlene includes some of Marlene’s most beautiful songs and telling some captivating secrets of her life shared during the three hour-plus call. 

John Cullum: An Accidental Star Two-time Tony winner stars in a streaming production of his new solo show that features songs and stories from his six-decade career. Audiences can watch the production through April 22.

Please Welcome Our Guest MTC’s virtual Snapshot Series continues with Please Welcome Our Guest, a personality test/performance piece, written and facilitated by Liza Birkenmeier and directed by Trish Harnetiaux.

In Please Welcome Our Guest, Liza Birkenmeier, a playwright without a personality, gives you a personality assessment. With the help of a surprise guest star and an experimental survey, maybe she’ll guide you toward a better understanding of your unique self.

Not sure when you want to attend? Consider letting your personality type guide you!

Sunday, April 11 @ 11:00am ET – for water signs

**Sunday, April 11 @ 12:00pm ET – for air signs

Sunday, April 11 @ 1:00pm ET – for fire signs

Sunday, April 11 @ 2:00pm ET – for earth signs

**These performances will include English Open Captions.

Row Grace McLean (above), John Ellison Conlee, Tamika Lawrence, John McGinty and more star in the world premiere of this musical. With a book by Daniel Goldstein and music and lyrics by Dawn Landes, Row is inspired by A Pearl in the Storm by Tori Murden McClure and is part of the partnership between Williamstown Theatre Festival and Audible Theater.

Amour, Starring Derrick Baskin, Adam Pascal, Christiani Pitts, More Be a part of our Playbill Opening Night Celebration for the virtual revival of Amour. Join host Felicia Fitzpatrick who will take us to the “red carpet” to talk to the stars of the show and hear from behind the scenes how this special event was inspired and came together. Beyond the show, enjoy the party with tips on cooking your own French meal and learn a bit about wine.

Ailey All Access: Blues Suite Ailey All Access releases a recorded performance of Blues Suite from 1985 PBS Great Performances. 

“Blood memories” of rural, Depression-era southern Texas, come to life in Blues Suite, which launched Alvin Ailey American Dance Theater in 1958 and defined Alvin Ailey’s choreographic genius of presenting real people on the concert dance stage. With the rumble of a train and the toll of distant bells, a cast of vividly-drawn characters from the barrelhouses and fields of his Texas childhood are summoned to dance and revel through one long, sultry night. 

Ailey’s classic is set to songs of lost love, despair, and protest, expressing the sorrow, humor, and humanity of the blues, the heartfelt music that he called “hymns to the secular regions of the soul.” 

Home Sweet Homeland, a one-act play by presents Joanna Rush Amas Musical Theatre  

Trapped in a building across the street from the World Trade Center on 9/11, Home Sweet Homeland is the story of a family and the Angel of Stand-Up Comedy who watches over them. Based on Joanna Rush’s own experience, they work to take control of their lives and find a way back to the new normal.

Directed by Lynne Taylor-Corbett, the cast features Jonathan Brody (A Bronx Tale, Amazing Grace), Robert Cuccioli (Jekylll & Hyde, Les Miserables), James Rana (The Band’s Visit, The Government Inspector), Laila Robins (The Herbal Bed, The Apple Family Plays), Joanna Rush (KICK!, Accidental Mummies), Chuja Seo, Sophia Stzougros and Mia Mei Williamson (Once on This Island). The stage manager is Brian Lawton. The assistant stage manager Benjamin A. Vigil. Casting by Carol Hanzel.

Registration is free, but required. 

Manahatta This 2018 world premiere by playwright, activist, and attorney Mary Kathryn Nagle illuminates the consequences of commercial exploits, including the removal of the Lenape people and the attempted eradication of their culture that gave rise to the America we know today.

This Oregon Shakespeare Festival production is directed by Laurie Woolery.

Lilies, or The Revival of a Romantic Drama The Drama Company NYC presents a revival of Lilies, or The Revival of a Romantic Drama by Michel Marc Bouchrd with English translation by Linda Gaboriau, and direction by Andrew Benvenuti.

Lilies will be seen in New York City for the first time in nearly twenty years—staged outdoors and recorded live to be streamed on demand.

Set against a backdrop of revenge, obsession, and love, Lilies tells the story of Simon Doucet, recently released from prison after serving a 30-year sentence for a crime he did not commit. He arranges a private meeting with his former school friend, Jean Bilodeau, now a powerful Bishop. Simon and his friends, all former prison inmates, revisit the harrowing events that occurred during their final year at St. Sebastian’s school for boys.

The cast of Lilies features an all-male ensemble with Michael Walls as Simon 1952/Timothee Ducet; Andreas Pilitsakis as Bishop Bilodeau; Jason Schlaman as Simon Ducet 1912; Florimond Le Goupil-Maier as Count Vallier De Tilly; Dylan C. Wack as Jean Bilodeau; Bill Morton as Countess Marie-Laure de Tilly; J.P. Ross as Lydie Anne De Rozier; Drew Paton as Father St. Michael and Baron De Hue; and Grant Hale as Baroness De Hue.

The Thanksgiving Play Spotlight on Plays returns with Larissa FastHorse’s The Thanksgiving Play, directed by Leigh Silverman. The cast features Tony nominees Heidi Schreck and Bobby Cannavale, along with Keanu Reeves and Alia Shawkat.

Whiterock Cliff Goode Productions presents a streaming production of Ryan McCurdy’s one-man Off-Broadway musical Whiterock Cliff will be performed live at New York’s Funkadelic Studios for a five-week virtual run.

The show features a book by Ryan McCurdy and Ellie Pyle, music and lyrics by McCurdy, and directed by Mary Chieffo.

Whiterock Cliff weaves together memory, music, mental health, the creative process, the stories we tell ourselves, and the ones we tell to each other.

This act is performed live each night with the permission of Actors’ Equity from a Times Square studio with one performer, three cameras, and eight musical instruments.

Wish You Were Here: The world premiere of Sanaz Toossi’s new work releases as part of the partnership between Williamstown Theatre Festival and Audible Theater. Nikki Massoud, Marjan Neshat, Nazanin Nour, Artemis Pebdani, and Roxanna Hope Radja star in the podcast production directed by Gaye Taylor Upchurch.

Breaking the Waves LA Opera and Opera Philadelphia co-present an online stream ofBreaking the Waves, an opera by composer Missy Mazzoli and librettist Royce Vavrek that was previously scheduled to open on the Dorothy Chandler Pavilion stage this month. Available through April 12.

The opera is a faithful adaption of Lars von Trier’s extraordinary 1996 film, in which a devout young woman deciphers the meaning of fidelity, facing the condemnation of her church as she puts herself through a series of dangerous sexual encounters. With its intense subject matter, violence, language and nudity, the production is recommended for mature audiences only.

Breaking the Waves was filmed during its world premiere production at Opera Philadelphia in 2016. For the 2021 stream, director James Darrah, who staged that production, presents a remastered release of that recording, featuring color correction by cinematographer and colorist Michael Thomas, remastered sound from George Blood Audio, and a new edit from Active Image Media.

Vanya and Sonia and Masha and Spike Lincoln Center offers a streamed recording of Christopher Durang’s Tony-winning play, which stars Sigourney Weaver, David Hyde Pierce, Kristine Nielsen, Billy Magnussen and Shalita Grant. The comedy transports characters and themes from Chekhov’s work to present day Bucks County, Pennsylvania, where siblings receive a visit from their sister and her 20-something boy toy Spike.

Gutenberg! The Musical! A newly filmed presentation of Gutenberg! The Musical!, starring Bobby Conte Thornton and Alex Prakken, will stream as a benefit for Broadway Cares/Equity Fights AIDS. The performance, recorded by Pierre Marais at Open Jar Studios, features piano accompaniment by Andrew Callahan and choreography by Kaitlyn Frank.

The musical follows two aspiring playwrights, Bud and Doug, as they attempt to secure producers for their new musical about printing press inventor Johann Gutenberg. The pair sing all the songs and play all the parts in the hope of a Broadway contract.

The Sound Inside Mary-Louise Parker and Will Hochman reprise their roles in this audio production of Adam Rapp’s The Sound Inside, which earned six Tony Award nominations, including Best Play, for its 2019 Broadway run.

Romeo y Julieta Lupita Nyong’o and Juan Castano star in this free bilingual audioplay of Shakespeare’s Romeo and Juliet, presented by the Public Theater and WNYC Studios.

Lights on the Radio Tower Originally developed at the Adirondack Theatre Festival and Bloomington Playwrights Project, this thrilling two-hander rock musical tells the story of Molly and Jesse, a brother and sister who, after eighteen years apart, reunite at their decaying childhood home following the death of their father. The estranged rock duo’s competing recollections of their childhood, their last night together, and their final gig force them to face the painful truth of their past.

La Femme Theatre Productions: The Night of the Iguana The show will feature Golden Globe winner and Emmy nominee Dylan McDermott (Netflix’s “Hollywood”) as Reverend Shannon, Emmy nominee and Tony Award winner Phylicia Rashad  (Broadway’s Cat on a Hot Tin Roof) as Maxine, Roberta Maxwell (Broadway’s Summer and Smoke) as Judith Fellowes, Tony nominee, Obie and Drama Desk Award winner Austin Pendleton (Broadway’s Choir Boy) as Nonno, and Jean Lichty (Off-Broadway’s A Lovely Sunday for Creve Coeur, The Traveling Lady) as Hannah, with Keith Randolph Smith (Broadway’s Jitney, American Psycho) as Jake, Carmen Berkeley (Off-Broadway’s Our Dear Dead Drug Lord) as Charlotte, Eliud Kauffman (Roundabout Theatre’s 72 Miles to Go) as Hank, Julio Macias (Netflix’s “On My Block”) as Pancho, Stephanie Schmiderer (No Exit, The Human Voice) as Frau Fahrenkopf, Bradley James Tejeda (Broadway’s The Inheritance) as Pedro, and John Hans Tester (Amazon’s ”Hunters” ) as Herr Fahrenkopf.

The New York Pops Up Festival a thousand in-person performances throughout the state from now through June. Most events associated with NY PopsUp will be unannounced (and unticketed) and will be designed so that New Yorkers happen upon them in their everyday lives. (Since we can’t have large gatherings right now, we want to bring a lot of small things to the public where they are) NY PopsUp is a surprise that you happen upon, rather than an event or concert you are alerted to via a notification or a schedule.

Julius Caesar, Starring Patrick Page By Shakespeare@ Tony nominee Patrick Page (Hadestown) stars in the title role with Jordan Barbour (The Inheritance) as Brutus and Keith Hamilton Cobb (American Moor) as Cassius. West End Harry Potter and the Cursed Child performers Jamie Ballard and James Howard co-star as Mark Antony and Metellus Cimber, respectively. 

The production is also be available on Spotify, Apple Podcasts, Soundcloud, and Stitcher.

Produced by Jersey City’s Shakespeare@, this audio production is the third installment of the season, produced and adapted by Artistic Director Sean Hagerty.

Hagerty has crafted the production into four weekly parts and partnered with the Emmy-winning team at Sonic Designs to capture the lost art and thrill of radio drama all without leaving the confines of quarantine.

Julius Caesar features original music composed by Joan Melton with sound design by the Emmy-winning team of Dan Gerhard and Ellen Fitton of Sonic Designs. Justin Goldner is the music producer and supervisor, and casting is by Robin Carus. Sydney Steele serves as the associate producer. 

Riders of the Purple Sage: The Making of a Western Opera In the award-winning documentary, Riders of the Purple Sage: The Making of a Western Opera, opera’s hallowed traditions and America’s cowboy culture converge to celebrate the collaborative power of art. The documentary details the creative process of all artists involved in live theatre onstage and backstage.

Zane Grey is read by Peter Coyote, with performances by shining young opera stars, Karin Wolverton, Morgan Smith, Laura Wilde, Joshua Dennis, Joshua Jeremiah, Keith Phares, and Kristopher Irmiter. 

Paradise Blue Dominique Morisseau’s play premieres as part of the partnership between Williamstown Theatre Festival and Audible Theater. Directed by Ruben Santiago-Hudson, Paradise Bluestars André Holland (above), Kristolyn Lloyd, Simone Missick, Keith Randolph Smith and 2020 Tony nominee Blair Underwood.

The Sorcerer’s Apprentice By Southwark Playhouse The Sorcerer’s Apprentice gets an encore on-demand run. The pay-per-view stream will be available until April 11.

Assassins Reunion: Original Off-Broadway Cast The original cast and creative team of the 1991 Off-Broadway debut of Stephen Sondheim and John Weidman’s Tony-winning Assassins will reunite virtually to celebrate the musical’s 30th anniversary.

The free online event is part of the Studio Tenn Talks: Conversations with Patrick Cassidy series and will feature Studio Tenn Artistic Director Cassidy as well as other original cast members Victor Garber, Greg Germann, Annie Golden, Lyn Greene, Jonathan Hadary, Eddie Korbich, Terrence Mann, Debra Monk, William Parry, and Lee Wilkof plus Sondheim and Weidman, director Jerry Zaks, musical director Paul Gemignani, and orchestrator Michael Starobin.

SuperYou Musical the new musical that last year pivoted from its traditional opening to a drive-in concert in the wake of the coronavirus pandemic, is now heading online. A filmed version of the drive-in presentation will stream on Broadway On Demand 

The musical, penned by Lourds Lane, tells the story of a woman and her superheroine creations that suddenly come to life, reminding her of the power of her own voice.

Prior to the 8 PM stream, Playbill will host a virtual red carpet event, with interviews with the cast and creative team. A digital afterparty will also take place at 9 PM.

An Iliad (Streaming) Court Theater. A film of the site-specific production at Chicago’s Oriental Institute by Lisa Peterson and Denis O’Hare.

The Things Are Against Us Susan Soon He Stanton’s The Things Are Against Us will be the next production in MCC’s LiveLab one-act digital reading series. Ellie Heyman directs the cast, which includes Juan Castano, Emily Davis, Susannah Flood, Babak Tafti, and Danny Wolohan, in tthe play set in a mysterious house with a mind of its own. 

John Lithgow, Daniel Breaker, More Sing Adam Guettel’s Myths & Hymns (Episode 2) By MasterVoices The central project of MasterVoices’ 2020-2021 season will be a virtual rollout of award-winning composer Adam Guettel’s theatrical song cycle, Myths and Hymns, in an online staging conceived by Ted Sperling. 

SoHo Playhouse Presents Typical Soho Theatre and Nouveau Riche present the world premiere of Typical, the film version of the stage play, released exclusively on Soho Theatre On Demand 

Written by Ryan Calais Cameron and directed by Anastasia Osei-Kuffour, Typical uncovers the man and the humanity behind the tragic true-life events of Black British ex-serviceman Christopher Alder and the injustice that still remains twenty years since his story emerged. 

Fully Committed Stage and screen star Maulik Pancholy stars in George Street Playhouse’s production of Becky Mode’s solo comedy, which is available to watch through April 11.

The Manic Monologues Current Slave Play Tony nominee Ato Blankson-Wood, Rent Tony winner Wilson Jermaine Heredia, Accidentally Brave playwright Maddie Corman, and more stage favorites will explore mental health this winter in a new digital production from the McCarter Theatre Center.

The Manic Monologues debuts February 18 with 21 true-life monologues that users can explore at their own pace and through an interactive element virtually respond to.

Simply Sondheim Signature Theater of Arlington. Available through April 16. Thirty Sondheim songs performed by a 16-piece orchestra and a dozen singers, including Norm Lewis, Emily Skinner, Solea Pfeiffer and Conrad Ricamora

Directed by Golden Globe winner Marsha Mason, Napoleon in Exile stars Emmy nominee Jane Kaczmarek and Will Dagger as mother and son. After the performance, the artists join host Claudia Catania to discuss writing for actors and bringing theater chops to the world of sitcom TV.

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Celebrity

The Glorious Corner

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G.H. Harding

EMMYS TO PRIME — As predicted, the 77-year-old Emmys have been jettisoned to Prime Video. That said, Prime Video had very little impact on the most recent show.

The recent show was good, but suffered from some of the worst writing I’d ever seen. Stephen Colbert boasting that his writers wrote for the show may have been a huge error in retrospect.

Don’t expect a host as marquee-level as Mariska Hargitay next year.

Check out the full story from Deadline:

https://deadline.com/2026/10/amazon-emmys-six-year-global-deal-1237147189/

Green Lantern

LANTERNS FINALE — HBO’s Lanterns finale aired Sunday and after 7 somewhat dismal and heavily re-written episodes from the original comic-lore, ended with a bang. If you’ve been following it as I have, I never, ever would have suspected that Kerry Kane (yes, related to Batgirl Kate Kane) killed Hal Jordan … or, did she?

Damon Lindelof, from Lost and The Leftovers wrote the script and as he has with everything he’s touched, put his rather remarkable stamp on it. Heavily re-written from what the original DC comic was, it enraged hard-core comic fans and delighted others with many pundits comparing the new narrative to what True Detective was like.

Kyle Chandler was great and it’d be awful to see him leave. That said, I don’t think there’s a chance in hell that HBO renews this show … but, anything can happen.

SHORT TAKES —- (via EW Weekly) Miley Cyrus’ new album has suffered a shocking fall from the top spot of the American charts. After debuting at No. 1 on the Billboard 200 last week, the 33-year-old’s latest LP, Bass Persuades, tumbled 156 spots to land at No. 157 on the current chart. The fall is one of the biggest for a No. 1-debuting album in history, surpassed by that of one other act: Bon Jovi, whose album This House is Not For Sale plummeted from No. 1 to No. 169 in its second week of release …

Michael Douglas

I love the so-called surprises in Michael Douglas’ new memoir One Helluva Ride. But there’s been so many reveals, I’m not sure you even have to read the book. Believe me, I know full well what a successful book tour entails, but I can’t even imagine what’s he’s held back. For one of the best takes on the book, check this out from the Hollywood Reporter: https://www.hollywoodreporter.com/movies/movie-news/michael-douglas-book-revelations-1236723340/?link_source=ta_first_comment&taid=6ac57d7ea871e000015a57ac&utm_campaign=trueanthem&utm_medium=social&utm_source=facebook&fbclid=IwY2xjawUzD89leHRuA2FlbQIxMABwZG9mBWJyaWQRMVFmemc0d0JpZzcyT0dUb2lzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEe7fEet4cwDHjNBlS_APTaVxthMJu3K7ZAeIhpZ4R3iZdIPsnPnR08QOPKBt0_aem_cQKCov058dhIZU8gVtsnvg PR-pasha David Salidor had several Douglas-tales to tell when he worked for Douglas’ Third Stone Records, with Doug Morris, Ahmet Ertegun, and Douglas’s own PR-rep Allen Burry and he says they were all fun … From one of the best writers around,

Roy Trakin on Digger: Alejandro Iñarritu’s “Digger” is neither misunderstood masterpiece nor unmitigated disaster, but a white elephant of an art film that has echoes of “Dr. Strangelove” and “Synodoche, New York” and recalls George S. Kaufman’s famed quote about “satire closing on Saturday night.” Definitely worth seeing on a big screen for Tom Cruise’s over-the-top performance and monologue about our need for oil. Its dystopian corporate theme adds an extra layer of irony given the backdrop of Skydance’s birth, making it one of the final Warner Bros. movies before the merger with Paramount. I wasn’t bored, and at $7, it was a bargain … Guess Who Don’t Sue: What artist whose latest record is pressed on red vinyl is lobbying for a new artist-Grammy nomination? It’s funny when most Grammy-voters haven’t even been serviced nor heard the record as the artist’s team most likely didn’t even know that had to happen first … No big surprise Aerosmith is reuniting for a pair of shows at LA’s Hollywood Bowl. Tyler was great as an American Idol judge (seasons 10 and 11 with JLo and Randy Jackson), but I’m sure got very restless with the band somewhat retired … RIP Eva Marie Saint … Happy Bday Heather Moore.

NAMES IN THE NEWS — Al Roker; Sean Hayes; Debbie Gibson; Tom & Lisa Cuddy; Jane Blunkell; Jackie Romeo; David Adelson; Donald Johnson; Paul Morphos; Jim Yukich; Steve Leeds; Deborah Silver; Brad Balfour; Todd Sharp’ Daryl Hall; Ken Sharp; John Hughes; and CHIP!

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Celebrity

The Glorious Corner

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G.H. Harding

I COME TO SKYDANCE — Much chatter about David Ellison this week, after buying Paramount and Warner Brothers, and formerly changing the corporate name to Skydance; which was originally just his production company. For the 103-year old Warner’s and the 114-year old Paramount, it was quite a shock. The Warner’s logo remains on the full menu card, along with Paramount (albeit in a smaller format), but still, quite a shock.

Hey. Things change … that’s the one constant. The average person may not know that Universal Pictures is owned by Comcast … or, care, but these days, a more corporate name, and image, is in order. More Silicon Valley, less Hollywood.
For someone like me, whose been involved in Hollywood for probably far too long, it’s both sad and a full realization that the beans-counters are more in charge than ever before.
To tell you the truth, I’m waiting for Deadline’s master-seer Peter Bart to weigh in. He’s been around long-enough to give the whole affair a proper perspective.
For a great article on the ch-ch-changes in tinsel-town, take a read here from theHollywood Reporter:https://www.hollywoodreporter.com/movies/movie-news/skydance-paramount-warner-bros-name-1236720868/

SHORT TAKES — The opening of Tom Cruise’s Digger was his lowest opening in 19 years. Sure, it’s di rigueur to dislike it now, but I still want to see it. I mean, it can’t be that bad,  can it? Deadline’s Pete Hammond said the film: “is unlike any film coming from a major Hollywood studio in years” and that Inarritu “takes things much further and thus could be one of the more divisive movies for the masses in a very long time.” Early reporting says the movie could lose around 150 million …

Pete Townshend

Pete Townshend: Behind Blue Eyes held its world premiere at the Telluride Film Festival.  It’s directed by Frank Marshall (The Bee Gees: How Can You Mend a Broken Heart) and Nigel Sinclair (producer, Billy Preston: That’s the Way God Planned It). The Preston doc was superb, but almost no one saw it and currently the Townshend doc doesn’t have a distributor yet, but should. Townshend remains one of the pillars of rock ‘n roll in my book …

Lizzo

Excellent Willie Geist interview with Lizzo yesterday on Sunday Today, on her new kids book. Towards the end of the interview, Geist delved into the scandals that enveloped her and the fact that they were summarily dismissed. Her career was severely derailed and the powers that be are trying to resurrect it with minimum success thus far. Good dialogue for sure …

We saw  a great movie called Tuner. Yes, about a piano tuner, with Dustin Hoffman and a great performance from Leo Woodall (White Lotus), Havana Rose Liu and Alisen Richmond-Peck. It starts out great and ends a little roughly, but rolls on with tremendous heart. Epic for sure. Sharply directed and written by Daniel Roher, it’s quite a tale. There’s even a cameo from our old friend Herbie Hancock! A must-see for certain … Rolling Stone’s Andy Greene at Micky Dolenz’s weekend show at AC’s Borgata … Happy BDay Lindsey Buckingham and Brent Blanchard.

NAMES IN THE NEWS — Elon Musk; Tom & Lisa Cuddy; Scott Shannon; Eppy; Dan Zelinski; Race Taylor; Don Grolnick; Will Lee; John Pagliano; Pam Andy; Michael DeLuca; Cory Robbins; Bobby Shaw; Izzy Sanchez; Stuart Shabman; Kent Hotak; Thomas Silverman; Monica Lynch; Raspin Stuwart; Richard Johnson; Cori Gardner; and CHIP!
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The Glorious Corner

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G.H. Harding


KIMMEL IN BROOKLYN —
After a wildly, odd interview with Howard Stern this week, where he put down both ABC and Disney, he looked terribly fatigued.

I’ve been a fierce advocate for Stern for years, but I did detect just a touch of wanting to take-a-step-back.

He conquered radio and now I expect him to do the same with HBO/MAX.

Interesting for sure.

Ray Caviano

CAVIANO PASSES — You might not recognize the name Ray Caviano, but he passed this week. Ray had the distinction of being one of the youngest-ever record company presidents in the music business and really unparalleled success back in the 80s. He was the one constant voice behind the disco-explosion back then. The Village People; Br. Buzzard’s Original Savannah Band; Voyage; and Peter Brown … all his.

Ray negotiated this success into a tremendous deal with Warner Brothers commanding a staggering $6 million dollars a year and his own label and staff. His PR-team at the time, which included veteran-PR-meister Howard Bloom, termed him the six-million-dollar man, and it was a great rags-to-riches story. From Madeline Kahn, to George Benson, the B52s, Grace Jones, The Doobie Brothers, Prince to Chaka Kahn, Rod Stewart and Ashford and Simpson, Caviano just scored a staggering degree of success.

From what I remember, all the other-labels modeled what they did after Ray and his christened label, RFC Records; which introduced Venus Dodson; Gino Soccio; The Mighty Pope; and Change, which featured Luther Vandross. He hit the top, no question, but then personal problems got in the way and he was essentially blacklisted.

 I never met him, but constantly hear some of his successes and they were indeed cataclysmic as his music lives today. RIP.

SHORT TAKES — Edna Gudnersen, from USA Today fame, wrote a terrific article for AARP on who should be in the Rock & Roll Hall of Fame. No big surprises, but once again she’s hit the nail right on the head. One interesting post simply said: the voters can change it. Take a read: https://www.aarp.org/entertainment/music/rock-and-roll-hall-of-fame-snubs/?fbclid=IwY2xjawUrIH1leHRuA2FlbQIxMABwZG9mBWJyaWQRMU9mVTJENHlUU21yQm8wbHdzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEeCMUfSZdob2E0b7OqMN0tqZbMXfnFz1ib0PrxztT-BeCdBi54rZKmIAL-s50_aem_-r3LegoVNsCszZW3QsX1hQ …

Slow Horses

Wednesday night meant a new Slow Horses and Ted Lasso on Apple+. Surprise. Both shows have been staggeringly lackluster this season so far. U.K.’s The Guardian even termed Horses whiny! The fellow who created Horses, Will Smith, left and it’s become still good, but terribly ordinary and a lot less of Gary Oldman. Sad …

This week the long-expected merger between Paramount and Warner Brothers took place and guess who was installed as boss? The CEO of Mattel. People in Hollywood are sending are their resumes right now …

Ringo Starr

Still more buzz on that Far Out/Todd Rundgren interview. In a further missive, after dissing Taylor Swift, Rundgren now claims that Ringo best-survived The Beatles. Fascinating. Take a read: https://faroutmagazine.co.uk/todd-rundgren-ringo-starr-only-one-survived-beatles/?fbclid=IwY2xjawUqT4hleHRuA2FlbQIxMABwZG9mBWJyaWQRMWlGYWlyRW14Z24wNHIwUEJzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEeH9wqOi0plYRGr801XxzuKtasXnT8D_3b9Dfn_FPCaUOrH88qlWOw_CkfdCA_aem_Hap2wxG63VvIwa5wC0KzGw … And, Chuck Darrow had a great piece on Micky Dolenz for his weekend show at The Borgata in AC. Take a read: https://shorelocalnews.com/when-being-an-architect-was-micky-dolenzs-career-blueprint/

NAMES IN THE NEWS — Anthony Pomes; Fred Goodman; Allen Klein; Paul Bartels; JIm Yukich; Tracy Lords; Bryce Grakal; Ken Sharp; Chuck Darrow; Melissa Davis; Magda Katz; Cori Gardner; Donnie Kehr; Bill McCuddy; Deb Caponetta; Jeff Vogel; Steve Leeds; Ed Steinberg; John Sykes; Tom & Lisa Cuddy; and SADIE!

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Who Has the Power to Shape What Comes Next? TIME Reveals the 2026 TIME100 Next

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Art Direction and Set Art by Jana Frost for TIME @janafrost.art and Photography by Stefano Giuliano for TIME @stefanogiovannigiuliano

Power used to arrive with age, position and a very impressive office. Not anymore.

TIME has unveiled its 2026 TIME100 Next, its annual look at 100 rising figures already altering the worlds of entertainment, music, sports, technology, business, science, politics and culture. The list was created in 2019 around a deceptively simple idea: influence itself was changing. Increasingly, people weren’t waiting for traditional institutions to hand them authority. They were building audiences, companies, movements, careers and entirely new avenues of influence for themselves. TIME

This year’s three worldwide covers make the point rather beautifully. Raye, Ashley Padilla and Druski occupy wildly different corners of contemporary culture, yet each represents the kind of career that doesn’t necessarily follow the old map. Raye has become an international musical force, Padilla has emerged as one of Saturday Night Live’s breakout talents, and Druski has transformed digital comedy into an expanding entertainment empire. TIME

The fascination of TIME100 Next has always been less about celebrity than trajectory. These are not lifetime-achievement awards. The question is not simply, What have you done? It is: Where might what you’re doing take the rest of us?

That makes some of the pairings between honorees and the people writing about them almost as interesting as the list itself. LeBron James writes about Tyrese Maxey; Matthew McConaughey takes on Arch Manning; Natalie Portman writes about Charles Melton; Rafael Nadal considers Alexandra Eala; Anya Taylor-Joy writes about Raye; Trevor Noah celebrates Wawira Njiru; Kylie Minogue writes about Troye Sivan; Charli xcx takes on Alex Consani; Bill Nye writes about Gretchen Goldman; Lin-Manuel Miranda on Joshua Henry: Sarah Michelle Gellar on Sarah Pidgeon and chef Eric Ripert weighs in on E.J. Lagasse.

Joshua Henry

Taken together, the names reveal just how broadly TIME now defines influence. Entertainment is represented by Ashley Padilla, Druski, Charles Melton, Eiza González, Joey King, Molly Gordon, Cooper Hoffman, Himesh Patel, Sarah Pidgeon, Paapa Essiedu, Dominic Sessa and Joshua Henry, among others. Music brings Raye, Troye Sivan, PinkPantheress, Megan Moroney, Conan Gray, Alex Warren and Sombr, while the sports world includes Arch Manning, Tyrese Maxey, Naomi Girma, Alexandra Eala, Folarin Balogun and Olivia Miles.

Perhaps the most striking name in that last group is Vaibhav Sooryavanshi, the 15-year-old cricket player and youngest person on the 2026 list. There is no age requirement for TIME100 Next, which seems entirely appropriate for a project built around the proposition that influence no longer waits politely for seniority.

Elsewhere, the list stretches from fashion designers Robert Wun and Daniella Kallmeyer to chef E.J. Lagasse, model Alex Consani, artist Claire Tabouret and an expanding class of entrepreneurs, scientists and AI innovators. The result is less a traditional power list than a snapshot of where power appears to be migrating.

There is an interesting distinction there. Fame and influence are not necessarily the same thing. One attracts attention; the other changes behavior, industries, conversations or possibilities. The strongest choices on TIME100 Next are the people beginning to do both.

As TIME Editor-in-Chief Sam Jacobs explains, the publication launched the franchise because influence increasingly arrives earlier and through channels operating outside traditional establishments. The editors spent months looking internationally for people connected to the stories reshaping the moment, including artificial intelligence, education, immigration and emerging forms of political leadership. TIME

The list will move from the page to New York on October 29, when TIME gathers its 2026 honorees for the sixth annual TIME100 Next event. Raye will perform, with appearances scheduled from Druski, Conan Gray and Eiza González, among others.

Perhaps that is the most interesting thing about a list devoted to the future. Inevitably, some names will become enormous, some will surprise us, and others will eventually make us wonder what we saw in them in the first place. That’s part of the fun.

Identifying established power is easy. The far more interesting question is recognizing it while it is still becoming.

Explore the 2026 TIME100 Next

 

 

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The Glorious Corner

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G.H. Harding

MADONNA AT THE VMAs — 42 years ago Lady M first appeared on the VMAs and her opening appearance Sunday night was definitely something to see, but I have to admit, it felt to me very, very dated. Almost like I had seen it before. Also, the song they performed, “Bring Your Love,” sounded liked a bastard version of maybe her biggest hit “Vogue.” The segment which seemed to morph into a washroom seem out of place too. Was it a winner?

Then with Charlie XCX and Sabrina Carpenter joining her, the song tuned to “Dancetreia Afterhours.” Again, somewhat dated.

Fox News called that opening number a showstopper. Really?

Per Deadline: The MTV Video Music Awards may not have the same meaning as it did in the 1990s but it’s clear that this year’s event had more juice than in a number of years. Per Nielsen’s fast nationals, the ceremony hit an 11-year high and was up over 50% over the numbers from last year.

For a spirited take on the show, check out this from Hollywood Reporter andVariety

https://www.hollywoodreporter.com/music/music-news/2026-mtv-vmas-best-moments-1236713378/

https://variety.com/2026/tv/news/vma-ratings-cbs-mtv-most-watched-since-2015-up-last-year-1236877733/

BEAT STREET RETURNS — Beat Street was a film from 1984; Harry Belafonte was involved an mega-producer Arthur Baker did the music. Poised to return to Broadway, the original film was produced by Belafonte and David V. Picker, with music by Belafonte and Baker, story by Steven Hager, screenplay by Andrew Davis, David Gilbert & Paul Golding, and directed by Stan Lathan,

Beat Street starred Rae Dawn Chong, Gus Davis, and Jon Chardiet.

The film was a culmination of early-rap music, from Afrika Bambaataa to The Soul Sonic Force. Indie labels such as Tommy Boy; Prelude; Profile; Next Plateau; West End; Emergency; and Buddah had broken through like never before.

The film was a so-so hit; more historical than anything else. A fresh take may be the answer. Read via Deadline:

https://deadline.com/2026/09/beat-street-broadway-nas-creative-team-1237116101/

SHORT TAKES — Micky Dolenz, whose new EP Timeless is a critical hit, speaks to Ken Sharp for Rock Cellar Magazine this week …

Tiffany and Bobby Shaw (Facebook)

SIGHTING: NY-promo man Bobby Shaw at Tiffany’s last Spandex performance in NYC …

As expected, Tom Cruise’s Digger -opening this week- has scored reviews from positive to negative. I loved Birdman,but director Alejandro G. Inarritu, is one not to ever second guess. Right now, it’s a dead even 50% split. The always-scintillating Pete Hammond from Deadline had one great review, check it out here: https://deadline.com/2026/09/digger-review-tom-cruise-movie-1237115519/…

Charlie Sheen

Charlie Sheen and his father Martin Sheen are back playing father and son for the first time in over a decade. The duo is headlining Happy Jack, a comedy series for AMC. The half-hour family comedy has been greenlit for six episodes and will start production at Warner Bros. Studios, in the studio where Friends was filmed, for a 2027 launch. The pair have portrayed on screen father and son in a number of movies and series, most recently on Anger Management, the sitcom that premiered on FX in 2012, and most famously in Wall Street … In the new trailer for Netflix, The One About Matthew Perry, the late Friends star reflects on his TV success and the toll it took. In a voiceover early in the clip, Perry says, “I said God, you can do anything you want to me just please make me famous.” When fame arrived, Perry reflected, “God did not forget the other part.” take a look: https://www.youtube.com/watch?v=_iM1AOFxoDI … Happy Bday Elizabeth Neff and Chuck Taylor!

NAMES IN THE NEWS — Rusty Cutchin; Phil DiMauro; Mike Sigman; Tom & Lisa Cuddy; Race Taylor; Ross Zappin; David Adelson; Lee Jeske; Pete Townshend; Vince Aletti; Bob Siegal; Michael Musto; Don Wardell; Arthur Bell; Roger Friedman; Denny O’Connor; Phil Goldstein; Marty Ostrow; Lorylace; Kevin Mazur; Chuck Pulin; Bob Gruen; Ebet Roberts; Andy Greene; Abby Rose; and ZIGGY!

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