Cabaret
What To Watch July 26th To Take Away The Blues

photo’s of Megan Hilty are by Genevieve Rafter Keddy
10:30am: Other Than We Columbia University Earth Institute The reading of a play written and directed by Karen Malpede about life after the “Deluge,” when the privileged live in a hermetically sealed Dome, and a quartet of rebels engage in “an unlikely plot to create a new, post-Homo sapiens species.”

2pm: In These Uncertain Times a digitally-devised theatre performance, made specifically for its medium. It is a new dramaturgy defined by dystopia, and it is a love letter to the art of theatre. Stemming from a group of artists wondering if COVID-19 is the death of theatre as we know it, a tragicomic, Chekhovian Zoom performance. From drinking competitions, sad Chekhov monologues, and corona-virus meme collages, grieving for the past.
The piece was created by Source Material collective, the members of which are currently quarantined all over the country.
Director Samantha Shay had the cast give her virtual tours of their homes, to figure out how to best utilize their shared resources. They also plan to utilize different aspects of the Zoom platform itself, including the chat box. I have yet to see anything that addresses this moment in this way, and I think this piece is an innovative addition to the ongoing question of what theatre is and what theatre could be in the future.
2pm: Plays In The House Teen Edition: A Simpler Time by various artists. The reading benefits Philadelphia Young Playwrights

4pm: Marie’s Crisis Virtual Piano Bar scheduled pianists are Adam Michael Tilford (@Adam-Tilford-1) and Dan Daly (@DanDalyMusic).
6pm: Shakespeare in Vegas, Starring Karen Ziemba and Patrick Page By TheatreWorks. Tony Award winner Karen Ziemba (Contact, Curtains, Prince of Broadway) and Tony Award nominee Patrick Page (Hadestown) will head up a dynamic cast when TheatreWorks Silicon Valley presents a benefit online reading of Shakespeare in Vegas, a rollicking comedy by Suzanne Bradbeer.
Presented by TheatreWorks’s New Works from Home program in partnership with Vegas Theatre Company, this comedy shines a spotlight on an unlikely pairing, as a wiseguy producer with a dream and a despondent New York actor join forces in their attempt to bring the Bard of Avon to Sin City.
Helmed by Las Vegas native and TheatreWorks’s Artistic Associate and Director of New Works Giovanna Sardelli, Shakespeare in Vegas will be offered via video streaming from 6pm (PT), Thursday, July 23, 2020 until 6pm (PT), Monday, July 27, 2020.
A link to stream the show will be available at TheatreWorks.org for no charge, although donations are encouraged to support the 2019 Regional Theatre Tony-winning TheatreWorks Silicon Valley, which like theatres across America has been forced to cancel in-theatre performances to prevent the spread of COVID-19.
For information the public may visit TheatreWorks.org or call (650) 463-1960.

6pm: Pieces of the Moon mark the 51st anniversary of the U.S. landing on the moon July 20 when Hammer Theatre Center and One Year Lease Theater Company (OYL) partner for a special presentation, a timely and compelling new play by Nick Flint adapted for radio, making its world premiere via live stream.
This theatrical jazz riff explores the rise of the Black Arts Movement alongside the Apollo 11 mission which landed the first person on the moon, told from the perspective of “godfather of rap” Gil Scott-Heron.
Directed by OYL Co-Artistic Director Ianthe Demos. Streaming is free, but registration is required.
7pm: The Little Foxes Live Reading by Quarantine Theatre Company. Austin Pendleton, Morgana Shaw, Liam Mitchell, Barbara Bleier, Tom Smith, Tammy Faye Starlight, and Ian Christiansen. Pendleton acted in the 1967 Broadway revival of the play and directed the 1980 revival, starring Elizabeth Taylor.
Shaw plays the lead role of Southern vixen Regina Giddens, memorably played by Bette Davis in the classic 1941 film. Shaw played Davis in the one woman play, All About Bette.
7pm: Your Blues Aint Sweet Like Mine Two River Theater Ruben Santiago-Hudson directs a Zoom reading of one-act play, which explores America’s racial divide through the relationship between Zeke, “a walking outburst,” and Judith, “a seeker of truth.” Some of the original 2015 world premiere cast reunites for the reading, including Brandon J. Dirden, Andrew Hovelson, Merritt Janson, and Rosalyn Ruff, with Glynn Turman coming on to play the role of Zebedee.
7pm: Pouf She NYC Theater Festival Lou Clyde’s comedy about an unfulfilled housewife in 1958 who secretly sets up an in-home salon.

7:30: Puccini’s La Fanciulla del West Though less familiar than Puccini’s greatest hits, this action-packed tribute to the American Wild West, which received its world premiere at the Met in 1910, is every bit as compelling. Its sweeping, evocative score deftly captures the feel of a Gold Rush–era mining camp—the perfect place for a sweet-talkin’ bandit to fall for a gun-totin’ bar owner with an enormous soprano voice and a heart of gold.

8pm: Cabaret Games Four Chicago-based theatre companies have joined forces to create a virtual singing competition featuring Broadway favorites. This episode it is Jason Robert Brown week.
The Highland Park Players, Big Noise Theatre, Big Deal Productions, and Music on Stage will each form their own team to go head-to-head in a weekly episode in which fans can choose which songs are performed.

7pm: The Seth Concert Series: Megan Hilty performs highlights from some of her biggest roles.
Hilty made her Broadway debut as Glinda in Wicked joining the production in 2005. She would return to the Great White Way in 2009, starring in 9 to 5 as Doralee Rhodes. Hilty was last on the Broadway stage Noises Off as Brooke Ashton, in a performance that earned her a Tony nomination for Best Featured Actress in a Play.
In addition to her stage career, Hilty is known for her work in screen including her performance as Ivy Lynn in Smash, Patsy Cline in Patsy & Loretta, and more.
The Seth Concert Series is hosted by Sirius XM host and Playbill contributor Seth Rudetsky. While normally held in Provincetown, Massachusetts, under the Broadway @ Art House banner, the erformances will be held indoors from the stars’ homes due to the COVID-19 pandemic.

8pm: Under 30 Lab: Catholic All Girls School By IAMA An overachieving high schooler at Miami’s most prestigious Catholic all girls school has the perfect plan to get into her dream college, until an attractive, young, ex-priest is hired as her new ethics teacher and begins to dismantle all she knows about right and wrong and falling in love.
Catholic All Girls School, written by Adriana Santos and directed by Kate Sullivan, is part of IAMA’s Under 30 Playwrights Lab Series.

8pm: Rule of 7×7: Summer Edition By The Tank This an ongoing series that premieres 7 brand-new 10 minute plays by 7 different writers. For each show, every playwright comes up with one rule, then the 7 playwrights create new plays using all 7 rules. Some past rules have been: “Bright sunshine.” and “Somewhere on page one: a back-handed compliment, followed by ten seconds of silence.” and “‘This reminds me of the time I (an action) with (a person).’”

8pm: Ice Factory Festival: Beginning Days of True Jubilation
The New Ohio Theatre will live stream its entire 27th annual Ice Factory Festival. Broadcast online over four weeks, the Obie-winning festival will feature four new works.
Kicking off the festival programming will be Beginning Days of True Jubilation. Written by Mona Mansour (The Vagrant Trilogy) and directed by Scott Illingworth, the new piece is conceived by Society, the newly launched ensemble-based company that uses a method of rigorous research, improvisation, and discussion to make theatre.
Adapted for Zoom, Beginning Days of True Jubilation is a satirical journey through the cult-like, group-think of winner-take-all capitalism, from the early euphoria of a new start-up through its epic crash and burn. Performances will be July 24–26.
A star-studded cast includes Hana Chamoun (Hulu’s Ramy), Hiram Delgado (Take Me Out), Christy Escobar (NBC’s Blindspot), Annie Fox (Lobby Hero), Rebecca Frank (Fox’s Prodigal Son), Leslie Fray (HBO’s Plot Against America), Meredith Garretson (Syfy’s Resident Alien), Rosa Gilmore (Amazon’s The Expanse), Caroline Grogan (The Crucible at Bedlam), Keren Lugo (Privacy at The Public), Kario Marcel (Troilus and Cressida at Shakespeare in the Park), Tim Nicolai (The Glass Menagerie), and Simone Recasner (Fox’s The Big Leap).

8pm: You and Me and the Space Between / Are You Still? is written by Jack Spagnola and directed by Ryan Dobrin. Mark Feuerstein (Royal Pains, The West Wing) and Michaela Watkins (Big Mouth, SNL) play a couple meeting on a blind date.
The piece is presented as part of Playdate Theater Company’s Playdate’s first virtual play festival and fundraiser Find A Way Or Make One.
Tickets also include a performance of Are You Still? by Lauren D’Errico, directed by Britt Berke and Miles Shebar.
The play follows Em, stuck at home during pandemic times, as she resists the ever-present siren call from The Internet to keep scrolling, watching, and browsing through all of her waking hours.
Liza Lapira (Unbelievable), Parveen Kaur (NBC’s Manifest), Melinda Page Hamilton (Mad Men), Shane Johnson (Power), Lily Du (College Humor), and Luca Bella Facinelli (Your Family or Your Life) bring web pages to life in a wild take on quarantine fatigue.
Cabaret
Ken Fallin’s Broadway: New York Pops and Marvelous Marilyn Maye

“The astonishing Marilyn Maye sings with the magnificent New York Pops led by Maestro Steve Reineke this Friday evening, March 24th at Carnegie Hall. They are remarkable talents and remarkable people.
Cabaret legend Marilyn Maye takes the stage with The New York Pops for a program of standards and musical theater classics that make clear why she’s been celebrated as one of America’s greatest jazz singers for more than 50 years. Hear favorites by composers who include Porter, Lerner and Loewe, Loesser, and Sondheim, as well as Maye’s special version of “Too Late Now,” which was selected by the Smithsonian Institution for its permanent collection of 20th-century recordings.
Cabaret
My View: The Only Thing Missing Was A Latte ( with extra foam) Marcy & Zina Party at 54 Below
The only thing missing at last night’s party for Marcy and Zina was a Latte choice in the beverage section on the menu at 54 Below (with extra foam). The show, titled Make Your Own Party: The Songs of Goldrich and Heisler was conceived by Scott Coulter and performed by a cast of five. It celebrated over three decades of quirky, heartfelt and utterly contemporary romantic comedy songs written by Marcy Heisler and Zina Goldrich.
From “Taylor the Latte Boy” to under appreciated altos we were introduced to the cast of characters that inspired these inseparable, irreverent friends to write over three hundred and counting musical love letters to the city, the theatre, and the people who make them sing. The evening was filled with the heart felt stories that these two award winning women have created and was performed by a first rate cast of Broadway super singers. The lyrics, the music, the luscious harmonies…it was the best party of music I’ve ever been invited to.
The Performers: Jill Abramowitz, Cole Burden, Alex Getlin, Joe Kinosian, Kelli Rabke, and Austin Rivers.
Joe Kinosian,piano, Matt Scharfglass, bass
Marcy & Zina have been performing and writing together since 1992. Their critically acclaimed romantic comedy songs have been featured in venues across the world, recorded by artists across many genres, and appear in numerous folios and collected works. Their Off-Broadway musical Dear Edwina earned them a Drama Desk nomination, and other works have been produced by regional powerhouses such as Paper Mill playhouse, The John F. Kennedy Center for the Performing Arts, Goodspeed, and the Ordway Center for the Performing Arts. Their shows include Ever After, JUnie B Jones, and The Great American Musical, based on the bestselling book by auther/director Julie Andrews.
Broadway
Reeve Carney: Singing The Divas

After countless sellout performances, Reeve Carney returned to The Green Room 42 to play another solo concert while starring in Hadestown on Broadway. He is best known for his portrayal of Dorian Gray on Showtime’s “Penny Dreadful,” Riff Raff in Fox’s Rocky Horror Picture Show Reimagining, as well as originating the role of Peter Parker in Julie Taymor/U2’s Spider-Man: Turn Off the Dark. For one night only Reeve performed a collection of songs traditionally sung by Broadway and vocal divas. Starting out was the perfect song to make us take notice. “Ladies Who Lunch” from Company, never sounded so nuanced, poignant or jazzy.
Next up was “My Favorite Things” from The Sound of Music, “Beauty School Dropout” from Grease and “Losing My Mind” from Follies. Reeve’s girlfriend Eva Noblezada talked him into doing the later song. Reeve has a style that combines rockabilly flare with jazz and rock. It is unique and this spin adds a new take on these familiar songs.
Having shared a dressing room with Patti LuPone “Anything Goes” was sung as a tribute. Not leaving out the great Ethel Merman “”I Got the Sun in the Mornin’ (and the Moon at Night)” from Annie Get Your Gun was delivered ala Reeve Carney.
Dame Shirley Bassey’s “Goldfinger” was a tribute to the 007 genre and brought back memories of Jeff Buckley.
In high school Reeve was not in the schools plays but played “Whatever Lola Wants” for a production of Damn Yankees.
Judy Garland’s iconic “Somewhere Over The Rainbow” was done with pop excellence and a sweetness that made this song his own.
It was at this point that unfortunately I had to leave, as the concert started a half an hour late and if you take a bus out of the city on Sunday, the last one leaves at 11pm. I apologize profusely to Reeve, but was able to critique the rest of the show from a livestream.
Lena Horne’s jazzy, soulful version of “Summertime” from Porgy and Bess hit all the right notes. Liza Minnelli’s “Maybe This Time” from Cabaret was subtle and powerful.
On piano he brought Carol King’s,”Natural Woman” to life, but this version was inspired by Ms. Aretha Franklin.
Still on piano and singing one of his own songs “Up Above The Weather,” a hauntingly wonderful composiition. I look forward to when Reeve does write a Broadway musical.
Back on guitar a tribute to Angela Lansbury “Rose’s Turn” from Gypsy. If you have never heard Reeve’s take on these classic songs, you will hear a fresh, new and really different, but oh so unique vibe.
Closing out the night “There’s A Place For Us” from West Side Story.
Reeve is a musical genius, whose prowess on the guitar, piano and vocals is otherworldly.
You can catch Reeve on April 23, 2023 at 9:30 at The Green Room 42 singing his own music. Ask for “Resurrection,” this is one fabulous song.
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