Cabaret
What to Watch in The New Year: Jan 23


2:30pm: The Approach through January 31. St. Ann’s Warehouse, Landmark Productions, and Project Arts Centre will present Mark O’Rowe’s The Approach, live-streamed from Dublin’s Project Arts Centre, January 21, 23, and 24.
Cathy Belton, Derbhle Crotty, and Aisling O’Sullivan portray three women, two of them sisters, who have drifted apart and are now catching up over coffee. Over the course of three conversations spanning five years, we learn that they have allowed relationships with their partners to come between their relationships with each other. Gradually, a common secret of tragic consequence is revealed.
7pm: Desire: A Sankofa Dream Created and directed by celebrated choreographer Maria Bauman-Morales, Desire: A Sankofa Dream is a site responsive and interactive work tailored specifically for Zoom intended to be a healing performance ritual around Black Queer survival techniques.
The work was originally created pre-pandemic to be staged across multiple spaces with the idea that audience members would become witness participants. The virtual version of the show also integrates the audiences as witness participants and is part scored improvisation, part choreography, part visual design, and part choose-choose-your-own-adventure.
Presented by 651 Arts and the Bronx Academy of Arts and Dance (BAAD!).

7pm: Timeless Reunion – “Hollywoodland” By Play-PerView Play-PerView’s winter programming continues with a reunion of the NBC series Timeless January 23, featuring a reading of the Season 2 episode “Hollywoodland” and a moderated discussion. Malcolm Barrett, Sakina Jaffrey, Paterson Joseph, Matt Lanter, Abigail Spencer, and Goran Višnjić are slated to participate along with series co-creator Shawn Ryan. The reunion will benefit Feeding America.

7pm: Gloria (Vineyard Theatre Original Cast Benefit Reading) By Vineyard Theatre through January 24. Original cast benefit reading of Gloria, the Pulitzer Prize finalist play by Branden Jacobs-Jenkins and directed by Evan Cabnet.
Proceeds from this reading will support the artists and programs in the nonprofit theatre’s 2020-2021 season, with a portion of the proceeds supporting The Dramatists Guild Foundation.
The Gloria reading includes original cast members Kyle Beltran, Catherine Combs, Michael Crane, Jennifer Kim, Jeanine Serralles and Ryan Spahn.

7:30pm: Massenet’s Manon A beautiful ingénue with a taste for the finer things makes her way to Paris, where she becomes irresistible to the men around her—including the passionate Chevalier des Grieux, whose all-consuming love for her leads to ruin. Based on the same scandalous 18th-century novella that inspired Puccini’s Manon Lescaut, Massenet’s version features one of the all-time most challenging, and most beguiling, roles for soprano, as well as the composer’s trademark combination of sophistication and sensuality.

8pm: Celia Keenan-Bolger, Jawan M. Jackson, and More Set for Benefit Reading of Rabbit Hole The Reading Series has announced the next production in their lineup with a live reading of David Lindsay-Abaire’s RABBIT HOLE to benefit The Actors Fund.
Directed by Alison Tanney, the live reading will star Tony Award winner Celia Keenan-Bolger as Becca, Jawan M. Jackson as Howie, three-time Tony Award Nominee Mary Testa as Nat, Lauren Molina as Izzy, and Andrew Barth Feldman as Jason.

8pm: Stars in the House Celebrate Chita Rivera’s birthday with Chita Rivera and special guests
Kelli O’Hara, Renée Fleming, More Sing Adam Guettel’s Myths & Hymns (Episode 1) By MasterVoices The central project of MasterVoices’ 2020-2021 season will be a virtual rollout of award-winning composer Adam Guettel’s theatrical song cycle, Myths and Hymns, in an online staging conceived by Ted Sperling. Inspired by Greek myths and a 19th-Century Presbyterian hymnal, the 1998 cycle is a kaleidoscopic collection of musical genres as it explores the nature of faith and longing in a secular world. New short musical films will illustrate the protagonist’s attempt to seek answers in four ways – through Flight, Work, Love, and Faith. The four chapters of this personal voyage will be released in free digital installments throughout the winter and spring.

Molly Sweeney Lantern Theater Company through February 14. This Philadelphia company’s newly filmed performance of Brian Friel’s gentle tale from the shifting perspectives of Molly Sweeney, her husband Frank, and the surgeon who values his skills above his patients.

The Niceties Forward Theater through February 7. In this Wisconsin theater company’s production of the play by Eleanor Burgess, Zoe, a Black student at a liberal arts college, is called into her white professor’s office to discuss her paper about slavery’s effect on the American Revolution. What begins as a polite clash in perspectives explodes into an urgent debate about
Cathy Belton, Derbhle Crotty, and Aisling O’Sullivan portray three women, two of them sisters, who have drifted apart and are now catching up over coffee. Over the course of three conversations spanning five years, we learn that they have allowed relationships with their partners to come between their relationships with each other. Gradually, a common secret of tragic consequence is revealed.

Bernadette Peters, David Hyde Pierce, More Star in Jerry Herman Tribute From Pasadena Playhouse Pasadena Playhouse will pay tribute to the late composer of Hello, Dolly!, Mame, and La Cage aux Folles with You I Like: A Musical Celebration of Jerry Herman.
Conceived and music directed by Andy Einhorn, the revue will be available to stream January 10. A live virtual opening night will also take place that night, with guests including Bernadette Peters and David Hyde Pierce.
Available to stream through February 7.

The Haunting of Alice Bowles A new theatrical production streaming online from Original Theatre Company (Apollo 13: The Dark Side of The Moon) debuts.
The Haunting of Alice Bowles by Philip Franks, based on M.R. James’ short story The Experiment, stars Janie Dee, Max Bowden, Stephen Boxer, Jack Archer, Alexandra Guelff, Robert Mountford, Poppy Roe, and Tim Treloar.
In 1918, the recently widowed Alice Bowles is left destitute as she seeks to solve a mystery left by her late husband Francis. Moving to 2020, YouTube urban explorers Matt and Caitlin uncover a mysterious grave in an abandoned churchyard. What starts as harmless entertainment turns darker when their discovery begins to unwrap a mystery which has lain dormant for over a century.
The digital production is co-directed by Philip Franks and Alastair Whatley, designed by Adrian Linford, and edited by Tristan Shepherd, with sound design and original music composed by Max Pappenheim.

Ham: A Musical Memoir Sam Harris’s sensitive and prodigiously talented boy survives the Bible Belt through talent and moxie, which lead to fame and fortune, but when the rocky road of desperately seeking acceptance finally reaches a dead end, he is forced to confront the internal demons that haunt him.

Encores! Inside the Revival: Tap Dance Kid New York City Center. Directed by Kenny Leon (A Raisin in the Sun) dives into the 1983 Tony-nominated musical The Tap Dance Kid, centered around the life of an upper-middle class Black family and a ten-year-old’s dream of being a professional tap dancer despite the challenges posed by his lawyer father and society. Leon, alongside book adapter Lydia Diamond, will give audiences an up-close look at the percussive heart of the story with the help of choreographer Jared Grimes and cast member from the original Broadway production Dulé Hill.
Broadway
Santino Fontana Brings Voice, Comedy and Showmanship To 54 Below

Tony Award® winner Santino Fontana brings his tremendous talent to 54 Below and it is a show that wraps you up in his humor, charm, vocal prowess, laid back demeanor, jeopardy style musical choices and over all entertaining. By the end of the show you feel as if you know him or at least a part of him. Starting off with Charles Strouse and Lee Adams’s “Stick Around,” the night turned into a Russian roulette of material. The audience picked numbers and as Santino put it “if you don’t like the show, it’s your fault.” First up for my show was the naughty but amusing “Making Love Alone” followed by Rodgers and Hammerstein’s Cinderella‘s “Do I Love You,” which made for an amusing combination of songs. During Cinderella Mr. Fontana had shoes that were built up 2 inches inside and 2 inches outside, which cause a tremendous amount of pain, so the song told the story of his plight, which made the song take on a much different meaning. Sondheim’s “Anyone Can Whistle,” was sung for a Carol Burnett tribute, that luckily we were treated to.
His guest for the evening was Sarah Steele (“The Good Wife,” The Humans, The Country House) who sang “out There On My Own” from Fame. On the 14th it will be Greg Hildreth (Company, Disney’s Frozen, Rodgers + Hammerstein’s Cinderella). Click on the name and you can hear that version.
Showing off his baritone side with Rodgers and Hammerstein’s “If I Loved You.” We almost got to see Santino in Cy Coleman and Dorothy Fields”s Sweet Charity, instead we got hint of what that would be like with “Too Many Tomorrows.” A hilarious version of “I feel Pretty” from West Side Story lightened the mood and had the room in tears. Recreating his duet “Love Is An Open Door” from Frozen, Santino channeled Dorothy Michaels from Tootsie. Again the room was laughing with the sheer comedic genius that won Mr. Fontana a Tony Award. Bringing the energy to a calmer state was the emotional Leslie Bricusse and Anthony Newley’s “Who Can I Turn To?”
Vocally the most impressive song of the night was “Joey, Joey, Joey” from Most Happy Fellow. Mr. Fontana’s voice was glorious in the tones and the subtle texturing. Keeping in the ballad mode and honoring Marilyn Bergman he launched into the iconic “Where Do You Start,”while accompany himself on the piano, which was highly impressive. Back to the uptempo mode “I Met A Girl” from Bells Are Ringing, was given a rigorous, amusing take. This was his original audition song. Lerner and Loewe’s “How to Handle a Woman,” from the recent Camelot, showed how Santino would have made an excellent King Arthur.
Another favorite moment of the night was “Buddy’s Blues” from Follies. Already a personal favorite, this made me want to see Santino play this role at a later date, though personally I would cast him as Ben.
For the finale songs “The Music In You” from Cinderella, told how he and the cast loved watching the magnificent Victoria Clark perform. “This Can’t Be Love” from 1938 Rodgers and Hart musical The Boys from Syracuse, ended up in an encore, of Harvey Schmidt and Tom Jones’s “They Were You” from The Fantasticks, which made my guest producer Pat Addiss extremely happy.
Santino was backed by his musical director and accompanist Cody Owen Stine, who played flawlessly.
Santino Fontana opened September 10th at 54 Below and you can still catch this marvelous show tonight September 14th. 54below.com
This is a do not miss!
Cabaret
Talking With Mauricio Martínez About His New Show 5’11, Based in NYC and More

I met Emmy Award winner Mauricio Martínez when he was performing in Children of Salt and have watched him ever since. He then became known for the Broadway musical On Your Feet!, but before that he appeared in the Emmy Winning TV Show El Vato NBC, the hit Señora Acero Telemundo and several Mexican telenovela. T2C talked to this prolific actor/ singer to learn more.
His new show at 54 Below talks about all the self-tape sides filling up his Dropbox. In his new show, 5’11, Based in NYC, Mauricio is putting those to good use in a musical “What If…,” sorting through what might have been. Pushing aside the ring light, you will lean more about this uber talented Mexican American.
His show on October 5 and 6 at 7pm is at 54 Below. The show feature Linedy Genao (Bad Cinderella, On Your Feet!) and Alexis Michelle (“RuPaul’s Drag Race”) and is written by Mauricio Martínez & Robbie Rozelle, with musical direction and arrangements by Brian J. Nash. Directed by Robbie Rozelle.
Video by Magda Katz
Cabaret
Ken Fallin’s Broadway: Linda Purl Not Just An Actress

Last night Linda Purl took the audience at The Green Room 42 on a magical journey.
In 2020 Linda Purl starred as Ryan Spahn mother in Vivian Neuwirth’s Mr. Toole at 59E59 Theaters.
Ms Purl just released her fourth album of standards, This Could Be the Start. If the CD is anything like the concert this s a must have,
Cabaret
Linda Purl Had The Room In Her Hand at The Green Room 42

You know Linda Purl, for her work on Movies of the Week, Happy Days, The Bold and the Beautiful, Matlock, Murder She Wrote, The Office and more. Recently she released her fourth album of standards, This Could Be the Start, and she celebrated its debut with a special concert Monday, September 11th at The Green Room 42.
Standards such as “This Could Be The Start,” I’ve Gotta Lot of Living,””Shall We Dance,” “Caravan,“Blue Moon,” “Let’s Get Lost,” “Taking a Chance on Love,” “Here’s To Life” and more were given a sultry, laid back, come hither approach. You can tell Ms. Purl is an actress first, as these song, all told stories that wrapped you in their spell. The lyrics become front and center, but are thrown away with a knowing that surpasses time. Part of the magic is the alternating rhythms to the originals that make these versions stand out and draw you in.
Part of this intoxication is her musical director Ted Firth, who is a musical genius. Purl has been working with him for 15 years. When ever I fall in love with an arrangement, inevitably it is always Ted Firth at the helm. Firth was on piano with David Finck on bass and Ray Marchica on drums. Purl smartly uses the best of the best.
During Ms. Purl’s patter we learned about her love of hiking, she hails from Colorado, her partner, Patrick Duffy, and their sourdough starter company, as well as painting old trees with paint and glitter.
Purl knows how to keep her audience in the palm of her hand and wanting more. She is warm, engaging and a song stylist, that will keep you coming back for more.
All photo’s and video are Magda Katz
Cabaret
Daisy Jopling and Frank Shiner Raise Money To Give Kids The Gift 0f Music

Classical/rock violinist Daisy Jopling, vocalist Frank Shiner and her fabulous band performed at Chelsea Table + Stage Saturday, September 9 at 9:30 PM. The duo perform an eclectic mix of music from blues and standards to classical. The magical band that accompanied them included Ray DeTone on guitar, Sofia Gould on saxophone, Jeff Miller on piano, Lavondo Thomas on bass and Dan Weiner on drums.
17 year old, Sofia Gould was a Daisy Jopling student and one of the reasons this foundation is so needed.
For a special treat 17 year old Melisa Muñoz played a mean trumpet.
Daisy tours the world with her own band, and also runs a music mentorship foundation.
The Daisy Jopling Foundation has given 6,810 children world class music performances for free.
4,500 hours of time volunteered.
1,000 residents given free tickets to our concerts.
920 children served in their mentoring programs.
Partnered with over 50 non-ройt organizations to.
transform their student’s lives.
Daisy was the first international violinist to perform a major concert at the Great Pyramids of Giza in Egypt on November 4, 2022, collaborating with Egyptian stars Hany Adel, Wust El Balad and Noha Fekry.
Daisy started off by playing a concerto at the Royal Albert Hall in London at the age of 14, the opening of the Vienna Festival, 53 stunning concert halls in China, creating “Illuminance” on Bannerman Island, NY which aired on PBS in 2021 and 2022, and performing her own “Awakening” Concert at Alice Tully Hall, Lincoln Center.
Frank Shiner released his debut album, The Real Me, in 2014, A second LP, Lonely Town, Lonely Street, he released on his own Bakerson Records label. He is now writing a musical about his dad, in which he debuted one of the songs.
They ending the concert with “Joy To The World.” This was a great night of raising funding for children and music.
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