Cabaret
What to Watch in The New Year: February 9


For The Record Berkeley Rep. One of the ten weekly audio plays in Place/Settings: Berkeley about specific places in Berkeley, California. This one is by Sean San Jose: “ometimes music becomes indelibly linked to specific memories, invoking the people with whom we shared them. Songs by Isaac Hayes, Peter Tosh, Stevie Wonder, the Doors, the Knight Brothers, and Patti LaBelle conjure a deep friendship, one that began on a hot night in 1986 outside Leopold’s Records.”
7am: Crips Without Constraints Part 2five brand new short plays, celebrating the best talent and creativity of Deaf and disabled artists from across the UK.

The cast includes Harriet Walter, Sharon D. Clarke, Mandy Colleran, Naomi Wirthner, Julie Graham and more to be announced.
The new plays, all duologues, are written by Leanna Benjamin, Rebekah Bowsher, Karen Featherstone, Kellan Frankland, and Jessica Lovett, The pieces will all be directed by upcoming disabled directors Stephen Bailey, Hana Pascal Keegan, Cheryl Martin, Alex Whiteley and Lilac Yosiphon.

4pm: CyberTank Variety Show By The Tank A weekly, remote, multidisciplinary, variety arts gathering open to all where we explore theatricality + themes by you.
The CyberTank Weekly Variety Show is a remote, multidisciplinary variety arts gathering open to everyone. The arts community has been presented with a challenge to re-examine theatricality, and The Tank has reframed this as the gift of an opportunity to grow and choose community over despair. Each weekly installment is centered around a specific question and features guest artists who will perform and facilitate conversation.

7pm: Dog Act The Seeing Place Streaming Feb 2-12 A darkly comic variation on the classic doomsday genre, with five original songs.

7pm: My Funny World with Rodgers and Hart Two River Theater
$10 Ten-time Broadway veteran Barbara Andres her experience in the 1975 Broadway musical revue, Rodgers and Hart, in this virtual performance excerpting her forthcoming memoir

7pm: Enchanted Origins La MaMa Live A “multi dimensional science-fiction fairytale puppetry musical” written and directed by Charlotte Lily Gaspard

7:15pm: Piano Bar Live! (PBL!) with host Scott Barbarino, plus Aaron Lee Battle, Bobby Belfry, Michael McQuary and Francesca Amari

7:30pm: Verdi’s Ernani This early Verdi masterpiece is also based on a Hugo drama, whose complicated plot concerns a young woman and the three men vying for her affections: her elderly uncle, a king destined to become Holy Roman Emperor, and a bandit who is actually an overthrown nobleman. Though there is plenty of action arising from the various passions and grudges scattered among these characters, the opera is best appreciated as a feast of beautiful and dramatic Italianate singing. With virtuosic roles for a quartet of principals, the opera delivers one feat of heroic vocalism after another. And in this 1983 performance from the Met’s centennial season, soprano Leona Mitchell, whose repertoire with the company included more than a dozen compelling heroines, stars as Elvira.

8pm: Stars in the House Black Theatre United with host Lillias White joined by Mathis Picard

8pm: Before Fiddler Town Hall through February 14 $55
Hershey Felder, who’s made a career of one-man shows about (usually musical) geniuses here presents the story of the Yiddish writer Sholem Aleichem, whose stories became the basis of Fiddler on the Roof (which, just to be clear, was created a half century after Aleichem’s death.) Live from Florence (with some footage from the Florence synagogue), Felder employs a klezmer quartet that call themselves Klezmerata Fiorentina. A benefit for theaters throughout the U.S.

8pm: Christa McAuliffe’s Eyes Were Blue Center Theater Group
through April 4. $10 Kemp Powers’ play tells the story of twins, one who dreamt of space, the other who became a successful attorney, who have lived starkly different lives, because one has dark skin and the other passes as white. The action plays out in 1980s New York and a Minnesota courthouse in 2006.
Simply Sondheim Signature Theater of Arlington. Available through March 26. Thirty Sondheim songs performed by a 16-piece orchestra and a dozen singers, including Norm Lewis, Emily Skinner, Solea Pfeiffer and Conrad Ricamora
Kelli O’Hara, Renée Fleming, More Sing Adam Guettel’s Myths & Hymns (Episode 1) By MasterVoices The central project of MasterVoices’ 2020-2021 season will be a virtual rollout of award-winning composer Adam Guettel’s theatrical song cycle, Myths and Hymns, in an online staging conceived by Ted Sperling. Inspired by Greek myths and a 19th-Century Presbyterian hymnal, the 1998 cycle is a kaleidoscopic collection of musical genres as it explores the nature of faith and longing in a secular world. New short musical films will illustrate the protagonist’s attempt to seek answers in four ways – through Flight, Work, Love, and Faith. The four chapters of this personal voyage will be released in free digital installments throughout the winter and spring.

Molly Sweeney Lantern Theater Company through February 14. This Philadelphia company’s newly filmed performance of Brian Friel’s gentle tale from the shifting perspectives of Molly Sweeney, her husband Frank, and the surgeon who values his skills above his patients.

My Lord, What a Night Orlando Shakes and Theatre UCF through February 14. $15 Deborah Brevoort’s play about the friendship between singer Albert Einstein and singer Marian Anderson

8pm: Hi, Are You Single? By Woolly MammothIAMA Ryan has a higher sex drive than you. He also has cerebral palsy. You can often find him on Grindr or at your local inaccessible gay bar. From encounters with drag queens to platonic lap dances, Ryan will guide you through the gay dating scene with his provocative take on intimacy, rejection, and judgment. His one request? Please bring an attractive male friend with you.
Woolly Mammoth Theatre Company and IAMA present Ryan J. Haddad’s search to find love (or at least a hookup) in his celebrated autobiographical solo show.
The performance is available to stream throughout the month of February.

The Haunting of Alice Bowles A new theatrical production streaming online from Original Theatre Company (Apollo 13: The Dark Side of The Moon) debuts.
The Haunting of Alice Bowles by Philip Franks, based on M.R. James’ short story The Experiment, stars Janie Dee, Max Bowden, Stephen Boxer, Jack Archer, Alexandra Guelff, Robert Mountford, Poppy Roe, and Tim Treloar.
In 1918, the recently widowed Alice Bowles is left destitute as she seeks to solve a mystery left by her late husband Francis. Moving to 2020, YouTube urban explorers Matt and Caitlin uncover a mysterious grave in an abandoned churchyard. What starts as harmless entertainment turns darker when their discovery begins to unwrap a mystery which has lain dormant for over a century.
The digital production is co-directed by Philip Franks and Alastair Whatley, designed by Adrian Linford, and edited by Tristan Shepherd, with sound design and original music composed by Max Pappenheim.
Broadway
Santino Fontana Brings Voice, Comedy and Showmanship To 54 Below

Tony Award® winner Santino Fontana brings his tremendous talent to 54 Below and it is a show that wraps you up in his humor, charm, vocal prowess, laid back demeanor, jeopardy style musical choices and over all entertaining. By the end of the show you feel as if you know him or at least a part of him. Starting off with Charles Strouse and Lee Adams’s “Stick Around,” the night turned into a Russian roulette of material. The audience picked numbers and as Santino put it “if you don’t like the show, it’s your fault.” First up for my show was the naughty but amusing “Making Love Alone” followed by Rodgers and Hammerstein’s Cinderella‘s “Do I Love You,” which made for an amusing combination of songs. During Cinderella Mr. Fontana had shoes that were built up 2 inches inside and 2 inches outside, which cause a tremendous amount of pain, so the song told the story of his plight, which made the song take on a much different meaning. Sondheim’s “Anyone Can Whistle,” was sung for a Carol Burnett tribute, that luckily we were treated to.
His guest for the evening was Sarah Steele (“The Good Wife,” The Humans, The Country House) who sang “out There On My Own” from Fame. On the 14th it will be Greg Hildreth (Company, Disney’s Frozen, Rodgers + Hammerstein’s Cinderella). Click on the name and you can hear that version.
Showing off his baritone side with Rodgers and Hammerstein’s “If I Loved You.” We almost got to see Santino in Cy Coleman and Dorothy Fields”s Sweet Charity, instead we got hint of what that would be like with “Too Many Tomorrows.” A hilarious version of “I feel Pretty” from West Side Story lightened the mood and had the room in tears. Recreating his duet “Love Is An Open Door” from Frozen, Santino channeled Dorothy Michaels from Tootsie. Again the room was laughing with the sheer comedic genius that won Mr. Fontana a Tony Award. Bringing the energy to a calmer state was the emotional Leslie Bricusse and Anthony Newley’s “Who Can I Turn To?”
Vocally the most impressive song of the night was “Joey, Joey, Joey” from Most Happy Fellow. Mr. Fontana’s voice was glorious in the tones and the subtle texturing. Keeping in the ballad mode and honoring Marilyn Bergman he launched into the iconic “Where Do You Start,”while accompany himself on the piano, which was highly impressive. Back to the uptempo mode “I Met A Girl” from Bells Are Ringing, was given a rigorous, amusing take. This was his original audition song. Lerner and Loewe’s “How to Handle a Woman,” from the recent Camelot, showed how Santino would have made an excellent King Arthur.
Another favorite moment of the night was “Buddy’s Blues” from Follies. Already a personal favorite, this made me want to see Santino play this role at a later date, though personally I would cast him as Ben.
For the finale songs “The Music In You” from Cinderella, told how he and the cast loved watching the magnificent Victoria Clark perform. “This Can’t Be Love” from 1938 Rodgers and Hart musical The Boys from Syracuse, ended up in an encore, of Harvey Schmidt and Tom Jones’s “They Were You” from The Fantasticks, which made my guest producer Pat Addiss extremely happy.
Santino was backed by his musical director and accompanist Cody Owen Stine, who played flawlessly.
Santino Fontana opened September 10th at 54 Below and you can still catch this marvelous show tonight September 14th. 54below.com
This is a do not miss!
Cabaret
Talking With Mauricio Martínez About His New Show 5’11, Based in NYC and More

I met Emmy Award winner Mauricio Martínez when he was performing in Children of Salt and have watched him ever since. He then became known for the Broadway musical On Your Feet!, but before that he appeared in the Emmy Winning TV Show El Vato NBC, the hit Señora Acero Telemundo and several Mexican telenovela. T2C talked to this prolific actor/ singer to learn more.
His new show at 54 Below talks about all the self-tape sides filling up his Dropbox. In his new show, 5’11, Based in NYC, Mauricio is putting those to good use in a musical “What If…,” sorting through what might have been. Pushing aside the ring light, you will lean more about this uber talented Mexican American.
His show on October 5 and 6 at 7pm is at 54 Below. The show feature Linedy Genao (Bad Cinderella, On Your Feet!) and Alexis Michelle (“RuPaul’s Drag Race”) and is written by Mauricio Martínez & Robbie Rozelle, with musical direction and arrangements by Brian J. Nash. Directed by Robbie Rozelle.
Video by Magda Katz
Cabaret
Ken Fallin’s Broadway: Linda Purl Not Just An Actress

Last night Linda Purl took the audience at The Green Room 42 on a magical journey.
In 2020 Linda Purl starred as Ryan Spahn mother in Vivian Neuwirth’s Mr. Toole at 59E59 Theaters.
Ms Purl just released her fourth album of standards, This Could Be the Start. If the CD is anything like the concert this s a must have,
Cabaret
Linda Purl Had The Room In Her Hand at The Green Room 42

You know Linda Purl, for her work on Movies of the Week, Happy Days, The Bold and the Beautiful, Matlock, Murder She Wrote, The Office and more. Recently she released her fourth album of standards, This Could Be the Start, and she celebrated its debut with a special concert Monday, September 11th at The Green Room 42.
Standards such as “This Could Be The Start,” I’ve Gotta Lot of Living,””Shall We Dance,” “Caravan,“Blue Moon,” “Let’s Get Lost,” “Taking a Chance on Love,” “Here’s To Life” and more were given a sultry, laid back, come hither approach. You can tell Ms. Purl is an actress first, as these song, all told stories that wrapped you in their spell. The lyrics become front and center, but are thrown away with a knowing that surpasses time. Part of the magic is the alternating rhythms to the originals that make these versions stand out and draw you in.
Part of this intoxication is her musical director Ted Firth, who is a musical genius. Purl has been working with him for 15 years. When ever I fall in love with an arrangement, inevitably it is always Ted Firth at the helm. Firth was on piano with David Finck on bass and Ray Marchica on drums. Purl smartly uses the best of the best.
During Ms. Purl’s patter we learned about her love of hiking, she hails from Colorado, her partner, Patrick Duffy, and their sourdough starter company, as well as painting old trees with paint and glitter.
Purl knows how to keep her audience in the palm of her hand and wanting more. She is warm, engaging and a song stylist, that will keep you coming back for more.
All photo’s and video are Magda Katz
Cabaret
Daisy Jopling and Frank Shiner Raise Money To Give Kids The Gift 0f Music

Classical/rock violinist Daisy Jopling, vocalist Frank Shiner and her fabulous band performed at Chelsea Table + Stage Saturday, September 9 at 9:30 PM. The duo perform an eclectic mix of music from blues and standards to classical. The magical band that accompanied them included Ray DeTone on guitar, Sofia Gould on saxophone, Jeff Miller on piano, Lavondo Thomas on bass and Dan Weiner on drums.
17 year old, Sofia Gould was a Daisy Jopling student and one of the reasons this foundation is so needed.
For a special treat 17 year old Melisa Muñoz played a mean trumpet.
Daisy tours the world with her own band, and also runs a music mentorship foundation.
The Daisy Jopling Foundation has given 6,810 children world class music performances for free.
4,500 hours of time volunteered.
1,000 residents given free tickets to our concerts.
920 children served in their mentoring programs.
Partnered with over 50 non-ройt organizations to.
transform their student’s lives.
Daisy was the first international violinist to perform a major concert at the Great Pyramids of Giza in Egypt on November 4, 2022, collaborating with Egyptian stars Hany Adel, Wust El Balad and Noha Fekry.
Daisy started off by playing a concerto at the Royal Albert Hall in London at the age of 14, the opening of the Vienna Festival, 53 stunning concert halls in China, creating “Illuminance” on Bannerman Island, NY which aired on PBS in 2021 and 2022, and performing her own “Awakening” Concert at Alice Tully Hall, Lincoln Center.
Frank Shiner released his debut album, The Real Me, in 2014, A second LP, Lonely Town, Lonely Street, he released on his own Bakerson Records label. He is now writing a musical about his dad, in which he debuted one of the songs.
They ending the concert with “Joy To The World.” This was a great night of raising funding for children and music.
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