5pm: Sip & Sing, Kyle Barisich hosts this virtual weekly sing-a-long event that welcomes new Broadway stars each episode. Sip & Sing is presented by iHeart Broadway and Bay Street Theater, Sag Harbor Center and Milojo (Kelly Ripa and Mark Consuelos’ production company).
7:30pm: Bandstand By Broadway on Demand The rebroadcast includes a 30-minute preshow hosted by Corey Cott. The stream is available on demand through May 31.
The 2017 Broadway musical Bandstand, winner of the Best Choreography Tony Award for director-choreographer Andy Blankenbuehler, will stream on Broadway on Demand.
The musical by Richard Oberacker and Robert Taylor starred Laura Osnes, Corey Cott, and Beth Leavel.
Bandstand follows World War II vet and musical prodigy Donny Novitski, who is trying to return to life after losing his best friend in combat. When he hears of a radio contest to support the troops and meets a star vocalist in his friend’s widow Julia, played by Osnes, he puts together the Donny Nova Band to go all the way to the top.
The 1945-set musical also starred Joey Pero, Joe Carroll, Brandon J. Ellis, James Nathan Hopkins, and Geoff Packard as the remaining musicians in the Donny Nova Band. Tony winner Leavel played Julia’s mother June.
The original company also featured Mary Callanan, Max Clayton, Andrea Dotto, Ryan Kasprzak, Erica Mansfield, Morgan Marcell, Drew McVety, Kevyn Morros, Jessica Lea Patty, Keven Quillon, Jonathan Shew, Ryan VanDenBoom, and Jaime Verazin as well as swings Patrick Connaghan, Matt Cusack, Marc A. Heitzman, Andrew Leggieri, Becca Petersen, Mindy Wallace, and Kevin Worley.
Bandstand featured scenic design by Tony nominee David Korins, costume design by Tony winner Paloma Young, lighting design by Tony winner Jeff Croiter, sound design by Tony nominee Nevin Steinberg, hair, wig, and makeup design by J. Jaren Janas and Dave Bova, and musical supervision by Greg Anthony Rassen.
7:30pm: Giordano’s Fedora After seeing legendary actress Sarah Bernhardt take on the title role in the play Fédora by Victorien Sardou—whose La Tosca also inspired Puccini to compose his own melodramatic masterpiece—Umberto Giordano was set on adapting the work for the operatic stage. The result, which premiered at Milan’s Teatro Lirico in 1898, has all the hallmarks of a great verismo tragedy: In it, a Russian princess vows to revenge the murder of her betrothed, only to fall desperately in love with the man that killed him. It is a tale packed with the kind of oversized emotions, fraught encounters, and unexpected plot twists that translate so well into grand vocal outpourings—such as the tenor’s Act II aria, “Amor ti vieta,” which has achieved great popularity well beyond the opera house. Starring in the title role in this 1997 telecast, legendary Italian soprano Mirella Freni appears in her final fully staged Met performances, in a sumptuous production that also features a special appearance by pianist Jean-Yves Thibaudet.
8pm: Stars in the House The Joy Luck Club Cast will reunite in honor of AAPI Month! Kieu Chinh, France Nuyen, Ming-Na Wen, Lauren Tom, Rosalind Chao and writer/author Amy Tan will come together to reminisce about their time working on this groundbreaking project.
8pm: Broadway Stories & Songs w/ Ted Sperling The first edition of Broadway Stories & Songs will feature Sperling in song and conversation with an exciting group of Broadway talents, including Betsy Wolfe, Jose Llana, Elizabeth Stanley, Jason Danieley, Victoria Clark, and Meghan Picerno + John Riddle.
The weekly, hour-long, live concert events will stream live from the DiMenna Center in New York City.
8pm: Virtual Rule of 7×7: May Edition By The Tank Rule Of is an ongoing series that premieres 7 brand-new 10 minute plays by 7 different writers. For each show, every playwright comes up with one rule, then the 7 playwrights create new plays using all 7 rules. Hosted and produced by Brett Epstein.
RSVP is required to attend Virtual 7×7. Click here to sign up.
10pm: One Voice: The Songs We Share Jessie Mueller hosts and performs for the inaugural episode of this new PBS series featuring the American Pops Orchestra. Mueller’s concert also features the talents of Amber Iman, Luke Hawkins, Alexis Michelle and Sam Simahk.
Myths and Hymns: Faith Jennifer Holliday, Mykal Kilgore and Anthony Roth Costanzo star in the final installment of Adam Guettel’s song cycle.
Empress Mei Li Lotus Blossom Abingdon Theatre Company presents this short film written and directed by Christine Toy Johnson that tells the story of a Teaneck-born Asian American actress who poses as an exotic Hong Kong movie star so she can get her shot at Broadway. Reggie Lee moderates a talkback with the cast and creative team after the viewing that celebrates Asian American and Pacific Islander Heritage Month.
Caesar: A Surround Sound Experiment, an immersive listening experience based on William Shakespeare’s Julius Caesar, will benefit The Actors Fund.
Designed for headphones and lunar light (“no screens, no Zoom,” the production urges), the 95-minute production will be available on devices (with a dimmable screen) April 27–29 at 8 PM ET each night.
Adapted and directed by Joseph Discher, the presentation features Jacqueline Antaramian, Joel de la Fuente, January LaVoy, Sean Hudock, Mark H. Dold, Joseph Discher, Maurice Jones, Anthony Michael Martinez, Ryan McCarthy, Shane Taylor, Patrick Toon, Tony and Olivier nominee Scott Wentworth, and Derek Wilson.
Brutal Imagination: Vineyard Theatre Artistic Directors Douglas Aibel and Sarah Stern announce the company’s second original cast benefit reading, reuniting renowned actors Joe Morton (“Scandal”) and Sally Murphy (August: Osage County) for Oppenheimer Award-winning playwright and poet Cornelius Eady’s (Vineyard’s You Don’t Miss The Water) play, Brutal Imagination. Directed by Joe Morton, this digitally-staged reading includes video design by Jared Mezzocchi and is available for on demand streaming through June 3.
The Zip Code Plays: Los Angeles Antaeus Theatre Company highlights the culture and history of six additional Los Angeles neighborhoods with Season 2 of its popular The Zip Code Plays: Los Angeles podcast series.
The latest installments will introduce audiences to the geographically, historically and culturally diverse locales of Echo Park (90026), West Hollywood (90069), Inglewood (90303), Pacoima (91331), North Hollywood (91601) and Monterey Park (91754).
This American Wife on demand May 29. Michael Breslin and Patrick Foley are returning to the world of live internet theatre with their deep dive into the world of reality TV—and America’s obsession with them. This American Wife, first seen at New York Theatre Workshop’s Next Door series in 2018.
Presented by FourthWall Theatrical, in association with Fake Friends and Jeremy O. Harris, the latest iteration is a multi-camera, live-streamed, dark comedy investigation into the obsession, idolization, and all-consuming-hunger sparked by the women of The Real Housewives franchise.
In addition to the co-conceivers, the production will also feature Jakeem Dante Powell (Slave Play). This American Wife escapes from the real world to play out scenarios, texts, and choreographies from the massively popular and endlessly memed franchise. As the boys travel deeper into the dark walk-in closets of their minds, they are forced into crises of desire, repulsion, identity, and autobiography.
Herding Cats Starring Jassa Ahluwalia, Greg Germann, and Drama Desk nominee Sophie Melville, Herding Cats by Lucinda Coxon is a chillingly funny play about a generation negotiating intimacy and independence in the 21st century.
Meeting the demands of modern life is as impossible as herding cats for Justine, Michael and Saddo. To deal with work, Justine talks—a little too much—to her roommate Michael who earns a living by chatting with strangers like Saddo. But all three will soon find that in a cold, disconnected world, words may not be enough.
Directed by Anthony Banks, this revival of Coxon’s play uses the technical feats that adventurous theatre artists have discovered during the pandemic and combines them with the raw intimacy of in-person performance. This first-of-its-kind, transcontinental event features Ahluwalia and Melville performing for an in-person audience on Soho Theatre’s London stage with Germann performing live via video from the United States.
This production contains distressing themes of sexual abuse. If needed, you may seek help from the RAINN National Sexual Assault Hotline. (Click here to access their website.)
Christiane Noll: Coming Alive Again TheaterWorks Hartford and Goodspeed Musicals announced today present Christiane Noll: Coming Alive Again.
Fourteen months of quarantine, a Broadway shut down, a roller coaster of good news and bad news, but Tony-nominee Christiane Noll is optimistic. With a little caution and a lot of hope, she’s ventured out of her home to share an intimate cabaret. A thoughtful, moving and funny (virtual) concert experience exploring themes of motherhood and complex women, through the lens of a Broadway artist navigating a crazy COVID-paralyzed world.
Broadway, the Maye Way Cabaret legend Marilyn Maye celebrates her 93rd birthday with a new streaming concert at Feinstein’s/54 Below. Filmed live at the venue, audiences can enjoy the show through May 29.
Carry On Tony nominee Jeremy Jordan This event is being streamed online through BroadwayWorld Events. There will be no in-person audience.
Broadway’s Jeremy Jordan, known for his powerful voice and provocative storytelling, returns to the stage with his most ambitious and personal performance to date. Equal parts humor and heartache, Carry On takes us deep into Jeremy’s new life as a father. Unpacking and attempting to reconcile his own complicated childhood, Jeremy soon discovers there is more to being a parent than he could have ever imagined. Featuring an array of musical styles, as well as some never-before-heard songs, Carry On has been thoughtfully reimagined for the virtual stage after winning multiple awards for its premiere at Feinstein’s/54 Below just over a year ago. Featuring musical direction by Benjamin Rauhala.
Black Beans Project Huntington Theatre Company presents Black Beans Project, a world premiere digital work by Huntington artist-in-residence Melinda Lopez and Joel Perez.
In the play, created specifically for a virtual presentation, Lopez and Perez play siblings who reconnect online to share a secret family recipe that forces them to reveal secrets of their own.
Black Beans Project is available for on-demand streaming May through 30.
The Waves in Quarantine: A Theatrical Experiment Begins Raúl Esparza leads a star-studded cast, including Alice Ripley, Carmen Cusack, Nikki Renée Daniels, Darius de Haas and Manu Narayan, in this musical adaptation of Virginia Woolf’s The Waves for Berkeley Repertory Theatre. Watch through May 28.
Twelve remarkable singer actors and eleven musicians are creating a wholly original, completely Pastiche way of bringing you back in time with our latest technology.
Diverse and distanced, gorgeous and witty, liberating talent from Canada to Israel and all over the US, for Austen, Beethoven and musical theater fans all over the world. Ludwig calls the tune as we celebrate Jane Austen, and her ability to create happy endings in her stories, when real life so often sadly disappoints.
Animal Wisdom Heather Christian’s Animal Wisdom will unfold on screen rather than on stage. The writer-performer’s show originally debuted at The Bushwick Starr in 2017 but now gets a film adaptation.
In Animal Wisdom, singer-songwriter-soothsayer Christian lays to rest the souls that haunt her, shape-shifting between rock star, folklorist, and high priestess, as she conjures a constellation of souls in an effort to confront her family’s mythologies.
Amber McGinnis directs the film, with stage direction by Emilyn Kowaleski. The cast also includes Sasha Brown, Eric Farber, B.E. Farrow, and Maya Sharpe.
The film is presented by Woolly Mammoth Theater Company and American Conservatory Theater.
Capricorn 29 The Tank and Post Theatrical present Capricorn 29 by Alex Hare and Julia Izumi. The show is directed by Hare and co-produced with Sami Pyne.
On the eve of her 29th birthday, a Very Online millennial stumbles upon a curious conspiracy theory: the powers-that-be have initiated a new capitalist plot to eliminate unsuccessful 30 year olds. What sounds at first like the byproduct of someone watching too many dystopian films from the 1970s quickly proves harder to dismiss. And as the countdown to 30 begins, surviving and saving a generation may be the opportunity one young-ish adult needs to finally fulfill her rapidly fading potential.
The Destruction of Jane Edgar Rice Burroughs will be spinning in his grave this spring. A new seven-part miniseries, inspired by the infamous film Tarzan the Ape Man, debuts this month.
The Destruction of Jane is an unauthorized parody of the King of the Jungle is told from the point of view of Miss Jane Parker.
Weekly installments premiere on Thursdays.
The miniseries stars stars Paul Pecorino and Rob Eco as Jane and Tarzan, respectively, and features special cameo appearances by Mario Cantone and Randy Rainbow. The show is written by Paul Pecorino and directed by Drue Pennella.
Set in the current COVID-19 pandemic, this comedy follows Jane to the African jungle where she meets and falls in love with the spectacular specimen we all know as the legendary Tarzan. The 1981 Tarzan film became a massive financial hit due to its dizzyingly unintentional bad taste, and screenwriter Paul Pecorino has set out to push these offensively vulgar boundaries even further.
The creative team includes director of photography Erik Paulsen, composers Drew Fornarola and David Nehls, musical arranger Paul Doust; costumes & wigs designer David Mitsch; makeup & wig styling designer Vera Stromsted and Donanyely Mejia and Marty Thomas; and specialty costumes designer Gail Baldoni. The Destruction of Jane is presented by Pure Motion Pictures.
Back to the Future: From Screen to Stage Ahead of the Back to the Future musical opening in the Adelphi Theatre on August 20, BFI at Home presents an online discussion with members of the cast and crew about how the hit film became a full-fledged stage musical.
Romeo & Juliet Jessie Buckley and Josh O’Connor star in a film of London’s National Theatre’s Romeo and Juliet. It premieres on PBS as part of the Great Performances series.
The Woman’s Party Clubbed Thumb presents the world premiere of The Woman’s Party. Originally slated to premiere as part of the 2020 Summerworks Festival, the piece will now premiere virtually.
Written by Rinne B. Groff and directed by Tara Ahmadinejad, The Woman’s Party has been divided into three 30-minute episodes.
1947 is the year that the savvy politicos of the National Woman’s Party will finally get the ERA passed once they quash that insurgency—or oust the old guard. The Woman’s Party takes place 27 years after the ratification of women’s suffrage, when the Equal Rights Amendment was poised for passage.
The cast includes Rosalyn Coleman, Alma Cuervo, Laura Esterman, Marga Gomez, Marceline Hugot, Emily Kuroda, Lizan Mitchell, Socorro Santiago, Rebecca Schull, and Connie Winston.
Shadow/Land Michelle Wilson, Te’Era Coleman, Lizan Mitchell, Lance E. Nichols, Lori Elizabeth Parquet and Sunni Patterson star in the world premiere of Erika Dickerson-Despenza’s audio play. The drama is set amidst the devastation of Hurricane Katrina and is part of the Public Theater’s digital stage.
The Thanksgiving Play Spotlight on Plays returns with Larissa FastHorse’s The Thanksgiving Play, directed by Leigh Silverman. The cast features Tony nominees Heidi Schreck and Bobby Cannavale, along with Keanu Reeves and Alia Shawkat.
Romeo y Julieta Lupita Nyong’o and Juan Castano star in this free bilingual audioplay of Shakespeare’s Romeo and Juliet, presented by the Public Theater and WNYC Studios.
Lights on the Radio Tower Originally developed at the Adirondack Theatre Festival and Bloomington Playwrights Project, this thrilling two-hander rock musical tells the story of Molly and Jesse, a brother and sister who, after eighteen years apart, reunite at their decaying childhood home following the death of their father. The estranged rock duo’s competing recollections of their childhood, their last night together, and their final gig force them to face the painful truth of their past.
La Femme Theatre Productions: The Night of the Iguana The show will feature Golden Globe winner and Emmy nominee Dylan McDermott (Netflix’s “Hollywood”) as Reverend Shannon, Emmy nominee and Tony Award winner Phylicia Rashad (Broadway’s Cat on a Hot Tin Roof) as Maxine, Roberta Maxwell (Broadway’s Summer and Smoke) as Judith Fellowes, Tony nominee, Obie and Drama Desk Award winner Austin Pendleton (Broadway’s Choir Boy) as Nonno, and Jean Lichty (Off-Broadway’s A Lovely Sunday for Creve Coeur, The Traveling Lady) as Hannah, with Keith Randolph Smith (Broadway’s Jitney, American Psycho) as Jake, Carmen Berkeley (Off-Broadway’s Our Dear Dead Drug Lord) as Charlotte, Eliud Kauffman (Roundabout Theatre’s 72 Miles to Go) as Hank, Julio Macias (Netflix’s “On My Block”) as Pancho, Stephanie Schmiderer (No Exit, The Human Voice) as Frau Fahrenkopf, Bradley James Tejeda (Broadway’s The Inheritance) as Pedro, and John Hans Tester (Amazon’s ”Hunters” ) as Herr Fahrenkopf.
Waiting for Godot Directed by Scott Elliott, the classic features Tony nominee Ethan Hawke as Vladimir, Tony recipient John Leguizamo as Estragon, Wallace Shawn as Lucky, rapper Tarik Trotter as Pozzo, and Drake Bradshaw as Boy.
In Waiting for Godot two wanderers wait by a lonely tree, to meet up with Mr. Godot, who they hope will change their lives for the better. Instead, another couple of eccentric travelers arrive, one man on the end of the other’s rope.
The creative team also includes production designer Derek McLane, costume designer Qween Jean, sound designer Justin Ellington, director of photography Kramer Morgenthau, editor Yonatan Weinstein, and associate director Monet.
The New York Pops Up Festival a thousand in-person performances throughout the state from now through June. Most events associated with NY PopsUp will be unannounced (and unticketed) and will be designed so that New Yorkers happen upon them in their everyday lives. (Since we can’t have large gatherings right now, we want to bring a lot of small things to the public where they are) NY PopsUp is a surprise that you happen upon, rather than an event or concert you are alerted to via a notification or a schedule.
Julius Caesar, Starring Patrick Page By Shakespeare@ Tony nominee Patrick Page (Hadestown) stars in the title role with Jordan Barbour (The Inheritance) as Brutus and Keith Hamilton Cobb (American Moor) as Cassius. West End Harry Potter and the Cursed Child performers Jamie Ballard and James Howard co-star as Mark Antony and Metellus Cimber, respectively.
The production is also be available on Spotify, Apple Podcasts, Soundcloud, and Stitcher.
Produced by Jersey City’s Shakespeare@, this audio production is the third installment of the season, produced and adapted by Artistic Director Sean Hagerty.
Hagerty has crafted the production into four weekly parts and partnered with the Emmy-winning team at Sonic Designs to capture the lost art and thrill of radio drama all without leaving the confines of quarantine.
Julius Caesar features original music composed by Joan Melton with sound design by the Emmy-winning team of Dan Gerhard and Ellen Fitton of Sonic Designs. Justin Goldner is the music producer and supervisor, and casting is by Robin Carus. Sydney Steele serves as the associate producer.
Assassins Reunion: Original Off-Broadway Cast The original cast and creative team of the 1991 Off-Broadway debut of Stephen Sondheim and John Weidman’s Tony-winning Assassins will reunite virtually to celebrate the musical’s 30th anniversary.
The free online event is part of the Studio Tenn Talks: Conversations with Patrick Cassidy series and will feature Studio Tenn Artistic Director Cassidy as well as other original cast members Victor Garber, Greg Germann, Annie Golden, Lyn Greene, Jonathan Hadary, Eddie Korbich, Terrence Mann, Debra Monk, William Parry, and Lee Wilkof plus Sondheim and Weidman, director Jerry Zaks, musical director Paul Gemignani, and orchestrator Michael Starobin.
The Things Are Against Us Susan Soon He Stanton’s The Things Are Against Us will be the next production in MCC’s LiveLab one-act digital reading series. Ellie Heyman directs the cast, which includes Juan Castano, Emily Davis, Susannah Flood, Babak Tafti, and Danny Wolohan, in tthe play set in a mysterious house with a mind of its own.
SoHo Playhouse Presents Typical Soho Theatre and Nouveau Riche present the world premiere of Typical, the film version of the stage play, released exclusively on Soho Theatre On Demand
Written by Ryan Calais Cameron and directed by Anastasia Osei-Kuffour, Typical uncovers the man and the humanity behind the tragic true-life events of Black British ex-serviceman Christopher Alder and the injustice that still remains twenty years since his story emerged.
The Manic Monologues Current Slave Play Tony nominee Ato Blankson-Wood, Rent Tony winner Wilson Jermaine Heredia, Accidentally Brave playwright Maddie Corman, and more stage favorites will explore mental health this winter in a new digital production from the McCarter Theatre Center.
Here We Are Or The Search For The Meaning of Life
Let me just state that I love the Stephen Sondheim/David Ives musical/play Here We Are. It’s as if the genius, known as Sondheim was trying to resolve his life. The first act is cynical and the characters are hypocritical, while the second act is about coming to with grips with life’s choices and surrendering to the inevitable.
The music is like playing Sondheim jeopardy. His motif’s from other shows are blended into new songs that make you want to have a pen and paper to play the game. I can’t wait until the CD comes out. I’ve been told that it is being recorded in January.
The show is highly surreal, with life’s journeyIn question. Think “The Outer Limits” or “The Twilight Zone,” very Rod Serling.
Based on two Luis Buñuel films “The Discreet Charm of the Bourgeoisie” (1972) and “The Exterminating Angel” (1962). Act one has Leo Brink (Bobby Cannavale) a entitled tycoon whose opinion is the only one that matters, his wife Marianne (Rachel Bay Jones) who lives for beauty and is a bit on the vaped side, their friends Paul Zimmer (Jeremy Shamos), a plastic surgeon celebrating his 1,000th nose job, his wife, Claudia (Amber Gray), an agent who lives for the celebrity of it all, Raffael Santello Di Santicci (Steven Pasquale), an ambassador from Moranda who lives for the number of notches on his belt and Fritz (Micaela Diamond), Marianne’s younger sister, who wants a revolution, while also wanting to live the good life, searching for brunch. It turns out Leo, Paul and Raffael run a drug cartel. As the day goes down the hill Marianne keeps asking Leo to “buy this perfect day for her.”
Act two is a little more dark. While they finally find food, the consequences of their choices keeps them trapped in purgatory. Enter a colonel (Francois Battiste) whose parents were killed for $26.15, a soldier (Jin Ha) who has feelings for Fritz due to his dreams and a bishop (David Hyde Pierce) who wants another job, has a shoe fettish, and plays piano, until there is no more music. This act is very reminiscent of Steambath. I love the homage to “The World According to Garp” and the bear.
Playing butlers and maids and assorted restaurateur’sare the incredible Tracie Bennett and Denis O’Hare. Kudos has to go out to the wigs by Robert Pickens and Katie Gell and the neon various establishments. white box set and costumes by David Zinn.
Joe Mantello’s staging is exquisite, allowing for each of these brilliantly talented performers to take center stage. This is true ensemble acting and I hope when the Drama Desk is giving out awards this wins.
Where many have criticized the lack of music in the second act, it makes perfect sense. The music stops. The concept very much reminds me of Davids Cromer’s Our Town, when Emily dies and suddenly things are in color and have smells. It makes complete sense that once you are trapped the music would die.
Natasha Katz’s lighting really helps the shinny set take shape, Tom Gibbons’s sound makes the inner world come to life and Sam Pinkleton’s choreography is just enough to make this move seamlessly.
Alexander Gemignani, and Jonathan Tunick, make Sondheim’s music an art and I for one appreciate the subtlety and musicality. Many may not know that Sondheim was a game master and in this it is like he won the final game of “putting it together”.
Here We Are, is intelligent, witty with so much to say and if you ponder the meaning of life you to will walk away extremely fulfilled.
Here We Are, The Shed, 545 West 30th through January 21st
Avengers Tower Sets Meet And Greet With Signing
C. B. Cebulski, Editor-in-Chief of Marvel Comics, and The LEGO Group Senior Graphic Designer Mark Tranter will be at the Fifth Ave LEGO Store this Friday, December 1st from 5pm-6pm signing the Avengers Tower set—the most iconic building in the Avengers Universe, with 5,201 pieces and an all-star cast of 31 figures.
The Avengers Tower, formerly known as Stark Tower, was a high-rise building complex located in Manhattan. Constructed by Tony Stark, the tower was powered by an Arc Reactor that made it capable of running itself for over a year. The top ten floors housed the research and development initiatives.
Following the dissolution of S.H.I.E.L.D., Stark Tower became the main headquarters of the Avengers. However, after the Ultron Offensive, Stark refurbished a Stark Industries warehouse upstate into the Avengers Compound to use as their primary base while Avengers Tower was repurposed for Stark Industries’ use. In the aftermath of the Avengers Civil War, Stark sold the tower and moved all of its equipment to the Avengers Compound.
By 2024, the tower, under its new ownership, had gone through extensive construction and renovation.
Unpacking Frontmezzjunkies’s London Theatrical Trip 0f 2023
It was one of those spontaneous but well-planned cross-Atlantic journeys, fueled by a one-show idea that blossomed into something bigger. Antonio and I (two theatre junkies of the highest order) typically would find ourselves traveling to London, meeting there for about five nights, give or take. That is after I spent one evening with a good old friend and his longtime husband. Which was a personal requirement, and then, Antonio and I would dutifully schedule one theatrical event after the other, building a theatrical plan that would make others weak in the knees. But for the two of us, a London trip was exactly that. As much theater as we could fit in, with a few museums mixed in with at least one tourist attraction that was new to at least one of us. And a lot of great breakfasts made up of coffee and baked goods, as well as dinners with friends or just the two of us. Close to the theatre that was housing that night’s show. That was also a requirement. Born out of one too many breathless runs through Times Square trying to get to that scheduled curtain on time.
This year’s trip started with a casual statement about Andrew Scott doing a one-man Vanya in the West End. And the rest, as they say, is history. What soon followed was a Mark Rylance-starring play, Dr. Semmelweis, courtesy of a long-waiting National Theatre credit from March 2020. Then an immersive Guys and Dolls, and a quick grab at some standing-room-only tickets for a sold-out Next to Normal that we thought we had missed out on until we got that early morning email announcement. An Ian McKellen-starring Frank and Percy soon followed, as did the play Hamnet, based on a book I’ve never really heard of (but it seems many others had, including Antonio).
That was the plan. But I decided to stay even longer than normal. Surprising even myself. Usually, I would EasyJet myself off to some locale in Europe that I’ve never been to before, or to someplace I wanted to revisit after a far too long absence. But this time I just wanted to stay put a wee bit longer. And to give myself some time to see others that I might not have had the chance to see or spend time with. And of course, some more shows followed. The British farce Noises Off and a new musical The Time Traveler’s Wife with friends that weren’t Antonio. A matinee at the National Theatre on the day Antonio would fly home. And a last-minute day-of TKTS purchase in Leicester Square for a musical about an old English woman going to Paris to buy a dress from Dior. I probably wouldn’t have gone to see that one. Maybe I would have seen the Stephen Sondheim songbook show Old Friends starring Bernadette Peters and Lea Salonga, or the recently transferred National Theatresoccer play, Dear England, starring Joseph Fiennes. But the new musical, Flowers for Mrs. Harris starred Jenna Russell, one of my all-time favorites, and that was just too good to resist. So why would I?
So ten shows. In about ten days. Not a record mind you. But a pretty satisfying theatrical and social undertaking. And here are a few words about each of the shows. If you’ve managed to get through this long-winded introduction. So here it is: My London theatre trip of 2023.
London Theatrical Trip 2023
SHOW #1: DONMAR WAREHOUSE’S NEXT TO NORMAL
SHOW #2: WEST END’S DR. SEMMELWEIS
SHOW #3: WEST END’S VANYA
SHOW #4: THE OTHER PLACE’S FRANK AND PERCY
SHOW #5: BRIDGE THEATRE’S GUYS AND DOLLS
SHOW #6: WEST END’S HAMNET
SHOW #7: NATIONAL THEATRE’S THE FATHER AND THE ASSASSIN
SHOW #8: WEST END’S NOISES OFF
SHOW #9: RIVERSIDE STUDIO’S FLOWERS FOR MRS. HARRIS
SHOW #10: WEST END’S THE TIME TRAVELLER’S WIFE
For more go to frontmezzjunkies.com
Ahead of the Broadway Opening of Lempicka The Longacre Theatre Is Showcasing Art Work By Tamara de Lempicka
The Longacre Theatre (220 W 48th St.), soon-to-be home of the sweeping new musical, Lempicka, is showcasing a curated selection of renowned artist Tamara de Lempicka’s most famous works. Eschewing traditional theatrical front-of-house advertising, the Longacre’s façade now boasts prints, creating a museum-quality exhibition right in the heart of Times Square. The musical opens on Broadway on April 14, 2024 at the same venue.
The Longacre’s outdoor exhibition includes works of Self Portrait (Tamara in a Green Bugatti) (1929), Young Girl in Green (1927), Nu Adossé I (1925), The Red Tunic (1927), The Blue Scarf (1930), The Green Turban (1930), Portrait of Marjorie Ferry (1932), Portrait of Ira P. (1930), Portrait of Romana de la Salle (1928), and Adam and Eve (1932).
Starring Eden Espinosa and directed by Tony Award winner Rachel Chavkin, Lempicka features book, lyrics, and original concept by Carson Kreitzer, book and music by Matt Gould, and choreography by Raja Feather Kelly.
Spanning decades of political and personal turmoil and told through a thrilling, pop-infused score, Lempicka boldly explores the contradictions of a world in crisis, a woman ahead of her era, and an artist whose time has finally come.