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What to Watch: June 9

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Becoming Dr. Ruth Tovah Feldshuh stars as the legendary Dr. Ruth Westheimer in Mark St. Germain’s play through California’s North Coast Repertory Theatre. David Ellenstein directs the production that tells the extraordinary true story of the real-life radio and television sex therapist and her rise to fame. Available through July 4.

7pm: Raja Feather Kelly | the feath3r theory’s “The KILL ONE Race” Playwrights Horizons presents Raja Feather Kelly | the feath3r theory’s The KILL ONE Race, a performance-based work created and filmed at Playwrights Horizons during the pandemic.

The KILL ONE Race treats the Mainstage Theater as the setting for a morbid reality competition show: over the course of seven days replete with ice-breakers, speed dates, confessionals, sacred rituals, murder plots, and copious dancing, seven contestants compete to be proven the most ethical—and earn the singular prize of death.

The show is part-documentary (capturing the members of the feath3r theory as they recreate a macabre game first envisioned in the 1963 dystopian novel Kill One), part theatre, and part reality TV game show itself.

h Episodes 1 & 2 available beginning June 4, Episodes 3 & 4 on June 7, Episode 5 on June 9, Episode 6 on June 11, and Episode 7 on June 12. All episodes will premiere at 7pm.

7:30pm: Bellini’s La Sonnambula An immediate success in its day despite a plot that stretched the bounds of plausibility, this operatic gem from one of the great masters of melody was categorized as semiseria, or “semi-serious.” Deeper than a comedy, but in no way a tragedy, La Sonnambula reaches its conclusion through genuine, poignant character development, rather than by intrigue or farce. And the role of Amina, the sleepwalking “somnambulist” of the title, requires a rare combination of innocence, charm, and breathtaking vocal virtuosity.

Beanie Feldstein, Taylor Trensch, Kate Baldwin, Gavin Creel
Beanie Feldstein, Taylor Trensch, Kate Baldwin, Gavin Creel

8pm: Stars in the House Hello, Dolly! Game Night with Kate Baldwin, Gavin Creel, Taylor Trensch and Beanie Feldstein.​

Writing Fragments Home While free to watch, donations are encouraged to onations are encouraged to support Compassion in Oakland, a nonprofit formed in response to the surge of anti-Asian attacks and dedicated to promoting safety and community in Oakland Chinatown and beyond.

In a time where the manifestation of prejudice and violence toward the Asian American and Pacific Islander (AAPI) community has reached an extreme high, TheatreWorks Silicon Valley streams a benefit reading of Writing Fragments Home to raise funds to support and uplift the AAPI community.

Written by Filipino American playwright and TheatreWorks Director of Community Partnerships/Casting Director Jeffrey Lo, this comedic play is an unapologetically Filipino American story about art, family, and culture, exploring one playwright’s journey to rediscover his voice while combatting systemic racism.

Co-presented by more than 40 leading theatres and arts organizations in the Bay Area and beyond, Writing Fragments Home will be available on demand June 6-9 following the live stream.

Vienna Waltzes was created in 1977 and set to waltzes by Johann Strauss II, Franz Lehár, and Richard Strauss. It features more than 50 dancers and is only performed by New York City Ballet. Through Rouben Ter-Arutunian’s evolving scenery, Ronald Bates’ lighting, and Karinska’s costumes, which were the last that the famed designer created for the Company, the ballet transforms from a sylvan forest glen to a dance hall to a glittering society café to, at last, a majestic mirrored ballroom.

Juliet and Romeo Romeo and Juliet is reinvented as a musical comedy when the UC Davis Department of Theatre and Dance, Southern Utah University’s (SUU) Department of Theatre, Dance and Arts Administration and Catalyst: A Theatre Think Tank premiere Juliet and Romeo.

Co-written by Paul Gordon, a Tony Award nominee for Jane Eyre, and Curtis Moore, an Emmy Award nominee for The Marvelous Mrs. Maisel, the production will be accessible through midnight Pacific on June 5. 

Myths and Hymns: Faith Jennifer Holliday, Mykal Kilgore and Anthony Roth Costanzo star in the final installment of Adam Guettel’s song cycle.

Empress Mei Li Lotus Blossom Abingdon Theatre Company presents this short film written and directed by Christine Toy Johnson that tells the story of a Teaneck-born Asian American actress who poses as an exotic Hong Kong movie star so she can get her shot at Broadway. Reggie Lee moderates a talkback with the cast and creative team after the viewing that celebrates Asian American and Pacific Islander Heritage Month.

Brutal Imagination: Vineyard Theatre Artistic Directors Douglas Aibel and Sarah Stern announce the company’s second original cast benefit reading, reuniting renowned actors Joe Morton (“Scandal”) and Sally Murphy (August: Osage County) for Oppenheimer Award-winning playwright and poet Cornelius Eady’s (Vineyard’s You Don’t Miss The Water) play, Brutal Imagination. Directed by Joe Morton, this digitally-staged reading includes video design by Jared Mezzocchi and is available for on demand streaming through June 3.

The Zip Code Plays: Los Angeles Antaeus Theatre Company highlights the culture and history of six additional Los Angeles neighborhoods with Season 2 of its popular The Zip Code Plays: Los Angeles podcast series.

The latest installments will introduce audiences to the geographically, historically and culturally diverse locales of Echo Park (90026), West Hollywood (90069), Inglewood (90303), Pacoima (91331), North Hollywood (91601) and Monterey Park (91754). 

Herding Cats Starring Jassa Ahluwalia, Greg Germann, and Drama Desk nominee Sophie Melville, Herding Cats by Lucinda Coxon is a chillingly funny play about a generation negotiating intimacy and independence in the 21st century.

Meeting the demands of modern life is as impossible as herding cats for Justine, Michael and Saddo. To deal with work, Justine talks—a little too much—to her roommate Michael who earns a living by chatting with strangers like Saddo. But all three will soon find that in a cold, disconnected world, words may not be enough.

Directed by Anthony Banks, this revival of Coxon’s play uses the technical feats that adventurous theatre artists have discovered during the pandemic and combines them with the raw intimacy of in-person performance. This first-of-its-kind, transcontinental event features Ahluwalia and Melville performing for an in-person audience on Soho Theatre’s London stage with Germann performing live via video from the United States.

This production contains distressing themes of sexual abuse. If needed, you may seek help from the RAINN National Sexual Assault Hotline. (Click here to access their website.)

Carry On Tony nominee Jeremy Jordan This event is being streamed online through BroadwayWorld Events. There will be no in-person audience.

Broadway’s Jeremy Jordan, known for his powerful voice and provocative storytelling, returns to the stage with his most ambitious and personal performance to date. Equal parts humor and heartache, Carry On takes us deep into Jeremy’s new life as a father. Unpacking and attempting to reconcile his own complicated childhood, Jeremy soon discovers there is more to being a parent than he could have ever imagined. Featuring an array of musical styles, as well as some never-before-heard songs, Carry On has been thoughtfully reimagined for the virtual stage after winning multiple awards for its premiere at Feinstein’s/54 Below just over a year ago. Featuring musical direction by Benjamin Rauhala.

Animal Wisdom Heather Christian’s Animal Wisdom will unfold on screen rather than on stage. The writer-performer’s show originally debuted at The Bushwick Starr in 2017 but now gets a film adaptation. 

In Animal Wisdom, singer-songwriter-soothsayer Christian lays to rest the souls that haunt her, shape-shifting between rock star, folklorist, and high priestess, as she conjures a constellation of souls in an effort to confront her family’s mythologies.

Amber McGinnis directs the film, with stage direction by Emilyn Kowaleski. The cast also includes Sasha Brown, Eric Farber, B.E. Farrow, and Maya Sharpe.

The film is presented by Woolly Mammoth Theater Company and American Conservatory Theater. 

The Destruction of Jane Edgar Rice Burroughs will be spinning in his grave this spring. A new seven-part miniseries, inspired by the infamous film Tarzan the Ape Man, debuts this month.

The Destruction of Jane is an unauthorized parody of the King of the Jungle is told from the point of view of Miss Jane Parker. 

Weekly installments premiere on Thursdays.  

The miniseries stars stars Paul Pecorino and Rob Eco as Jane and Tarzan, respectively, and features special cameo appearances by Mario Cantone and Randy Rainbow. The show is written by Paul Pecorino and directed by Drue Pennella.

Set in the current COVID-19 pandemic, this comedy follows Jane to the African jungle where she meets and falls in love with the spectacular specimen we all know as the legendary Tarzan. The 1981 Tarzan film became a massive financial hit due to its dizzyingly unintentional bad taste, and screenwriter Paul Pecorino has set out to push these offensively vulgar boundaries even further.

The creative team includes director of photography Erik Paulsen, composers Drew Fornarola and David Nehls, musical arranger Paul Doust; costumes & wigs designer David Mitsch; makeup & wig styling designer Vera Stromsted and Donanyely Mejia and Marty Thomas; and specialty costumes designer Gail Baldoni. The Destruction of Jane is presented by Pure Motion Pictures.

Back to the Future: From Screen to Stage Ahead of the Back to the Future musical opening in the Adelphi Theatre on August 20, BFI at Home presents an online discussion with members of the cast and crew about how the hit film became a full-fledged stage musical.

Romeo & Juliet Jessie Buckley and Josh O’Connor star in a film of London’s National Theatre’s Romeo and Juliet. It premieres on PBS as part of the Great Performances series. 

The Woman’s Party Clubbed Thumb presents the world premiere of The Woman’s Party. Originally slated to premiere as part of the 2020 Summerworks Festival, the piece will now premiere virtually.

Written by Rinne B. Groff and directed by Tara Ahmadinejad, The Woman’s Party has been divided into three 30-minute episodes.

1947 is the year that the savvy politicos of the National Woman’s Party will finally get the ERA passed once they quash that insurgency—or oust the old guard. The Woman’s Party takes place 27 years after the ratification of women’s suffrage, when the Equal Rights Amendment was poised for passage. 

The cast includes Rosalyn Coleman, Alma Cuervo, Laura Esterman, Marga Gomez, Marceline Hugot, Emily Kuroda, Lizan Mitchell, Socorro Santiago, Rebecca Schull, and Connie Winston.

Shadow/Land Michelle Wilson, Te’Era Coleman, Lizan Mitchell, Lance E. Nichols, Lori Elizabeth Parquet and Sunni Patterson star in the world premiere of Erika Dickerson-Despenza’s audio play. The drama is set amidst the devastation of Hurricane Katrina and is part of the Public Theater’s digital stage.

The Thanksgiving Play Spotlight on Plays returns with Larissa FastHorse’s The Thanksgiving Play, directed by Leigh Silverman. The cast features Tony nominees Heidi Schreck and Bobby Cannavale, along with Keanu Reeves and Alia Shawkat.

Romeo y Julieta Lupita Nyong’o and Juan Castano star in this free bilingual audioplay of Shakespeare’s Romeo and Juliet, presented by the Public Theater and WNYC Studios.

Lights on the Radio Tower Originally developed at the Adirondack Theatre Festival and Bloomington Playwrights Project, this thrilling two-hander rock musical tells the story of Molly and Jesse, a brother and sister who, after eighteen years apart, reunite at their decaying childhood home following the death of their father. The estranged rock duo’s competing recollections of their childhood, their last night together, and their final gig force them to face the painful truth of their past.

La Femme Theatre Productions: The Night of the Iguana The show will feature Golden Globe winner and Emmy nominee Dylan McDermott (Netflix’s “Hollywood”) as Reverend Shannon, Emmy nominee and Tony Award winner Phylicia Rashad  (Broadway’s Cat on a Hot Tin Roof) as Maxine, Roberta Maxwell (Broadway’s Summer and Smoke) as Judith Fellowes, Tony nominee, Obie and Drama Desk Award winner Austin Pendleton (Broadway’s Choir Boy) as Nonno, and Jean Lichty (Off-Broadway’s A Lovely Sunday for Creve Coeur, The Traveling Lady) as Hannah, with Keith Randolph Smith (Broadway’s Jitney, American Psycho) as Jake, Carmen Berkeley (Off-Broadway’s Our Dear Dead Drug Lord) as Charlotte, Eliud Kauffman (Roundabout Theatre’s 72 Miles to Go) as Hank, Julio Macias (Netflix’s “On My Block”) as Pancho, Stephanie Schmiderer (No Exit, The Human Voice) as Frau Fahrenkopf, Bradley James Tejeda (Broadway’s The Inheritance) as Pedro, and John Hans Tester (Amazon’s ”Hunters” ) as Herr Fahrenkopf.

Waiting for Godot Directed by Scott Elliott, the classic features Tony nominee Ethan Hawke as Vladimir, Tony recipient John Leguizamo as Estragon, Wallace Shawn as Lucky, rapper Tarik Trotter as Pozzo, and Drake Bradshaw as Boy.

In Waiting for Godot two wanderers wait by a lonely tree, to meet up with Mr. Godot, who they hope will change their lives for the better. Instead, another couple of eccentric travelers arrive, one man on the end of the other’s rope.

The creative team also includes production designer Derek McLane, costume designer Qween Jean, sound designer Justin Ellington, director of photography Kramer Morgenthau, editor Yonatan Weinstein, and associate director Monet.

The New York Pops Up Festival a thousand in-person performances throughout the state from now through June. Most events associated with NY PopsUp will be unannounced (and unticketed) and will be designed so that New Yorkers happen upon them in their everyday lives. (Since we can’t have large gatherings right now, we want to bring a lot of small things to the public where they are) NY PopsUp is a surprise that you happen upon, rather than an event or concert you are alerted to via a notification or a schedule.

Julius Caesar, Starring Patrick Page By Shakespeare@ Tony nominee Patrick Page (Hadestown) stars in the title role with Jordan Barbour (The Inheritance) as Brutus and Keith Hamilton Cobb (American Moor) as Cassius. West End Harry Potter and the Cursed Child performers Jamie Ballard and James Howard co-star as Mark Antony and Metellus Cimber, respectively. 

The production is also be available on Spotify, Apple Podcasts, Soundcloud, and Stitcher.

Produced by Jersey City’s Shakespeare@, this audio production is the third installment of the season, produced and adapted by Artistic Director Sean Hagerty.

Hagerty has crafted the production into four weekly parts and partnered with the Emmy-winning team at Sonic Designs to capture the lost art and thrill of radio drama all without leaving the confines of quarantine.

Julius Caesar features original music composed by Joan Melton with sound design by the Emmy-winning team of Dan Gerhard and Ellen Fitton of Sonic Designs. Justin Goldner is the music producer and supervisor, and casting is by Robin Carus. Sydney Steele serves as the associate producer. 

Assassins Reunion: Original Off-Broadway Cast The original cast and creative team of the 1991 Off-Broadway debut of Stephen Sondheim and John Weidman’s Tony-winning Assassins will reunite virtually to celebrate the musical’s 30th anniversary.

The free online event is part of the Studio Tenn Talks: Conversations with Patrick Cassidy series and will feature Studio Tenn Artistic Director Cassidy as well as other original cast members Victor Garber, Greg Germann, Annie Golden, Lyn Greene, Jonathan Hadary, Eddie Korbich, Terrence Mann, Debra Monk, William Parry, and Lee Wilkof plus Sondheim and Weidman, director Jerry Zaks, musical director Paul Gemignani, and orchestrator Michael Starobin.

The Things Are Against Us Susan Soon He Stanton’s The Things Are Against Us will be the next production in MCC’s LiveLab one-act digital reading series. Ellie Heyman directs the cast, which includes Juan Castano, Emily Davis, Susannah Flood, Babak Tafti, and Danny Wolohan, in tthe play set in a mysterious house with a mind of its own. 

SoHo Playhouse Presents Typical Soho Theatre and Nouveau Riche present the world premiere of Typical, the film version of the stage play, released exclusively on Soho Theatre On Demand 

Written by Ryan Calais Cameron and directed by Anastasia Osei-Kuffour, Typical uncovers the man and the humanity behind the tragic true-life events of Black British ex-serviceman Christopher Alder and the injustice that still remains twenty years since his story emerged. 

The Manic Monologues Current Slave Play Tony nominee Ato Blankson-Wood, Rent Tony winner Wilson Jermaine Heredia, Accidentally Brave playwright Maddie Corman, and more stage favorites will explore mental health this winter in a new digital production from the McCarter Theatre Center.

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Broadway

Move Over Daisy Jones & The Six Stereophonic Has Taken Up The Gauntlet

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Daisy Jones & the Six is a hit series on Amazon Prime that follows a rock band in the 1970s from their rise in the LA music scene to becoming one of the most famous bands in the world. This was based on Taylor Jenkins Reid’s book of the same name and was partly inspired by Fleetwood Mac. Stereophonic is like binge watching episodes of this TV series, live on stage for three hours. 


Opening tonight, David Adjmi’s high drama play is set in a recording studio in Sausalito, California in 1976, until the last act when they record in LA. The set by David Zinn, has us inside the control room where we can see inside the sound booth. In the beginning, it is hard to hear the words as everyone is talking over each other. Sex, drugs especially coke, alcohol, cigarettes, joints, infidelity and music are what’s at stake and we are eavesdropping in.

Andrew R. Butler and Eli Gelb Photo by Julieta Cervantes

We first meet Grover (Eli Gelb), an untested producer who has lied to everyone about his credentials and his nerdy assistant Charlie (Andrew R. Butler), who are trying to keep the band who are very much like Fleetwood Mac on track. On lead guitar and vocals, Peter (Tom Pecinka) a control freak, perfectionist, lead songwriter and vocalist who is emotionally abusive. He is in a nine year relationship with Diana (Sarah Pidgeon), also the lead singer who is insecure, neurotic, an up and coming songwriter, who very much like Riley Keough in Daisy Jones & the Six. From England are keyboardist and singer Holly (Juliana Canfield) who is stable, warm and going through a terrible marriage to bassist Reg (Will Brill), who is an addict in every sense of the word. And finally Simon (Chris Stack), a drummer who parties to the hilt, as his marriage falls apart due to the recording of the album going way over the time frame given.

Photo by Julieta Cervantes

The question becomes; can this group of talented performers complete this album without killing each other or themselves? In the course of the 3+ hours, we start to really care about the outcome.

Sarah Pidgeon Photo by Julieta Cervantes

In the meantime, we hear fragments and whole songs that are really well done. Tender, yearning ballads of hope and despair written by Will Butler highlight this slice of life. The songs become the feelings that are unexpressed.

Chris Stack and Will Brill Photo by Julieta Cervantes

The cast is incredible, with each one giving us a complete profile. Gelb and Butler give us comedic dazed and confused nerds, whose chemistry is infectious. Gelb’s character is so out of his depth, as he is forced to be the one to keep this gang together despite Pecinka egocentric narcissistic personality. Pidgeon and Pecinka are perfect as lovers tearing each other apart. Stack gives us loss that is heartbreaking. Canfield gives us layers in a role that could be lost but it is Brill who steals the show with his brilliant portrayal as a rock star who lives his life to access.

Juliana Canfield Photo by Julieta Cervantes

Juliana Canfield Photo by Julieta Cervantes

Enver Chakartash’s costumes, Tommy Kurzman’s wigs and hairstyling, Jiyoun Chang’s  lighting, and Ryan Rumery’s multidirectional sound are groovy and out a sight.

Tom Pecinka and Sarah Pidgeon Photo by Julieta Cervantes

Director Daniel Aukin keeps this chaos intact, as the music exacts its reward.

Tom Pecinka, Juliana Canfield and Sarah Pidgeon by Julieta Cervantes

The music is so good that Sony Masterworks Broadway will release an original cast recording produced by Playwrights Horizons where the show originally played and features the original songs by Academy Award® nominee and Grammy Award® winner Will Butler, formerly of Arcade Fire wrote. The digital album arrives May 10, 2024, with the physical CD release set for June 14. The Album is available for preorder now.

Stereophonic: Broadway’s Golden Theatre, 252 W. 45th Street.

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Broadway

Chip Zien Is Honored at Sardi’s and The Original Cast of Falsettos Unite

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The iconic Chip Zien was honored with his portrait at Sardi’s. Sierra Boggess roasted him to the hilt

Zien has spent almost 50 years on Broadway.


Zien was the Baker in the original 1987 production of Stephen Sondheim and James Lapine’s Into the Woods filmed by the PBS.

The Baker’s Wife Joanna Gleason

In the 90’s he replaced Michael Jeter is Grand Hotel.

Stephen Bogardus, Chip Zien, Alison Fraser, Mary Testa

In 1992 he was Mendel in the groundbreaking William Finn and James Lapine musical Falsettos. He appeared in all of the “Marvin Trilogy” musicals by Finn: In Trousers (1979), March of the Falsettos (1981), Falsettoland (1990) and Falsettos (1992).

Carolee Carmella

Alison Fraser

Gregg Edelman, Barbara Walsh, Stephen Bogardus, Chip Zien,  Carolee Carmello, Mary Testa, Alison Fraser

Gregg Edelman, Barbara Walsh, Stephen Bogardus, Chip Zien, Carolee Carmella, Mary Testa, Alison Fraser

In 1998 Zien was featured in another Finn musical A New Brain. He received a 1999 Drama Desk Award nomination for Outstanding Featured Actor in a Musical for this role.

Anne Nathan and Mary Testa

He appeared in the Off-Broadway play Isn’t It Romantic by Wendy Wasserstein and was nominated for the 1984 Drama Desk Award, Featured Actor in a Play.

Gregg Edelman, Carolee Carmella, Christine Pedi

In 2005, Zien played the part of Goran in Chitty Chitty Bang Bang on Broadway.

In 2007, Zien was a replacement in the Broadway revival of Les Misérables in the role of Monsieur Thénardier.

Richard Kind

From April 1 to June 19, 2011, Zien appeared in the Roundabout Theatre Company’s production of The People in the Picture, which played at Studio 54 on Broadway.

Sierra Boggess

Zien appeared in the Broadway musical It Shoulda Been You at the Brooks Atkinson Theatre.

Chip signing his portrait

In 1973, Zien made his television debut on an episode of Love, American Style. More guest roles followed. In 1981, he appeared on Ryan’s Hope and began a two-year run in Love, Sidney, then Reggie. He provided the voice of the title character in Marvel Comics’ Howard the Duck. Zien later starred on the short-lived CBS drama Shell Game in 1987.

Carolee Carmello, Joanna Gleason, CHip Zien

In the 1990s, Zien was part of the ensemble cast of the CBS sitcom Almost Perfect and had regular roles in the daytime soaps Guiding Light and All My Children, until 2001.

Stefano Da Frè, Chip Zien, Sierra Boggess

From 1999 to 2000, Zien had a recurring guest role on the CBS primetime drama Now and Again and  appeared repeatedly as Attorney Cromwell on Law & Order.

During the 2002–03 season, Zien was the announcer on daytime’s The Caroline Rhea Show, and in 2006, he appeared in the critically acclaimed film United 93 was in the vampire comedy film Rosencrantz and Guildenstern Are Undead.

Joy Hermalyn

He was also in Caroline or Change on Broadway.

Bruce Sussman

Sierra Boggess, Chip Zien, Danny Kornfeld

Blake Roman, Steven Telsey,Sean Bell, Chip Zien, Danny Kornfeld, Eric Peters, Zal Owen

His last show was Harmony, the musical by Barry Manilow and Bruce Sussman. His role as the adult Rabbi, the last surviving Harmonist was hailed by the critic’s and audiences alike. He was nominated for a Drama Desk Award for his portrayal.

It was so fitting that this prolific performer hang on these hallowed walls. Congregations this was well deserved.

Up Next for Chip Zien is Titanic at City Centers Encore series.

 

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Broadway

Barry Manilow and Bruce Sussman for Hamony at The Museum of Broadway

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On Thursday, April 18th, The Museum of Broadway located at 145 W. 45th Street, just east of Times Square, presented a brief A Cappella performance by The Comedian Harmonists played by Steven Telsey, Blake Roman, Danny Kornfeld, Eric Peters, Sean Bell and Zal Owen, welcoming remarks were made by Julie Boardman, Co-Founder Museum of Broadway, Chip Zien the lead in Harmony was in attendance, as were Barry Manilow & Bruce Sussman.

The reason for this event was the unveiling of the Museum of Broadway’s Harmony-inspired window dedicated to The Comedian Harmonists.


In Berlin, 1927, The Comedian Harmonists were six remarkably talented young men form a singing group who become international sensations: They sold millions of records, starred in major motion pictures, and played the biggest theaters around the world. By 1935, they were never heard from again. What happened? That’s the extraordinary true story of Harmony that played on Broadway. Now The Museum of Broadway is keeping their memory alive.

Bruce Sussman and Barry Manilow

Barry Manilow

The Comedian Harmonists and Bruce Sussman and Barry Manilow

Julie Boardman, Co-Founder Museum of Broadway

Steven Telsey, Blake Roman, Danny Kornfeld, Eric Peters, Sean Bell and Zal Owen, and Chip Zien

 

 

 

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Cabaret

Autumn in New York, in April 

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Have you ever had an acquaintance that you knew for many years, and then one day you realize there’s so much more to this person, and before you know it, you can’t get enough of them?  If this is familiar, you’ll understand the kind of experience we all had at Chelsea Table + Stage Sunday night when Klea Blackhurst left us no choice but to fall in love with Vernon Duke.   

Klea took us on a journey exploring the life and music of this man, who was born Vladimir Dukelsky,  and operated under both names.  He wasn’t a spy, but one of those rare remarkable talents that could have one foot in Tin Pan Alley and the other in Carnegie Hall.  Klea reminded us of others in this category: Leonard Bernstein and Kurt Weill were two.  Even Cole Porter dabbled on the classical side, producing the ballet Within the Quota.  Dukelsky took charge of the classical side of this man, composing symphonies and concertos, and even a ballet for Diaghilev’s Ballet Russes.    

Life took a turn for Mr. Dukelsky when he met George Gershwin who told him to “not be scared about going low-brow—that’s where the money is!”.  Gershwin also encouraged him to change his name, and Vernon Duke was born!    

Klea delivered the standards Duke was known for: Taking a Chance on Love, Autumn in New York, April in Paris et al with her usual panache.  But then there were songs I had never heard before, like Not a Care in the World and Poor as a Church Mouse which had a charm that made one hope for more. 

With her characteristic warmth and enthusiasm, Klea peppered this lesson in Vernon Duke with tidbits that those of us who live for this music relish.  Did you know that Duke wrote April in Paris in ten minutes?  No show of Klea’s is complete without a mention of Ethel Merman.  In 1944, Ethel was to star in a new musical by Duke and Deitz entitled Sadie Thompson.  After a brief rehearsal period, Ethel quit over a dispute about the name of a lipstick!   

Finally, did you know that Mary Martin was asked by Rodgers and Hammerstein to be the original Laurey in Oklahoma!?   And after she turned it down, they sent her flowers on every anniversary of the opening.  For details, catch this show next time around.  Or ask Klea yourself—she’ll be back at Chelsea Table+ Stage on May 5 for her Jerry Herman show—One of the Girls.  But wait—there’s more!   On September 15 you can join her for Dreaming of a Song—a salute to Mr. Stardust himself, Hoagy Carmichael.  and on November 20 join in the fun with An Evening with Klea Blackhurst.    

For those unfamiliar with the Blackhurst magic, Klea’s love and enthusiasm for what she does is infectious, and no one leaves one of her performances without catching some of her fire.  If there was ever an antidote to the blues, it’s Klea Blackhurst. 

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Entertainment

Tribeca Festival Announces TV Lineup

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The 2024 Tribeca Festival, presented by OKX, today announced its lineup of television and original indie episodic series. The Festival, which takes place June 5-16, showcases highly anticipated world premieres of new and returning programs from networks and streamers at the forefront of groundbreaking storytelling including Apple TV+, AMC, HBO, Hulu, Paramount+, and more.

This year’s TV lineup features 11 series premieres and two first looks at returning classics. World premieres include Hulu’s Mastermind: To Think Like A Killer, executive produced by Dakota Fanning and Elle Fanning, an in-depth exploration of Dr. Anne Burgess’ career and her successful journey to closing some of America’s most infamous criminal cases; Hollywood Black, executive produced by Justin Simien, an examination of the Black experience in Hollywood featuring conversations with Issa Rae, Lena Waithe, Ryan Coogler, and Ava DuVernay; and Apple TV+’s Presumed Innocent, a legal thriller starring and executive produced by Jake Gyllenhaal, hailing from David E. Kelley and executive producer J.J. Abrams, also with Ruth Negga and Peter Sarsgaard.

The program also spotlights docuseries from ESPN’s In the Arena: Serena Williams, a masterclass in professional sports excellence, exploring the most pivotal and intimate moments of Serena Williams’ life and career; MSNBC’s The Turning Point: To Be Destroyed follows Dave Eggers in a fiery investigation of a local school district’s banning of his novel; and Paramount+’s Melissa Etheridge: I’m Not Broken, an impactful two-part special about Melissa Etheridge’s bond with incarcerated women at the Topeka Correctional Facility and the power of music as a conduit of empathy and healing. Etheridge will perform a short acoustic set at the Beacon Theatre following the world premiere, presented by City National Bank.

Fan favorite shows include a return to The Walking Dead universe with season two of AMC’s The Walking Dead: Daryl Dixon – The Book of Carol, which follows Daryl Dixon (Norman Reedus) in a post-apocalyptic France and Carol Peletier’s (Melissa McBride) journey to find him, and the final season of HBO’s My Brilliant Friend finds Elena (Alba Rohrwacher) and Lila (Irene Maiorino) entangled, once again, amid the political violence and social unrest of the late 80’s in Italy.

“The episodic realm is rich in phenomenal storytelling, and Tribeca’s 2024 TV and NOW program delivers the very best of narrative and documentary series. Audiences can look forward to diving into the testimonies of brilliant visionaries like Serena Williams, Melissa Etheridge, and the original subjects of the Stanford Prison Experiment, all of whom will be joining us at the Festival to present their stories,” said Tribeca Senior Programmer Liza Domnitz. “We’re also thrilled to present international adaptations of beloved books from award-winning novelist Bernardine Evaristo with Mr. Loverman and the farewell season premiere of Elena Ferrante’s stunning My Brilliant Friend.”

Tribeca Festival’s NOW program continues to uncover compelling independent episodic work, including short and long-form pilots and series. The 2024 NOW showcase focuses on seven standout titles, including a special Untitled Tim Burton Docuseries, a journey of Tim Burton’s excellence in melding the ominous and the frightful with a sense of whimsy created by Tara Wood; Yanqui, a story of love and life’s unexpected outcomes directed by award-winning filmmaker Kyle Hausmann-Stokes; and Juice, Mawaan Rizwan’s hilariously surreal BAFTA TV nominated series, co-starring Russell Tovey (Feud).

Over the years, Tribeca’s TV program has world-premiered numerous award-winning series, including season one of FX’s The Bear with Jeremy Allen White, Ebon Moss-Bachrach, and Ayo Edebiri; HULU’s The Handmaid’s Tale starring Elisabeth Moss and Alexis Bledel; HBO’s Chernobyl with Jared Harris, Emily Watson, and Stellan Skarsgård; and more.

The Tribeca Festival is curated by Festival Director and SVP of Programming Cara Cusumano, Artistic Director Frédéric Boyer; VP of Shorts Programming Ben Thompson; Senior Programmers Liza Domnitz, Faridah Gbadamosi, Jarod Neece, José F. Rodriguez; Programmers Casey Baron, Jason Gutierrez, Jonathan Penner, and Madison Egan; VP of Games and Immersive Casey Baltes and Immersive Curator Ana Brzezińska; EVP of Artist Relations Nancy Lefkowitz and VP of Artist Relations Meredith Mohr; Curator of Audio Storytelling Davy Gardner; Music Programmer Vincent Cassous; along with a team of associate programmers; supported and inspired by the legendary Paula Weinstein.

The full TV and NOW lineups are detailed below. For more updates on programming follow @Tribeca and #Tribeca2024 on Twitter, Instagram, Facebook, and LinkedIn, and to purchase passes and ticket packages for the 2024 Tribeca Festival, go to tribecafilm.com/festival.

 

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