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What to Watch: June 10

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Kristin Chenoweth

7pm: Yours Truly, Johnny Dollar:  Santino Fontana, George Abud, Ali Ewoldt and more star in this benefit audio broadcast of Jack Johnstone’s play for the Keen Company. Yours Truly, Johnny Dollar was one of the longest running detective shows on radio and follows a freelance investigator as he uncovers mysteries.

Santino Fontana during the 2019 Drama Desk Awards at Steinway Hall on June 2, 2019 in New York City.

7pm: NYC❤️MTC: A Virtual Gala for Manhattan Theatre Club After more than a year with our stages empty, MTC is calling on our extended family of artists to kick off a triumphant return to our theatres. This virtual event will celebrate the unique ways in which MTC is embedded in the cultural landscape of the city and our lasting impact on artists and audiences alike. Special guests include Jesse Tyler Ferguson (above), Nathan Lane, Mary-Louise Parker, Ruben Santiago-Hudson, R. L. Stine and more!

Join some of your favorite New Yorkers as they reflect on what MTC means to them.

7pm: Raja Feather Kelly | the feath3r theory’s “The KILL ONE Race” Playwrights Horizons presents Raja Feather Kelly | the feath3r theory’s The KILL ONE Race, a performance-based work created and filmed at Playwrights Horizons during the pandemic.

The KILL ONE Race treats the Mainstage Theater as the setting for a morbid reality competition show: over the course of seven days replete with ice-breakers, speed dates, confessionals, sacred rituals, murder plots, and copious dancing, seven contestants compete to be proven the most ethical—and earn the singular prize of death.

The show is part-documentary (capturing the members of the feath3r theory as they recreate a macabre game first envisioned in the 1963 dystopian novel Kill One), part theatre, and part reality TV game show itself.

Episodes 3 & 4 on June 7, Episode 5 on June 9, Episode 6 on June 11, and Episode 7 on June 12. All episodes will premiere at 7pm.

7:30pm: Handel’s Agrippina Handel’s breakout opera masterpiece, Agrippina offers a wryly satirical look at the political maneuverings and personal entanglements of the Roman emperor Claudius, his cadre of advisers and hangers-on, and his cunning wife, Agrippina. During the 2019–20 season, the Baroque black comedy had its long-awaited Met premiere in a new production by David McVicar that updated the action to the present age.

Kristin Chenoweth
Kristin Chenoweth

8pm: Stars in the House Kristin Chenoweth’s Broadway Bootcamp: Live from Broken Arrow, Oklahoma with Kristin and the kids from KCBBC.

Gavin Creel

8pm: The New Classics: Songs from the New Golden Age of Musical Theater Tony winner Gavin Creel, Nikki Renée Daniels, Norm Lewis and more star in Lyric Opera of Chicago’s cabaret.

Becoming Dr. Ruth Tovah Feldshuh stars as the legendary Dr. Ruth Westheimer in Mark St. Germain’s play through California’s North Coast Repertory Theatre. David Ellenstein directs the production that tells the extraordinary true story of the real-life radio and television sex therapist and her rise to fame. Available through July 4.

Writing Fragments Home While free to watch, donations are encouraged to onations are encouraged to support Compassion in Oakland, a nonprofit formed in response to the surge of anti-Asian attacks and dedicated to promoting safety and community in Oakland Chinatown and beyond.

In a time where the manifestation of prejudice and violence toward the Asian American and Pacific Islander (AAPI) community has reached an extreme high, TheatreWorks Silicon Valley streams a benefit reading of Writing Fragments Home to raise funds to support and uplift the AAPI community.

Written by Filipino American playwright and TheatreWorks Director of Community Partnerships/Casting Director Jeffrey Lo, this comedic play is an unapologetically Filipino American story about art, family, and culture, exploring one playwright’s journey to rediscover his voice while combatting systemic racism.

Co-presented by more than 40 leading theatres and arts organizations in the Bay Area and beyond, Writing Fragments Home will be available on demand June 6-9 following the live stream.

Vienna Waltzes was created in 1977 and set to waltzes by Johann Strauss II, Franz Lehár, and Richard Strauss. It features more than 50 dancers and is only performed by New York City Ballet. Through Rouben Ter-Arutunian’s evolving scenery, Ronald Bates’ lighting, and Karinska’s costumes, which were the last that the famed designer created for the Company, the ballet transforms from a sylvan forest glen to a dance hall to a glittering society café to, at last, a majestic mirrored ballroom.

Juliet and Romeo Romeo and Juliet is reinvented as a musical comedy when the UC Davis Department of Theatre and Dance, Southern Utah University’s (SUU) Department of Theatre, Dance and Arts Administration and Catalyst: A Theatre Think Tank premiere Juliet and Romeo.

Co-written by Paul Gordon, a Tony Award nominee for Jane Eyre, and Curtis Moore, an Emmy Award nominee for The Marvelous Mrs. Maisel, the production will be accessible through midnight Pacific on June 5. 

Myths and Hymns: Faith Jennifer Holliday, Mykal Kilgore and Anthony Roth Costanzo star in the final installment of Adam Guettel’s song cycle.

Empress Mei Li Lotus Blossom Abingdon Theatre Company presents this short film written and directed by Christine Toy Johnson that tells the story of a Teaneck-born Asian American actress who poses as an exotic Hong Kong movie star so she can get her shot at Broadway. Reggie Lee moderates a talkback with the cast and creative team after the viewing that celebrates Asian American and Pacific Islander Heritage Month.

Brutal Imagination: Vineyard Theatre Artistic Directors Douglas Aibel and Sarah Stern announce the company’s second original cast benefit reading, reuniting renowned actors Joe Morton (“Scandal”) and Sally Murphy (August: Osage County) for Oppenheimer Award-winning playwright and poet Cornelius Eady’s (Vineyard’s You Don’t Miss The Water) play, Brutal Imagination. Directed by Joe Morton, this digitally-staged reading includes video design by Jared Mezzocchi and is available for on demand streaming through June 3.

The Zip Code Plays: Los Angeles Antaeus Theatre Company highlights the culture and history of six additional Los Angeles neighborhoods with Season 2 of its popular The Zip Code Plays: Los Angeles podcast series.

The latest installments will introduce audiences to the geographically, historically and culturally diverse locales of Echo Park (90026), West Hollywood (90069), Inglewood (90303), Pacoima (91331), North Hollywood (91601) and Monterey Park (91754). 

Herding Cats Starring Jassa Ahluwalia, Greg Germann, and Drama Desk nominee Sophie Melville, Herding Cats by Lucinda Coxon is a chillingly funny play about a generation negotiating intimacy and independence in the 21st century.

Meeting the demands of modern life is as impossible as herding cats for Justine, Michael and Saddo. To deal with work, Justine talks—a little too much—to her roommate Michael who earns a living by chatting with strangers like Saddo. But all three will soon find that in a cold, disconnected world, words may not be enough.

Directed by Anthony Banks, this revival of Coxon’s play uses the technical feats that adventurous theatre artists have discovered during the pandemic and combines them with the raw intimacy of in-person performance. This first-of-its-kind, transcontinental event features Ahluwalia and Melville performing for an in-person audience on Soho Theatre’s London stage with Germann performing live via video from the United States.

This production contains distressing themes of sexual abuse. If needed, you may seek help from the RAINN National Sexual Assault Hotline. (Click here to access their website.)

Carry On Tony nominee Jeremy Jordan This event is being streamed online through BroadwayWorld Events. There will be no in-person audience.

Broadway’s Jeremy Jordan, known for his powerful voice and provocative storytelling, returns to the stage with his most ambitious and personal performance to date. Equal parts humor and heartache, Carry On takes us deep into Jeremy’s new life as a father. Unpacking and attempting to reconcile his own complicated childhood, Jeremy soon discovers there is more to being a parent than he could have ever imagined. Featuring an array of musical styles, as well as some never-before-heard songs, Carry On has been thoughtfully reimagined for the virtual stage after winning multiple awards for its premiere at Feinstein’s/54 Below just over a year ago. Featuring musical direction by Benjamin Rauhala.

Animal Wisdom Heather Christian’s Animal Wisdom will unfold on screen rather than on stage. The writer-performer’s show originally debuted at The Bushwick Starr in 2017 but now gets a film adaptation. 

In Animal Wisdom, singer-songwriter-soothsayer Christian lays to rest the souls that haunt her, shape-shifting between rock star, folklorist, and high priestess, as she conjures a constellation of souls in an effort to confront her family’s mythologies.

Amber McGinnis directs the film, with stage direction by Emilyn Kowaleski. The cast also includes Sasha Brown, Eric Farber, B.E. Farrow, and Maya Sharpe.

The film is presented by Woolly Mammoth Theater Company and American Conservatory Theater. 

The Destruction of Jane Edgar Rice Burroughs will be spinning in his grave this spring. A new seven-part miniseries, inspired by the infamous film Tarzan the Ape Man, debuts this month.

The Destruction of Jane is an unauthorized parody of the King of the Jungle is told from the point of view of Miss Jane Parker. 

Weekly installments premiere on Thursdays.  

The miniseries stars stars Paul Pecorino and Rob Eco as Jane and Tarzan, respectively, and features special cameo appearances by Mario Cantone and Randy Rainbow. The show is written by Paul Pecorino and directed by Drue Pennella.

Set in the current COVID-19 pandemic, this comedy follows Jane to the African jungle where she meets and falls in love with the spectacular specimen we all know as the legendary Tarzan. The 1981 Tarzan film became a massive financial hit due to its dizzyingly unintentional bad taste, and screenwriter Paul Pecorino has set out to push these offensively vulgar boundaries even further.

The creative team includes director of photography Erik Paulsen, composers Drew Fornarola and David Nehls, musical arranger Paul Doust; costumes & wigs designer David Mitsch; makeup & wig styling designer Vera Stromsted and Donanyely Mejia and Marty Thomas; and specialty costumes designer Gail Baldoni. The Destruction of Jane is presented by Pure Motion Pictures.

Back to the Future: From Screen to Stage Ahead of the Back to the Future musical opening in the Adelphi Theatre on August 20, BFI at Home presents an online discussion with members of the cast and crew about how the hit film became a full-fledged stage musical.

The Woman’s Party Clubbed Thumb presents the world premiere of The Woman’s Party. Originally slated to premiere as part of the 2020 Summerworks Festival, the piece will now premiere virtually.

Written by Rinne B. Groff and directed by Tara Ahmadinejad, The Woman’s Party has been divided into three 30-minute episodes.

1947 is the year that the savvy politicos of the National Woman’s Party will finally get the ERA passed once they quash that insurgency—or oust the old guard. The Woman’s Party takes place 27 years after the ratification of women’s suffrage, when the Equal Rights Amendment was poised for passage. 

The cast includes Rosalyn Coleman, Alma Cuervo, Laura Esterman, Marga Gomez, Marceline Hugot, Emily Kuroda, Lizan Mitchell, Socorro Santiago, Rebecca Schull, and Connie Winston.

Shadow/Land Michelle Wilson, Te’Era Coleman, Lizan Mitchell, Lance E. Nichols, Lori Elizabeth Parquet and Sunni Patterson star in the world premiere of Erika Dickerson-Despenza’s audio play. The drama is set amidst the devastation of Hurricane Katrina and is part of the Public Theater’s digital stage.

The Thanksgiving Play Spotlight on Plays returns with Larissa FastHorse’s The Thanksgiving Play, directed by Leigh Silverman. The cast features Tony nominees Heidi Schreck and Bobby Cannavale, along with Keanu Reeves and Alia Shawkat.

Romeo y Julieta Lupita Nyong’o and Juan Castano star in this free bilingual audioplay of Shakespeare’s Romeo and Juliet, presented by the Public Theater and WNYC Studios.

La Femme Theatre Productions: The Night of the Iguana The show will feature Golden Globe winner and Emmy nominee Dylan McDermott (Netflix’s “Hollywood”) as Reverend Shannon, Emmy nominee and Tony Award winner Phylicia Rashad  (Broadway’s Cat on a Hot Tin Roof) as Maxine, Roberta Maxwell (Broadway’s Summer and Smoke) as Judith Fellowes, Tony nominee, Obie and Drama Desk Award winner Austin Pendleton (Broadway’s Choir Boy) as Nonno, and Jean Lichty (Off-Broadway’s A Lovely Sunday for Creve Coeur, The Traveling Lady) as Hannah, with Keith Randolph Smith (Broadway’s Jitney, American Psycho) as Jake, Carmen Berkeley (Off-Broadway’s Our Dear Dead Drug Lord) as Charlotte, Eliud Kauffman (Roundabout Theatre’s 72 Miles to Go) as Hank, Julio Macias (Netflix’s “On My Block”) as Pancho, Stephanie Schmiderer (No Exit, The Human Voice) as Frau Fahrenkopf, Bradley James Tejeda (Broadway’s The Inheritance) as Pedro, and John Hans Tester (Amazon’s ”Hunters” ) as Herr Fahrenkopf.

Waiting for Godot Directed by Scott Elliott, the classic features Tony nominee Ethan Hawke as Vladimir, Tony recipient John Leguizamo as Estragon, Wallace Shawn as Lucky, rapper Tarik Trotter as Pozzo, and Drake Bradshaw as Boy.

In Waiting for Godot two wanderers wait by a lonely tree, to meet up with Mr. Godot, who they hope will change their lives for the better. Instead, another couple of eccentric travelers arrive, one man on the end of the other’s rope.

The creative team also includes production designer Derek McLane, costume designer Qween Jean, sound designer Justin Ellington, director of photography Kramer Morgenthau, editor Yonatan Weinstein, and associate director Monet.

The New York Pops Up Festival a thousand in-person performances throughout the state from now through June. Most events associated with NY PopsUp will be unannounced (and unticketed) and will be designed so that New Yorkers happen upon them in their everyday lives. (Since we can’t have large gatherings right now, we want to bring a lot of small things to the public where they are) NY PopsUp is a surprise that you happen upon, rather than an event or concert you are alerted to via a notification or a schedule.

Julius Caesar, Starring Patrick Page By Shakespeare@ Tony nominee Patrick Page (Hadestown) stars in the title role with Jordan Barbour (The Inheritance) as Brutus and Keith Hamilton Cobb (American Moor) as Cassius. West End Harry Potter and the Cursed Child performers Jamie Ballard and James Howard co-star as Mark Antony and Metellus Cimber, respectively. 

The production is also be available on Spotify, Apple Podcasts, Soundcloud, and Stitcher.

Produced by Jersey City’s Shakespeare@, this audio production is the third installment of the season, produced and adapted by Artistic Director Sean Hagerty.

Hagerty has crafted the production into four weekly parts and partnered with the Emmy-winning team at Sonic Designs to capture the lost art and thrill of radio drama all without leaving the confines of quarantine.

Julius Caesar features original music composed by Joan Melton with sound design by the Emmy-winning team of Dan Gerhard and Ellen Fitton of Sonic Designs. Justin Goldner is the music producer and supervisor, and casting is by Robin Carus. Sydney Steele serves as the associate producer. 

Assassins Reunion: Original Off-Broadway Cast The original cast and creative team of the 1991 Off-Broadway debut of Stephen Sondheim and John Weidman’s Tony-winning Assassins will reunite virtually to celebrate the musical’s 30th anniversary.

The free online event is part of the Studio Tenn Talks: Conversations with Patrick Cassidy series and will feature Studio Tenn Artistic Director Cassidy as well as other original cast members Victor Garber, Greg Germann, Annie Golden, Lyn Greene, Jonathan Hadary, Eddie Korbich, Terrence Mann, Debra Monk, William Parry, and Lee Wilkof plus Sondheim and Weidman, director Jerry Zaks, musical director Paul Gemignani, and orchestrator Michael Starobin.

The Things Are Against Us Susan Soon He Stanton’s The Things Are Against Us will be the next production in MCC’s LiveLab one-act digital reading series. Ellie Heyman directs the cast, which includes Juan Castano, Emily Davis, Susannah Flood, Babak Tafti, and Danny Wolohan, in tthe play set in a mysterious house with a mind of its own. 

SoHo Playhouse Presents Typical Soho Theatre and Nouveau Riche present the world premiere of Typical, the film version of the stage play, released exclusively on Soho Theatre On Demand 

Written by Ryan Calais Cameron and directed by Anastasia Osei-Kuffour, Typical uncovers the man and the humanity behind the tragic true-life events of Black British ex-serviceman Christopher Alder and the injustice that still remains twenty years since his story emerged. 

The Manic Monologues Current Slave Play Tony nominee Ato Blankson-Wood, Rent Tony winner Wilson Jermaine Heredia, Accidentally Brave playwright Maddie Corman, and more stage favorites will explore mental health this winter in a new digital production from the McCarter Theatre Center.

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Celebrity

The Glorious Corner

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G.H. Harding

YOUNG’S 12 — (via Ultimate Classic Rock) Since he began making records in the 60’s, Neil Young has seldom let a year or two pass between albums. Even as the last LP by Buffalo Springfield was being prepped for release, the Canadian singer-songwriter was making his self-titled solo debut, which came out just a few months later.

Young has never been reluctant to follow his creative muse, even if he’s in the middle of another project. More than one time during his career he’s shelved a project just to move on to something else. Sometimes – as in the case of Homegrown and Chrome Dreams – those records would be released at a later (sometimes much later) date; in other instances, we’re still waiting.

All this productivity and activity can lead to periods of inconsistency, as you’ll see in the below list of the 12 Worst Neil Young Albums. One era in particular stands out: the ’80s (spoiler: Six successive albums during the decade make the list). But LPs from the ’60s, ’70s, ’90s and the ’00s are here, too.When you’re as prolific as Young, they can’t all be After the Gold Rush and Harvest. Even when the records didn’t reach his usual standards, most of them still found new ways to continue on the restless path he started in the mid-’60s. From synth-pop and traditional country to ’50 rock ‘n’ roll and horn-spotted soul, Young’s instincts rarely took him to expected destinations.

Are You Passionate?’ (2002)

Young’s 24th album was supposed to be another Crazy Horse collaboration, Toast, which didn’t get released until 2022. Instead, he pivoted to a record with Booker T. & the MG’s that was billed as a soul album and included Young’s response to 9/11, “Let’s Roll.” One of the shelved Crazy Horse tracks is included, and it concludes with a nine-minute jam. Scant direction and thin songs sink Are You Passionate?

‘Peace Trail’ (2016)

Young’s 36th studio LP was sandwiched between a live album with Promise of the Real and a solo archival release recorded in 1976. Both are preferable to this quickly assembled record made with drummer Jim Keltner and bassist Paul Bushnell. Its political points are similar to the ones he’d been supporting since the ’60s, but now with a technological lean (there’s even some Auto-Tune on a track). Instantly disposable.

‘Storytone’ (2014)

The second of two albums released by Young in 2014 (the first was the solo acoustic A Letter Home), Storytone featured big band and orchestral backings to songs inspired by a new romance with actress Daryl Hannah. Forgettable and uncertain – swing and classical don’t mix all that well – the album arrived during a period of prolific activity. An equally unmemorable stripped-down version of the album was released at the same time.

‘Old Ways’ (1985)

Young’s country album Old Ways was first proposed after 1983’s Trans, the synth-based LP he delivered to Geffen. The label balked and insisted on a rock album instead; they got the 1950s throwback Everybody’s Rockin’. Young returned to his country album in 1985, enlisting Waylon Jennings, Willie Nelson and fiddle and pedal steel musicians. Another unremarkable genre detour during Young’s most dour decade.

‘Everybody’s Rockin” (1983)

Young’s second Geffen LP was as baffling as the first. But where Trans moved forward, Everybody’s Rockin’ was a throwback to 1950s rockabilly, complete with a retro look (pompadour, face-dominating sideburns) and name (Neil and the Shocking Pinks). Four songs were covers; an original (“Wonderin'”) dated to 1970. It runs less than 25 minutes. Geffen soon sued Young for making deliberately uncommercial records.

‘Landing on Water’ (1986)

Three genre-specific albums left Young at odds with Geffen Records in the mid-’80s to the point where the label sued him for making records that didn’t sound like Neil Young records. Landing on Water was his return (albeit once again stitched together from years-old sessions) to fuss-free rock music. Good luck finding a memorable song, though. Even Young has referred to Landing on Water as a “piece of crap.”

‘Broken Arrow’ (1996)

After 1989’s career-reviving Freedom, Neil Young had an admirable run in the first half of the ’90s. Then Broken Arrow arrived. Shaken by the death of longtime producer David Briggs, Young and Crazy Horse falteringly recorded the LP over a month, often with no guidance or direction (the first three songs each run more than seven minutes and are little more than aimless jams). An unsteady new era was around the corner.

‘This Note’s for You’ (1988)

After a contentious five-album run with Geffen, Young returned to Reprise for his 16th LP. But he still wasn’t ready to discard the ’80s explorations that marked the decade. The flimsy This Note’s for You, co-credited to the Bluenotes (a horn-based group with other ties to Young’s past), dipped into jump blues music while adhering to a slim conceptual thread about commercialism. At least it contained a minor hit in the title track.

‘Life’ (1987)

Neil Young made five albums with Geffen in the ’80s, none of them particularly good. But at least most of them have some sort of identifiable tag: synth-pop, rockabilly, country. Life has nothing to single it out. Mostly recorded live with overdubs added later, the Crazy Horse collaboration ended Young’s controversial relationship with Geffen on a sour, but expected, note. Maybe the most easily dismissed LP in his entire catalog.

‘Trans’ (1982)

After more than two dozen years with Reprise Records, Neil Young jumped to the flourishing Geffen label for his 12th album. Nobody expected his first record under the new contract to be a futuristic new-wave LP made with synths and a vocoder altering Young’s voice – especially the label. Young has said he made Trans to communicate with his son, who had cerebral palsy. A year later Geffen filed a lawsuit.

‘American Stars ‘n Bars’ (1977)

Neil Young’s catalog is scattered with albums stitched together from various session sources. For his eighth LP, he collected nine songs recorded over a two-and-a-half-year period, starting in 1974. The results were mixed. The stripped-back country rock made with Crazy Horse on Side One has little connection to the plugged-in fury of “Like a Hurricane,” a mid-decade highlight, and the solo acoustic “Will to Love.” Aimless.

‘Neil Young’ (1968)

Young’s solo debut isn’t terrible, it’s just a letdown after the buzz he generated with Buffalo Springfield. Only a handful of songs (including “The Loner,” fleshed out onstage over the years) make an impression; the rest finds the still-growing singer-songwriter tentatively stepping away from his former band while occasionally tethered to their era-identified folk rock. Better things were to come.

SHORT TAKES — On Wednesday’s Today Show, Carson Daly revealed his first concert ever was Ziggy Marley. And as he and a friend took their seats, it seemed to Daly as if smoke rose from the stage. Daly’s friend said it was happy smoke

Leah McSweeney

I never heard of Leah McSweeney (another Bravo Housewife), but Tuesday she filed a lawsuit against Andy Cohen. More lurid details for sure. Is Andy this year’s Harvey? I’ll tell you, between Cohen, Puffy and the gals … it’s a huge, huge mess and heads will definitely roll at NBC/Comcast. Stay tuned … Yankee-Bernie Williams is at the Carlyle?

I haven’t heard his music, but this reminds me of Knick-Earl Monroe years back introducing his Pretty Pearl Records. I honestly don’t even remember the artists, but the project came and went pretty quick … Debbie Gibson on the 80’s Cruise with Wang Chung; Escape Club; English Beat; Soft Cell; Air Supply; Ray Parker; Animotion; and Tommy Tutone. Check it out here: https://the80scruise.com/lineup/

Richard Lewis photo by Stephen Sorokoff

So sad about Richard Lewis. He used to be a very, very frequent companion to me back in the day at Lorelei on West 58th street. He was always so funny and sweet. A true companion for the naughty 90’s. He’ll be much missed …

Kjersti Long

Zach Martin interviews 17-old wunderkind Kjersti Long on his NEW HD radio today …  Felix Cavaliere and The Rascals at the Patchogue Theater on April 26 and SONY Hall on May 17th … Happy BDay Zach Lloyd; Mitch Ryder; Roy Trakin; and Judy Libow!

Debbie Gibson

NAMES IN THE NEWS — Jacqueline Boyd; Nancy Harrison; Tom & Lisa Cuddy; Jim Kerr; Debbie Gibson; Heather Moore; Roger Friedman; Mark Bego; Melinda Newman; Joe Lynch; Obi Steinman; Felix Cavaliere; Amanda Naylor; Tolouse Bean; Howard Jones; Mark Alpert; Donald Johnson Kyla Nicole; Angela Tarantino;n Barry Fisch; and SADIE!

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Events

Eli Marcus Brings His Networking Event to Fushimi Times Square

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Eli Marcus, Chief Marketing Officer of NYC’s largest circulation Visitor Magazine, City Guide, has done it again. On February 28th he organized a wonderful networking event for those in the hospitality and theater communities. And true to form he did so in a beautiful new restaurant on West 43rd Street off 8th Avenue – in the heart of Times Square. Fushimi Times Square is the latest outlet for the Japanese group who has had success in Staten Island, Bay Ridge and Williamsburg. Their restaurant at 311 West 43rd Street is a welcome entry to the area and now that the scaffolding is gone from that block it is a pleasant walk to the welcoming door of this beautiful space.

Fushimi Beautiful decorations

The decor has a beautiful sculpture of a fish hanging from the ceiling which depicts the delicious selections of sushi and sashimi prepared by the talented chefs.

The talented chefs are in view as they create these delicacies.

Guests at the evenings event were served appetizers of amazing tuna tartare and a variety of warm dishes of dumplings, and eggrolls – pork, shrimp and vegetarian.

Tuna tartare is a burst of flavor

Dumplings and Eggrolls were served

Barry Huang, manager of Fushimi Times Square is a silhouette in the long entry way to this beautifully designed restaurant.

Eli and Ramon

Eli invited some interesting people to the event. Publicist to megastars, Ramon Hervey II, has an interesting podcast  and is the author of The Fame Game.

Eli and Hugh Hysell

Hugh Hysell is a major force in the New York social circles and it was great to see him at the event.

Errol, Quinn and Eli

Errol Rappaport, promoter, and singer, actress, Quinn Lemley, who just returned from London where she performed her one woman show about Rita Hayworth joined Eli at the event.

Rocksax gave out merch to lucky winners

Rocksax, purveyor of officially licensed music merchandise was in attendance and gave out some of their product to some lucky attendees.

The beautiful bar

In addition to the wonderful food, Fushimi’s beautiful bar is a welcome spot to relax.

The crowd

As usual the attendees had an excellent time meeting, chatting and enjoying the food

Barry and Eli

Eli looks on as the Fushimi manager, Barry Huang thanks the guests for coming

Barry and the DJ

Barry and the DJ kept the food, drinks and music going through the event

I look forward to returning to Fushimi at 311 West 43rd Street for a full dinner of their excellent visionary Japanese-fusion dishes.

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Broadway

Grand Hotel: The 35th Anniversary Original Broadway Cast Reunion Concert at 54 Below

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Grand Hotel original cast members Karen Akers, Timothy Jerome, Bob Stillman, David Jackson, David Andrew White, and Walter Willison, reunited last night at 54 Below. Even original bass player Ray Kilday was there.

Tim Jerome

The fabulous David Jackson, David White

54 Below was transformed into Berlin’s Grand Hotel for the event. The staging was immersive as Walter Willison, introduced, directed and produced. The choreography (originally done by Broadway legend Tommy Tune, was there celebrating his 85th birthday on Monday night).

Two tango dancers (Michael Choi and Vanda Polakova), circled the room making their way to the stage for “I Waltz Alone.” The concert featured choreography by Michael Notardonato, who also served as associate director.

Bob Stillman Jennifer Bassey Davis

Ken Jennings

Willison, who also played Colonel Doctor Otternschlag) kept Maury Yeston’s entire glorious score. “I Want to Go to Hollywood” for example. That number was skillfully sung by Susan Wood Duncan, who played Flaemmchen in the touring cast.

Bob Stillman

Walter Willison

Ken Jennings stepped in as Otto Kringelein, leading the company in a moving “We’ll Take a Glass Together!” was sung in the bar area.

Diane J. Findlay

A highlight was Diane J. Findlay

Karen Akers

Jennifer Bassey Davis as Elizaveta Grushinskaya, and Akers as Rafaella, were haunting.

Susie McCollum

Harper Lee Andrews and Susie McCollum played the roles their mothers originated.

The cast

On Monday Happy Birthday closed the show to a reprise of “We’ll Take a Glass Together” and thus they did.

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Entertainment

Live From The Hotel Edison Times Square Chronicles Presents Maury Yeston and Victoria Clark Rescheduled

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I am so pleased to announce that on March 13th we are rescheduling our interview with are two time Tony winner Maury Yeston and two time Tony winner Victoria Clark.

“Live From The Hotel Edison Times Square Chronicles Presents ”, is a new show that is filmed live every Wednesday from 5 – 6 in the lobby of the iconic Hotel Edison, before a live audience. To see our first episode click here second episode click here and for our third episode click here.

Hope you can join us for what will be one fabulous musical night.

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Events

A Look At The Vineyard Theatre’s Starry Gala

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Photo Patti LuPone and Jesse Tyler Ferguson© Bruce Glikas @bruglikas@broadwaybruce_

Here are photos from the Vineyard Theatre’s 2024 Annual Gala honoring Tony Award-winning actor Jesse Tyler Ferguson (Take Me Out) held Monday, February 26, 2024, at the Edison Ballroom, the festive evening included performances by Sara Bareilles with Rosie’s Theatre Kids, Patti LuPone, Lea DeLaria, Celia Keenan-Bolger and more. Sarah Saltzberg served as host and Hiram Delgado, Bill Heck, Ken Marks, Michael Oberholtzer and Eduardo Ramos paid hilarious tribute to their Take Me Out co-star.

Jesse Tyler Ferguson at Vineyard Theatre 2024 Gala © Bruce Glikas @bruglikas @broadwaybruce_

Jesse Tyler Ferguson and Chelsea Clinton at Vineyard Theatre 2024 Gala © Bruce Glikas @bruglikas @broadwaybruce_

Also attendance to support were Chelsea Clinton, Kevin Cahoon, Crystal Dickinson, Brandon J. Dirden, Brandon Victor Dixon, Renata Friedman, Montego Glover, Michael R. Jackson, Haskell King, Christine Lahti, John Lavelle, Luke Macfarlane, Justin Mikita, Deirdre O’Connell, Hadi Tabbal and Rolanda Watts.

Celia Keenan-Bolger, Marc Mezvinsky, Chelsea Clinton, Sara Bareilles, Kevin Cahoon, Jesse Tyler Ferguson, and Lea DeLaria © Bruce Glikas @bruglikas @broadwaybruce_

Jesse Tyler Ferguson, Christopher Shinn, Emily Bergl and Luke Macfarlane © Bruce Glikas @bruglikas @broadwaybruce_

Celebratory toasts were also given to Rosemarie Bray, Educator at Union Square Academy of Health Sciences and Christina Poon, General Manager of W Hotel – New York – Union Square. The Gala will be

Montego Glover, Celia Keenan-Bolger and Sara Bareilles © Bruce Glikas @bruglikas @broadwaybruce_

The Gala was co-directed by Leigh Silverman (Suffs, Harry Clarke, Sandra) and Colin Hanlon (DOT, “Modern Family”) with musical direction by Vadim Feichtner (Spelling Bee, Falsettos, New Brain).

Sara Bareilles and Rosie’s Theatre Kids © Bruce Glikas @bruglikas @broadwaybruce_

The Gala host committee includes the Patrick J. Adams, Blavatnik Family Foundation, John Barrie and Betsy Smith, Kathleen and Henry Chalfant, Ken and Rande Greiner, Mark Lerner and Steven Frank, Padma Lakshmi, Sue Marks, Justin Mikita, David J. Schwartz andTrudy Zohn, Annette Stover and Richard Feiner and Julia Vitullo-Martin. Under the artistic leadership of Douglas Aibel and Sarah Stern, Vineyard Theatre develops and produces new plays and musicals that push the boundaries of what theatre can be and do. For over 40 years, The Vineyard has nurtured a community of fearless theatre makers whose work has expanded the form, the field, and the larger culture. Vineyard Theatre has transferred eleven shows to Broadway, seven directly after their acclaimed Vineyard premieres: Lucas Hnath’s Dana H. and Tina Satter’s Is This A Room (both New York Times Best Theatre of 2021); Paula Vogel’s Indecent; Nicky Silver’s The Lyons; Kander, Ebb and Thompson’s The Scottsboro Boys; Bell and Bowen’s [title of show]; and Avenue Q by Marx, Lopez and Whitty (Tony Award, Best Musical). In recent years, four additional shows launched at The Vineyard have been revived in their first Broadway productions: Paula Vogel’s Pulitzer Prize-winning How I Learned to Drive; Lanie Robertson’s Lady Day at Emerson’s Bar And Grill; Becky Mode’s Fully Committed; and Edward Albee’s Pulitzer Prize-winning Three Tall Women. From our home in NYC’s Union Square, The Vineyard develops and premieres new plays and musicals which go on to be seen around the country and the world. Recently, Jeremy O. Harris’ play “Daddy” (2019) received its London premiere at the Almeida; Ngozi Anyanwu’s Good Grief (2018) and David Cale’s Harry Clarke (2017) were recorded by Audible; Branden Jacobs-Jenkins’ Gloria (2014), a finali st for the Pulitzer Prize, transferred to Chicago’s Goodman Theatre; Paula Vogel’s Tony Award-winning Indecent (2016) aired on PBS’s “Great Performances” and was one of the most-produced plays nationwide in 2019; and Oscar Nominee Colman Domingo’s Dot (2016) is being adapted into an AMC series. The Vineyard’s first major digital work, Lessons in Survival, was named one of the top theatrical experiences of 2020 by the New York Times and has been viewed by audiences in more than 40 countries. The Vineyard’s Paula Vogel Playwriting Award, Susan Stroman Directing Award, and Colman Domingo Award provide residencies to early-career artists and our education programs serve over 700 New York City public high school students annually, culminating in Developing Artists’ REBEL VERSES Youth Arts Festival. The Roth-Vogel New Play Commission is awarded annually to a mid to late-career playwright to create and develop a new play with The Vineyard. Our work and artists have been honored with numerous awards including Pulitzer Prizes and Tony Awards, and the company is proud to be the recipient of special Drama Desk, Obie, and Lucille Lortel Awards for artistic excellence and support of artists. 

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