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Cabaret

What to Watch in The New Year: Jan 29

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3pm: The Gifts You Gave to the Dark (Origin 1st Irish Theatre Festival) Darren Murphy’s The Gifts You Gave to the Dark, kicked off Irish Rep’s digital summer season in May in its world premiere. It was written specifically for digital media in reaction to the ongoing COVID-19 health crisis. Confined to his bed in Belfast with COVID-19, Tom is unable to visit his mother, Rose, who is dying in Dublin. In this last phone Tom tells his mother the story of a journey – an image of a perfect day they once shared. It’s a Belfast story, and it’s the very last thing he can do for his mother – the only thing he can do for her. As he speaks, he takes his mother home on her final voyage, during the last ten minutes of her life.

Wexford Arts Centre presented the world premiere of in April 2018, in the Wexford Opera Fringe Festival followed by a national tour in 2019 as part of the First Fortnight European Mental Health Art and Cultural Festival.  

Presented by Wexford Arts Center (Wexford)

Written and performed by Michelle Dooley Mahon

Directed by Ben Barnes

4pm: Starry Concept Recording Virtual Listening Party By Broadway Records. Broadway Records will host a virtual listening party in celebration of the 1 year anniversary of the original concept recording of Starry.  The party will feature the musical’s writing team, Matt Dahan and Kelly Lynne D’Angelo and cast members Mariah Rose Faith, Dylan Saunders, Joe Viba, Jaime Lyn Beatty, Jeff Blim, Natalie Llerena, and Michael Minto from this hit viral musical, reuniting for the first time since the album’s release. 

5pm: Virtual Halston: Jesse TylerFerguson (“Modern Family”) and his husband, lawyer Justin Mikita. 

Virtual Halston is produced by Ruby Locknar and Jim Caruso, with animation and artwork by B.T Whitehill.

6pm: A Shero’s Journey Or What Anacaona And Yemayá Taught Me (African Caribbean Mixfest 2021) In this play by Guadalís Del Carmen, Zoila leaves everything behind after tragedy strikes, embarking on a journey with two ancestral figures

7pm: Blood, Water, Earth By La Mama Part of Reflections of Native Voices Festival. An embodied incantation, Blood, Water, Earth traverses sacred alignment from cosmos to womb to earth, it’s symbolic ritual renewal, and a symbolic stripping away of colonial impacts on Indigenous womxn. Channels the ancestral and elemental, the performance acknowledges inter connectedness and shared experiences of Konkwehon:we (Indigenous womxn), holding a Konkwehon:we/Mana Wahine worldview in the vanguard.

Available through Feb 7.

7pm: Delejos (from afar) This performance is written and directed explicitly for Zoom. The show transforms a Zoom room into an immersive theatre experience, re-imagining it’s familiar presentation tools through live set changes, lighting cues, “camera angles”, a musical score, at-home VR “headsets”, and a sprinkling of magical realism.

Delejos takes you into Julie Piñero’s pre-pandemic pursuit of a question that became central to today’s COVID world: Do we lose something simply because we’re far from it?

When Julie’s partner Jose Zambrano unexpectedly died in 2019, she decided to take a journey through his work-in-progress design for a VR video game he called “Delejos.” It’s a game about overcoming physical separation, inspired by his own experience of forced immigration from Venezuela.

By his design, players journey to connect to something they love from afar. So, equipped with his larger-than-life legacy and the tools Julie mines from her own latinidad, she ventures through his game in search of connection with him. What she finds, however, is his larger path to hope in the face of chaos.

Writer-performer Piñero is a comedian and producer best known for her work on Audible’s Mind Power Mixtape and Come Out, Come Out, HuffPost’s Crash the Party, and Thrillist’s Food/Groups. Producer Caitlin Stone has worked for video teams at HuffPost, Bravo Digital, and Bon Appétit.

7pm: The Homebound Project: Sixth Edition available until Sunday Jan 31. Given the prompt “2021,” the following performers will appear in short works by the following playwrights:
Christopher Abbott and  Dylan Baker and Becky Ann Baker in a work by David Lindsay-Abaire, directed by Paul Mullins
Jojo Brown in a work by Cece Suazo, directed by Jenna Worsham;
Michael Chernus in a work by Adam Rapp
Dalia Davi in a work by Ren Dara Santiago, directed by Jenna Worsham;
Nicholas Gorham in a work by Brian Otaño, directed by Tatiana Pandiani;
Emily Kuroda in a work by Kate Cortesi, directed by Jenna Worsham;Eden Malyn and Catya McMullen in a work by McMullen
Carolyn Ratteray in a work by Bekah Brunstetter
Stacey Karen Robinson in a work by Sharon Bridgforth
Paul Sparks in work by Brian Watkins, directed by Danya Taymor
Babak Tafti in a work by Colette Robert, directed by Taylor Reynolds
Daigi-Ann Thompson in a work by Julissa Contreras;
Special guest appearance by Amanda Seyfried musical performance by Sting.

7pm: The Black Queen Screen Tests, Act 2 By The Tank Created by Jerome A Parker. An ALL-BLACK, virtual, workshop production of “The Black Queens, or House of Dinah” built to elevate the theatricality and explore the “live.” On November 20th, 2020 – after a series of in-house workshops – the Tank hosted a live stream of our experiments. But most importantly, this endeavor was created and entirely run by a 20+ team of BLACK creative artists, artisans and technicians.  

This absurd musical, which taps into the art of drag, mixes lip-syncing and live moments of dance and music to tell an intergenerational BLACK, QUEER story of self-reliance, resilience and survival. Songs from jazz legend, black/queer icon Dinah Washington’s catalogue were celebrated here – and new, hybrid, virtual theater positions were created and built by an ALL-BLACK TEAM!  

The cast of The Black Queen Screen Tests includes Amanda Moreau (Wilhelmina), Joshua Josey (Lady), James Edward Becton* (Felicia), Joyia D. Bradley (Gladys), Suzanne Darrell*† (Tamika), Theodore Alexander (Wilhelmina Double) and Marcus L. Braggs (Lady Double).

7:30pm: Lungs By Old Vic Last July, stage and screen stars Claire Foy and Matt Smith reunited for a string of socially distant performances of Lungs at the Old Vic in London.

Now, the ticketed production, directed by Matthew Warchus, back for a live playback.

In Duncan Macmillan’s Lungs, Foy and Smith, who co-starred as Queen Elizabeth II and Prince Phillip in the first two seasons of Netflix‘s The Crown, portray a couple grappling with the decision to bring a child into today‘s world.

The streams are available to watch internationally via Zoom. After purchasing a ticket, a login is sent at least 24 hours in advance of the live streamed performance.

7:30pm: Wagner’s Der Fliegende Holländer The earliest of Wagner’s operatic creations to remain in the standard repertory, Der Fliegende Holländer marks the true beginning of the composer’s remarkable career as an innovative and revolutionary artist. The score is an extraordinary combination of operatic lyricism, theatrical insight, and magnificent effects. And while many of the features of conventional opera can be found in this work, the way that Wagner integrates them into the fabric of the score clearly foreshadows his later technique of a continuous musical flow. The two lead roles also represent archetypes to which he would return in his later works: the otherworldly outsider and the woman who sacrifices herself for his salvation.

7:30pm: Beirut MCC Theater Available through January 31
Marisei Tomei, Oscar Isaac and Patrick Breen star in a reading of the play by Alan Bowne that launched MCC in 1987 (a rebroadcast of the virtual event from April.) Set in a dingy Lower East Side apartment in the 1980s, Beirut follows the story of Torch (played by Oscar Isaac), a young man who is in quarantine after testing positive to a nameless disease. His girlfriend (Marisa Tomei, reprising her award-winning role from 1987), refuses to leave him isolating alone.

7:30: Anjou: The Musical Horror Tale A modern Mexican opera with music by Guillermo Mendez M. and lyrics by Mendez and Guadalupe Sandoval, in a new English translation by Javier Vilalta, directed and edited by Roberto Araujo.

The complete cast includes Roberto Araujo, Jonathan Burke, Jay Armstrong Johnson, Jelani Remy, and Adam Roberts as Henry; Taylor Iman Jones, Bianca Marroquín, Julia Murney, and Kristie Dale Sanders as Catherine de’ Medici; Caroline Bowman, Shereen Pimentel, and Eva Tavares as Margot de Valois; Javier Muñoz as “Charles IX;” Austin Colby as Arthur; and Nathan Cockroft, Kevin Curtis, Gabriel Hyman, and Michael Perrie Jr. as Spirit/Mignon. Bianca Marroquín will also serve as The Narrator.

 As Charles IX is crowned as the new monarch, the Catholic church puts pressure on Queen Catherine de’ Medici to eradicate Protestantism in France. The treacherous queen has a plan of her own: to remain in power through her beloved and overly-conceited son, Henry of Anjou, and to plan her daughter’s wedding with a Protestant knight, while executing one of the bloodiest events in history.

Available through Feb 2.

7:30pm: The Nourish Project WP Theater available each night through Feb 7th. A 70-minute show conceived and directed by Rebecca Martinez has a large cast and uses music, dance, and poetry, with the intent of allowing the virtual audience “to follow their curiosity and explore their own paths during the experience.”

Christine Pedi
Christine Pedi

8pm: Stars in the House It’s Guest Host Week! It’s Guest Host Week!  Join host Christine Pedi for a… “Pedi Party” with guests Bryan Batt, Brad Oscar, Jason Graae and Michael West

8pm: Belfast Blues Theatre@Home Winter Festival at Irish Rep. Autobiographical stories written and performed by Geraldine Hughes are rooted in her perspective as a little girl coming of age in the war-torn Belfast of the 1980s.

8pm: The Scourge (Origin 1st Irish Theatre Festival) “Death by a thousand cuts” – that’s how Michelle Dooley Mahon describes Alzheimer’s disease after witnessing it strike down her mother Siobhan. As Mahon relives that time, her humorous and moving memories and rapier-like observations introduce personalities, history, and a nostalgic archive of an ordinary Irish small-town family forced to become extraordinary in their attempt to cope.

Wexford Arts Centre presented the world premiere of in April 2018, in the Wexford Opera Fringe Festival followed by a national tour in 2019 as part of the First Fortnight European Mental Health Art and Cultural Festival.  

Presented by Wexford Arts Center (Wexford)

Written and performed by Michelle Dooley Mahon

Directed by Ben Barnes

8pm: The ShowBiz Quiz: Broadway Records By Playbill The ShowBiz Quiz, where Broadway and Theatre Trivia combine into the most feverous fun online! Play seven quiz-tacular rounds of trivia – with prizes and surprises around each corner. Remember: “the faster you answer correctly, the more points you earn!”

Kelli O’Hara, Renée Fleming, More Sing Adam Guettel’s Myths & Hymns (Episode 1) By MasterVoices The central project of MasterVoices’ 2020-2021 season will be a virtual rollout of award-winning composer Adam Guettel’s theatrical song cycle, Myths and Hymns, in an online staging conceived by Ted Sperling. Inspired by Greek myths and a 19th-Century Presbyterian hymnal, the 1998 cycle is a kaleidoscopic collection of musical genres as it explores the nature of faith and longing in a secular world. New short musical films will illustrate the protagonist’s attempt to seek answers in four ways – through Flight, Work, Love, and Faith. The four chapters of this personal voyage will be released in free digital installments throughout the winter and spring.

Molly Sweeney Lantern Theater Company through February 14. This Philadelphia company’s newly filmed performance of Brian Friel’s gentle tale from the shifting perspectives of Molly Sweeney, her husband Frank, and the surgeon who values his skills above his patients.

The Niceties Forward Theater through February 7. In this Wisconsin theater company’s production of the play by Eleanor Burgess, Zoe, a Black student at a liberal arts college, is called into her white professor’s office to discuss her paper about slavery’s effect on the American Revolution. What begins as a polite clash in perspectives explodes into an urgent debate about

Cathy Belton, Derbhle Crotty, and Aisling O’Sullivan portray three women, two of them sisters, who have drifted apart and are now catching up over coffee. Over the course of three conversations spanning five years, we learn that they have allowed relationships with their partners to come between their relationships with each other. Gradually, a common secret of tragic consequence is revealed.

Bernadette Peters, David Hyde Pierce, More Star in Jerry Herman Tribute From Pasadena Playhouse Pasadena Playhouse will pay tribute to the late composer of Hello, Dolly!Mame, and La Cage aux Folles with You I Like: A Musical Celebration of Jerry Herman.

Conceived and music directed by Andy Einhorn, the revue will be available to stream January 10. A live virtual opening night will also take place that night, with guests including Bernadette Peters and David Hyde Pierce.

Available to stream through February 7.

The Haunting of Alice Bowles A new theatrical production streaming online from Original Theatre Company (Apollo 13: The Dark Side of The Moon) debuts.

The Haunting of Alice Bowles by Philip Franks, based on M.R. James’ short story The Experiment, stars Janie Dee, Max Bowden, Stephen Boxer, Jack Archer, Alexandra Guelff, Robert Mountford, Poppy Roe, and Tim Treloar.

In 1918, the recently widowed Alice Bowles is left destitute as she seeks to solve a mystery left by her late husband Francis. Moving to 2020, YouTube urban explorers Matt and Caitlin uncover a mysterious grave in an abandoned churchyard. What starts as harmless entertainment turns darker when their discovery begins to unwrap a mystery which has lain dormant for over a century.

The digital production is co-directed by Philip Franks and Alastair Whatley, designed by Adrian Linford, and edited by Tristan Shepherd, with sound design and original music composed by Max Pappenheim.

Ham: A Musical Memoir Sam Harris’s sensitive and prodigiously talented boy survives the Bible Belt through talent and moxie, which lead to fame and fortune, but when the rocky road of desperately seeking acceptance finally reaches a dead end, he is forced to confront the internal demons that haunt him.

Encores! Inside the Revival: Tap Dance Kid New York City Center. Directed by Kenny Leon (A Raisin in the Sun) dives into the 1983 Tony-nominated musical The Tap Dance Kid, centered around the life of an upper-middle class Black family and a ten-year-old’s dream of being a professional tap dancer despite the challenges posed by his lawyer father and society. Leon, alongside book adapter Lydia Diamond, will give audiences an up-close look at the percussive heart of the story with the help of choreographer Jared Grimes and cast member from the original Broadway production Dulé Hill.

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Cabaret

VideoCabaret in assoc. with Crow’s Theatre presents the World Premiere of “(EVERYONE I LOVE HAS) A TERRIBLE FATE (BEFALL THEM)”

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VideoCabaret in association with Crow’s Theatre presents

(EVERYONE I LOVE HAS) A TERRIBLE FATE (BEFALL THEM)

WORLD PREMIERE

Written & performed by Cliff Cardinal. Dramaturged & directed by Karin Randoja

Produced by Aaron Rothermund & Layne Coleman

VideoCabaret in association with Crow’s Theatre presents the World Premiere of (EVERYONE I LOVE HAS) A TERRIBLE FATE (BEFALL THEM) by Cliff Cardinal from October 10-29, 2023 at the Deanne Taylor Theatre (10 Busy Street, Toronto).

Deep in the bowels of a church basement, Robert and his support group must come to terms with their mortality before the impending apocalypse. If only they had just one more day…. Like an asteroid hurtling towards Earth, (EVERYONE I LOVE HAS) A TERRIBLE FATE (BEFALL THEM) is a haunting and humorous portrayal of humankind on the brink of extinction written and performed by Cliff Cardinal, dramaturged and directed by Karin Randoja.

Cliff Cardinal is a polarizing writer and performer known for black humour and compassionate poeticism. His solo theatre productions Stitch, Huff, and Cliff Cardinal’s CBC Special have toured extensively and won numerous awards. Cliff is an associate artist at VideoCabaret, where he premiered his multi-character play Too Good to Be True, “a captivating tale that solidifies Cardinal as one of the most talented and intriguing writers in the country” (NOW Magazine). He was named a “Canadian Cultural Icon ” in 2022 (The Globe and Mail) for William Shakespeare’s As You Like It, A Radical Retelling produced by Crow’s Theatre. The show has since toured across Canada, and was recently presented by Mirvish Productions in Toronto as The Land Acknowledgement, or As You Like It.

Karin Randoja is a dramaturg, director, actor, teacher, singer, and composer. For over 30 years she has specialized in creating and directing original devised performances including Cliff Cardinal’s CBC Special, This is the Point, Gertrude and Alice, Jacinto, Huff, Brotherhood: The Hip Hopera, Breakfast, and Clean Irene and Dirty Maxine. Karin was a founding member of Primus Theatre and The Independent Aunties. Her work has received numerous Canadian and International awards and has been seen in Australia, Denmark, England, India, Italy, France, Japan, Mozambique, Scotland, and across the US. As a teacher/director, she has taught at Humber College, The Centre for Indigenous Theatre, Brock University, and The National Theatre School of Canada, of which she is also a graduate.

VideoCabaret was created by Michael Hollingsworth, Deanne Taylor, and The Hummer Sisters, collaborating with Chris Clifford (videographer), Jim Plaxton (designer), and Andy Paterson (musician). With its innovative blend of live-video and rock ‘n’ roll, VideoCabaret reinvented classic works like Orwell’s 1984, Huxley’s Brave New World, and Verdi’s Rigoletto. VideoCabaret stirred controversy with Hollingsworth’s radical early plays such as Clear Light (which was famously raided by the police) and Strawberry Fields. Taylor’s work included the satirical civic-cabaret City for Sale and her epic rock-operetta 2nd Nature. The Hummer Sisters’ live-shows included Dressed to Kill, The Patty Rehearsed Story, and the Vox Pop cabarets.

All this grew out of Queen Street West’s legendary Cameron House where VideoCabaret refurbished a small backroom as a jewel-box stage for Hollingsworth’s The History of  the Village of the Small Huts, a 21-play cycle exposing Canada’s history of colonialism, with VideoCabaret’s signature “black box” staging. In 2016, VideoCabaret presented Hollingsworth’s The War of 1812 at the Stratford Festival and remounted the show at Soulpepper Theatre Company. This started a chain of collaborations with Soulpepper that included Trudeau & The FLQ, Trudeau & Levesque, and Confederation: Part 1&2. During this time Deanne and Michael mentored many young artists including Cliff Cardinal, whose play Too Good to be Truewas the first to be produced in VideoCabaret’s new east-end home at 10 Busy St in 2019. By 2022, Hollingsworth’s eerily timely history play The Cold War was produced in the new space directed by Mac Fyfe, and co-produced by Aviva Armour-Ostroff and Layne Coleman.

(Everyone I Love Has) A Terrible Fate (Befall Them) by Cliff Cardinal, co-produced by Aaron Rothermund and Layne Coleman, officially launches VideoCabaret’s ambitious new programming at Busy St. under the guidance of its new Artistic Producer and General Director, Aaron Rothermund.

It’s a distinct honour to work with Michael Hollingsworth, Layne Coleman, and Cliff Cardinal,” says Aaron Rothermund, “to further develop the legacy of VideoCabaret while celebrating the founding Artistic Directors and playwrights.”

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Cabaret

My View: Barrington Stage Co. on 42nd Street Oct. 30 For Its Gala at Green Room 42

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The evening of cocktails, dinner, and cabaret show headlined by Billy Stritch celebrates the inaugural season of newly appointed Artistic Director Alan Paul and Managing Director Lynsey Shade.

Proceeds from the Gala will benefit the Julianne Boyd New Works Fund.

Mary Ann and Bruno Quinson are presenting the event which is sponsored in part by Rhoda Levitt.  Eda Sorokoff is Chair with Violet Eagan & Rosita Sarnoff Co-Chairs

Since its inception in 1995, Barrington Stage (BSC) has produced 41 new works, 21 of which have moved on to New York and major regional theatres around the country.

BSC believes that new work is the heart and soul of theatre. If theatre is to thrive and create meaningful and new experiences for audiences, then it is vital to support playwrights and their visions of the world we live in.

BSC’s New Works Fund takes a two-pronged approach – PlayWorks supports the creation of new plays while our acclaimed Musical Theatre Lab develops new musicals. In both of these programs, BSC seeks artists whose unique voices speak to our audiences with relevant new plays and musicals. BSC hopes our new work will ask questions of the world we live in – questions that may not have answers but will begin a dialogue between the artists and our audiences.

 

CLICK HERE FOR TICKETS

JULIANNE BOYD & BILLY STRITCH

ALAN PAUL & RHODA LEVITT

MARY ANN QUINSON

ALAN PAUL & WILLIAM FINN

MARY ANN QUINSON & JULIANNE BOYD

BILLY STRITCH

EDA SORKOFF & BILLY STRITCH

BILLY STRTICH & STEPHEN SOROKOFF

MARY ANN QUINSON, JULIANNE BOYD, MARITA GLODT, EDA SOROKOFF

 

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Cabaret

Cabaret, Talks and Concerts For October

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The question would be, what to pick to go see, out of the multitude of offerings. Here are our picks for October

92 Street Y: 1395 Lexington Ave. 10/1: Dr. Jane Goodall in Conversation with David Rubenstein; 10/4: Fashion Icons with Fern Mallis: Martha Stewart; 10/9: “Gutenberg! The Musical!”: Josh Gad and Andrew Rannells in Conversation with MTV’s Josh Horowitz; 10/10: Arnold Schwarzenegger in Conversation: BE USEFUL: Seven Tools for Life; 10/12: Audra McDonald: Musings through Music with Andy Einhorn and 10/28 – 30: Tale as Old as Time: The Songs of Howard Ashman

Birdland Jazz: 315 West 44 St. Every Monday at 9:30pm Jim Caruso’s Cast Party; Every Tuesday at 8:30pm The Lineup with Susie Mosher; Every Saturday at 7pm Eric Comstock with Sean Smith (Bass) & special guest Barbara Fasano (Voice); 10/2: A Collective Cy Jeff Harner sings Cy Coleman; 10/9: The Unprecedented Amanda Green & Friends; 10/16: Maude Maggart: “Here Come The Dreamers” and 10/23: Jamie deRoy and Friends and 10/26 -28: Karrin Allyson: “Brazilian Nights And Beyond” Feat. Vitor Goncalves, Rafael Barata & Harvie S.

Cafe Carlyle: 35 E 76th St. 10/3-7: Peter Cincotti; 10/11 -14: Patina Miller; 10/17 – 28 John Pizzarelli & Jessica Molaskey and 10/31 – 11/8: Steve Tyrell

Hailey Kilgore by Tom Lupton, Derek Klena by Jenny Anderson, Javier Muñoz by Chad Griffith, Ali Stroker by Jenny Anderson

Carnegie Hall: 881 7th Ave at 57th St. 10/2: Lyle Lovett and His Large Band; 10/18: A Very Good+ Night of Comedy with Jerry Seinfeld, Kevin Hart, Jim Gaffigan, Amy Schumer & Ronny Chieng
Special Guest D-Nice and 10/27: The New York Pops with Hailey Kilgore, Derek Klena, Javier Muñoz and Ali Stroker 

Chelsea Table + Stage: Hilton Fashion District Hotel, 152 W 26th St. 10/20: Marieann Meringolo

Don’t Tell Mama: 343 W. 46 St. 10/28: Quinn Lemley

Dizzys Club Coca Cola: Frederick P. Rose Hall, Broadway at 60th Street. 10/1: Songbook Sundays: Harold Arlen

The DJango: 2 Avenue of the Americas.


54 Below:
254 West 54 St. 10/2 The New York Pops Underground; 10/2, 17, 28 and 30: Norbert Leo Butz Sings Torch Songs for a Pandemic; 10/3, 7 and 11 Linda Eder; 10/5 -6 Mauricio Martínez: 5’11” Based in NYC, feat. Linedy Genao & more!; 10/8: Little By Little Reunion Concert, feat. Darrin Baker, Liz Larsen, and Christiane Noll; 10/12: Lee Roy Reams: Uncensored! For Adults Only!’ 10/14 -16 and 23 -25 and 30: Marilyn Maye; 10/20 – 21: Lorna Luft; 10/22: A Gentleman’s Guide 10th Anniversary Celebration and 10/ 26 -28: Jai Rodriguez: A Thousand Sweet Kisses

The Green Room 42: 570 10th Ave. 10/9: Natalie Joy Johnson; 10/11 – 12, 14 -15: Candace Bushnell; 10/15: Reeve Carney; 10/17: Spencer Day; 10/19 Mamie Paris and 10/24: Dawn Derow and Sean Harkness

Sony Hall: 235 W. 46th St. 10/4:Daniel Nardicio presents Witch Perfect An all live-singing parody of Disney’s Hocus Pocus feat. Emmy-winning stars from RuPaul’s Drag Race: Scarlet Envy, Tina Burner & Alexis Michelle and 10/16: Rockers on Broadway 30th Anniversary

Theatre at the West Bank Café: 407 West 42 St. 10/14 and 28: Mark Nadler – CRAZY

The Triad: 158 W. 72 St. 

The Town Hall: 123 West 43rd Street. 10/10: A Not That Fancy Conversation and Performance with Reba Mcentire and 10/11: Alec Baldwin’s Here’s The Thing Live With Michael Wolff

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Santino Fontana Brings Voice, Comedy and Showmanship To 54 Below

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Tony Award® winner Santino Fontana brings his tremendous talent to 54 Below and it is a show that wraps you up in his humor, charm, vocal prowess, laid back demeanor, jeopardy style musical choices and over all entertaining. By the end of the show you feel as if you know him or at least a part of him. Starting off with Charles Strouse and Lee Adams’s “Stick Around,” the night turned into a Russian roulette of material.  The audience picked numbers and as Santino put it “if you don’t like the show, it’s your fault.” First up for my show was the naughty but amusing  “Making Love Alone” followed by Rodgers and Hammerstein’s Cinderella‘s “Do I Love You,” which made for an amusing combination of songs. During Cinderella Mr. Fontana had shoes that were built up 2 inches inside and 2 inches outside, which cause a tremendous amount of pain, so the song told the story of his plight, which made the song take on a much different meaning. Sondheim’s “Anyone Can Whistle,” was sung for a Carol Burnett tribute, that luckily we were treated to.

 

His guest for the evening was Sarah Steele (“The Good Wife,” The HumansThe Country House) who sang “out There On My Own” from Fame. On the 14th it will be Greg Hildreth (Company, Disney’s FrozenRodgers + Hammerstein’s Cinderella). Click on the name and you can hear that version.

Showing off his baritone side with Rodgers and Hammerstein’s “If I Loved You.” We almost got to see Santino in Cy Coleman and Dorothy Fields”s Sweet Charity, instead we got hint of what that would be like with “Too Many Tomorrows.” A hilarious version of “I feel Pretty” from West Side Story lightened the mood and had the room in tears. Recreating his duet “Love Is An Open Door” from Frozen, Santino channeled Dorothy Michaels from Tootsie. Again the room was laughing with the sheer comedic genius that won Mr. Fontana a Tony Award. Bringing the energy to a calmer state was the emotional Leslie Bricusse and Anthony Newley’s “Who Can I Turn To?”

Vocally the most impressive song of the night was “Joey, Joey, Joey” from Most Happy Fellow. Mr. Fontana’s voice was glorious in the tones and the subtle texturing. Keeping in the ballad mode and honoring Marilyn Bergman he launched into the iconic “Where Do You Start,”while accompany himself on the piano, which was highly impressive. Back to the uptempo mode “I Met A Girl” from Bells Are Ringing, was given a rigorous, amusing take. This was his original audition song. Lerner and Loewe’s “How to Handle a Woman,” from the recent Camelot, showed how Santino would have made an excellent King Arthur.

Another favorite moment of the night was “Buddy’s Blues” from Follies. Already a personal favorite, this made me want to see Santino play this role at a later date, though personally I would cast him as Ben.

For the finale songs “The Music In You” from Cinderella, told how he and the cast loved watching the magnificent Victoria Clark perform. “This Can’t Be Love” from 1938 Rodgers and Hart musical The Boys from Syracuse, ended up in an encore, of Harvey Schmidt and Tom Jones’s “They Were You” from The Fantasticks, which made my guest producer Pat Addiss extremely happy.

Cody Owen Stine

Santino was backed by his musical director and accompanist Cody Owen Stine, who played flawlessly.

Santino Fontana

Santino Fontana opened September 10th at 54 Below and you can still catch this marvelous show tonight September 14th. 54below.com

This is a do not miss!

 

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Cabaret

Talking With Mauricio Martínez About His New Show 5’11, Based in NYC and More

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I met Emmy Award winner Mauricio Martínez when he was performing in Children of Salt and have watched him ever since. He then became known for the Broadway musical On Your Feet!, but before that he appeared in the Emmy Winning TV Show El Vato NBC, the hit Señora Acero Telemundo and several Mexican telenovela. T2C talked to this prolific actor/ singer to learn more.

His new show at 54 Below talks about all the self-tape sides filling up his Dropbox. In his new show, 5’11, Based in NYC, Mauricio is putting those to good use in a musical “What If…,” sorting through what might have been. Pushing aside the ring light, you will lean more about this uber talented Mexican American.

His show on October 5 and 6 at 7pm is at 54 Below. The show feature Linedy Genao (Bad CinderellaOn Your Feet!) and Alexis Michelle (“RuPaul’s Drag Race”) and is written by Mauricio Martínez & Robbie Rozelle, with musical direction and arrangements by Brian J. Nash. Directed by Robbie Rozelle.

Video by Magda Katz

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