What to Watch in The New Year: May 1
We Have To Hurry Love will get a second chance this spring in a benefit live stream production of We Have To Hurry, airing May 1 and 2 on Broadway on Demand. The play by Dorothy Lyman stars Tony nominee Kathleen Chalfant, Elliott Gould, and Jeanne Lauren Smith.
Patricia Vanstone directs the play, which follows a pair of mature people forced to commune from across a balcony due to new isolation protocols. When Gil notices the secret love of his life, Margaret, growing increasingly frustrated with the situation, he takes action to make every moment left count.
Sound design and technical support are by Josh Liebert.
Producers Stuffed Olive, Inc. and Davina Belling will donate all proceeds to The Actors Fund Home East and West. Owned and operated by The Actors Fund, the residences offer short-stay rehabilitation, assisted living, skilled nursing, and memory care services for individuals who have dedicated a major portion of their professional lives to the performing arts and entertainment.
11:45pm: Tarantula Georgie Henley, of The Chronicles of Narnia film series, stars in the new one-person play by British playwright Philip Ridley (The Fastest Clock in the Universe, Radiant Vermin, The Pitchfork Disney).
London’s Southwark Playhouse will stream the production live from The Little for three performances only.
The story centers on Toni’s teenage first kiss in this play about “identity, memory, love, and the lengths it takes someone to free themselves from the web of their past.” Wiebke Green directs.
6pm: John Lloyd Young By Request: Live From Las Vegas @ 9PM ET
Jersey Boys Tony winner John Lloyd Young (above) returns to The Space in Las Vegas for an intimate concert of songs chosen entirely by fans and ticket holders. The performance is followed by a VIP after-party as well as a special bonus post-show.
7pm: An Evening with Sheldon Harnick and Friends is an intimate evening giving audience members some of the celebrated songs Mr. Harnick has created in his astonishing 60+ year career, it includes his collaborations with composers such as Richard Rodgers, Joe Raposo, Michel Legrand, and—of course—Jerry Bock. Sprinkled with some behind-the-scenes anecdotes from such hit shows as Fiorello!, She Loves Me, and Fiddler on the Roof, as well as the lesser-known Tenderloin, The Rothschilds, Rex, and Dragons. A rare treat for musical theater buffs of all ages, this event was created by Mr. Harnick especially for The York Theatre. This evening is presented under the auspices of the Theater Authority, Inc. 7pm: Three-time Tony Award winner, Pulitzer Prize winner, and Oscar Hammerstein Award recipient Sheldon Harnick is joined on stage by Tony Award nominee Liz Callaway(Miss Saigon), Tony Award winner Karen Ziemba (Contact), and Rebecca Luker(The Sound of Music) in her last stage appearance. The music director is Jeffrey Saver, with Special Guest Margery Grey Harnick.
Leading into the evening, James Morgan, York Producing Artistic Director, shares a special birthday conversation with Sheldon and Margery.
Available on demand through Friday, May 14, 2021. Reservations are required.
7:30pm: Cilea’s Adriana Lecouvreur Grand opera at its most deliciously over the top, Cilea’s diva showcase concerns an 18th-century Parisian stage actress who falls headlong for the impecunious Count of Saxony and is consequently poisoned by a bouquet of faded violets sent by her romantic rival, the scheming Princess of Bouillon. The melodrama unfolds against the composer’s most beguiling and passionate score, which fits into the heightened, emotionally turbocharged tradition of verismo.
8pm: Jane Austen’s PERSUASION Song Cycle What did we do on our CoVid quarantine vacation? With a baseline of Beethoven’s glorious chamber music, director/lyricist Emily King created a series of 9 songs which capture, each in their unique way, the flavor, plot and characters of PERSUASION, Jane Austen’s last completed, least read and most fiercely defended novel.
Twelve remarkable singer actors and eleven musicians are creating a wholly original, completely Pastiche way of bringing you back in time with our latest technology.
Diverse and distanced, gorgeous and witty, liberating talent from Canada to Israel and all over the US, for Austen, Beethoven and musical theater fans all over the world. Ludwig calls the tune as we celebrate Jane Austen, and her ability to create happy endings in her stories, when real life so often sadly disappoints.
8pm: The Lost Garden It’s been over a year since NYC theaters closed and immersive theater workers lost their livelihoods due to the COVID-19 pandemic. The very nature of what makes immersive theater poignant—intimate performances in shared spaces—makes it particularly difficult to reopen immersive shows even as other art spaces slowly return.
In order to directly benefit immersive theater workers who are still struggling financially and to bring together the immersive theater community, The Lost Garden is both an ambitious fundraiser and a dynamic free virtual show that includes performances by over 50 immersive artists.
100% of the funds raised will be distributed directly to immersive artists and workers who are in need because of the pandemic.
8pm: Beyond the Veil at Radial Park (and from home) Resounding’s outdoor festival of in-person immersive audio continues at NYC’s Radial Park—and you’re invited to enjoy in-person or from home.
Tony nominee Montego Glover and Broadway alum Quentin Earl Darrington star in Beyond the Veil, a ghost thriller by Steve Wargo.
A thrilling, chilling, spine-tingling ghost play for your ears about a small town doctor, wracked with grief, who recounts the strange tale of another grieving family in his care, and their joint decision to seek the aid of a Spiritualist medium to help them “lift the veil” between the worlds of the living and the dead to bring them closure. What they find “beyond the veil” will haunt you long after the séance has ended.
8pm: Missed Connections Jon Tai and Alex Gruhin’s live, interactive play with magic begins its run of livestreamed performances as part of 59e59 Theaters’ Plays in Place series. Inspired by the work of writer Haruki Murakami, philosopher Marshall McLuhan, and magician Derek DelGaudio, Missed Connections is a magician’s cosmic love story—one that explores the fleeting bonds that can emerge between total strangers. Audiences can experience the magic for themselves through May 20.
8pm: Take Me Back to Manhattan Alysha Umphress, Kyle Taylor Parker, Isaac Mizrahi, Catherine Russell, and more perform in this virtual concert filmed at the famed Caryle Hotel. The night highlights the special affinity the American Songbook has had with New York City and features over 20 musicians performing classics from the American Songbook.
8pm: Stars in the House Cinderella Reunion with Peter Bartlett, Victoria Clark, Santino Fontana, Ann Harada, Harriet Harris, Laura Osnes and Phumzile Sojola. Donations tonight will be matched up to$7,500 by The Paula Kaminsky Davis Charitable Foundation!
GrahamFest95 Martha Graham Dance Company’s 95th season culminates in a three-day virtual festival featuring livestreams of Martha Graham classics, the Company premiere of Elisa Monte’s signature work, Treading (1979); four solos by Sir Robert Cohan; Lamentation Variations by Kyle Abraham, Richard Move, and Nicolas Paul; and the duet from Troy Schumacher’s The Auditions, created for the Company in 2019.
The festival also features a collaborative project with international art gallery Hauser & Wirth. This collaboration involves the creation and premiere of four films that place three Graham dances and one Cohan work in conversation with the works of four acclaimed visual artists—Rita Ackermann, Mary Heilmann, Luchita Hurtado, and Rashid Johnson.
The festival wraps up with a closing-night Zoom cocktail event with the dancers. GrahamFest95 runs Friday, April 30–Sunday, May 2.
The Waves in Quarantine: A Theatrical Experiment Begins Raúl Esparza leads a star-studded cast, including Alice Ripley, Carmen Cusack, Nikki Renée Daniels, Darius de Haas and Manu Narayan, in this musical adaptation of Virginia Woolf’s The Waves for Berkeley Repertory Theatre. Watch through May 28.
Brutal Imagination Joe Morton and Sally Murphy reprise their roles for this audio production of Cornelius Eady’s play, which premiered at the Vineyard Theater in 2002.
Slow Food A vacationing couple heads to a Greek restaurant in Palm Springs for their anniversary dinner — but will the marriage survive the service?
International City Theatre presents a virtual presentation of Slow Food, a tender, uproarious comedy by Wendy MacLeod, directed by Marya Mazor.
The Destruction of Jane Edgar Rice Burroughs will be spinning in his grave this spring. A new seven-part miniseries, inspired by the infamous film Tarzan the Ape Man, debuts this month.
The Destruction of Jane is an unauthorized parody of the King of the Jungle is told from the point of view of Miss Jane Parker.
Weekly installments premiere on Thursdays.
The miniseries stars stars Paul Pecorino and Rob Eco as Jane and Tarzan, respectively, and features special cameo appearances by Mario Cantone and Randy Rainbow. The show is written by Paul Pecorino and directed by Drue Pennella.
Set in the current COVID-19 pandemic, this comedy follows Jane to the African jungle where she meets and falls in love with the spectacular specimen we all know as the legendary Tarzan. The 1981 Tarzan film became a massive financial hit due to its dizzyingly unintentional bad taste, and screenwriter Paul Pecorino has set out to push these offensively vulgar boundaries even further.
The creative team includes director of photography Erik Paulsen, composers Drew Fornarola and David Nehls, musical arranger Paul Doust; costumes & wigs designer David Mitsch; makeup & wig styling designer Vera Stromsted and Donanyely Mejia and Marty Thomas; and specialty costumes designer Gail Baldoni. The Destruction of Jane is presented by Pure Motion Pictures.
Back to the Future: From Screen to Stage Ahead of the Back to the Future musical opening in the Adelphi Theatre on August 20, BFI at Home presents an online discussion with members of the cast and crew about how the hit film became a full-fledged stage musical.
The Baltimore Waltz Mary-Louise Parker, Eric McCormack and Brandon Burtom star in this livestreamed production of Paula Vogel’s play. Directed by Lileana Blain-Cruz, The Baltimore Waltz is based on the love and adventures of a brother and sister, one of whom has a fatal disease and was the winner of the 1992 Obie Award for Best New American Play.
Black Feminist Video Game Enter Jonas: a biracial teenager with autism. Jonas broadcasts all aspects of his life online, including a disastrous first date with his crush, Nicole. Desperate to regain her affections, he dusts off a long-ignored gift from his mother—a classic 2D “Black feminist video game”— hopeful that the game will grant him the key to winning Nicole back. But Jonas soon discovers that, with only the Game Master and his friend Sabine to guide him, he must confront his own misperceptions of the women in his (real) life, or risk losing not only the game but also his first chance at love. In this mashup of live performance, video game design, and online interaction, Jonas and Sabine stream their play on Twitch and find their path through the game together. Along the way, you’ll help (or hinder!) their progress by responding in real time to the choices they make.
This production is a national collaboration with presenters 59E59 Theaters’ Plays in Place Program, Center Theatre Group, Oregon Shakespeare Festival and co-commissioner Williams Center for the Arts, Lafayette College.
Caesar: A Surround Sound Experiment This immersive listening experience based on William Shakespeare’s Julius Caesar airs at 8PM ET through April 29. Designed for headphones and lunar light, the production is a benefit for The Actors Fund.
Little Gem Amber, Lorraine, and Kay, three generations of North Dublin women, find themselves suddenly facing the unexpected. Young Amber’s case of indigestion grows into something more, while her mother Lorraine reluctantly attempts therapist-suggested self-care, and Grandmother Kay struggles with a personal itch while adjusting to life as a caretaker for her beloved Gem. In this hilarious and poignant award-winning work, three women find strength in one another and discover the beauty and complexity of family.
Irish playwright Elaine Murphy’s debut play, Little Gem, premiered at the Dublin Fringe Festival in 2008 where it won the Fishamble New Writing Award. It then transferred to the Edinburgh Fringe Festival, where it won the Carol Tambor Best of Edinburgh Award, the festival’s top prize.
This new digital production was filmed remotely at the actors’ homes in Connecticut, London, and New York. It is an adaptation of Irish Rep’s acclaimed 2019 production. Until May 9th.
Romeo & Juliet Jessie Buckley and Josh O’Connor star in a film of London’s National Theatre’s Romeo and Juliet. It premieres on PBS as part of the Great Performances series.
I Wish My Life Were Like A Musical West End regulars Luke Bayer, Charlotte O’Rourke, Lucas Rush and Charlotte Anne Steen star in this streaming production of Alexander S. Bermange’s musical revue. Audiences can watch the journey a wide-eyed drama school graduate takes to become a difficult diva through May 12.
The Gett, Starring Tovah Feldshuh will be available to stream on-demand through April 30. Proceeds benefit Rattlestick Playwrights Theater and Congregation Beth Elohim.
The Gett is a Jewish myth about divorce and how we salvage and recover meaning through profound loss and ancient ritual.
Written by Liba Vaynberg and directed by Daniella Topol
Featuring Tony and Emmy nominee Tovah Feldshuh, Peter Mark Kendell, Alfredo Narciso, and Vaynberg.
The Woman’s Party Clubbed Thumb presents the world premiere of The Woman’s Party. Originally slated to premiere as part of the 2020 Summerworks Festival, the piece will now premiere virtually.
Written by Rinne B. Groff and directed by Tara Ahmadinejad, The Woman’s Party has been divided into three 30-minute episodes.
1947 is the year that the savvy politicos of the National Woman’s Party will finally get the ERA passed once they quash that insurgency—or oust the old guard. The Woman’s Party takes place 27 years after the ratification of women’s suffrage, when the Equal Rights Amendment was poised for passage.
The cast includes Rosalyn Coleman, Alma Cuervo, Laura Esterman, Marga Gomez, Marceline Hugot, Emily Kuroda, Lizan Mitchell, Socorro Santiago, Rebecca Schull, and Connie Winston.
Sitting and Talking, Starring Dan Lauria and Wendie MalickLaguna Playhouse presents Dan Lauria and Wendie Malick in the Southern California premiere of Sitting and Talking.
Created and written specifically for the zoom platform, Lia Romeo’s charming, deeply heartfelt play follows a man and woman in their 60s as they navigate the vulnerable, awkward, and sometimes hilarious path to companionship via online dating during quarantine.
Two Sisters and a Piano Emmy winner Jimmy Smits and Daphne Rubin-Vega star in a streaming production of Nilo Cruz’s 1999 play presented by the new streaming theater company New Normal Rep. Cruz also serves as director for the work that follows follows two sisters serving time under house arrest in Cuba, and the lieutenant assigned to their case who falls in love with one of them.
Cheyenne Jackson, Ted Sperling, More Sing Adam Guettel’s Myths & Hymns (Episode 3) By MasterVoices The central project of MasterVoices’ 2020-2021 season will be a virtual rollout of award-winning composer Adam Guettel’s theatrical song cycle, Myths and Hymns, in an online staging conceived by Ted Sperling.
The Wandering an immersive theatrical experience inspired by the music of Franz Schubert, is set to premiere online and in real life on April 15–May 15.
Part visual album, part queer drama, and part communal live experience, The Wandering transports participants into a wonderous environment that unfolds both online and via physical tasks and ephemera shipped directly to audiences.
At its heart, The Wandering uses a queer lens to examine the love and pain that divided Schubert while taking guests on a journey that radically reshapes how classical music can be presented.
The Wandering is created by newcomers Calista Small and Jeremy Weiss in collaboration with filmmaker Lara Panah-Izadi, designer Charlotte McCurdy, animator Zach Bell, theater artist Christine Shaw, graphic and print designer Irina Wang, web designer TanTan Wang, and executive producer Max Sauberman.
Neat: Manhattan Theatre Club presents a virtual performance of Charlayne Woodard’s play that originally premiered in 1997. Neat is an inspiring portrait of a young woman’s coming of age, and her realization that some of life’s most difficult times can also be the most fulfilling.
Zoo Motel Step into this virtual odyssey that combines interactive live theater, gripping storytelling, cinematic illusions, and magic all in one creative hour of surprises.
Theatre Exile invites you to check into Zoo Motel, devised by director, designer, and performer Thaddeus Phillips in 2020 as a quarantined experiment that offers a window into what’s possible for live performance — a world where audiences from around the globe can share a mind-bending adventure in the comfort of their own home.
Broadcast live and online from one room in a South American village, Zoo Motel takes you on a journey to Spain, Japan, the Mojave Desert, and other parts of the world alongside fellow motel guests.
Islands of Contentment Co-produced by Hypokrit Productions and The Tank in association with Autonomous Works, Dipti Bramhandkar’s Islands of Contentment is a moving meditation comprised of thirteen monologues.
An elegy to the (dis)harmony of romantic relationships, each piece invites us into the intimate, poignant, and hilarious interactions with significant others in the form of modern-day confessionals.
Thirteen characters reflect on moments that feel strangely familiar: the break-up dream, the plight of the nice guy, the ex who unexpectedly shows up, and even a baking fetish. No one writes love songs about this stuff.
Fat Ham: world premiere of the digital production of Fat Ham by James Ijames from Philadelphia’s Wilma Theater will now stream April 29-May 23.
The play, a contemporary adaptation of Shakespeare’s Hamlet, is being filmed on location in Virginia, and shot as a one-take film to retain the real-time storytelling of a play.
It is directed by Morgan Green and stars Brennen S. Malone, Taysha Marie Canales, Kimberly S. Fairbanks, Jennifer Kidwell, Anthony Martinez-Briggs, Brandon J. Pierce, and Lindsay Smiling.
Shadow/Land Michelle Wilson, Te’Era Coleman, Lizan Mitchell, Lance E. Nichols, Lori Elizabeth Parquet and Sunni Patterson star in the world premiere of Erika Dickerson-Despenza’s audio play. The drama is set amidst the devastation of Hurricane Katrina and is part of the Public Theater’s digital stage.
Reverb Theatre Arts Festival through May 20th. Reverb Theatre Arts Festival presents the voices of artists with disabilities on the virtual stage. Artists from around the country submitted their works of original theatre—monologue, spoken word, dance, or music—based on creative prompts on the theme of Connection. The work is the result of twenty-four collaborations between Participating Artists and Collaborating Artists.
John Cullum: An Accidental Star Two-time Tony winner stars in a streaming production of his new solo show that features songs and stories from his six-decade career. Extended through May 6th.
Row Grace McLean, John Ellison Conlee, Tamika Lawrence, John McGinty and more star in the world premiere of this musical. With a book by Daniel Goldstein and music and lyrics by Dawn Landes, Row is inspired by A Pearl in the Storm by Tori Murden McClure and is part of the partnership between Williamstown Theatre Festival and Audible Theater.
The Last Five Years (Encore) The Last 5 Years, with book, music and lyrics by three-time Tony Award winner Jason Robert Brown, stars Nasia Thomas (Ain’t Too Proud: The Life and Times of the Temptations, Beautiful: The Carole King Musical) and Nicholas Edwards (Frozen, Berkshire Theatre Group’s Godspell), and is directed and musically directed by Tony Award winner Jason Michael Webb (Choir Boy).
The production, which was rehearsed remotely and filmed in a New York apartment, following all COVID-19 safety protocols from Actors’ Equity Association, the state of New York and federal guidelines, was produced by Out of the Box Theatrics, Holmdel Theatre Company, and Blair Russell (Slave Play).
An emotionally powerful and intimate musical about two New Yorkers in their twenties who fall in and out of love over the course of five years, The Last 5 Years’ unconventional structure consists of Cathy (Thomas), the woman, telling her story backwards while Jamie (Edwards), the man, tells his story chronologically; the two characters only meet once, at their wedding in the middle of the show.
Amour, Starring Derrick Baskin, Adam Pascal, Christiani Pitts, More Be a part of our Playbill Opening Night Celebration for the virtual revival of Amour. Join host Felicia Fitzpatrick who will take us to the “red carpet” to talk to the stars of the show and hear from behind the scenes how this special event was inspired and came together. Beyond the show, enjoy the party with tips on cooking your own French meal and learn a bit about wine.
Members Don’t Get Weary In the seventh decade since the Company’s founding, the extraordinary dancers are continuing Alvin Ailey’s legacy by moving viewers around the world with their brilliant artistry.
In celebration of Jazz Appreciation Month, Ailey All Access will premiere broadcast of Jamar Roberts’ Members Don’t Get Weary.
The work is “a response to the current social landscape in America… an abstract look into the notion of one ‘having the blues.” Roberts’ deep appreciation for jazz comes through in his use of saxophonist and composer John Coltrane’s music, 50 years after the legend’s death.
The work uses the dancing body paired with this distinctive music and lighting to inspire the audience, allowing them to momentarily transcend their own personal blues.
The Thanksgiving Play Spotlight on Plays returns with Larissa FastHorse’s The Thanksgiving Play, directed by Leigh Silverman. The cast features Tony nominees Heidi Schreck and Bobby Cannavale, along with Keanu Reeves and Alia Shawkat.
Whiterock Cliff Goode Productions presents a streaming production of Ryan McCurdy’s one-man Off-Broadway musical Whiterock Cliff will be performed live at New York’s Funkadelic Studios for a five-week virtual run.
The show features a book by Ryan McCurdy and Ellie Pyle, music and lyrics by McCurdy, and directed by Mary Chieffo.
Whiterock Cliff weaves together memory, music, mental health, the creative process, the stories we tell ourselves, and the ones we tell to each other.
This act is performed live each night with the permission of Actors’ Equity from a Times Square studio with one performer, three cameras, and eight musical instruments.
Wish You Were Here: The world premiere of Sanaz Toossi’s new work releases as part of the partnership between Williamstown Theatre Festival and Audible Theater. Nikki Massoud, Marjan Neshat, Nazanin Nour, Artemis Pebdani, and Roxanna Hope Radja star in the podcast production directed by Gaye Taylor Upchurch.
Gutenberg! The Musical! A newly filmed presentation of Gutenberg! The Musical!, starring Bobby Conte Thornton and Alex Prakken, will stream as a benefit for Broadway Cares/Equity Fights AIDS. The performance, recorded by Pierre Marais at Open Jar Studios, features piano accompaniment by Andrew Callahan and choreography by Kaitlyn Frank.
The musical follows two aspiring playwrights, Bud and Doug, as they attempt to secure producers for their new musical about printing press inventor Johann Gutenberg. The pair sing all the songs and play all the parts in the hope of a Broadway contract.
The Sound Inside Mary-Louise Parker and Will Hochman reprise their roles in this audio production of Adam Rapp’s The Sound Inside, which earned six Tony Award nominations, including Best Play, for its 2019 Broadway run.
Romeo y Julieta Lupita Nyong’o and Juan Castano star in this free bilingual audioplay of Shakespeare’s Romeo and Juliet, presented by the Public Theater and WNYC Studios.
Lights on the Radio Tower Originally developed at the Adirondack Theatre Festival and Bloomington Playwrights Project, this thrilling two-hander rock musical tells the story of Molly and Jesse, a brother and sister who, after eighteen years apart, reunite at their decaying childhood home following the death of their father. The estranged rock duo’s competing recollections of their childhood, their last night together, and their final gig force them to face the painful truth of their past.
La Femme Theatre Productions: The Night of the Iguana The show will feature Golden Globe winner and Emmy nominee Dylan McDermott (Netflix’s “Hollywood”) as Reverend Shannon, Emmy nominee and Tony Award winner Phylicia Rashad (Broadway’s Cat on a Hot Tin Roof) as Maxine, Roberta Maxwell (Broadway’s Summer and Smoke) as Judith Fellowes, Tony nominee, Obie and Drama Desk Award winner Austin Pendleton (Broadway’s Choir Boy) as Nonno, and Jean Lichty (Off-Broadway’s A Lovely Sunday for Creve Coeur, The Traveling Lady) as Hannah, with Keith Randolph Smith (Broadway’s Jitney, American Psycho) as Jake, Carmen Berkeley (Off-Broadway’s Our Dear Dead Drug Lord) as Charlotte, Eliud Kauffman (Roundabout Theatre’s 72 Miles to Go) as Hank, Julio Macias (Netflix’s “On My Block”) as Pancho, Stephanie Schmiderer (No Exit, The Human Voice) as Frau Fahrenkopf, Bradley James Tejeda (Broadway’s The Inheritance) as Pedro, and John Hans Tester (Amazon’s ”Hunters” ) as Herr Fahrenkopf.
The New York Pops Up Festival a thousand in-person performances throughout the state from now through June. Most events associated with NY PopsUp will be unannounced (and unticketed) and will be designed so that New Yorkers happen upon them in their everyday lives. (Since we can’t have large gatherings right now, we want to bring a lot of small things to the public where they are) NY PopsUp is a surprise that you happen upon, rather than an event or concert you are alerted to via a notification or a schedule.
Julius Caesar, Starring Patrick Page By Shakespeare@ Tony nominee Patrick Page (Hadestown) stars in the title role with Jordan Barbour (The Inheritance) as Brutus and Keith Hamilton Cobb (American Moor) as Cassius. West End Harry Potter and the Cursed Child performers Jamie Ballard and James Howard co-star as Mark Antony and Metellus Cimber, respectively.
The production is also be available on Spotify, Apple Podcasts, Soundcloud, and Stitcher.
Produced by Jersey City’s Shakespeare@, this audio production is the third installment of the season, produced and adapted by Artistic Director Sean Hagerty.
Hagerty has crafted the production into four weekly parts and partnered with the Emmy-winning team at Sonic Designs to capture the lost art and thrill of radio drama all without leaving the confines of quarantine.
Julius Caesar features original music composed by Joan Melton with sound design by the Emmy-winning team of Dan Gerhard and Ellen Fitton of Sonic Designs. Justin Goldner is the music producer and supervisor, and casting is by Robin Carus. Sydney Steele serves as the associate producer.
Assassins Reunion: Original Off-Broadway Cast The original cast and creative team of the 1991 Off-Broadway debut of Stephen Sondheim and John Weidman’s Tony-winning Assassins will reunite virtually to celebrate the musical’s 30th anniversary.
The free online event is part of the Studio Tenn Talks: Conversations with Patrick Cassidy series and will feature Studio Tenn Artistic Director Cassidy as well as other original cast members Victor Garber, Greg Germann, Annie Golden, Lyn Greene, Jonathan Hadary, Eddie Korbich, Terrence Mann, Debra Monk, William Parry, and Lee Wilkof plus Sondheim and Weidman, director Jerry Zaks, musical director Paul Gemignani, and orchestrator Michael Starobin.
SuperYou Musical the new musical that last year pivoted from its traditional opening to a drive-in concert in the wake of the coronavirus pandemic, is now heading online. A filmed version of the drive-in presentation will stream on Broadway On Demand
The musical, penned by Lourds Lane, tells the story of a woman and her superheroine creations that suddenly come to life, reminding her of the power of her own voice.
Prior to the 8 PM stream, Playbill will host a virtual red carpet event, with interviews with the cast and creative team. A digital afterparty will also take place at 9 PM.
An Iliad (Streaming) Court Theater. A film of the site-specific production at Chicago’s Oriental Institute by Lisa Peterson and Denis O’Hare.
The Things Are Against Us Susan Soon He Stanton’s The Things Are Against Us will be the next production in MCC’s LiveLab one-act digital reading series. Ellie Heyman directs the cast, which includes Juan Castano, Emily Davis, Susannah Flood, Babak Tafti, and Danny Wolohan, in tthe play set in a mysterious house with a mind of its own.
SoHo Playhouse Presents Typical Soho Theatre and Nouveau Riche present the world premiere of Typical, the film version of the stage play, released exclusively on Soho Theatre On Demand
Written by Ryan Calais Cameron and directed by Anastasia Osei-Kuffour, Typical uncovers the man and the humanity behind the tragic true-life events of Black British ex-serviceman Christopher Alder and the injustice that still remains twenty years since his story emerged.
The Manic Monologues Current Slave Play Tony nominee Ato Blankson-Wood, Rent Tony winner Wilson Jermaine Heredia, Accidentally Brave playwright Maddie Corman, and more stage favorites will explore mental health this winter in a new digital production from the McCarter Theatre Center.
The Manic Monologues debuts February 18 with 21 true-life monologues that users can explore at their own pace and through an interactive element virtually respond to.
And The Winners of The 2023 Drama Desk Awards Are ………
The 2023 67th Drama Desk Awards, honoring artistic excellence on Broadway, Off-Broadway and Off-Off-Broadway, will take place on June 6 at Sardi’s Restaurant. Today the winners were announced.
Outstanding Play: “Leopoldstadt,” by Tom Stoppard
Outstanding Musical: “Some Like it Hot”
Outstanding Revival of a Play: “The Piano Lesson”
Outstanding Revival of a Musical: “Parade”
Outstanding Lead Performance in a Play: Jessica Chastain, “A Doll’s House” and Sean Hayes, “Good Night, Oscar”
Outstanding Lead Performance in a Musical: Annaleigh Ashford, “Sweeney Todd”
and J. Harrison Ghee, “Some Like it Hot”
Outstanding Featured Performance in a Play: Miriam Silverman, “The Sign in Sidney Brustein’s Window,” Brooklyn Academy of Music and Brandon Uranowitz, “Leopoldstadt”
Outstanding Featured Performance in a Musical: Kevin Del Aguila, “Some Like it Hot” and Alex Newell, “Shucked”
Outstanding Direction of a Play: Max Webster, “Life of Pi”
Outstanding Direction of a Musical: Thomas Kail, “Sweeney Todd”
Outstanding Choreography: Casey Nicholaw, “Some Like it Hot”
Outstanding Music: Brandy Clark and Shane McAnally, “Shucked”
Outstanding Lyrics: Scott Wittman and Marc Shaiman, “Some Like it Hot”
Outstanding Book of a Musical: Matthew López and Amber Ruffin, “Some Like it Hot”
Outstanding Orchestrations: Charlie Rosen and Bryan Carter, “Some Like it Hot”
Outstanding Music in a Play: Suzan-Lori Parks, “Plays for the Plague Year,” The Public Theater
Outstanding Scenic Design of a Play: Tim Hatley, “Life of Pi”
Outstanding Scenic Design of a Musical: Beowulf Boritt, “New York, New York”
Outstanding Costume Design of a Play: Emilio Sosa, “Ain’t No Mo’”
Outstanding Costume Design of a Musical: Gregg Barnes, “Some Like it Hot”
Outstanding Lighting Design of a Play: Natasha Chivers and Willie Williams (video), “Prima Facie”
Outstanding Lighting Design of a Musical: Natasha Katz, “Sweeney Todd”
Outstanding Projection and Video Design: Andrzej Goulding, “Life of Pi”
Outstanding Sound Design of a Play: Ben & Max Ringham, “A Doll’s House”
Outstanding Sound Design of a Musical: Scott Lehrer and Alex Neumann, “Into the Woods”
Outstanding Wig and Hair: Mia M. Neal, “Ain’t No Mo’”
Outstanding Solo Performance: Jodie Comer, “Prima Facie”
Unique Theatrical Experience: “Peter Pan Goes Wrong”
Outstanding Fight Choreography: B.H. Barry, “Camelot”
Outstanding Adaptation: “A Doll’s House,” by Amy Herzog
Outstanding Puppetry: Nick Barnes and Finn Caldwell, “Life of Pi”
Shows with multiple wins
Some Like It Hot: 8
Life of Pi: 4
A Doll’s House: 3
Sweeney Todd: 3
Ain’t No Mo’: 2
Prima Facie: 2
Harold Prince Lifetime Achievement Award
Stephen McKinley Henderson has been bringing in-depth, gripping portrayals of memorable characters to the stage for over four decades. With his return to Broadway this season as Pops in “Between Riverside and Crazy,” which the Drama Desk previously nominated in 2015, this year’s Harold Prince Lifetime Achievement Award marks Henderson’s role in this powerful production as a celebration of his brilliant career.
The cast of Soho Rep’s “Public Obscenities” – Tashnuva Anan, Abrar Haque, Golam Sarwar Harun, Gargi Mukherjee, NaFis, Jakeem Dante Powell, and Debashis Roy Chowdhury – embodied the transnational world of Shayok Misha Chowdhury’s bilingual play with memorable authenticity, remarkable specificity, and extraordinary warmth.
Sam Norkin Off-Broadway Award
From his standout performance in american (tele)visions, to writing and performing the autobiographical “Dark Disabled Stories,” Ryan J. Haddad’s work this season has expanded on and interrogated what the idea of “accessibility” really means. Whether riding a shopping cart like a throne, or relating his experiences on a “gay, pink bus,” Haddad shared with audiences an unabashed queer fabulosity that was both unforgettable and deeply human.
Ken Fallin’s Broadway: Remembering Angela Lansbury in Sweeney Todd
On Sunday look for a brand new charcuterie of Josh Groban and Annaleigh Ashford in Sweeney Todd.. I loved the new production, and it’s two leads.
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FAMILY’S A BITCH-THE END OF SUCCESSION — Sunday’s finale of Succession (HBO) was a mixed bag. I’ll be honest: At first I thought the finale was totally underwhelming, but after some additional thought and reading some other excellent reviews, I’ve come to the point where I now believe it was, pure and simple, how it had to end.
None more so than Joss Stone on “I Put A Spell On You.” What a voice. I’m amazed she’s not bigger; very Janis Joplin.
Also, Gary Clark delivered a blistering, amazing performance on Stevie Wonder’s “Cause We’ve Ended As Lovers.” No question that he’s the next guitar-wizard. Here they both are: https://www.youtube.com/watch?v=nvO2_noxaXQ and https://www.youtube.com/watch?v=QO2BLAXveVo …
I watched all 9 seasons of the CW’s The Flash and the first 5 were pretty terrific. The remaining ones got poorer and poorer as the original cast disappeared one by one. Grant Gustin, The Flash, was there the whole time, but their finale last week was terribly confusing – save for a song by Tony Award winner Jesse L. Martin (for Rent) – a key member of the original cast. The last two seasons had a myriad of costumed villains, some from the comic, some not, but just wildly messed up. The CW was sold to Nexstar last year and big changes are in their future. Sad … and, CNN is reporting that Universal Music is close to snapping up the rights to the Queen-catalog for $1 billion-plus. Good for them.
Disney had it previously, but Queen’s music is more popular than ever before. It’s a real shame Freddie is not her to share in it. If you wondered the record for the biggest previously was for Bruce Springsteen’s catalog at $500 million.
Natasha Bedingfield Thrills at Frederick Anderson’s Nebula Fashion Show
We love the nightlife!
The thrill of old-school New York City energy came out swinging in a glorious way last week during Frederick Anderson’s 2024 Resort collection presentation.
On May 24, pop sensation Natasha Bedingfield opened up the beautiful runway at the fantastic hotspot Nebula in Midtown Manhattan. Wearing a bold crochet dress by the designer, the music matched her luxurious look and set the tone for an electric night.
The 33-look collection was seen by a chic and notable group of uptown clients and downtown personalities including Mayor Eric Adams, Nebula owner Richie Romero, Nicole Miller, Peter Som, Young Paris, Consuelo Vanderbilt Costin and Janna Bullock amongst well-heeled crowd.
Photos by David Warren
The Fintechs Changing How We Pay Online
It was not so many moons ago that online payments on major eCommerce were either by debit or credit card. Plenty of people had a PayPal account, but this was primarily used for peer-to-peer transactions or to buy goods won at auction on eBay. Card transactions needed the user to undergo an additional verification step to prove they were the cardholder, but it was all a relatively unsophisticated system.
PayPal had been created as a stand-alone company at the dawn of the dotcom boom and had been a wholly owned subsidiary of eBay in 2002. However, in 2015 eBay spun off PayPal, and while the companies retained close working ties, both companies were free to find new partners.
For eBay, this meant they could offer customers the chance to complete purchases using new digital payment providers. As a result, PayPal became an option at major online checkouts, from high street stores to travel agents and online casinos. People liked using PayPal as it was quick, easy, and secure; their email address was all they needed to remember.
While PayPal might have been the original fintech company, by the time eBay sold it, there were other operators in the space. For example, Apple launched its digital wallet, ApplePay, in 2014. At the time, for most people, it was just an app that came with the latest phone, but most people carried on using their plastic cards. Google first introduced a digital payment service in 2013 and their Google Wallet in 2018. The Google Pay app, which is now installed on millions of Android phones, was introduced in 2020.
Increasing numbers of people now use fintech solutions when making online payments. Fintech comes in many guises but essentially refers to the use of technology to change our relationship with financial products and services. For example, Starling is an internet-based bank that is accessed via an app on mobile phones. While Internet banking had been around for a considerable time when it launched, the process was slow and cumbersome and required users to verify their identity through a card reader. Starling’s app enabled customers to make payments directly without needing a reader and notified them of all transactions in and out of their accounts. The central banks now offer a similar service through their apps, and we accept this as standard.
With all the advances in internet banking, eWallets, and digital payments, having access to a bank account is not even a requirement anymore in order to make online payments. This is where a service like Boku comes into its own.
Boku is a mobile processing system that allows customers to buy digital goods and services without a bank account. The services are charged to their mobile phone bill; no credit card or bank account is needed. It is a convenient and popular payment method for online content, including games and entertainment. There are even an increasing number of online casinos that accept Boku, like NetBet and MrQ. Players just need their mobile number to use the service and do not need to download a specific app or anything.
Another enormous revolution in how we pay online is the growth in Buy Now Pay Later services. Klarna was the name that brought this way of paying to our attention. However, there are multiple operators now in this market, including PayPal Pay in 4 and ApplePay Later. In 2022 more than seventeen million people had used BNPL services. It is particularly popular with 18–34-year-olds, where sixteen percent of this age group uses this payment method.
The use of BNPL in the UK and worldwide in general is on the increase, as can be seen when comparing year-on-year figures. For example, the figure from 2022 was almost double 2021’s eight million people.
The same goes for the use of fintech apps. Fintech app installation was up two percent in 2022, and payment and banking apps account for more than ninety percent of those installs. If these numbers are any indication of the future of fintech, we should brace ourselves for even more groundbreaking innovation and changes to how we pay online.
Photo by Andre Taissin on Unsplash
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