Broadway Teachers Workshop Josh Groban, Brian Stokes Mitchell, Alan Menken, Joe Mantello, Devon Glover, Michael Feinstein, Andrea Martin and Christian Borle appear as educators for the 2021 Broadway Teachers Workshop, an online series of workshops scheduled for July 12-16. This year’s week-long event focuses on preparing for the post-COVID academic year.
All-Asian American production of A Gentleman’s Guide to Love and Murder. Donations for StopAAPIHate.org are now being accepted and tickets for the virtual show are now available. CollaborAzian’s A Gentelman’s Guide to Love and Murder will be helmed by theatre and television director Alan Muraoka, who has played Alan, the owner of Hooper’s Store on Sesame Street for the past 23 years. He most recently played Iago in Disney’s Aladdin on Broadway, and starred as the Engineer in Miss Saigon. The all-Asian American cast will star Cindy Cheung (13 Reasons Why), Karl Josef Co (Pacific Overtures), Ali Ewoldt (The Phantom of the Opera), Diane Phelan (School of Rock), and Thom Sesma (Sweeney Todd). Steven Cuevas (Once On This Island) serves as music director.
2021 Jimmy AwardsThis national talent showcase celebrates high school students from across the country and features dynamic ensemble and solo performances. Presented by the Broadway League Foundation, 20 scholarships are set to be awarded at this year’s show. Available through July 18.
Schmigadoon! on Apple TV+ Fred Armisen, Dove Cameron, Jaime Camil, Ariana DeBose, Kristin Chenoweth, Ann Harada, Keegan-Michael Key,Jane Krakowski and Aaron Tveit are in this new musical comedy series.
Bay Area Playwrights Festival One of the nation’s oldest and most successful new play development programs, Bay Area Playwrights Festival will introduce five new works to streaming audiences this year.
The 2021 BAPF features ten readings of five new works, including Jaisey Bates’ Real Time remix, a new selection of short works in which four storytellers crisscross paths across dimensions; Miyoko Conley’s Human Museum, a wildly imaginative drama depicting a future where a human museum is curated by robots; Kaela Mei-Shing Garvin’s Tiger Beat, a coming of age story about pop stardom in the 2000s; Sam Hamashima’s Supposed Home, a time-bending anime adventure investigating the lasting effects of the Japanese American Concentration Camps; and Johnny G. Lloyd’s The Problem with Magic, Is:, a magical exploration of family, gentrification, and a spell gone wrong. Until July 25.
7:30pm: Puccini’s La Fanciulla del West Though less familiar than Puccini’s greatest hits, this action-packed tribute to the American Wild West, which received its world premiere at the Met in 1910, is every bit as compelling. Its sweeping, evocative score deftly captures the feel of a Gold Rush–era mining camp, the perfect place for a sweet-talking bandit to fall for a gun-toting bar owner with an enormous soprano voice and a heart of gold.
8pm: Stars in the House Frasier Encore
8:30pm: Goodman Theatre’s I Hate It Here Goodman Theatre’s streaming-in-real-time Live series concludes with I Hate It Here by Ike Holter. Streaming through July 18. There’s one thing Americans can agree on: it’s that 2020 was not the best way to begin a new decade. With guts and humor, punctuated with story and song, the play asks who we are in a world on the brink explosion.
The cast features Patrick Agada, Jayson Brooks, Sydney Charles, Behzad Debu, Kirsten Fitzgerald, and Gabriel Ruiz. Lili-Anne Brown directs.
Until the Flood AllArts.org Dael Orlandersmith performs her play based on interviews she conducted with the residents of Ferguson, Missouri, in the months following the shooting of Michael Brown. Filmed Off-Broadway at the Rattlestick Playwrights Theater in 2018.
TheWoosterGroup.org adaptation of Chris Hegedus and D.A. Pennebaker’s film Town Bloody Hall, documenting a raucous 1971 debate on Women’s Liberation held at Town Hall in New York City. Filmed in 2017 at The Performing Garage in New York and on tour. Until the 26th.
Lines in the Dust Streaming on demand through August 8. New Normal Rep presents Lines in the Dust by Pulitzer Prize-nominated and Obie Award-winning playwright Nikkole Salter.
2010, Essex County, NJ. When Denitra loses the charter school lottery for her daughter, she must find another way to escape from their underperforming neighborhood school. The answer seems like a risk well worth taking, but may end up requiring a bigger sacrifice than she ever could have imagined. Set over a half-century after Brown Versus The Board of Education, Lines in the Dust questions how far we’ve come and more importantly, where we go from here.
Awoye Timpo (The Loophole at The Public Theater) directs a cast including Jeffrey Bean (Amadeus), Melissa Joyner (Maids Door, the FX Original Series Mrs. America), and Lisa Rosetta Strum (She Gon’ Learn at the Emerging Artist Theatre Festival at TADA!, and United Solo Festival on Theatre Row).
Myths and Hymns: Faith Jennifer Holliday, Mykal Kilgore and Anthony Roth Costanzo star in the final installment of Adam Guettel’s song cycle.
The Zip Code Plays: Los Angeles Antaeus Theatre Company highlights the culture and history of six additional Los Angeles neighborhoods with Season 2 of its popular The Zip Code Plays: Los Angeles podcast series.
The latest installments will introduce audiences to the geographically, historically and culturally diverse locales of Echo Park (90026), West Hollywood (90069), Inglewood (90303), Pacoima (91331), North Hollywood (91601) and Monterey Park (91754).
The Destruction of Jane Edgar Rice Burroughs will be spinning in his grave this spring. A new seven-part miniseries, inspired by the infamous film Tarzan the Ape Man, debuts this month.
The Destruction of Jane is an unauthorized parody of the King of the Jungle is told from the point of view of Miss Jane Parker.
Weekly installments premiere on Thursdays.
The miniseries stars stars Paul Pecorino and Rob Eco as Jane and Tarzan, respectively, and features special cameo appearances by Mario Cantone and Randy Rainbow. The show is written by Paul Pecorino and directed by Drue Pennella.
Set in the current COVID-19 pandemic, this comedy follows Jane to the African jungle where she meets and falls in love with the spectacular specimen we all know as the legendary Tarzan. The 1981 Tarzan film became a massive financial hit due to its dizzyingly unintentional bad taste, and screenwriter Paul Pecorino has set out to push these offensively vulgar boundaries even further.
The creative team includes director of photography Erik Paulsen, composers Drew Fornarola and David Nehls, musical arranger Paul Doust; costumes & wigs designer David Mitsch; makeup & wig styling designer Vera Stromsted and Donanyely Mejia and Marty Thomas; and specialty costumes designer Gail Baldoni. The Destruction of Jane is presented by Pure Motion Pictures.
Back to the Future: From Screen to Stage Ahead of the Back to the Future musical opening in the Adelphi Theatre on August 20, BFI at Home presents an online discussion with members of the cast and crew about how the hit film became a full-fledged stage musical.
The Woman’s Party Clubbed Thumb presents the world premiere of The Woman’s Party. Originally slated to premiere as part of the 2020 Summerworks Festival, the piece will now premiere virtually.
Written by Rinne B. Groff and directed by Tara Ahmadinejad, The Woman’s Party has been divided into three 30-minute episodes.
1947 is the year that the savvy politicos of the National Woman’s Party will finally get the ERA passed once they quash that insurgency—or oust the old guard. The Woman’s Party takes place 27 years after the ratification of women’s suffrage, when the Equal Rights Amendment was poised for passage.
The cast includes Rosalyn Coleman, Alma Cuervo, Laura Esterman, Marga Gomez, Marceline Hugot, Emily Kuroda, Lizan Mitchell, Socorro Santiago, Rebecca Schull, and Connie Winston.
Shadow/Land Michelle Wilson, Te’Era Coleman, Lizan Mitchell, Lance E. Nichols, Lori Elizabeth Parquet and Sunni Patterson star in the world premiere of Erika Dickerson-Despenza’s audio play. The drama is set amidst the devastation of Hurricane Katrina and is part of the Public Theater’s digital stage.
The Thanksgiving Play Spotlight on Plays returns with Larissa FastHorse’s The Thanksgiving Play, directed by Leigh Silverman. The cast features Tony nominees Heidi Schreck and Bobby Cannavale, along with Keanu Reeves and Alia Shawkat.
Romeo y Julieta Lupita Nyong’o and Juan Castano star in this free bilingual audioplay of Shakespeare’s Romeo and Juliet, presented by the Public Theater and WNYC Studios.
La Femme Theatre Productions: The Night of the Iguana The show will feature Golden Globe winner and Emmy nominee Dylan McDermott (Netflix’s “Hollywood”) as Reverend Shannon, Emmy nominee and Tony Award winner Phylicia Rashad (Broadway’s Cat on a Hot Tin Roof) as Maxine, Roberta Maxwell (Broadway’s Summer and Smoke) as Judith Fellowes, Tony nominee, Obie and Drama Desk Award winner Austin Pendleton (Broadway’s Choir Boy) as Nonno, and Jean Lichty (Off-Broadway’s A Lovely Sunday for Creve Coeur, The Traveling Lady) as Hannah, with Keith Randolph Smith (Broadway’s Jitney, American Psycho) as Jake, Carmen Berkeley (Off-Broadway’s Our Dear Dead Drug Lord) as Charlotte, Eliud Kauffman (Roundabout Theatre’s 72 Miles to Go) as Hank, Julio Macias (Netflix’s “On My Block”) as Pancho, Stephanie Schmiderer (No Exit, The Human Voice) as Frau Fahrenkopf, Bradley James Tejeda (Broadway’s The Inheritance) as Pedro, and John Hans Tester (Amazon’s ”Hunters” ) as Herr Fahrenkopf.
Waiting for Godot Directed by Scott Elliott, the classic features Tony nominee Ethan Hawke as Vladimir, Tony recipient John Leguizamo as Estragon, Wallace Shawn as Lucky, rapper Tarik Trotter as Pozzo, and Drake Bradshaw as Boy.
In Waiting for Godot two wanderers wait by a lonely tree, to meet up with Mr. Godot, who they hope will change their lives for the better. Instead, another couple of eccentric travelers arrive, one man on the end of the other’s rope.
The creative team also includes production designer Derek McLane, costume designer Qween Jean, sound designer Justin Ellington, director of photography Kramer Morgenthau, editor Yonatan Weinstein, and associate director Monet.
The New York Pops Up Festival a thousand in-person performances throughout the state from now through June. Most events associated with NY PopsUp will be unannounced (and unticketed) and will be designed so that New Yorkers happen upon them in their everyday lives. (Since we can’t have large gatherings right now, we want to bring a lot of small things to the public where they are) NY PopsUp is a surprise that you happen upon, rather than an event or concert you are alerted to via a notification or a schedule.
Julius Caesar, Starring Patrick Page By Shakespeare@ Tony nominee Patrick Page (Hadestown) stars in the title role with Jordan Barbour (The Inheritance) as Brutus and Keith Hamilton Cobb (American Moor) as Cassius. West End Harry Potter and the Cursed Child performers Jamie Ballard and James Howard co-star as Mark Antony and Metellus Cimber, respectively.
The production is also be available on Spotify, Apple Podcasts, Soundcloud, and Stitcher.
Produced by Jersey City’s Shakespeare@, this audio production is the third installment of the season, produced and adapted by Artistic Director Sean Hagerty.
Hagerty has crafted the production into four weekly parts and partnered with the Emmy-winning team at Sonic Designs to capture the lost art and thrill of radio drama all without leaving the confines of quarantine.
Julius Caesar features original music composed by Joan Melton with sound design by the Emmy-winning team of Dan Gerhard and Ellen Fitton of Sonic Designs. Justin Goldner is the music producer and supervisor, and casting is by Robin Carus. Sydney Steele serves as the associate producer.
Assassins Reunion: Original Off-Broadway Cast The original cast and creative team of the 1991 Off-Broadway debut of Stephen Sondheim and John Weidman’s Tony-winning Assassins will reunite virtually to celebrate the musical’s 30th anniversary.
The free online event is part of the Studio Tenn Talks: Conversations with Patrick Cassidy series and will feature Studio Tenn Artistic Director Cassidy as well as other original cast members Victor Garber, Greg Germann, Annie Golden, Lyn Greene, Jonathan Hadary, Eddie Korbich, Terrence Mann, Debra Monk, William Parry, and Lee Wilkof plus Sondheim and Weidman, director Jerry Zaks, musical director Paul Gemignani, and orchestrator Michael Starobin.
The Things Are Against Us Susan Soon He Stanton’s The Things Are Against Us will be the next production in MCC’s LiveLab one-act digital reading series. Ellie Heyman directs the cast, which includes Juan Castano, Emily Davis, Susannah Flood, Babak Tafti, and Danny Wolohan, in tthe play set in a mysterious house with a mind of its own.
The Manic Monologues Current Slave Play Tony nominee Ato Blankson-Wood, Rent Tony winner Wilson Jermaine Heredia, Accidentally Brave playwright Maddie Corman, and more stage favorites will explore mental health this winter in a new digital production from the McCarter Theatre Center.
Adrienne Haan Celebrates Irving Berlin and Christmas at the Triad
This Christmas take a big scoop of classic Irving Berlin songs, have them sung by the ever sparkling Adrienne Haan, sprinkle in the voice of her musical director, Richard Danley and you have a festive feast for your ears. I have seen a number of Ms Haan’s shows at the Triad and each one includes something that makes it a step above a typical cabaret show. The first time I saw her there was an actual tuba on stage; the second a number of costume changes, other shows had duets with guest stars or choreography; this time hearing the singing voice of her long-time accompanist and musical director, Mr Danley. The two have bantered in the past but in this show Richard shows his vocal and comedic side with songs like I Paid My Income Tax Today and How About a Cheer for the Navy.
Of course Adrienne blew her audience away with her renditions of There’s No Business Like Show Business and Blue Skies; but, hearing the usually silent man behind the piano was a surprise to me like Teller taking the stage from Penn and his baritone was as shocking as hearing the bumbling Gomer Pyle turn into the rich voiced singer, Jim Nabors. The two of them created a wonderful celebration of Mr Berlin’s musical catalogue with a combination of solos and duets.
Entering the theater, as the holiday season begins, and a show title of White Christmas at the Triad Theater, one would expect to hear 90 minutes of Christmas songs; but, read the second line on the program and you realize that it is really a celebration of the man who wrote one of the most recognizable holiday songs of all time, White Christmas. Not only will we hear the music of Mr Berlin but we will get some insight into his life as Adreinne celebrates his 130 year anniversary of his arrival in the United States. From Europe to Broadway to Hollywood; in military songs, love songs or holiday classics the trio of Haan, Danley and Berlin take us on a historical journey of a life well lead.
Opening the show in a festive seasonal outfit ready for a New Years Eve celebration with “ice” dangling from her ears and around her wrist Adriene introduces us to some well-known Berlin tunes Alexander’s Ragtime Band and Let Me Sing and I’m Happy. One of the treats of her shows is that she does a lot of research into the music she sings and she has done her homework telling us about the life of Israel Beillin, immigrant from Imperial Russia, the country now known as Belarus. He only spoke Yiddish when he landed on Ellis Island so Ms Haan sings Ofyn Pripetchik in his native tongue and then follows with Berlin’s Give Me Your Tired, Your Poor – a tribute to that wonderful Statue in NY harbor. She finishes this section of the show with Marie from Sunny Italy which gives her the opportunity to show her strong vocal ability with a long strong belt of a song.
Berlin came to America in 1893 at the age of 5 which means he was drafted into the army during World War 1, where he wrote the famous anthem Oh How I Hate to Get up in the Morning and which Ms Haan sang in military uniform. A number of tunes that Berlin wrote for both World Wars followed as the two singers alternated songs and Adrienne gave us some more tidbits about the composer. The song I Paid My Income Tax Today sung by Mr Danley is actually owned by the IRS. (I wonder is THEY have to pay tax on the royalties they earn when it is sung.)
Ms Haan is a proud Luxembourger and as life imitates art, or vice versa, Mr Berlin’s Broadway and film musical, Call Me Madam is based on the life of Perle Mesta who was the Ambassador to Luxembourg from 1949-1953. Haan again showed she’s the singer with the zinger when she sang The Hostess with the Mostes’ on the Ball from that show as well as the tribute to the fictitious country in that show Lichtenburg. As far as art leading to reality it is interesting to note that Mr Berlin’s home, 17 Beekman Place, was purchased by the Grand Duchy of Luxembourg in 1990 a year after Berlin’s death.
Berlin wrote over 1,500 songs in his 60 years of composing so to highlight all of the numbers Haan sings is too long a list; but, the jaunty I’ve Got the Sun in the Morning, They Say that Falling in Love is Wonderful, Cheek to Cheek and Blue Skies show her range of interpreting music. The love song Always was a particularly important song to Berlin and Haan did it justice as this song was written to Berlin’s wife, Ellin Mackay, on their wedding day.
Of all the show tunes, patriotic anthems, and love songs performed in this show I have to give a special shout out to the Haan/Danley duet of You’re Just in Love. I have seen it sung by a number of Broadway stars, Merman, Stritch, Donald O’Connor and Larry Blyden, (and for the newer generation, Laura Osnes and Santino Fontana) in the past; but I’ve never seen the male singer play the piano at the same time. WOW!
It is the holiday season, remember, so Ms Haan’s third costume change is a beautiful red gown that fits the time and she finished the evening with the traditional songs of the Yuletide spirit, including Happy Holiday, I’ve Got My Love to Keep Me Warm and of course White Christmas.
This is not a traditional Christmas carol singing show but Ms Haan never is one to follow the norm. This was a wonderful tribute to Mr Berlin with added surprises featuring the excellent wit and talents of both Adrienne and her musical director and accompanist of 22 years, the unsung (until this show) singer Mr Richard Danley.
A second show is at the Triad on Tuesday, December 5 at 7PM. It will get you smiling and into the holiday spirit.
Events For December
Cabaret, Talks and Concerts For December
Tis the season to be entertained. Here are picks:
92 Street Y: 1395 Lexington Ave. 12/2 – 4: Lyrics & Lyricists In the Key of Life: The Genius of Stevie Wonder. Led by Broadway’s Darius de Haas; 12/5: Recanati-Kaplan Talks Death, Let Me Do My Show: Rachel Bloom in Conversation and 12/14: Sharon Stone and Jerry Saltz Talk About Art.
Birdland Jazz: 315 West 44 St. Every Monday at 5:30 Vince Giordano and The Nighthawks and 9:30pm Jim Caruso’s Cast Party; Every Tuesday at 8:30pm The Lineup with Susie Mosher; Every Saturday at 7pm Eric Comstock with Sean Smith (Bass) & special guest Barbara Fasano (Voice); 12/11: Karen Mason for her annual Christmas show “Christmas! Christmas! Christmas!”; 12/12 – 16 Stacy Kent; 12/18: James Barbour returns to Birdland with his annual Holiday Concert: 12/21 – 25: “A Swinging Birdland Christmas” starring Birdland regulars Klea Blackhurst, Jim Caruso and Billy Stritch and 12/28 – 31: Marilyn Maye.
Cafe Carlyle: 35 E 76th St. 12/1 – 9: Sutton Foster; 12/12 – 16: Gavin DeGraw and 12/19 – 31: Michael Feinstein.
Carnegie Hall: 881 7th Ave at 57th St. 12/5: Christmas with Amy Grant and Michael W. Smith; 12/6: Dee Dee Bridgewater with Sean Jones and the NYO Jazz All-Star Big Band; 12/13: Michael Feinstein and Jean-Yves Thibaudet and 12/22 – 23: The New York Pops The Best Christmas of All with Norm Lewis
Don’t Tell Mama: 343 W. 46 St.
Dizzys Club Coca Cola: Frederick P. Rose Hall, Broadway at 60th Street.
Alec Wilder Tribute
Devotees of the Great American Songbook have another reason to love living in New York. Yes, cabaret shows of the music of Porter, Rodgers et al abound here of course, but once a year there is a loving tribute to a lesser-known composer. Some of us may have even passed him on West 44th Street as he was leaving his home in the Algonquin Hotel. This dapper gentleman was Alec Wilder, a musician who wrote classical pieces as well as songs. He wrote words and music, and sometimes let the likes of Marshall Barer, Fran Landesman and even Johnny Mercer supply lyrics. There are a few of these titans who can have one foot in Tin Pan Alley and the other in Carnegie Hall. George Gershwin comes to mind immediately; Cole Porter dabbled but reverted to what he could do best. Wilder also wrote American Popular Song/The Great Innovators 1900-1950, a volume respected by those who love the music of that era.
The Friends of Alec Wilder presented their 38th Annual Concert for an audience of seriously devoted fans of Wilder on November 11th at 54 Below.
Mark Walter, FOAW Board Member and son of noted pianist and friend of Wilder’s Cy Walter, introduced Honorary Host Steve Ross, who along with the ever-amiable Eric Comstock interspersed the music with anecdotes about Wilder which rounded out the portrait of the gentleman being painted so effectively by the rest of the cast.
The afternoon began with one of Wilder’s chamber works, presented lovingly by The Wilderness Trio. Eric Comstock followed, summing up Wilder by saying that his music never went out of vogue because it was never in vogue. Wilder is like that secret ingredient that once having tasted it, one yearns for it thereafter. Eric sang four songs, infusing I’ll Wait with his ineffable sass and charm before being joined by his wife, the spunky and gorgeous Barbara Fasano, who made each lyric come to life in ways Wilder would have appreciated. Sean Smith provided bass support, and the trio which has been a mainstay at Birdland illuminated Wilder’s deep emotional grasp of the human condition.
The Wildebeest Wind Quintet followed with the Alice in Wonderland Suite, which showed Wilder at his classically playful best. Jason Henderson carried some of that lightheartedness into his segment, with two songs that benefited from his natural charm and enthusiasm. Steve Ross made the heart ache a bit with his rendition of the plaintive Did You Ever Cross Over to Sneden’s? before closing the program by encouraging everyone to join him in singing I’ll Be Around, perhaps the best known of Wilder’s songs.
If your interest in Alec Wilder has been piqued, visit alecwildermusicandlife.com.
Ken Fallin’s Broadway: Sutton Foster and Kelli O’Hara With The NY Pops
One Night Only: An Evening with Sutton Foster and Kelli O’Hara with the NY Pops is happening Friday 8pm, at Carnegie Hall. This unique program by NY Pops conductor Steven Reineke, pays homage to earlier icons of stage and screen who teamed up for memorable concerts.
The Glorious Corner
Countdown to Christmas: No More Dead Phone
Adrienne Haan Celebrates Irving Berlin and Christmas at the Triad
Romantic and Meaningful Love Quotes For Her To Help Win Her Heart
How to Take Advantage of Virtual Numbers for SMS
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