2:30pm: Leave a Light On By Lambert Jackson Productions Lauren Byrne
4pm: CyberTank Variety Show By The Tank A weekly, remote, multidisciplinary, variety arts gathering open to all where we explore theatricality + themes by you.
The CyberTank Weekly Variety Show is a remote, multidisciplinary variety arts gathering open to everyone. The arts community has been presented with a challenge to re-examine theatricality, and The Tank has reframed this as the gift of an opportunity to grow and choose community over despair. Each weekly installment is centered around a specific question and features guest artists who will perform and facilitate conversation.
7:15pm: Piano Bar Live! with host Scott Barbarino and guests Aaron Lee Battle, Joey Chelius, Tony Javed, Carolyn Wehner, Collin Yates, plus Mystery Guests and MORE!
7:30pm: Massenet’s Thaïs It’s Thaïs Renee Fleming week. This is the most operatic of scenarios: The devotion of an ascetic monk who has dedicated his life to God is tested against the allure of the world’s most voluptuous, seductive courtesan. And in this glorious, rarely performed jewel, Massenet milks the melodrama for all it’s worth, clothing the story in music as glamorous and sensual as the seductive title character herself. In 2008, the work made a glorious return to the Met, taking the stage for the first time in three decades.
8pm: The Lambs’ 1st Virtual Conversation of the year with Michael Riedel. The meeting ID # is meeting ID: 863 0777 3703 and the passcode: 1874112
the motown project Under the Radar. Alicia Hall Moran’s musical meditation on the Motown songbook –
Bernadette Peters, David Hyde Pierce, More Star in Jerry Herman Tribute From Pasadena Playhouse Pasadena Playhouse will pay tribute to the late composer of Hello, Dolly!, Mame, and La Cage aux Folles with You I Like: A Musical Celebration of Jerry Herman.
Conceived and music directed by Andy Einhorn, the revue will be available to stream January 10. A live virtual opening night will also take place that night, with guests including Bernadette Peters and David Hyde Pierce.
Available to stream through February 7.
Disclaimer Under the Radar and various dates through January 17
In this live in-Zoom event written by Tara Ahmadinejad and created by Piehole , Chef Nargis invites you to her virtual cooking class, and if you both do your jobs just right, you’ll have more to look forward to than an aromatic dinner. Help prevent a perpetually impending war from the safety of your home
A Planet A Lament Prototype Festival at HERE Available through January 16. Nugroho’s brand new staged Song Cycle, The Planet – A Lament, merges film with live dance and a 14-voice choir accompanied by Papuan Soloist to impart a moving story of creation set against the backdrop of environmental disaster.
The Murder of Halit Yozgat Prototype Festival at HERE
noon. Available through January 16 The real-life 2006 slaying of a 21-year-old immigrant in Germany.
The Haunting of Alice Bowles A new theatrical production streaming online from Original Theatre Company (Apollo 13: The Dark Side of The Moon) debuts.
The Haunting of Alice Bowles by Philip Franks, based on M.R. James’ short story The Experiment, stars Janie Dee, Max Bowden, Stephen Boxer, Jack Archer, Alexandra Guelff, Robert Mountford, Poppy Roe, and Tim Treloar.
In 1918, the recently widowed Alice Bowles is left destitute as she seeks to solve a mystery left by her late husband Francis. Moving to 2020, YouTube urban explorers Matt and Caitlin uncover a mysterious grave in an abandoned churchyard. What starts as harmless entertainment turns darker when their discovery begins to unwrap a mystery which has lain dormant for over a century.
The digital production is co-directed by Philip Franks and Alastair Whatley, designed by Adrian Linford, and edited by Tristan Shepherd, with sound design and original music composed by Max Pappenheim.
Ham: A Musical Memoir Sam Harris’s sensitive and prodigiously talented boy survives the Bible Belt through talent and moxie, which lead to fame and fortune, but when the rocky road of desperately seeking acceptance finally reaches a dead end, he is forced to confront the internal demons that haunt him.
Encores! Inside the Revival: Tap Dance Kid New York City Center. Directed by Kenny Leon (A Raisin in the Sun) dives into the 1983 Tony-nominated musical The Tap Dance Kid, centered around the life of an upper-middle class Black family and a ten-year-old’s dream of being a professional tap dancer despite the challenges posed by his lawyer father and society. Leon, alongside book adapter Lydia Diamond, will give audiences an up-close look at the percussive heart of the story with the help of choreographer Jared Grimes and cast member from the original Broadway production Dulé Hill.
Borders & Crossings Under the Radar streaming through January 10
A solo show by poet and performer Inua Ellams, who was born to a Muslim father and a Christian mother against a backdrop of sectarian violence in Nigeria, left for England in 1996 aged 12, moved to Ireland for three years, before returning to London.
Rich Kids: A History of Shopping Malls in Tehran Under the Radar streaming on selective dates through January 17 A darkly comedic play about entitlement, consumption and digital technology, that explores the ubiquitous feeling that our societies are falling apart. The 60-minute show written by Javaad Alipoor. combines digital theater with a live Instagram feed
Capsule Under the Radar streaming through January 17
A kaleidoscopic reflection on isolation and longing, about breaking apart and breaking free and the impossible nature of connection. Through original text and music, Whitney White and Peter Mark Kendall grapple with race, the medium of film, and being caught up in the maelstrom of 2020.
Espiritu Under the Radar streaming through January 17
A journey through diverse stories that happen during the night of an unknown city, that involve anonymous individuals marked by the spiritual crisis unleashed by the wild consumerism of the times and the lack of answers that transcend money. In Spanish with English subtitles, by the Chilean company Teatro Anónimo written and directed by Trinidad González
Incoming Under the Radar through January 17
A 30-minute video of eight digital shorts.
Barry Manilow’s and Bruce Sussman’s Harmony Meets The Press Part 2
In today’s edition hear director Warren Carlyle, Barry Manilow and Bruce Sussman describe their show.
The it was a treat as the cast sang 5 songs from the show. Including “Harmony,” Hungarian Rhapsody,” “Where You Go’ and “Stars in the Night.”
Hear The Harmonists Sean Bell, Danny Kornfeld, Zal Owen, Eric Peters, Blake Roman and Steven Telsey, along with Chip Zien, Sierra Boggess and Julie Benko.
The hit song of the show will be the gorgeous ballad “Every Single Day” sung by Danny Kornfeld.
Harmony begins previews at the Barrymore Theatre on Wednesday, October 18, ahead of a Monday, November 13 official opening night.
Photo’s by Genevieve Rafter Keddy
The Glorious Corner
JESSE L MARTIN — We caught the debut of Jesse L. Martin’s The Irrational Monday night and really enjoyed it. I’ve been aware of Jesse since his role in Broadway’s Rent and he’s really tremendous. He was great on Law & Order as Ed Green (10 years and 9 seasons); and his role on the CW’s The Flash (as Joe West) was simply terrific.
The show, based on the book by Dan Ariely and created by Arika Mittman, certainly reminds one of The Mentalist or Instinct. This first case isn’t wondrous by any means, but Martin’s charisma carries it all through.
Lauren Holly (NCIS) is in it too, thought her one-scene was over and out in a flash.
I hear the third episode of the show is magnificent, so stay tuned. Don Johnson said many years ago that Don Johnson was made for TV … so is Martin!
SWENSON OUT — (per Deadline) Will Swenson will play his final performance as Neil Diamond in Broadway’s A Beautiful Noise, The Neil Diamond Musical on Sunday, Oct. 29, producers announced today.
A replacement for the starring role will be announced at a future date.
“It’s been the thrill of a lifetime to get to stand in Neil’s shoes,” Swenson said in a statement. “It’s been such an incredible honor to get to know Neil, to tell his powerful story, and bring his amazing songs to Broadway audiences every night. I’m immensely proud of the moving, beautiful show we made. I will miss it very much.”
A reason for Swenson’s departure was not disclosed, but his planned departure date suggests a year-long contract coming to a close: He and the bio-musical began previews at the Broadhurst Theatre last Nov. 2 (official opening was Dec. 4).
“Making A Beautiful Noise with Will Swenson was a deep and wonderful experience,” said director Michael Mayer. “The true affection he has for Neil’s work and life is palpable in every aspect of his tremendous performance. I will miss him terribly, of course, but will always treasure our time together, and very much look forward to the next show we do.”
Swenson has been one of Broadway’s go-to leading men since his breakthrough performance in 2009’s Hair, and he has since starred on the New York stage in Priscilla, Queen of the Desert, Little Miss Sunshine, Waitress and Assassins, among many other shows.
In addition to Swenson, the cast of A Beautiful Noise features a principal cast of Mark Jacoby as the aged Neil Diamond, Robyn Hurder and Shirine Babb.
The musical includes a score of Diamond’s hits, a book by Anthony McCarten, direction by Mayer, and choreography by Steven Hoggett.
He’s pretty tremendous as Diamond. I didn’t see the show straight away, but absolutely loved it when I did. His exit of kind of short notice … but let’s see what happens.
SHORT TAKES — How about those snappy new graphics for NBC’s Today Show. Introduced a week ago, they certainly look more relevant and certainly more fun. They did the same for Nightly News a week ago. Per TVNewser:The network said the decision to unveil a new logo and graphics for Nightly was made as a way of appealing to younger viewers who primarily consume news using digital media. It’s safe to assume is true for Today, the youngest-skewing of the linear morning shows that boasts a robust digital presence. Here’s their whole story:
The next Rolling Stones single, “Sweet Sounds of Heaven,” is tremendous. Mick hasn’t sounded this good in years and Lady Gaga is an added treat. Magnificent! Take a listen: https://www.youtube.com/watch?v=YEJd5xtbEPY …
Donnie Kehr and Cori Gardner’s Rockers On Broadway (their 30th edition) is coming up on Monday, October 16 at SONY Hall.
Joining honoree Melissa Etheridge will be KT Tunstall and Debbie Gibson, Simon Kirke, Dan Finnerty and Ty Taylor … Happy Bday Chuck Taylor!
NAMES IN THE NEWS –— Anthony Noto; Tom & Lisa Cuddy; Paul Lester; Ian Harrison; Magda Katz; Pete Townshend; Miko Blanco; Brad LeBeau; Mal Evans; Derek Taylor; Andrew Sandoval; Rick Rubin; Bill Adler; Cory Robbins; Manny Bella; Race Taylor; Scott Shannon; Buddy Blanch; Steve Walter; Benny Harrison; and BELLA!
By Jacqueline Parker
Nature’s reward for enduring a spate of rain and gloomy weather is a rainbow. The York has delivered just that in their latest production in their Mufti series, Golden Rainbow. This musical from the late 60s is always mentioned among aficionados of this art form with wistful smiles and fond remembrances. The York has brought it back to life in a version that features some new lyrics by original composer/lyricist Walter Marks that carry the storyline into this century.
From the opening notes of the Jule Styne-esque overture to the rousing finale, the audience was toe-and-finger tapping along to the sounds so evocative of the time when most of us were very young. The story itself is touching—a single father of a boy on the brink of teenhood must wrestle with the choice of saving his livelihood or letting his son move to the other side of the country with his aunt. The connection between father and son is made clear through several songs delivered touchingly by dad Max Von Essen and son Benjamin Pajak.
The arrival under a false pretense of Mara Davi as Aunt Judy sets the plot spinning and allows Robert Cuccioli as mobster Carmine Malatesta and Danielle Lee Greaves as Jill to play their part in the resolution with songs hilarious and touching.
If the story seems familiar it’s because it is taken from the film “A Hole in the Head,” based on the same source material, that starred Frank Sinatra and Eddie Hodges singing the Oscar-winning song High Hopes. Golden Rainbow opened in 1968 starring Steve Lawrence and Eydie Gorme in the leads. They were household names at the time, based on their talent and popularity from television appearances and cabaret performances.
Perhaps most impressive in this production was Von Essen’s version of the hit song “I Gotta Be Me.” It was haunting as it built in intensity and left the audience almost breathless at the end of Act 1.
Pajak, familiar to all from his recent appearances in Oliver! and The Music Man was astounding in his ability to project the at times heartbreaking and lovingly joyous emotions of his character.
Mara Davi’s character has her own roller coaster ride of emotions, which she transmits with style and conviction.
Robert Cuccioli was hilarious as a mobster singing Taste,
and Danielle Lee Greaves delivered two of the new songs, making me hope for a new recording of this terrific show soon.
The clock is ticking on this gem of a show – it closes Sunday, October 1st. Get your tickets at yorktheatre.org and find your own pot of gold at the end of this rainbow.
Theatre News: Here We Are, Some Like It Hot, A Beautiful Noise, All The Devils Are Here: How Shakespeare Invented The Villain and The Laramie Project
The curtain rose last tonight on the first performance of the final Stephen Sondheim musical. Here We Are, the new musical from David Ives and Sondheim, is on stage at The Shed’s Griffin Theater (545 W. 30th Street), with an Opening Night on Sunday, October 22, for 15 weeks only.
Directed by two-time Tony Award winner Joe Mantello, the cast of Here We Are will feature Francois Battiste, Tracie Bennett, Bobby Cannavale, Micaela Diamond, Amber Gray, Jin Ha, Rachel Bay Jones, Denis O’Hare, Steven Pasquale, David Hyde Pierce, and Jeremy Shamos. The understudies for Here We Are are Adante Carter, Lindsay Nicole Chambers, Bradley Dean, Mehry Eslaminia, Adam Harrington, and Bligh Voth.
Here We Are is inspired by two films, The Discreet Charm of the Bourgeoisie and The Exterminating Angel, by Luis Buñuel.
Here We Are will include choreography by Sam Pinkleton, set design and costume design by David Zinn, lighting design by Natasha Katz, sound design by Tom Gibbons, orchestrations by Jonathan Tunick, musical supervision and additional arrangements by Alexander Gemignani, hair & make-up design by Wigmaker Associates, and casting by The Telsey Office.
Tickets are on sale on TheShed.org.
For each performance, a limited number of $25 tickets will be available via a weekly lottery, which will open for entries on the TodayTix app each Sunday at 12:01 AM for the coming week’s performances and will close at 12:00 PM on the day before each performance. Winners will be notified by push notification and email between 1 – 4 PM on the day before their selected show, and will have 30 minutes to claim their tickets in the app. Entrants may request 1 or 2 tickets, and entry is free and open to all.
Via TodayTix’s mobile rush program, a limited number of $40 same-day rush tickets will be available for that day’s performance of Here We Are at 9:00 AM each day on a first-come, first-served basis. Users can download the app and “unlock” rush tickets by sharing the program on social media ahead of their desired performance day.
The most award-winning musical of the 2022-2023 season, Some Like It Hot, will play for 13 more weeks through Saturday, December 30, 2023, at Broadway’s Shubert Theatre (225 West 44th Street) before launching a national tour and West End production.
Awarded Best Musical by The Drama League, Drama Desk and Outer Critics Circle, Some Like It Hot received over 20+ major awards throughout the 2022-2023 season, including four Tony Awards for Best Lead Actor in a Musical (J. Harrison Ghee), Best Choreography (Casey Nicholaw), Best Orchestrations (Charlie Rosen & Bryan Carter) and Best Costumes in a Musical (Gregg Barnes). J. Harrison Ghee made history as the first non-binary performer to take home the Tony Award in their category.
A national tour will launch in September 2024 and a West End production will follow in 2025, produced by The Shubert Organization and Neil Meron in partnership with Ambassador Theatre Group.
At the time of the final performance, the production will have played the Shubert Theatre for over a year, for a total of 483 performances.
Will Swenson, who is electrifying audiences with his star turn in A Beautiful Noise, The Neil Diamond Musical, will play his final performance as ‘Neil Diamond – Then’ at the Broadhurst Theatre (235 West 44th Street) on Sunday, October 29. Casting for the role of ‘Neil Diamond – Then’ will be announced at a future date.
The unofficial commencement of “spooky season” takes place this Friday, September 29, when Tony Award® Nominee and Grammy Award® Winner Patrick Page returns to the New York stage in All The Devils Are Here: How Shakespeare Invented The Villain, a new work created and performed by Mr. Page, based on the villains of William Shakespeare. Directed by Simon Godwin, the solo show will play the DR2 Theatre (103 E 15th Street) beginning Friday, September 29, with an Opening Night set for Monday, October 16, for 14 weeks only.
Julie White and Brandon Uranowitz will join Ato Blankson-Wood in a staged benefit reading of The Laramie Project. Moises Kaufman and the Members of Tectonic Theatre Project’s The Laramie Project, will bedirected by Dustin Wills (Wolf Play, Wet Brain). The event, which will raise funds to support the work of The Trevor Project, will take place on Monday, October 16th at 7:00 PM at Peter Norton Symphony Space, and is being produced by District Productions. Additional casting is soon to be announced. For tickets and more information, visit https://www.symphonyspace.org/events/vp-the-laramie-project-a-benefit-staged-reading
Global Superstar Fally Ipupa Captivates America with Congolese Music
This is a beat you want to hear!
International music sensation Fally Ipupa has set out to conquer the American music market with the captivating sounds of Congolese music. Rising to prominence since his debut solo album Droit Chemin in 2006, the gold hitmaker reflects on his ignited sensibility to change the face of the American music industry while visiting New York.
“It is really just the beginning of a wonderful journey,” states the renowned artist. “The sounds and beats of the Congo will open doors and unify the planet.”
With millions of fans around the globe and billions of online and social media impressions, the king of the Congo music world has achieved legendary status and sells out stadium-size concerts in countries from Europe, the United Kingdom to all of Africa.
Already a household name across the African continent, Ipupa is an award-winning luminary with acclaim for his distinctive blend of Congolese rumba, modern Afro-pop, and soukous. Now the visionary performer ambitiously has produced an electrifying campaign to ignite the global stage with his unique style and sensational vocals that has led to such mesmerizing hits as “Eloko Oyo,” “Original,” and “Sweet Life.” Prior to his evolving solo career as a performer, producer, and business entrepreneur, he played an instrumental role in the band Quartier Latin International. Ipupa has collectively won the Kora Awards for Best Artist or Group from Central Africa. He also has multiple nominations and titles including the MTV Africa Award for best video, and artist of the year. The singer has been nominated multiple times also for the BET Best International Act and he has won two AFRIMMA Awards at the 2023 ceremony in Dallas, Texas.
The hitmaker’s latest album Formule 7 topped charts and the rumba maestro continues to successfully blend African music with Congolese sounds and international beats. Creating lyrics in French, as well as his native language, Lingala, he masterfully expresses the beautiful culture to growing American fans with love lyrics and thrilling dance beats.
The popularity of the beloved international performer is more than ever attractive across the Atlantic and he is deeply appreciated for the music as much as his business skills and highly acclaimed work as a philanthropist. In partnerships with UNESCO, UNDP, and UNICEF, he serves as an ambassador to support the fight for women and children’s rights. Since 2017, Ipupa has collaborated with UNICEF in the fight against malnutrition and to aid in providing clean water.
His performances world-wide help bring light to his philanthropic mission and keep the connection between his fans and him through his music. The next rendezvous with his European and African fans will be in November 25th, at the U-Arena, Paris where Fally Ipupa is expecting an audience of 43,000 people to sing with him, before heading to play at OVO Arena, London on December 8th.
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