12pm: Artist Talk with Battery Dance By Battery Dance. Each week, artists from around the world join BatteryDanceTV for a 30-minute talk.
12pm soundcheck/ 3pm and 8pm show: The Seth Concert Series: Alex Newell Like a rush of energy or a jolt of adrenaline, certain voices sweep us off our feet. Alex Newell wields such a voice. With traffic-stopping delivery, sweeping range, and wild charisma, the Grammy® award-nominated singer, songwriter, actor, activist, and performer evokes a physical reaction every time he steps up to a microphone. Whether recording in the studio, performing on Broadway, or appearing on television, he instantly connects. The connection grows stronger on a series of new singles for Big Beat Records and 2020 project – his first in four years.
“I always think my vocals have to be bigger,” he smiles. “I pride myself on being the loudest singer i know. It’s important to bring the fullness of the actual voice to the forefront. It’s like the vocals punch you in the face or wake you up. When you hear my music, you should want to shutdown somebody’s runway, strut down your hall, dance around, feel good, or scream for no reason.”
Alex consistently inspired this level of elation. After taking the stage for the first time at a state fair at two-years-old, the Lynn, MA native devoted a lifetime to singing and performing. Millions fell in love with Newell’s voice as he brought Wade “Unique” Adams to life on Glee over the course of four seasons, offering a groundbreaking and influential depiction of one of network television’s very first transgender characters (Newell himself identifies as a gender non-conforming male). Generating over 200 million career streams thus far, he introduced a simmering and slick style on his power EP in 2016 – which hit #4 on the Billboard Top Dance/Electronic Albums Chart and yielded the fan favorites “This Ain’t Over,” “Basically Over You (b.o.y.)” & “Nobody to Love.”
In addition to collaborations with Clean Bandit and The Knocks, he lent his vocal prowess to Blonde’s “All Cried Out” and DJ Cassidy’s “Kill the Lights” with Jess Glynne and Nile Rodgers, the latter of which clinched #1 on the Billboard Dance/Club Chart. Between headlining and supporting Adam Lambert on tour, he ignited stages at Coachella, The Governor’s Ball Music Festival, and beyond. Simultaneously, he used his platform to uplift LGBTQ youth through advocacy and aligning with the Trevor Project and GLAAD, among other organizations.
2018 saw him switch gears and succeed yet again. Fulfilling a formative dream to be on Broadway, he joined the Tony Award-winning revival of Once On This Island in the role of Asaka. After a stellar run, he received a Grammy® award nomination in the category of Best Musical Theater Album to cap it off, in addition to giving stunning performances of “Mama Will Provide” on Late Night with Weth Meyers, The Today Show and the 2018 Tony awards.
“i took a break from my solo music to focus on other passions,” he admits. “Going away from something you love really makes you love it even more. For my entire life, my goal was to be on Broadway. I did that, and I got so much from it. You’re literally doing the same exact routine everyday though. I needed to get out for a little bit. When the show closed, it was time to go back to the expression I get from music, which is truly my own.” In 2019, he retreated to Los Angeles in order to dive headfirst into another chapter. Working in the studio, he embraced a newfound confidence.
Get Your Pink Hands Off Me Sucka and Give Me Back Barrington Stage Company presents Get Your Pink Hands Off Me Sucka and Give Me Back by Daniella De Jesús, the Grand Prize winner of the 2021 Bonnie and Terry Burman New Play Award. Directed by Taylor Reynolds, the streamed virtual reading will be presented June 4-6, 2021.
7:30pm: Philip Glass’s Akhnaten Philip Glass’s mesmerizing masterpiece of ancient Egypt—in an ingenious production by Phelim McDermott that incorporates a virtuosic troupe of jugglers and acrobats—is unlike anything else ever seen on the Met stage and proved a sold-out sensation in its company premiere last season. A portrait of the revolutionary title pharaoh, whose attempt to convert his society to the monotheistic worship of the sun leads to his overthrow, Glass’s opera takes a ritualistic approach to depicting the events, hypnotizing the listener with its repetitive yet immersive music.
Writing Fragments Home While free to watch, donations are encouraged to onations are encouraged to support Compassion in Oakland, a nonprofit formed in response to the surge of anti-Asian attacks and dedicated to promoting safety and community in Oakland Chinatown and beyond.
In a time where the manifestation of prejudice and violence toward the Asian American and Pacific Islander (AAPI) community has reached an extreme high, TheatreWorks Silicon Valley streams a benefit reading of Writing Fragments Home to raise funds to support and uplift the AAPI community.
Written by Filipino American playwright and TheatreWorks Director of Community Partnerships/Casting Director Jeffrey Lo, this comedic play is an unapologetically Filipino American story about art, family, and culture, exploring one playwright’s journey to rediscover his voice while combatting systemic racism.
Co-presented by more than 40 leading theatres and arts organizations in the Bay Area and beyond, Writing Fragments Home will be available on demand June 6-9 following the live stream.
Vienna Waltzes was created in 1977 and set to waltzes by Johann Strauss II, Franz Lehár, and Richard Strauss. It features more than 50 dancers and is only performed by New York City Ballet. Through Rouben Ter-Arutunian’s evolving scenery, Ronald Bates’ lighting, and Karinska’s costumes, which were the last that the famed designer created for the Company, the ballet transforms from a sylvan forest glen to a dance hall to a glittering society café to, at last, a majestic mirrored ballroom.
Juliet and Romeo Romeo and Juliet is reinvented as a musical comedy when the UC Davis Department of Theatre and Dance, Southern Utah University’s (SUU) Department of Theatre, Dance and Arts Administration and Catalyst: A Theatre Think Tank premiere Juliet and Romeo.
Co-written by Paul Gordon, a Tony Award nominee for Jane Eyre, and Curtis Moore, an Emmy Award nominee for The Marvelous Mrs. Maisel, the production will be accessible through midnight Pacific on June 5.
Myths and Hymns: Faith Jennifer Holliday, Mykal Kilgore and Anthony Roth Costanzo star in the final installment of Adam Guettel’s song cycle.
Empress Mei Li Lotus Blossom Abingdon Theatre Company presents this short film written and directed by Christine Toy Johnson that tells the story of a Teaneck-born Asian American actress who poses as an exotic Hong Kong movie star so she can get her shot at Broadway. Reggie Lee moderates a talkback with the cast and creative team after the viewing that celebrates Asian American and Pacific Islander Heritage Month.
Brutal Imagination: Vineyard Theatre Artistic Directors Douglas Aibel and Sarah Stern announce the company’s second original cast benefit reading, reuniting renowned actors Joe Morton (“Scandal”) and Sally Murphy (August: Osage County) for Oppenheimer Award-winning playwright and poet Cornelius Eady’s (Vineyard’s You Don’t Miss The Water) play, Brutal Imagination. Directed by Joe Morton, this digitally-staged reading includes video design by Jared Mezzocchi and is available for on demand streaming through June 3.
The Zip Code Plays: Los Angeles Antaeus Theatre Company highlights the culture and history of six additional Los Angeles neighborhoods with Season 2 of its popular The Zip Code Plays: Los Angeles podcast series.
The latest installments will introduce audiences to the geographically, historically and culturally diverse locales of Echo Park (90026), West Hollywood (90069), Inglewood (90303), Pacoima (91331), North Hollywood (91601) and Monterey Park (91754).
Herding Cats Starring Jassa Ahluwalia, Greg Germann, and Drama Desk nominee Sophie Melville, Herding Cats by Lucinda Coxon is a chillingly funny play about a generation negotiating intimacy and independence in the 21st century.
Meeting the demands of modern life is as impossible as herding cats for Justine, Michael and Saddo. To deal with work, Justine talks—a little too much—to her roommate Michael who earns a living by chatting with strangers like Saddo. But all three will soon find that in a cold, disconnected world, words may not be enough.
Directed by Anthony Banks, this revival of Coxon’s play uses the technical feats that adventurous theatre artists have discovered during the pandemic and combines them with the raw intimacy of in-person performance. This first-of-its-kind, transcontinental event features Ahluwalia and Melville performing for an in-person audience on Soho Theatre’s London stage with Germann performing live via video from the United States.
This production contains distressing themes of sexual abuse. If needed, you may seek help from the RAINN National Sexual Assault Hotline. (Click here to access their website.)
Carry On Tony nominee Jeremy Jordan This event is being streamed online through BroadwayWorld Events. There will be no in-person audience.
Broadway’s Jeremy Jordan, known for his powerful voice and provocative storytelling, returns to the stage with his most ambitious and personal performance to date. Equal parts humor and heartache, Carry On takes us deep into Jeremy’s new life as a father. Unpacking and attempting to reconcile his own complicated childhood, Jeremy soon discovers there is more to being a parent than he could have ever imagined. Featuring an array of musical styles, as well as some never-before-heard songs, Carry On has been thoughtfully reimagined for the virtual stage after winning multiple awards for its premiere at Feinstein’s/54 Below just over a year ago. Featuring musical direction by Benjamin Rauhala.
Animal Wisdom Heather Christian’s Animal Wisdom will unfold on screen rather than on stage. The writer-performer’s show originally debuted at The Bushwick Starr in 2017 but now gets a film adaptation.
In Animal Wisdom, singer-songwriter-soothsayer Christian lays to rest the souls that haunt her, shape-shifting between rock star, folklorist, and high priestess, as she conjures a constellation of souls in an effort to confront her family’s mythologies.
Amber McGinnis directs the film, with stage direction by Emilyn Kowaleski. The cast also includes Sasha Brown, Eric Farber, B.E. Farrow, and Maya Sharpe.
The film is presented by Woolly Mammoth Theater Company and American Conservatory Theater.
The Destruction of Jane Edgar Rice Burroughs will be spinning in his grave this spring. A new seven-part miniseries, inspired by the infamous film Tarzan the Ape Man, debuts this month.
The Destruction of Jane is an unauthorized parody of the King of the Jungle is told from the point of view of Miss Jane Parker.
Weekly installments premiere on Thursdays.
The miniseries stars stars Paul Pecorino and Rob Eco as Jane and Tarzan, respectively, and features special cameo appearances by Mario Cantone and Randy Rainbow. The show is written by Paul Pecorino and directed by Drue Pennella.
Set in the current COVID-19 pandemic, this comedy follows Jane to the African jungle where she meets and falls in love with the spectacular specimen we all know as the legendary Tarzan. The 1981 Tarzan film became a massive financial hit due to its dizzyingly unintentional bad taste, and screenwriter Paul Pecorino has set out to push these offensively vulgar boundaries even further.
The creative team includes director of photography Erik Paulsen, composers Drew Fornarola and David Nehls, musical arranger Paul Doust; costumes & wigs designer David Mitsch; makeup & wig styling designer Vera Stromsted and Donanyely Mejia and Marty Thomas; and specialty costumes designer Gail Baldoni. The Destruction of Jane is presented by Pure Motion Pictures.
Back to the Future: From Screen to Stage Ahead of the Back to the Future musical opening in the Adelphi Theatre on August 20, BFI at Home presents an online discussion with members of the cast and crew about how the hit film became a full-fledged stage musical.
Romeo & Juliet Jessie Buckley and Josh O’Connor star in a film of London’s National Theatre’s Romeo and Juliet. It premieres on PBS as part of the Great Performances series.
The Woman’s Party Clubbed Thumb presents the world premiere of The Woman’s Party. Originally slated to premiere as part of the 2020 Summerworks Festival, the piece will now premiere virtually.
Written by Rinne B. Groff and directed by Tara Ahmadinejad, The Woman’s Party has been divided into three 30-minute episodes.
1947 is the year that the savvy politicos of the National Woman’s Party will finally get the ERA passed once they quash that insurgency—or oust the old guard. The Woman’s Party takes place 27 years after the ratification of women’s suffrage, when the Equal Rights Amendment was poised for passage.
The cast includes Rosalyn Coleman, Alma Cuervo, Laura Esterman, Marga Gomez, Marceline Hugot, Emily Kuroda, Lizan Mitchell, Socorro Santiago, Rebecca Schull, and Connie Winston.
Shadow/Land Michelle Wilson, Te’Era Coleman, Lizan Mitchell, Lance E. Nichols, Lori Elizabeth Parquet and Sunni Patterson star in the world premiere of Erika Dickerson-Despenza’s audio play. The drama is set amidst the devastation of Hurricane Katrina and is part of the Public Theater’s digital stage.
The Thanksgiving Play Spotlight on Plays returns with Larissa FastHorse’s The Thanksgiving Play, directed by Leigh Silverman. The cast features Tony nominees Heidi Schreck and Bobby Cannavale, along with Keanu Reeves and Alia Shawkat.
Romeo y Julieta Lupita Nyong’o and Juan Castano star in this free bilingual audioplay of Shakespeare’s Romeo and Juliet, presented by the Public Theater and WNYC Studios.
Lights on the Radio Tower Originally developed at the Adirondack Theatre Festival and Bloomington Playwrights Project, this thrilling two-hander rock musical tells the story of Molly and Jesse, a brother and sister who, after eighteen years apart, reunite at their decaying childhood home following the death of their father. The estranged rock duo’s competing recollections of their childhood, their last night together, and their final gig force them to face the painful truth of their past.
La Femme Theatre Productions: The Night of the Iguana The show will feature Golden Globe winner and Emmy nominee Dylan McDermott (Netflix’s “Hollywood”) as Reverend Shannon, Emmy nominee and Tony Award winner Phylicia Rashad (Broadway’s Cat on a Hot Tin Roof) as Maxine, Roberta Maxwell (Broadway’s Summer and Smoke) as Judith Fellowes, Tony nominee, Obie and Drama Desk Award winner Austin Pendleton (Broadway’s Choir Boy) as Nonno, and Jean Lichty (Off-Broadway’s A Lovely Sunday for Creve Coeur, The Traveling Lady) as Hannah, with Keith Randolph Smith (Broadway’s Jitney, American Psycho) as Jake, Carmen Berkeley (Off-Broadway’s Our Dear Dead Drug Lord) as Charlotte, Eliud Kauffman (Roundabout Theatre’s 72 Miles to Go) as Hank, Julio Macias (Netflix’s “On My Block”) as Pancho, Stephanie Schmiderer (No Exit, The Human Voice) as Frau Fahrenkopf, Bradley James Tejeda (Broadway’s The Inheritance) as Pedro, and John Hans Tester (Amazon’s ”Hunters” ) as Herr Fahrenkopf.
Waiting for Godot Directed by Scott Elliott, the classic features Tony nominee Ethan Hawke as Vladimir, Tony recipient John Leguizamo as Estragon, Wallace Shawn as Lucky, rapper Tarik Trotter as Pozzo, and Drake Bradshaw as Boy.
In Waiting for Godot two wanderers wait by a lonely tree, to meet up with Mr. Godot, who they hope will change their lives for the better. Instead, another couple of eccentric travelers arrive, one man on the end of the other’s rope.
The creative team also includes production designer Derek McLane, costume designer Qween Jean, sound designer Justin Ellington, director of photography Kramer Morgenthau, editor Yonatan Weinstein, and associate director Monet.
The New York Pops Up Festival a thousand in-person performances throughout the state from now through June. Most events associated with NY PopsUp will be unannounced (and unticketed) and will be designed so that New Yorkers happen upon them in their everyday lives. (Since we can’t have large gatherings right now, we want to bring a lot of small things to the public where they are) NY PopsUp is a surprise that you happen upon, rather than an event or concert you are alerted to via a notification or a schedule.
Julius Caesar, Starring Patrick Page By Shakespeare@ Tony nominee Patrick Page (Hadestown) stars in the title role with Jordan Barbour (The Inheritance) as Brutus and Keith Hamilton Cobb (American Moor) as Cassius. West End Harry Potter and the Cursed Child performers Jamie Ballard and James Howard co-star as Mark Antony and Metellus Cimber, respectively.
The production is also be available on Spotify, Apple Podcasts, Soundcloud, and Stitcher.
Produced by Jersey City’s Shakespeare@, this audio production is the third installment of the season, produced and adapted by Artistic Director Sean Hagerty.
Hagerty has crafted the production into four weekly parts and partnered with the Emmy-winning team at Sonic Designs to capture the lost art and thrill of radio drama all without leaving the confines of quarantine.
Julius Caesar features original music composed by Joan Melton with sound design by the Emmy-winning team of Dan Gerhard and Ellen Fitton of Sonic Designs. Justin Goldner is the music producer and supervisor, and casting is by Robin Carus. Sydney Steele serves as the associate producer.
Assassins Reunion: Original Off-Broadway Cast The original cast and creative team of the 1991 Off-Broadway debut of Stephen Sondheim and John Weidman’s Tony-winning Assassins will reunite virtually to celebrate the musical’s 30th anniversary.
The free online event is part of the Studio Tenn Talks: Conversations with Patrick Cassidy series and will feature Studio Tenn Artistic Director Cassidy as well as other original cast members Victor Garber, Greg Germann, Annie Golden, Lyn Greene, Jonathan Hadary, Eddie Korbich, Terrence Mann, Debra Monk, William Parry, and Lee Wilkof plus Sondheim and Weidman, director Jerry Zaks, musical director Paul Gemignani, and orchestrator Michael Starobin.
The Things Are Against Us Susan Soon He Stanton’s The Things Are Against Us will be the next production in MCC’s LiveLab one-act digital reading series. Ellie Heyman directs the cast, which includes Juan Castano, Emily Davis, Susannah Flood, Babak Tafti, and Danny Wolohan, in tthe play set in a mysterious house with a mind of its own.
SoHo Playhouse Presents Typical Soho Theatre and Nouveau Riche present the world premiere of Typical, the film version of the stage play, released exclusively on Soho Theatre On Demand
Written by Ryan Calais Cameron and directed by Anastasia Osei-Kuffour, Typical uncovers the man and the humanity behind the tragic true-life events of Black British ex-serviceman Christopher Alder and the injustice that still remains twenty years since his story emerged.
The Manic Monologues Current Slave Play Tony nominee Ato Blankson-Wood, Rent Tony winner Wilson Jermaine Heredia, Accidentally Brave playwright Maddie Corman, and more stage favorites will explore mental health this winter in a new digital production from the McCarter Theatre Center.
Avengers Tower Sets Meet And Greet With Signing
C. B. Cebulski, Editor-in-Chief of Marvel Comics, and The LEGO Group Senior Graphic Designer Mark Tranter will be at the Fifth Ave LEGO Store this Friday, December 1st from 5pm-6pm signing the Avengers Tower set—the most iconic building in the Avengers Universe, with 5,201 pieces and an all-star cast of 31 figures.
The Avengers Tower, formerly known as Stark Tower, was a high-rise building complex located in Manhattan. Constructed by Tony Stark, the tower was powered by an Arc Reactor that made it capable of running itself for over a year. The top ten floors housed the research and development initiatives.
Following the dissolution of S.H.I.E.L.D., Stark Tower became the main headquarters of the Avengers. However, after the Ultron Offensive, Stark refurbished a Stark Industries warehouse upstate into the Avengers Compound to use as their primary base while Avengers Tower was repurposed for Stark Industries’ use. In the aftermath of the Avengers Civil War, Stark sold the tower and moved all of its equipment to the Avengers Compound.
By 2024, the tower, under its new ownership, had gone through extensive construction and renovation.
Unpacking Frontmezzjunkies’s London Theatrical Trip 0f 2023
It was one of those spontaneous but well-planned cross-Atlantic journeys, fueled by a one-show idea that blossomed into something bigger. Antonio and I (two theatre junkies of the highest order) typically would find ourselves traveling to London, meeting there for about five nights, give or take. That is after I spent one evening with a good old friend and his longtime husband. Which was a personal requirement, and then, Antonio and I would dutifully schedule one theatrical event after the other, building a theatrical plan that would make others weak in the knees. But for the two of us, a London trip was exactly that. As much theater as we could fit in, with a few museums mixed in with at least one tourist attraction that was new to at least one of us. And a lot of great breakfasts made up of coffee and baked goods, as well as dinners with friends or just the two of us. Close to the theatre that was housing that night’s show. That was also a requirement. Born out of one too many breathless runs through Times Square trying to get to that scheduled curtain on time.
This year’s trip started with a casual statement about Andrew Scott doing a one-man Vanya in the West End. And the rest, as they say, is history. What soon followed was a Mark Rylance-starring play, Dr. Semmelweis, courtesy of a long-waiting National Theatre credit from March 2020. Then an immersive Guys and Dolls, and a quick grab at some standing-room-only tickets for a sold-out Next to Normal that we thought we had missed out on until we got that early morning email announcement. An Ian McKellen-starring Frank and Percy soon followed, as did the play Hamnet, based on a book I’ve never really heard of (but it seems many others had, including Antonio).
That was the plan. But I decided to stay even longer than normal. Surprising even myself. Usually, I would EasyJet myself off to some locale in Europe that I’ve never been to before, or to someplace I wanted to revisit after a far too long absence. But this time I just wanted to stay put a wee bit longer. And to give myself some time to see others that I might not have had the chance to see or spend time with. And of course, some more shows followed. The British farce Noises Off and a new musical The Time Traveler’s Wife with friends that weren’t Antonio. A matinee at the National Theatre on the day Antonio would fly home. And a last-minute day-of TKTS purchase in Leicester Square for a musical about an old English woman going to Paris to buy a dress from Dior. I probably wouldn’t have gone to see that one. Maybe I would have seen the Stephen Sondheim songbook show Old Friends starring Bernadette Peters and Lea Salonga, or the recently transferred National Theatresoccer play, Dear England, starring Joseph Fiennes. But the new musical, Flowers for Mrs. Harris starred Jenna Russell, one of my all-time favorites, and that was just too good to resist. So why would I?
So ten shows. In about ten days. Not a record mind you. But a pretty satisfying theatrical and social undertaking. And here are a few words about each of the shows. If you’ve managed to get through this long-winded introduction. So here it is: My London theatre trip of 2023.
London Theatrical Trip 2023
SHOW #1: DONMAR WAREHOUSE’S NEXT TO NORMAL
SHOW #2: WEST END’S DR. SEMMELWEIS
SHOW #3: WEST END’S VANYA
SHOW #4: THE OTHER PLACE’S FRANK AND PERCY
SHOW #5: BRIDGE THEATRE’S GUYS AND DOLLS
SHOW #6: WEST END’S HAMNET
SHOW #7: NATIONAL THEATRE’S THE FATHER AND THE ASSASSIN
SHOW #8: WEST END’S NOISES OFF
SHOW #9: RIVERSIDE STUDIO’S FLOWERS FOR MRS. HARRIS
SHOW #10: WEST END’S THE TIME TRAVELLER’S WIFE
For more go to frontmezzjunkies.com
Ahead of the Broadway Opening of Lempicka The Longacre Theatre Is Showcasing Art Work By Tamara de Lempicka
The Longacre Theatre (220 W 48th St.), soon-to-be home of the sweeping new musical, Lempicka, is showcasing a curated selection of renowned artist Tamara de Lempicka’s most famous works. Eschewing traditional theatrical front-of-house advertising, the Longacre’s façade now boasts prints, creating a museum-quality exhibition right in the heart of Times Square. The musical opens on Broadway on April 14, 2024 at the same venue.
The Longacre’s outdoor exhibition includes works of Self Portrait (Tamara in a Green Bugatti) (1929), Young Girl in Green (1927), Nu Adossé I (1925), The Red Tunic (1927), The Blue Scarf (1930), The Green Turban (1930), Portrait of Marjorie Ferry (1932), Portrait of Ira P. (1930), Portrait of Romana de la Salle (1928), and Adam and Eve (1932).
Starring Eden Espinosa and directed by Tony Award winner Rachel Chavkin, Lempicka features book, lyrics, and original concept by Carson Kreitzer, book and music by Matt Gould, and choreography by Raja Feather Kelly.
Spanning decades of political and personal turmoil and told through a thrilling, pop-infused score, Lempicka boldly explores the contradictions of a world in crisis, a woman ahead of her era, and an artist whose time has finally come.