Broadway
What To Watch October 14th To Take Away The Blues

11am: Unbought & Unbossed: Reclaiming Our Vote By National Black Theatre. After its critically acclaimed partnership with Park Avenue Armory for 100 YEARS | 100 WOMEN, National Black Theatre continues to uplift and focus on voter rights and the 100th Anniversary of the 19th Amendment with a curated digital series called, Unbought & Unbossed: Reclaiming Our Vote.

Grounded in the dynamic legacy of Shirley Chisholm, this digital series features micro-commissions from Ngozi Anyanwu, Hope Boykin, Mahogany L. Browne, Dane Figueroa Edidi, Candice Hoyes, Val Jeanty, and Dianne Smith. Their multidisciplinary works will generate community awareness around the national election on November 3, 2020, uplift the legacy of Shirley Chisholm and her peers, and support the current conversation around the power of the vote from the perspective of Black women.

2pm: The King Lear Project Theater of War Productions. A starry cast read an adaptation of Shakespeare’s play as a launching-point for a community discussion of caregiving and death.

2pm: Exploring Othello in 2020 By Red Bull Theater. Over the course of four Wednesday afternoons, Red Bull Theater will bring together a group of BIPOC theater artists to read and discuss Shakespeare’s Othello with celebrated Shakespeare scholar, Ayanna Thompson.
This series of salon discussions will provide an opportunity for our entire community to explore Othello with BIPOC voices in our current historic moment. As a theater company devoted to revitalizing the classics with a particular focus on Shakespeare and his Jacobean contemporaries, we are thrilled to provide an occasion and space for a communal online experience.
Each week artists Keith Hamilton Cobb, Franchelle Stewart Dorn, Jennifer Ikeda, Anchuli Felicia King, Harry Lennix, Alfredo Narciso, Madeline Sayet, Jessika D. Williams, and Dawn Monique Williams will read a portion of Shakespeare’s play and discuss its intersections with 2020.

3pm: Give Me Your Hand By Irish Repertory Theatre In this special engagement, two of Ireland’s finest actors, Dearbhla Molloy and Dermot Crowley, take audiences on a virtual stroll through London’s National Gallery, discovering afresh the Museum’s masterpieces from Van Gogh and Van Eyck, to Rubens and Gainsborough. With humor and grace, Crowley and Molloy breathe fresh life into each painting’s subjects with poetic stories from renowned Irish poet Paul Durcan.

3pm: The Show Must Go Online: Antony and Cleopatra British actor and director Robert Myles launched The Show Must Go Online, a weekly online reading group—performed by actors via Zoom and live streamed on YouTube—that works through Shakespeare’s plays in the order they were written. Starring Mark Antony – Mark Holden, Cleopatra, Queen of Egypt – Debra Ann Byrd, Octavius Caesar – Stuart Vincent, Domitius Enobarbus – Maanuv Thiara, Charmian – Maya Cohen, Scarus – Michael A. Lake, Agrippa – Caroline Basra, Maecenas – Ollie Corchado, Iras – Rebecca Brough and Mardian.

2pm: Exploring Othello in 2020 By Red Bull Theater Over the course of four Wednesday afternoons, Red Bull Theater will bring together a group of BIPOC theater artists to read and discuss Shakespeare’s Othello with celebrated Shakespeare scholar, Ayanna Thompson.
This series of salon discussions will provide an opportunity for our entire community to explore Othello with BIPOC voices in our current historic moment. As a theater company devoted to revitalizing the classics with a particular focus on Shakespeare and his Jacobean contemporaries, we are thrilled to provide an occasion and space for a communal online experience.
Each week artists Keith Hamilton Cobb, Franchelle Stewart Dorn, Jennifer Ikeda, Anchuli Felicia King, Harry Lennix, Alfredo Narciso, Madeline Sayet, Jessika D. Williams, and Dawn Monique Williams will read a portion of Shakespeare’s play and discuss its intersections with 2020.
4pm–9:30pm: Marie’s Crisis Virtual Piano Bar Tonight’s scheduled pianists are James Merillat (@James-Merillat-2) and Franca Vercelloni (@Franca-Vercelloni).
5pm: SigSpace Summit: Twilight 2020 with Anna Deavere Smith and Héctor Tobar By Signature Theatre Company.
In this special three-part SigSpace Summit series, Twilight: 2020, Anna Deavere Smith invites guests to have candid conversations about how the protests for the arrests of George Floyd’s killers and resurgence of the Black Lives Matter movement echo the events around the arrest and beating of Rodney King revisited in her play, Twilight: Los Angeles, 1992.
In this second installation, Anna interviews Héctor Tobar who was a dramaturg on the original production of Twilight: Los Angeles, 1992 and is a Los Angeles-born author and journalist.

5pm: Metropolitan Opera: Free Student Stream Hansel and Gretel This deliciously dark take on the beloved Brothers Grimm fairy tale, appealing to audiences of all ages, was part of the Met’s popular English-language holiday series. Alice Coote and Christine Schäfer star as the famous siblings lost in the woods, who battle the ravenous Witch—a zany portrayal by tenor Philip Langridge—while the Met orchestra, under the baton of Vladimir Jurowski, glories in the rich, folk-inspired score.

(Photo: © Joan Marcus)
6pm: Zanna, Don’t! Cast Reunion the gang from Heartsville High are getting back together for one night only, when the cast of the Off-Broadway cult musical favorite Zanna, Don’t! gathers digitally for an hour of chat, catch-up and questions from fans. The online reunion will take place during new works development organization Live & In Color’s weekly online talk show Be Our Guest.
Among those slated to appear are Jai Rodriguez, Anika Larsen, Enrico Rodriguez, Shelley Thomas-Harts, Jared Zeus, Amanda Ryan Paige, Robb Sapp, and Darius Nichols.
Set in a parallel universe where being gay is the norm and heterosexuality is taboo, Zanna, Don’t! is the musical fairy tale of local matchmaker Zanna who brings together happy couples in the fictional idyllic Midwest American town of Heartsville. Heterophobia rears its head when an opposite sex couple discover their feelings for each other. Eventually tolerance wins hearts and minds and all live happily ever after.

7pm: LAO at Home: Living Room Recital By LA Opera Mezzo-soprano Gabriela Flores, a member of the company’s young artist program, partners with guitarist Gilberto Amara for a performance of beloved Mexican songs, including “Bésame Mucho,” “Cucurrucucú Paloma” and “Cielito Lindo.”

7pm: Melissa Errico: Il Parle, Elle Chante Tony nominee Melissa Errico is launching a three-part live streamed concert series Il Parle, Elle Chante, featuring Francophile songs about love, desire, and mystery. The performer will also be joined by The New Yorker’s Adam Gopnik for a cultural conversation during each concert.
Presented by French Institute Alliance Française and streamed from FIAF’s Florence Gould Hall, the first concert, “Part 1: Love,” tickets, click here.
The performance kicks off with the invention of the love song in the feminist medieval court of Eleanor of Aquitaine, and winds its way through the long history of the cult of love. Errico will present her favorite French love songs, including Michel Legrand’s “Valse des Lilas,” and examples of the American appreciation of France such as Cole Porter’s “I Love Paris.”
The Broadway alum will also perform the world premiere of a love song written by Gopnik and David Shire from a musical they are developing about Eleanor of Aquitaine.
7pm: Give Me Your Hand Irish Rep through October 18th. Dearbhla Molloy and Dermot Crowley, take audiences on a virtual stroll through London’s National Gallery, using the poems of Paul Durcan
7pm: New York Theatre Barn Love and Southern D!scomfort / Present Perfect: Love and Southern D!scomfort
Music and lyrics by Bobby Daye
Book and lyrics by Monica L. Patton
Directed by Tamara Tunie
Featuring Nikki M. James, Ramona Keller, and Anthony Wayne
When dowager Mrs. Catheine Dejoie, of polite Louisiana society, dies, she leaves the entire estate to her estranged granddaughter Milla, but only if Milla comes home from her self-imposed, decade-long exile to bury Catherine. Milla reluctantly leaves her life in France and returns to her ancestral home, a sprawling postbellum Southern mansion, and to her mother, a faded alcoholic debutante undone by the burden of bearing the family’s legacy.
Present Perfect
Music and additional Spanish lyrics by Jaime Lozano
Book and Lyrics by Nancy Nachama Cheser
Featuring Mauricio Martínez and Stephanie Lynne Mason
A young woman steps outside the confines of her insular ultra-Orthodox community in Brooklyn and finds herself as much an immigrant in a new land as the recently arrived students she teaches in her New York adult English class. Lives intertwine as each in their own way struggles to belong, find love, and succeed in a new country.
7pm: Origin Story By Bard at the Gate Anula Navlekar, Brandon E. Burton, Edmund Donovan, and Zoe Mann will star in a virtual reading of Dan LeFranc’s Origin Story. The performance is part of Pulitzer Prize winner Paula Vogel’s Bard at the Gate series.

8pm: Give Me Your Hand Irish Rep through October 18th. Dearbhla Molloy and Dermot Crowley, take audiences on a virtual stroll through London’s National Gallery, using the poems of Paul Durcan
8pm: Jack Was Kind All for One Theater Through October 10
Tracy Thorne wrote and performs this “intimate, confessional play examines long-seated issues of privilege and complicity.” The production will be presented live on Zoom, four times a week, Wednesday-Saturday through October 10 for limited audiences.

8pm: Playbill Social Selects: At This Theatre By Playbill Take a virtual tour through the historical theaters of Times Square and beyond hosted by the owner of Broadway Up Close, Tim Dolan.
Do you miss hanging out with theatre-loving friends? We do too.
Playbill Social Selects offer a new way for Broadway and theatre fans alike to spend time with one another while enjoying fun, interactive activities themed around theatre!

7:30pm: Donizetti’s L’Elisir d’Amore As intoxicating as the cheap wine passed off by a traveling huckster as the potent love potion of the title, Donizetti’s delightful comedy enchants the audience with slapstick humor and its charming lead couple: a hapless but big-hearted peasant and the clever, kind landowner he loves. It also doesn’t hurt that the score is an endless parade of spectacular ensemble numbers and show-stopping arias—like the beloved “Una furtive lagrima,” one of opera’s ultimate tenor showcases.

8pm: Stars in the House: Tiler Peck, Sierra Boggess, Chloé Arnold and Lil Buck By The Actors Fund Stars in the House is the daily live streamed concert series created by Playbill correspondent and SiriusXM Broadway host Seth Rudetsky and producer James Wesley.

8pm: Gore Vidal’s The Best Man Broadway’s Best Shows’ Spotlight on Plays
A Secretary of State and a U. S. Senator contend for the Presidential nomination and, most importantly, for the endorsement of a colorful and canny ex-President. The starry cast for this Actors Fund benefit features:
Elizabeth Ashley, Reed Birney, Matthew Broderick, Katie Finneran,Morgan Freeman, Julie Halston, Stacy Keach, Robert Krulwich, John Malkovich, Zachary Quinto,Phylicia Rashad, Robert Sella, Lee Wilkof, Vanessa Williams, Whitney Winfield with Sean Close, Travoye Joyner, Jered McLenigan, TJ Wagner. Directed by Michael Wilson.
8pm: Baryshnikov Arts Center: State vs. Natasha Banina From Boston’s award-winning Arlekin Players Theatre, this interactive digital production is set inside a live “ZOOM courtroom,” where the virtual audience serves as the jury. Performer Darya Denisova gives a “mesmerizing portrayal” (The Boston Globe) of Natasha Banina, a teen orphan on trial for a crime of passion, whose alluring testimony reveals her dreams for love, family, and freedom.
This inventive digital production that began in May 2020 as a living room experiment and went on to earn critical acclaim from The New York Times is based on Natasha’s Dream by the Russian playwright Yaroslava Pulinovich. Says director Igor Golyak, “We are creating a new art form to overcome social distancing, the pandemic, and ultimately unite people in one virtual space by merging theater, cinematography, and video games.” A leading example of innovation in virtual theater, State vs. Natasha Banina is evidence that live performance can engage audiences even when experienced at home.
State vs. Natasha Banina is followed by a discussion with the artists and audience.
Based on Natasha’s Dream by Yaroslava Pulinovich
Performer: Darya Denisova
Translator: John Freedman
Director and Video Design: Igor Golyak
Production Associate: Marianna Golyak
Animator: Anton Iakhontov
Music Composor: Vadim Khrapatchev
Produced by Igor Golyak & Sara Stackhouse
8pm: The International Voices Project “The Boatman” | Egypt Playwright: Sameh Mahran. Translator: Dina Amin. Director: Liz Carlin-Metz. In collaboration with Egyptian American Society and Silk Road Rising
In a society that views premarital sex as illegal and prohibits marriage until the groom can assure that he has secured an apartment or a house, many couples endure long and frustrating engagements. This crisis is further compounded by a critical shortage of housing and what housing stock is available is prohibitively expensive except for the very wealthy. The Boatman follows a young couple who have been engaged for 7 years and are aching for each other as they struggle with their desire to marry and begin their lives. They encounter a censorious policeman and his wife who condemn them and threaten to turn them in to the authorities for public demonstrations of affection. The policeman accepts a bribe to provide them with contact for his brother, a boatman, who, for a small fee, will take them out on the water beyond the damning eyes of society where they may finally share their love. Of course, that is not what happens.
8:30pm: Behind the Curtain: Art of Protest By The Old Globe Back by popular demand, Behind the Curtain will premiere a new iteration, Behind the Curtain: Art of Protest, with host and Teaching Artist Kendrick Dial.
He will meet with protest artists to discuss their approach to the creation of innovative and progressive protest art, both installation and performative.
Learn more about the intersection between art and social justice every Wednesday at 5:30 PM PT through November 11.

8:30pm: BPN Town Hall: Broadway for Biden Pep Rally! By Broadway Podcast Network The lights of Broadway may be dark due to this administration’s failure to control COVID-19, but the passion and activism of the Broadway community shines bright, as we fight for the leadership and change that arrives with a Biden-Harris Administration,” said Host Eric Ulloa. “To kick off the last few weeks before the election, we give you a Broadway Pep Rally to cheer on the future we can’t wait to see arrive when Joe and Kamala take center stage.” Featuring special guests Joel Grey, Donna Murphy, Harolyn Blackwell, James Monroe Iglehart, Telly Leung, Lesli Margherita, Patti Murin, Brandon Uranowitz, Zachary Prince, Leslie Uggams, and stars from Beetlejuice, Alex Brightman, Sophia Anne Caruso, and Dana Steingold! The Broadway for Biden Pep Rally is a rev-up to the final weeks before the November election and is organized to cheer supporters into the last moments of campaign work that will put our best foot forward, ready people with a voting plan, and create ideas for getting as many voters to the polls as possible. The pep rally will also include personal reasons and policy proposals that make the Broadway community all in for Biden.
Broadway
The New Dramatists’ 71st Annual Benefit Luncheon and You are There

On Tuesday the New Dramatists’ 71st Annual Benefit Luncheon was held at the New York Marriott Marquis, 1535 Broadway, Broadway ballroom 6th floor.
Tony® Honor recipient and the nation’s premier playwright development laboratory, was honored with its 2023 Distinguished Achievement Award at their 71st Annual Spring Luncheon Tribute
Tony Award winner, Kenny Leon, director of Parks’ recent revival of Topdog/Underdog lead the tributes.
In Attendance were:

Justin Cooley (Kimberly Akimbo), Ben Platt (Parade) and Colton Ryan (New York, New York) photo by Michael Hull

Justin Cooley (Kimberly Akimbo), Brian Stokes Mitchell, Suzan-Lori Parks, Victoria Clark (Kimberly Akimbo) and Bonnie Milligan (Kimberly Akimbo) at The New Dramatists Spring Luncheon. photo by Michael Hull
Also Artistic Director Emily Morse and Executive Director Joel Ruark,
Hiran Abeysekera (Life of Pi), Betsy Aidem (Leopoldstadt), Steven Boyer (Kimberly Akimbo), Faye Castelow (Leopoldstadt), Rashad Chambers (Topdog/Underdog), Ben Davis (New York, New York), Eisa Davis (New York, New York), Micaela Diamond (Parade), Delia Ephron (Love Loss & What I Wore), Corey Hawkins (Topdog/Underdog), Jessica Hecht (Summer, 1976), Amy Herzog (A Doll’s House), Robert Horn (Shucked), Mark Jacoby (A Beautiful Noise, The Neil Diamond Musical), LaChanze (Here Lies Love, Kimberly Akimbo), event co-chair Caissie Levy (Leopoldstadt), Judith Light (Other Desert Cities), David Lindsay-Abaire (Kimberly Akimbo), Neil Meron (Some Like It Hot), Alli Mauzey (Kimberly Akimbo), Lauren Mitchell (A Bronx Tale), Arian Moayed (A Doll’s House), Casey Nicholaw (Some Like It Hot), Linda Powell (A Beautiful Noise, The Neil Diamond Musical), Daryl Roth (Kinky Boots), Sarah Ruhl (in The Next Room), Stark Sands (& Juliet), Miriam Silverman (The Sign in Sidney Brustein’s Window), Marcel Spears (Fat Ham), Katy Sullivan (Cost of Living), David Stone (Wicked), Jeanine Tesori (Kimberly Akimbo), Paula Vogel (How I Learned To Drive), Sharon Washington (New York, New York), Scott WIttman (Some Like It Hot), Kara Young (Cost of Living), David Zayas (Cost of Living).
Performing were:

Daniel Fulton, Orville Mendoza, Suzan-Lori-Parks, Lauren Molina and Leland Fowler photo by Michael Hull

Suzan-Lori-Parks and New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull

Suzan-Lori-Parks New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull
Stay tuned for our interviews.
Broadway
The New Dramatists’ 71st Annual Benefit Luncheon and You Are There

On Tuesday the New Dramatists’ 71st Annual Benefit Luncheon was held at the New York Marriott Marquis, 1535 Broadway, Broadway ballroom 6th floor.
Tony® Honor recipient and the nation’s premier playwright development laboratory, was honored with its 2023 Distinguished Achievement Award at their 71st Annual Spring Luncheon Tribute
Tony Award winner, Kenny Leon, director of Parks’ recent revival of Topdog/Underdog lead the tributes.
In Attendance were:

Justin Cooley (Kimberly Akimbo), Ben Platt (Parade) and Colton Ryan (New York, New York) photo by Michael Hull

Justin Cooley (Kimberly Akimbo), Brian Stokes Mitchell, Suzan-Lori Parks, Victoria Clark (Kimberly Akimbo) and Bonnie Milligan (Kimberly Akimbo) at The New Dramatists Spring Luncheon. photo by Michael Hull
Also Artistic Director Emily Morse and Executive Director Joel Ruark,
Hiran Abeysekera (Life of Pi), Betsy Aidem (Leopoldstadt), Steven Boyer (Kimberly Akimbo), Faye Castelow (Leopoldstadt), Rashad Chambers (Topdog/Underdog), Ben Davis (New York, New York), Eisa Davis (New York, New York), Micaela Diamond (Parade), Delia Ephron (Love Loss & What I Wore), Corey Hawkins (Topdog/Underdog), Jessica Hecht (Summer, 1976), Amy Herzog (A Doll’s House), Robert Horn (Shucked), Mark Jacoby (A Beautiful Noise, The Neil Diamond Musical), LaChanze (Here Lies Love, Kimberly Akimbo), event co-chair Caissie Levy (Leopoldstadt), Judith Light (Other Desert Cities), David Lindsay-Abaire (Kimberly Akimbo), Neil Meron (Some Like It Hot), Alli Mauzey (Kimberly Akimbo), Lauren Mitchell (A Bronx Tale), Arian Moayed (A Doll’s House), Casey Nicholaw (Some Like It Hot), Linda Powell (A Beautiful Noise, The Neil Diamond Musical), Daryl Roth (Kinky Boots), Sarah Ruhl (in The Next Room), Stark Sands (& Juliet), Miriam Silverman (The Sign in Sidney Brustein’s Window), Marcel Spears (Fat Ham), Katy Sullivan (Cost of Living), David Stone (Wicked), Jeanine Tesori (Kimberly Akimbo), Paula Vogel (How I Learned To Drive), Sharon Washington (New York, New York), Scott WIttman (Some Like It Hot), Kara Young (Cost of Living), David Zayas (Cost of Living).
Performing were:

Daniel Fulton, Orville Mendoza, Suzan-Lori-Parks, Lauren Molina and Leland Fowler photo by Michael Hull

Suzan-Lori-Parks and New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull

Suzan-Lori-Parks New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull
Stay tuned for our interviews.
Broadway
And The Winners of The 2023 Drama Desk Awards Are ………

The 2023 67th Drama Desk Awards, honoring artistic excellence on Broadway, Off-Broadway and Off-Off-Broadway, will take place on June 6 at Sardi’s Restaurant. Today the winners were announced.
Outstanding Play: “Leopoldstadt,” by Tom Stoppard
Outstanding Musical: “Some Like it Hot”
Outstanding Revival of a Play: “The Piano Lesson”
Outstanding Revival of a Musical: “Parade”
Outstanding Lead Performance in a Play: Jessica Chastain, “A Doll’s House” and Sean Hayes, “Good Night, Oscar”
Outstanding Lead Performance in a Musical: Annaleigh Ashford, “Sweeney Todd”
and J. Harrison Ghee, “Some Like it Hot”
Outstanding Featured Performance in a Play: Miriam Silverman, “The Sign in Sidney Brustein’s Window,” Brooklyn Academy of Music and Brandon Uranowitz, “Leopoldstadt”
Outstanding Featured Performance in a Musical: Kevin Del Aguila, “Some Like it Hot” and Alex Newell, “Shucked”
Outstanding Direction of a Play: Max Webster, “Life of Pi”
Outstanding Direction of a Musical: Thomas Kail, “Sweeney Todd”
Outstanding Choreography: Casey Nicholaw, “Some Like it Hot”
Outstanding Music: Brandy Clark and Shane McAnally, “Shucked”
Outstanding Lyrics: Scott Wittman and Marc Shaiman, “Some Like it Hot”
Outstanding Book of a Musical: Matthew López and Amber Ruffin, “Some Like it Hot”
Outstanding Orchestrations: Charlie Rosen and Bryan Carter, “Some Like it Hot”
Outstanding Music in a Play: Suzan-Lori Parks, “Plays for the Plague Year,” The Public Theater
Outstanding Scenic Design of a Play: Tim Hatley, “Life of Pi”
Outstanding Scenic Design of a Musical: Beowulf Boritt, “New York, New York”
Outstanding Costume Design of a Play: Emilio Sosa, “Ain’t No Mo’”
Outstanding Costume Design of a Musical: Gregg Barnes, “Some Like it Hot”
Outstanding Lighting Design of a Play: Natasha Chivers and Willie Williams (video), “Prima Facie”
Outstanding Lighting Design of a Musical: Natasha Katz, “Sweeney Todd”
Outstanding Projection and Video Design: Andrzej Goulding, “Life of Pi”
Outstanding Sound Design of a Play: Ben & Max Ringham, “A Doll’s House”
Outstanding Sound Design of a Musical: Scott Lehrer and Alex Neumann, “Into the Woods”
Outstanding Wig and Hair: Mia M. Neal, “Ain’t No Mo’”
Outstanding Solo Performance: Jodie Comer, “Prima Facie”
Unique Theatrical Experience: “Peter Pan Goes Wrong”
Outstanding Fight Choreography: B.H. Barry, “Camelot”
Outstanding Adaptation: “A Doll’s House,” by Amy Herzog
Outstanding Puppetry: Nick Barnes and Finn Caldwell, “Life of Pi”
Shows with multiple wins
Some Like It Hot: 8
Life of Pi: 4
A Doll’s House: 3
Sweeney Todd: 3
Ain’t No Mo’: 2
Leopoldstadt: 2
Prima Facie: 2
Shucked: 2
Special Awards
Harold Prince Lifetime Achievement Award
Stephen McKinley Henderson has been bringing in-depth, gripping portrayals of memorable characters to the stage for over four decades. With his return to Broadway this season as Pops in “Between Riverside and Crazy,” which the Drama Desk previously nominated in 2015, this year’s Harold Prince Lifetime Achievement Award marks Henderson’s role in this powerful production as a celebration of his brilliant career.
Ensemble Award
The cast of Soho Rep’s “Public Obscenities” – Tashnuva Anan, Abrar Haque, Golam Sarwar Harun, Gargi Mukherjee, NaFis, Jakeem Dante Powell, and Debashis Roy Chowdhury – embodied the transnational world of Shayok Misha Chowdhury’s bilingual play with memorable authenticity, remarkable specificity, and extraordinary warmth.
Sam Norkin Off-Broadway Award
From his standout performance in american (tele)visions, to writing and performing the autobiographical “Dark Disabled Stories,” Ryan J. Haddad’s work this season has expanded on and interrogated what the idea of “accessibility” really means. Whether riding a shopping cart like a throne, or relating his experiences on a “gay, pink bus,” Haddad shared with audiences an unabashed queer fabulosity that was both unforgettable and deeply human.
Broadway
Ken Fallin’s Broadway: Remembering Angela Lansbury in Sweeney Todd

On Sunday look for a brand new charcuterie of Josh Groban and Annaleigh Ashford in Sweeney Todd.. I loved the new production, and it’s two leads.
Broadway
League of Professional Theatre Women’s 10th Annual Women Stage The World March

The League of Professional Theatre Women (LPTW) will hold its 10th Annual “Women Stage the World March” — a Suffragette-inspired project to educate the public about the role of women in the theatre industry — on Saturday, June 17. The march will begin at noon, at Shubert Alley and weave through Times Square and the Broadway Theatre District, wrapping up at about 2 p.m.
“The event is FREE and LPTW invites all theatre women and allies to join us as we increase awareness, lift our voices, and advocate for more opportunities for women in theatre,” said Ludovica Villar-Hauser, Co-President of LPTW.
“The Women Stage the World March is designed to educate the public about the role women play in creating theatre and the barriers they face as men continue to outnumber women by 4 to 1 in key roles such as playwright, director and designers. Women buy 67% of the tickets and represent 65% of the audience, yet 80% of the storytelling on stage is shaped by men’s voices,” said Katrin Hilbe, Co-President of LPTW.
Handouts during the March will prompt ticket-buyers to ask three questions as they make buying decisions: (1) Who wrote, directed and designed this play? (2) What is this theatre’s track record in giving opportunities to women? (3) How can you spread the word and promote women’s voices?
“All participants are encouraged to dress as their favorite historical theatre woman, or dress all in white. March participants will gather at Shubert Alley starting at 11:30 AM, in preparation for the start of the march at noon. Women Stage the World sashes and signs will be provided, as supplies last,” noted Penelope Deen, LPTW member and organizer of the event. Those interested in participating in the event please R.S.V.P. at: https://www.theatrewomen.org/women-stage-the-world or contact Penelope Deen at: Womenstagetheworld@Theatrewomen.org
LPTW Co-President Ludovica Villar-Hauser added: “The League of Professional Theatre Women stands alongside the Writers Guild of America (WGA) as they demand fair wages and take action to ensure more protections for artists. We encourage LPTW members to find a time to join the WGA on the picket lines this month as the strike continues. Women writers are the future of the film and television industry, just as they lead the way in theatre. LPTW supports the women on the frontlines of this movement as they call for long overdue change. We are stronger together.”
For the past 10 years LPTW members, affiliated union members, theatre artists and their allies have hit the streets in a March reminiscent of the Suffragette parades of the early 20th Century, with some marchers dressed in traditional suffrage garb and colors. Like the Suffragettes before them, participants in the Women Stage the World March empower women and men to become aware, take action and influence others.
The League of Professional Theatre Women (LPTW) is a membership organization championing women in theatre and advocating for increased equity and access for all theatre women. Our programs and initiatives create community, cultivate leadership, and increase opportunities and recognition for women working in theatre. The organization provides support, networking and collaboration mechanisms for members, and offers professional development and educational opportunities for all theatre women and the general public. LPTW celebrates the historic contributions and contemporary achievements of women in theatre, both nationally and around the globe, and advocates for parity in employment, compensation and recognition for women theatre practitioners through industry-wide initiatives and public policy proposals. LPTW is celebrating its 40th Anniversary in 2023.
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Ken Fallin’s Broadway: Remembering Angela Lansbury in Sweeney Todd
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And The Winners of The 2023 Drama Desk Awards Are ………