Riders of the Purple Sage: The Making of a Western Opera In the award-winning documentary, Riders of the Purple Sage: The Making of a Western Opera, opera’s hallowed traditions and America’s cowboy culture converge to celebrate the collaborative power of art. The documentary details the creative process of all artists involved in live theatre onstage and backstage.
Zane Grey is read by Peter Coyote, with performances by shining young opera stars, Karin Wolverton, Morgan Smith, Laura Wilde, Joshua Dennis, Joshua Jeremiah, Keith Phares, and Kristopher Irmiter.
Paradise Blue Dominique Morisseau’s play premieres as part of the partnership between Williamstown Theatre Festival and Audible Theater. Directed by Ruben Santiago-Hudson, Paradise Bluestars André Holland (above), Kristolyn Lloyd, Simone Missick, Keith Randolph Smith and 2020 Tony nominee Blair Underwood.
Electric Island Angie Schworer, Marissa Rosen, Joy Hidalgo and more star in this new developmental project about the real stories of women working on Broadway whose names aren’t above the marquee. Conceived by Rachelle Rak with music and lyrics by Rak and Steven Jamail, this one-night event is directed by Tony winner Cady Huffman and benefits The Actors Fund and Phyllis Newman Women’s Health Initiative.
The Sorcerer’s Apprentice By Southwark Playhouse The Sorcerer’s Apprentice gets an encore on-demand run. The pay-per-view stream will be available March 25–April 11.
7pm: A For Pete’s Sake Virtual Experience For Pete’s Sake Cancer Respite Foundation (FPS), a nonprofit that serves adult cancer patients and their families, welcome Hamilton’s Mandy Gonzalez, Broadway veteran Hugh Panaro, and more for a virtual event.
The evening will share stories of resilience, create moments of hope and support families facing cancer.
7pm: La Femme Theatre Productions: The Night of the Iguana The show will feature Golden Globe winner and Emmy nominee Dylan McDermott (Netflix’s “Hollywood”) as Reverend Shannon, Emmy nominee and Tony Award winner Phylicia Rashad (Broadway’s Cat on a Hot Tin Roof) as Maxine, Roberta Maxwell (Broadway’s Summer and Smoke) as Judith Fellowes, Tony nominee, Obie and Drama Desk Award winner Austin Pendleton (Broadway’s Choir Boy) as Nonno, and Jean Lichty (Off-Broadway’s A Lovely Sunday for Creve Coeur, The Traveling Lady) as Hannah, with Keith Randolph Smith (Broadway’s Jitney, American Psycho) as Jake, Carmen Berkeley (Off-Broadway’s Our Dear Dead Drug Lord) as Charlotte, Eliud Kauffman (Roundabout Theatre’s 72 Miles to Go) as Hank, Julio Macias (Netflix’s “On My Block”) as Pancho, Stephanie Schmiderer (No Exit, The Human Voice) as Frau Fahrenkopf, Bradley James Tejeda (Broadway’s The Inheritance) as Pedro, and John Hans Tester (Amazon’s ”Hunters” ) as Herr Fahrenkopf.
7pm: It’s a Sin amfAR Virtual Event, Hosted by Matthew López Hosted by playwright Matthew López, the discussion will cover the show’s inception and production, lessons learned from the early years of the AIDS epidemic, and how we can apply those lessons to the current COVID-19 pandemic.
The livestream will first feature a conversation between It’s a Sin creator and writer Russell T Davies, executive producer Nicola Schindler, and amfAR CEO Kevin Robert Frost.
Cast members joining the conversation include Olly Alexander, Lydia West, Omari Douglas, Nathaniel Curtis, Keeley Hawes and Callum Scott Howells.
It’s a Sin is a British television drama series created by renowned screenwriter and TV producer Russell T Davies and developed by Red Production Company. It depicts the lives of a group of gay men and their friends during the HIV/AIDS crisis in the United Kingdom. It is currently available to stream on HBO Max.
7pm: Looking Back at Contact Director-choreographer Susan Stroman, writer John Weidman, and original stars Tomé Cousin, Boyd Gaines, Seán Martin Hingston, Deborah Yates, and Karen Ziemba will reunite for a look back at the Tony Award-winning musical Contact.
The dance show premiered at Lincoln Center Theater’s Off-Broadway space, the Mitzi E. Newhouse Theater, in the fall of 1999, then transferred to LCT’s Broadway venue, the Vivian Beaumont Theater.
It won four Tony Awards that season including Best Musical, Best Choreography, Best Featured Actor in a Musical for Gaines, and Best Featured Actress in a Musical for Ziemba.
7:30pm: Walking With Bubbles Presented as part of the On Women Festival, Broadway alum Jessica Hendy’s play looks at the performer’s seemingly perfect New York City life from the center stage on Broadway until her husband begins to suffer an inexplicable mental decline. Grappling with divorce, guilt, and empathy around her ex’s homelessness and struggles, she is left with her young son, Beckett, to navigate a seemingly impossible new landscape with few resources other than an irrepressible sense of humor and a mother’s unwavering determination to create a new and hopeful beginning.
7:30pm: Strauss’s Elektra In 1909, not five years after scandalizing the cultural intelligentsia with his lurid one-act opera Salome, the young Richard Strauss shocked them again with a darkly psychoanalytic take on the Sophocles play about an ancient Mycenaean princess’s wish to avenge the assassination of her father, Agamemnon. Sparks fly throughout her confrontations with various members of her family, and the chilling score calls for singers capable of competing with the largest orchestra in the standard opera repertory.
8pm: Stars in the House: #AAPI Broadway with Ann Harada, David Henry Hwang, Jose Llana, Ruthie Anne Miles and Pearl Sun joined by a special guest from the National Immigration Law Center.
8pm: The Stars of Broadway Shine on the DEAEF The Drug Enforcement Administration Educational Foundation (DEAEF) embarks on its 20th Anniversary with a virtual benefit The Stars of Broadway Shine on the DEAEF.
The event will be hosted by Broadway legends Gary Morris and Rema Webb. The broadcast will also feature appearances by Max Bartos, Alexandra Billings, Danny Gardner, Larry Gatlin, Kelli James, Chrissie Levasseur, Eric Nelsen, Michael James Scott, Emily Skinner, Rena Strober, and many more.
8pm: The Thanksgiving Play Spotlight on Plays returns March 25 with Larissa FastHorse’s The Thanksgiving Play, directed by Leigh Silverman. The cast features Tony nominees Heidi Schreck and Bobby Cannavale, along with Keanu Reeves and Alia Shawkat.
9pm: 5 Questions with James and JAM Obie Award winners James Jackson, Jr. and John-Andrew Morrison from Michael R. Jackson’s Pulitzer Prize-winning off-Broadway musical A Strange Loop are hosting a new virtual talk show, 5 Questions with James and JAM, streamed through their website, YouTube channel, and Facebook page.
Whiterock Cliff Goode Productions presents a streaming production of Ryan McCurdy’s one-man Off-Broadway musical Whiterock Cliff will be performed live at New York’s Funkadelic Studios for a five-week virtual run.
The show features a book by Ryan McCurdy and Ellie Pyle, music and lyrics by McCurdy, and directed by Mary Chieffo.
Whiterock Cliff weaves together memory, music, mental health, the creative process, the stories we tell ourselves, and the ones we tell to each other.
This act is performed live each night with the permission of Actors’ Equity from a Times Square studio with one performer, three cameras, and eight musical instruments.
Prometheus Bound By The Tank Through the prism of racial and gender injustice, Prometheus Bound is a protest against the discrepancy between what’s legal and what’s right, against oppression veiled as order.
Director Ran Xia sets Howard Rubenstein’s adaptation of Aeschylus’s Prometheus Bound against a backdrop of the tumultuous American socio-political climate. Prometheus Bound is fully designed and staged for an audience of no one in The Tank’s 98-seat theater. Instead, it is captured for the screen by Iris Media Works as a purely cinematic experience, with masks, original music and deeply compelling performances of the late Rubenstein’s visionary text.
The cast for Prometheus Bound includes Sophia Aranda, Juan Arturo, Olivia Rose Barresi, Chloe Simone Crawford, Brenda Crawley, Iván
Matthew Bourne’s New Adventures Festival: Cinderella New York City Center presents Matthew Bourne’s New Adventures Festival, a digital showcast featuring four New Adventures productions filmed at London’s Sadler’s Wells Theatre.
The series, highlighting Bourne’s twists on ballet classics, continues with Cinderella, available on demand for 10 days.
Cinderella stars Ashley Shaw as Cinderella, Andrew Monaghan as Harry The Pilot, Michela Meazza as The Stepmother, Liam Mower as The Angel, and Alan Vincent as The Father.
Assembly was originally slated for the 2020 season and was meant to be Donmar Warehouse’s first production with the new Local Company—members of the community who live and work in the Donmar’s home boroughs of Camden and Westminster—but plans were halted and the show postponed. It has now been reimagined as a digital performance.
The production is created by writer Nina Segal, director Joseph Hancock, and the Donmar Local Company.
With video design by Andrzej Goulding, sets and costumes by Frankie Bradshaw, original music and sound design by Max Pappenheim, and lighting by Sam House, Assembly will mix live performance, animation, and sound in this innovative production about the “impact of humans on nature and what we might build together for a better future.”
BKLYN Sejal Keshwala, Emma Kingston, Newtion Matthews, Jamie Muscato and Marisha Wallace star in this filmed stage production of the Mark Schoenfeld and Barri McPherson musical. Filmed at London’s Ugly Duck space, the musical follows a troupe of street performers telling stories from their lives. Audiences can watch the performance online through April 4.
Galatea Broadway’s Ty Defoe (above) stars in a live reading of MJ Kaufman’s play about a trans love story set against the backdrop of a climate crisis. Will Davis directs the reading, which also stars Jo Lampert, Eve Lindley, Aneesh Sheth, Futaba Shioda and TL Thompson.
Breaking the Waves LA Opera and Opera Philadelphia co-present an online stream ofBreaking the Waves, an opera by composer Missy Mazzoli and librettist Royce Vavrek that was previously scheduled to open on the Dorothy Chandler Pavilion stage this month. Available through April 12.
The opera is a faithful adaption of Lars von Trier’s extraordinary 1996 film, in which a devout young woman deciphers the meaning of fidelity, facing the condemnation of her church as she puts herself through a series of dangerous sexual encounters. With its intense subject matter, violence, language and nudity, the production is recommended for mature audiences only.
Breaking the Waves was filmed during its world premiere production at Opera Philadelphia in 2016. For the 2021 stream, director James Darrah, who staged that production, presents a remastered release of that recording, featuring color correction by cinematographer and colorist Michael Thomas, remastered sound from George Blood Audio, and a new edit from Active Image Media.
Black Matter Giles Terera, who won the Best Actor in a Musical Olivier Award for creating the role of Aaron Burr in the London production of Hamilton, has penned a new song cycle based on his observations of the changing streets of Soho during a summer in lockdown.
Entitled Black Matter and featuring Terera accompanying himself on guitar and piano, the new work will stream globally March 24–31.
Vanya and Sonia and Masha and Spike Lincoln Center offers a streamed recording of Christopher Durang’s Tony-winning play, which stars Sigourney Weaver, David Hyde Pierce, Kristine Nielsen, Billy Magnussen and Shalita Grant. The comedy transports characters and themes from Chekhov’s work to present day Bucks County, Pennsylvania, where siblings receive a visit from their sister and her 20-something boy toy Spike.
Gutenberg! The Musical! A newly filmed presentation of Gutenberg! The Musical!, starring Bobby Conte Thornton and Alex Prakken, will stream as a benefit for Broadway Cares/Equity Fights AIDS. The performance, recorded by Pierre Marais at Open Jar Studios, features piano accompaniment by Andrew Callahan and choreography by Kaitlyn Frank.
The musical follows two aspiring playwrights, Bud and Doug, as they attempt to secure producers for their new musical about printing press inventor Johann Gutenberg. The pair sing all the songs and play all the parts in the hope of a Broadway contract.
The Sound Inside Mary-Louise Parker and Will Hochman reprise their roles in this audio production of Adam Rapp’s The Sound Inside, which earned six Tony Award nominations, including Best Play, for its 2019 Broadway run.
Romeo y Julieta Lupita Nyong’o and Juan Castano star in this free bilingual audioplay of Shakespeare’s Romeo and Juliet, presented by the Public Theater and WNYC Studios.
Lights on the Radio Tower Originally developed at the Adirondack Theatre Festival and Bloomington Playwrights Project, this thrilling two-hander rock musical tells the story of Molly and Jesse, a brother and sister who, after eighteen years apart, reunite at their decaying childhood home following the death of their father. The estranged rock duo’s competing recollections of their childhood, their last night together, and their final gig force them to face the painful truth of their past.
The Aran Island Irish Repertory Theatre presents their next Performance on Screen digital production is The Aran Islands by J.M. Synge and adapted and directed by Joe O’Byrne.
Starring Brendan Conroy, the virtual production of The Aran Islands will premiere on March 16 at 7 PM ET and run through March 28.
In the grey, sea-battered landscape of the Aran Islands, full of mist and wild rain, hearth is home and storytellers regale with tales by the fire. When John Millington Synge traveled to these remote islands upon the advice of W.B. Yeats in 1898, he discovered a bleakly primitive, mystical land that would inspire him for the rest of his life, leading to canonical works in Irish theatre, including The Playboy of the Western World and Riders to the Sea.
The Picture of Dorian Gray Fionn Whitehead, Alfred Enoch (above), Joanna Lumley, Russell Tovey, Emma McDonald and Stephen Fry star in Henry Filloux-Bennett’s drama that follows Dorian Gray as he makes a deal for his social star to never fade. Audiences can watch the production through March 31.
The New York Pops Up Festival a thousand in-person performances throughout the state from now through June. Most events associated with NY PopsUp will be unannounced (and unticketed) and will be designed so that New Yorkers happen upon them in their everyday lives. (Since we can’t have large gatherings right now, we want to bring a lot of small things to the public where they are) NY PopsUp is a surprise that you happen upon, rather than an event or concert you are alerted to via a notification or a schedule.
Julius Caesar, Starring Patrick Page By Shakespeare@ Tony nominee Patrick Page (Hadestown) stars in the title role with Jordan Barbour (The Inheritance) as Brutus and Keith Hamilton Cobb (American Moor) as Cassius. West End Harry Potter and the Cursed Child performers Jamie Ballard and James Howard co-star as Mark Antony and Metellus Cimber, respectively.
The production is also be available on Spotify, Apple Podcasts, Soundcloud, and Stitcher.
Produced by Jersey City’s Shakespeare@, this audio production is the third installment of the season, produced and adapted by Artistic Director Sean Hagerty.
Hagerty has crafted the production into four weekly parts and partnered with the Emmy-winning team at Sonic Designs to capture the lost art and thrill of radio drama all without leaving the confines of quarantine.
Julius Caesar features original music composed by Joan Melton with sound design by the Emmy-winning team of Dan Gerhard and Ellen Fitton of Sonic Designs. Justin Goldner is the music producer and supervisor, and casting is by Robin Carus. Sydney Steele serves as the associate producer.
Assassins Reunion: Original Off-Broadway Cast The original cast and creative team of the 1991 Off-Broadway debut of Stephen Sondheim and John Weidman’s Tony-winning Assassins will reunite virtually to celebrate the musical’s 30th anniversary.
The free online event is part of the Studio Tenn Talks: Conversations with Patrick Cassidy series and will feature Studio Tenn Artistic Director Cassidy as well as other original cast members Victor Garber, Greg Germann, Annie Golden, Lyn Greene, Jonathan Hadary, Eddie Korbich, Terrence Mann, Debra Monk, William Parry, and Lee Wilkof plus Sondheim and Weidman, director Jerry Zaks, musical director Paul Gemignani, and orchestrator Michael Starobin.
Jericho NNR Premiere. Marsha Mason, directs Jill Eikenberry in Jack Canfora’s play, which serves as New Normal Rep’s inaugural production. The thought-provoking piece explores how people cope with personal and collective catastrophe as a family reunites for Thanksgiving dinner after tragedy
SuperYou Musical the new musical that last year pivoted from its traditional opening to a drive-in concert in the wake of the coronavirus pandemic, is now heading online. A filmed version of the drive-in presentation will stream on Broadway On Demand
The musical, penned by Lourds Lane, tells the story of a woman and her superheroine creations that suddenly come to life, reminding her of the power of her own voice.
Prior to the 8 PM stream, Playbill will host a virtual red carpet event, with interviews with the cast and creative team. A digital afterparty will also take place at 9 PM.
TRANS(4)MISSIONS Disability intersects with all populations in our world: Every age, race, gender and sexual orientation. Theater Breaking Through Barriers strives to create a common ground for all voices and serve as an ambassador in the quest for full, systemic equality in our world.
The eleven original plays constituting the 4th Virtual Playmakers’ Intensive represent a diverse chorus within American culture. Created for and rehearsed entirely on the Zoom platform, TBTB’s VPI4 will stream live performances of these new short works directly to you, wherever you may be!
An Iliad (Streaming) Court Theater. A film of the site-specific production at Chicago’s Oriental Institute by Lisa Peterson and Denis O’Hare.
hieroglyph] by San Francisco Playhouse presented as an on-demand video stream through April 3rd, 2021.
San Francisco Playhouse and Lorraine Hansberry Theatre present a co-production of the new play [hieroglyph] by Erika Dickerson-Despenza.
The cast features Jamella Cross, Safiya Fredericks, Khary L. Moye, and Anna Marie Sharpe. The work is directed by Margo Hall, marking Lorraine Hansberry Theatre’s first staged production since the COVID-19 pandemic began, and the first production Hall has directed for the company since taking the helm in September 2020.
The Things Are Against Us Susan Soon He Stanton’s The Things Are Against Us will be the next production in MCC’s LiveLab one-act digital reading series. Ellie Heyman directs the cast, which includes Juan Castano, Emily Davis, Susannah Flood, Babak Tafti, and Danny Wolohan, in tthe play set in a mysterious house with a mind of its own.
John Lithgow, Daniel Breaker, More Sing Adam Guettel’s Myths & Hymns (Episode 2) By MasterVoices The central project of MasterVoices’ 2020-2021 season will be a virtual rollout of award-winning composer Adam Guettel’s theatrical song cycle, Myths and Hymns, in an online staging conceived by Ted Sperling.
SoHo Playhouse Presents Typical Soho Theatre and Nouveau Riche present the world premiere of Typical, the film version of the stage play, released exclusively on Soho Theatre On Demand
Written by Ryan Calais Cameron and directed by Anastasia Osei-Kuffour, Typical uncovers the man and the humanity behind the tragic true-life events of Black British ex-serviceman Christopher Alder and the injustice that still remains twenty years since his story emerged.
Fully Committed Stage and screen star Maulik Pancholy stars in George Street Playhouse’s production of Becky Mode’s solo comedy, which is available to watch through April 11.
Franz Kafka’s Letter to My Father M-34 through March 28
In 1919, the ailing writer wrote a letter to his father full of intense mixed emotions.
Expirer Wilma Theater Dive into a cyberspace underworld through this interactive website. Demons, both classical and contemporary, lurk among the virtual artifacts, waiting to be purged. Part of this Philadelphia theater’s weekly Hothouse Shorts.
The Manic Monologues Current Slave Play Tony nominee Ato Blankson-Wood, Rent Tony winner Wilson Jermaine Heredia, Accidentally Brave playwright Maddie Corman, and more stage favorites will explore mental health this winter in a new digital production from the McCarter Theatre Center.
The Manic Monologues debuts February 18 with 21 true-life monologues that users can explore at their own pace and through an interactive element virtually respond to.
Christa McAuliffe’s Eyes Were Blue Center Theater Group
through April 4. $10 Kemp Powers’ play tells the story of twins, one who dreamt of space, the other who became a successful attorney, who have lived starkly different lives, because one has dark skin and the other passes as white. The action plays out in 1980s New York and a Minnesota courthouse in 2006.
Simply Sondheim Signature Theater of Arlington. Available through March 26. Thirty Sondheim songs performed by a 16-piece orchestra and a dozen singers, including Norm Lewis, Emily Skinner, Solea Pfeiffer and Conrad Ricamora
Directed by Golden Globe winner Marsha Mason, Napoleon in Exile stars Emmy nominee Jane Kaczmarek and Will Dagger as mother and son. After the performance, the artists join host Claudia Catania to discuss writing for actors and bringing theater chops to the world of sitcom TV.
Playdate: A Playing House Reunion By Play-PerView. Stars and co-creators of USA’s comedy series Playing House, Lennon Parham and Jessica St. Clair, will appear for Playdate: A Playing House Reunion. Proceeds for these events will benefit Feeding America.
The Niceties until the 28th Who gets to tell the story of race, history and power in America? In this riveting, provocative play, a black student and her white professor – both brilliant – debate whether the legacy of slavery defines our past, and our present.
The Niceties made its MV Playhouse debut in October as a live virtual reading and is back by popular demand for a virtual two-week run. Amy Brenneman and Tsilala Brock will reprise their roles as Janine and Zoe.
An A-Mayes-ment in black and white
Imagine the surprise, when expecting the sweet and bouncy lady you’ve known from the Broadway stage—you know, the one who is part Dorothy Loudon/part Anita Gillette—takes the stage and delivers a program that reveals her to be a jazz baby as well. The lady in question is of course Sally Mayes in Now and Then/Jazz Standard Time.
Yep, Sally’s back, bedecked in a black-and-white outfit with just enough subtle sparkle to be seductive. As sassy as ever, with a glint in her eye like the female Harold Hill, she presented a selection of songs that were rousing, heart-rending, funny, and overall fabulous. Fueled by talent we all know and love and coupled with an energy and verve that were enviable, she was entrancing. This was a new Sally and one I was very pleased to meet. With Tedd Firth as Musical Director and Tom Hubbard supporting on bass, a sensational evening was virtually guaranteed.
Sally began with “Cloudburst”, a tongue-twister of a tune that revealed her verbal as well as vocal dexterity. She then switched gears, spoke of her son and his birth which led to “The Way You Look Tonight” sung almost as a lullaby. Her delivery of “Don’t Blame Me” which had been arranged by the much-missed Mike Renzi revealed some of the truthfulness and vulnerability that makes her such a beloved performer. A hint of Peggy Lee was to be spotted, which just added to the magic of the evening. There was plenty of scat and lots of giggles as Sally told stories about her mother, life in Westchester, and other peeks into her life that made her feel like an old friend.
If you missed this performance, fear not—there’s more to come! Sally will be returning to The Green Room 42 (570 Tenth Avenue in YOTEL). Make reservations early—you don’t want to miss these two:
The Stories on May 16 and The Broadway Extravaganza on June 20
One caution: The overly enthusiastic lighting features the equivalent of headlights flashing, quite disconcerting and unnecessary. It had me yearning for my cataracts. Next time I’ll bring sunglasses.
An Evening With Richard Holbrook and The Tom Nelson Trio
Richard Holbrook along with The Tom Nelson Trio performed at 54 Below in Richard Holbrook: Twenty Plus Four In 2024. This anniversary show celebrated Mr Holbrook’s twenty-four years of singing in New York City. With Tom Nelson on piano; Tom Kirchmer on bass; and John Redsecker on drums they returned to 54 Below this week with his latest show, directed by MAC Award-winning cabaret performer Jeff Harnar.
As always Richard shows his sophisticated style making each song very personal. He can take any song and add his personal touch. Richard is also a four-time MAC Award nominee. My favorite part of the show was Richard’s take on some of Charles Aznavour songs. He shows off his deep understanding of Aznavour’s dramatic songs.
Richard’s debut in musical theater happened when he was a freshman in high school and got cast in a production of How To Succeed In Business Without Really Trying. This began a life-long love affair with performing. Richard appeared on such hit television series as “The Sopranos”, “Spin City”, and “Law & Order: (Season 22). No stranger to daytime television, he frequently appeared in “All My Children” and “One Life to Live”. In regional theatre he performed in productions which included leading roles in Deathtrap and The Subject Was Roses.
In 1985 Richard started performing in cabaret venues throughout Manhattan which he continues to do to this day. Over the years, he has done highly acclaimed cabaret shows with musical direction by Tom Nelson. In 2003, he did a tribute to Fred Astaire by focusing on the legendary dancer’s other talents … that of a singer and a musician. The act Richard Holbrook: The Untapped Fred Astaire, received critical acclaim. In August, 2004, Richard released his first CD entitled Richard Holbrook Steps Out. This recording features Richard, accompanied by The Tom Nelson Trio, singing several well-known songs from his Astaire show and other selections by such composers as Portia Nelson, Ronny Whyte, and Kander & Ebb.
Between 2008 and 2015, Richard successfully performed his cabaret act Richard Sings Burton – The Songs of Burton Lane at such venues as Don’t Tell Mama, The Metropolitan Room, and Feinstein’s/54 Below. In March, 2015, Richard reprised the show at Feinstein’s / 54 Below. After that, Richard’s tribute to the legendary composer Richard Rodgers, Richard Holbrook: Richard Sings Rodgers With A Lot Of Heart, was presented in October, 2015 at The Metropolitan Room. It received excellent notices and played to sell-out crowds. All three tribute shows – Fred Astaire, Burton Lane, and Richard Rodgers – were directed by Richard Barclay.
In 2013, Richard was diagnosed with single cell carcinoma (cancer of the jaw) and successfully underwent a thirteen-hour operation in which his jaw was replaced with the fibula of his left leg. After five months of recovery, Richard resumed his singing career. For the past several years, Richard has presented a musical tribute to the lyrics of Alan Jay Lerner, as well as his annual Christmas cabaret fund-raising shows at Don’t Tell Mama for The Cancer Support Community. In the summer of 2024, Richard and his musical director Tom Nelson presented his anniversary show at 54 Below celebrating their twenty-three years of working together. This show was a reprise that show.
Cabaret News: ROSIE: A New Musical, Karen Mason, The Wicked Stage: Songs About Show Business, Lisa Dawn Miller and Late Night Vibing: Asian R&B
54 Below, Broadway’s Supper Club, presents ROSIE: A New Musical by Annika Stenstedt on March 31st, 2024 at 9:30pm. Join us for an empowering evening featuring the songs of this new musical based on Rosie the Riveter and all the “We Can Do It” women who worked on the homefront of World War II. Experience the public debut of ROSIE’s sweeping, emotional score, which both celebrates and interrogates the legacy of the iconic feminist symbol. Featuring a stunning cast, including theater favorites and recent NYU Tisch graduates, the concert will share a special glimpse into a project that has been years in the making.
ROSIE: A New Musical is written and created by Annika Stenstedt. The concert is produced by Annika Stenstedt, Brie Leftwich, and Caroline Lace McPherson. The cast includes Cara Rose DiPietro, Chris King, Demiah Latreece, Amanda Leske, Sean Manucha, Caroline Lace McPherson, Marissa Mitchell, Joey Morof, Olivia Ondrasik, Senna Prasatthong, Annika Stenstedt, Gus Stuckey, Mona Swain, and Hannah Lauren Wilson. The band also features Henry Wolf on Drums and Gus Stuckey on Trumpet.
ROSIE: A New Musical by Annika Stenstedt plays 54 Below (254 West 54th Street) on March 31st, 2024 at 9:30pm.
Birdland Jazz Club will present the return of Broadway, concert and recording star Karen Mason in the debut of a new show “Just in Styne: Karen Sings Jule” – honoring Jule Styne, one of her favorite songwriters – on Monday, March 25 at 7:00 PM. From the first time she sang for Mr. Styne in New York City, to performing in a concert in his honor at Gran Teatre del Liceu in Barcelona, Karen has made the songs of Jule Styne a part of her musical life. This new concert may include Broadway tunes “Just in Time” and “Diamonds Are a Girl’s Best Friend,” and pop standards “Time After Time” and “Three Coins in the Fountain.” Karen will be joined by Christopher Denny on piano and Tom Hubbard on bass. The show will be directed by Barry Kleinbort. There is a $30-4o music charge. Birdland is located at 315 West 44th Street in New York.
Karen Mason was seen playing Mrs. Marsh on Ryan Murphy’s “Halston” on Netflix. On tour, was last seen as Madame Giry in the North American premiere of Love Never Dies, Andrew Lloyd Webber’s epic sequel to The Phantom of the Opera. On Broadway, she starred as The Queen of Hearts in Wonderland and originated the role of Tanya in Mamma Mia! (2002 Drama Desk nomination as Best Actress). Her other leading roles include Norma Desmond in Sunset Boulevard on Broadway and in Los Angeles for three years; Velma von Tussel in the Broadway company of Hairspray; “Monotony” singer and Mazeppa in Jerome Robbins’ Broadway. In regional theater, Karen starred in Chasing Rainbows (Paper Mill Playhouse), A Christmas Story as Miss Shields; White Christmas (St. Louis Muni Opera); Side by Side by Sondheim (Coconut Grove Playhouse in Florida); Gypsy (Sundance Theatre in California); Company (Huntington Theatre in Boston). Off-Broadway, she won the Outer Critics Circle Award for her performance in And the World Goes ‘Round.
She is a 14-time MAC Award winner, and was the recipient of the 2019 MAC Lifetime Achievement Award. She also won 3 Bistro Awards. Her eight recordings include the single “It’s About Time,” written by Paul Rolnick and Shelly Markham; her 2009 MAC Award-winning Right Here/ Right Now, The Sweetest of Nights, When the Sun Comes Out, Christmas! Christmas! Christmas!, Better Days (featuring the 1998 Emmy Award-winning song “Hold Me”); and Not So Simply Broadway. Also, Wonderland (original cast); the film Jeffrey (Varese Sarabande); Wonderful Town (JAY Records); the cast album of And the World Goes ‘Round (RCA Victor).
New York’s newest hotspot for intimate dining and extraordinary music – will celebrate one of Motown’s most successful hitmakers in “For Once in My Life: The Songs of Ron Miller” on Monday, March 25 at 7:00 PM. Produced by his daughter Lisa Dawn Miller, the show salutes the legendary songwriter and producer, who penned some of the label’s biggest hits including multiple-Grammy Award winner “For Once in My Life,” recorded by over 700 major label artists and inducted into the Grammy Hall of Fame. Some of his other standards include “Touch Me in the Morning,” “Heaven Help Us All,” “A Place in the Sun,” “Yester-me, Yester-you, Yesterday,” “Someday at Christmas,” “I’ve Never Been to Me,” and “If I Could.” Ron’s songs have been featured in numerous blockbuster and Academy Award-winning films, and on countless television shows throughout the decades. This evening, which will feature special guests, features music director Ryan Rose. Tickets are $25-$45 in addition to a service charge and a two-item food and beverage minimum. A livestream option is available for $20. Chelsea Table + Stage is located at 152 West 26th Street.
Lisa Dawn Miller is a singer, songwriter and producer as well as the daughter of legendary songwriter, Ron Miller. She produces and stars as “Frank’s One Love” in the critically acclaimed hit musical “Sandy Hackett’s Rat Pack,” which tours throughout the U.S. and is currently in its 14th season. She also produces and directs the musical comedy “My Buddy,” and has produced multiple recordings and directed numerous music videos. Lisa is set to release three new singles this summer under a new distribution deal with The Orchard, a subsidiary of Sony Music: “I Need Your Love,” “Rhythm of Me,” and “There You Are,” as well as a new EDM dance record, “I’ve Been to Paradise,” an interpolation of her father’s classic, “I’ve Never Been to Me.” In 2022, she signed a new publishing deal with Sony Music Publishing to administer her father’s songs. The new deal expands upon a decades-long partnership between Millers’ songs and the publishing giant. Lisa runs her own music publishing company, LDM Worldwide and record label, J-Wall Records. She manages her father’s vast legacy song catalogue.
Ron Miller (1932-2007), the legendary Motown songwriter, wrote numerous hit songs which have sold in the hundreds of millions, with recordings by some of the biggest recording artists of all time, including Frank Sinatra, Stevie Wonder, Barbra Streisand, Tony Bennett, Dean Martin, Sammy Davis, Jr., Judy Garland, Ella Fitzgerald, Ray Charles, Michael Bublé, and Celine Dion. His songs have been reimagined for every generation with several recordings by even the artists of today, including Justin Bieber, LeAnn Rimes, Jackie Evancho, Noah Cyrus, and Oliver Richman. Ron’s songs have been featured in numerous top-grossing films and on countless television shows throughout the decades as well as in major ad campaigns by the largest global companies and brands. Ron has numerous RIAA gold and multi-platinum records and multiple BMI awards. His songs have won several Grammy Awards including in 2005 for “Heaven Help Us All,” the last song recorded by the legendary Ray Charles.
The Green Room 42 – the intimate concert venue dubbed Broadway’s “off-night hotspot” by The New York Times – will present the special concert “Late Night Vibing: Asian R&B” on Monday, March 18 at 9:30 PM. From artists of 88rising (Joji, NIKI, keshi) and Kpop (Jungkook, Jay Park) to soulful American songwriters (H.E.R., Jhené Aiko) and more, Asian R&B has had an undeniable impact on both the global music scene and broader Asian community. Experience iconic songs from all of your favorite singers performed by an all-AAPI/BIPOC ensemble of star-studded vocalists.
The creative team for “Late Night Vibing: Asian R&B” includes co-producer, director and vocalist Yu Hin Bryan Chan (“54 Sings Allegiance,” Cinderella), music director Rose Van Dyne (Broadway’s 1776, Spring Awakening), co-producer Cindy Tsai (Producer Hub, New York Civil Liberties Union), and arranger Max Addae (Upper Structure LAAF ‘22). The concert will star Roger Rees Award finalist Cassidy Baltazar (The Vendetta), Cindy Tsai (The Chinese Lady, Jeanette: The Musical), Sushma Saha (Broadway’s 1776, Interstate), George Davidson-Dennis (Carousel, A Chorus Line), and Yu Hin Bryan Chan.
“Late Night Vibing: Asian R&B” will be performed on Monday, March 18 at 9:30 PM at The Green Room 42 (570 Tenth Avenue at 42nd Street, on the 4th Floor of Yotel). The cover charge ranges from $20-$50. A livestream option is available for $20. For tickets, please visit www.TheGreenRoom42.com.
Like a Goddess Dressed by Erté
That was how Lorna Dallas took over the stage Sunday night at one of the newest cabaret rooms, Chelsea Table + Stage. So regal was she that one wished she had entered via the dramatic curved staircase behind the stage, perhaps with some subtle tinkling on the piano of “Beautiful Girls” from Follies. Well, maybe next time. All that mattered was that she finally arrived, and this long-awaited return was greeted with warm enthusiasm by her fans who filled the room.
Lorna’s quasi-operatic voice served well the composers she honored with loving and intelligent renditions of their music. Sometimes a soul needs just a bit of Ivor Novello to brighten the moment, and Lorna delivered just enough to make us yearn for more. She sang of her delight in dressing up, which led into “Put On Your Sunday Clothes”, a combination no one saw coming. When she mentioned Very Warm for May, the prospect of hearing one of Kern and Hammerstein’s most popular songs from that show, “All the Things You Are”, stirred the heart. But again, Lorna surprised us with a haunting rendition of the other song from that show that seemed destined for greatness “In the Heart of the Dark”.
A visit by the Gershwins in the form of “By Strauss” suited Lorna’s talents well, and she speeded ahead a half-century to Sondheim with his song from the film Dick Tracy “Back in Business” followed by his somber and wistful “In Buddy’s Eyes” and Rodgers & Hammerstein’s “I Have Dreamed”. A fascinating history of the song “Here’s That Rainy Day” from Carnival in Flanders followed, and then, reluctantly, the evening had to end. Lorna delivered so much in such a short time, and yet we all wanted more.
Cabaret enthusiasts know that the names Barry Kleinbort and Christopher Denny are like the Good Housekeeping Seal of Approval on any show with which they are affiliated. Denny supplied is customary skillful piano virtuosity and gentle support, while Kleinbort, in addition to masterful direction, also contributed extra material. Those who recall a time when the word diva had a very positive connotation will agree that Lorna Dallas is one of the few left standing who merit that sobriquet.
Grand Hotel: The 35th Anniversary Original Broadway Cast Reunion Concert at 54 Below
Grand Hotel original cast members Karen Akers, Timothy Jerome, Bob Stillman, David Jackson, David Andrew White, and Walter Willison, reunited last night at 54 Below. Even original bass player Ray Kilday was there.
54 Below was transformed into Berlin’s Grand Hotel for the event. The staging was immersive as Walter Willison, introduced, directed and produced. The choreography (originally done by Broadway legend Tommy Tune, was there celebrating his 85th birthday on Monday night).
Two tango dancers (Michael Choi and Vanda Polakova), circled the room making their way to the stage for “I Waltz Alone.” The concert featured choreography by Michael Notardonato, who also served as associate director.
Willison, who also played Colonel Doctor Otternschlag) kept Maury Yeston’s entire glorious score. “I Want to Go to Hollywood” for example. That number was skillfully sung by Susan Wood Duncan, who played Flaemmchen in the touring cast.
Ken Jennings stepped in as Otto Kringelein, leading the company in a moving “We’ll Take a Glass Together!” was sung in the bar area.
A highlight was Diane J. Findlay
Jennifer Bassey Davis as Elizaveta Grushinskaya, and Akers as Rafaella, were haunting.
Harper Lee Andrews and Susie McCollum played the roles their mothers originated.
On Monday Happy Birthday closed the show to a reprise of “We’ll Take a Glass Together” and thus they did.
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