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What To Watch October 18th To Take Away The Blues

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3pm: Give Me Your Hand By Irish Repertory Theatre In this special engagement, two of Ireland’s finest actors, Dearbhla Molloy and Dermot Crowley, take audiences on a virtual stroll through London’s National Gallery, discovering afresh the Museum’s masterpieces from Van Gogh and Van Eyck, to Rubens and Gainsborough. With humor and grace, Crowley and Molloy breathe fresh life into each painting’s subjects with poetic stories from renowned Irish poet Paul Durcan.

4pm: Marie’s Crisis Virtual Piano Bar scheduled pianists are Adam Michael Tilford (@Adam-Tilford-1) and Dan Daly (@DanDalyMusic). 

7pm: The Broadway Potluck By Broadway Cares The Broadway Potluck is a variety performance of Broadway hopefuls from all over the U.S., singing Broadway songs from their homes. The presentation benefits Broadway Cares/Equity Fights AIDS. 

The Broadway Potluck benefit presentation is the brainchild of Dallas highschool student, Kayla Rutner and LA-based producer Todd Shotz, and is edited by college student, Kate Franklin. The performers are Zoey Blackman, Skylar Crown, Sophia Grey Delucchi, Kacie Endsley, Bre Furman, Jake Horlitz, Aldana Pavicich, Annabel Poinsette, and Kayla Rutner. 

The Broadway Potluck also features celebrity guest speakers Liz Callaway, Kevin Chamberlin, Joanna Gleason, Joel Grey, Ann Harada, Adam Pascal, Tonya Pinkins, Jonah Platt, Donna Vivino, and Rachel York

7pm: Heidi Chronicles Playbill.com The third of the three plays by Wendy Wasserstein honoring what would have been her 70th birthday, to benefit TDF’s Wendy Wasserstein Project, which brings high school students to theater. This Tony and Pulitzer-winning play tracks Heidi Holland from high school in the 1960s to her career as a successful art historian more than 20 years later. From small meetings to mobilize to the feminist cause to lunches with these same ladies years on, The Heidi Chronicles exposed the internal battle many women feel as they balance desires for careers, friendships, and families.  

7:30: Circle Jerk Fake Friends Broadcast live from MITU580 in Gowanus, Brooklyn, for six live-streamed performances, October 18–23, followed by a rebroadcast available for on-demand viewing from October 24 – November 7,.

Billed as a queer comedy about white gay supremacy, this multi-camera, live-streamed performance investigates digital life and its white supremacist discontents. A homopessimist hybrid of Ridiculous theater and internet culture, it tells the story of gay right-wing trolls and the algorithms they invent to spread their agenda.

7:30pm: Jamie deRoy & friends presents Treasures From the Archives Airing Sunday, October 11, 2020 at 7:30. 

This episode starts off with rare archival footage of Jamie deRoy at Upstairs at Greene Street. On February 7, 1985, Sylvia Miles brought her filmmaker friend Nelson Sullivan(March 5 1948- July 4, 1989) who asked if he could film the performance. Not only did he capture her entire performance, a rarity in 1985, but one of Jamie’s favorite ad libs, that was said prior to her singing Weeden and Finkle’s song: I Don’t Have to Know How Rotten You Are To Love You! 

You will be also treated to performances by Paul Balfour at Steve McGraw’s from May 31, 1990, David Campbell at Don’t Tell Mama from the show on November 20, 1998 and Mary Bond Davis at The Metropolitan Room filmed on June 28, 2006. 

Also an appearance by Jim Gaffigan, early in his career from Laurie Beechman Theater on November 19, 1999. Since then Jim has gone on to become a top name in comedy with numerous TV Specials, movies and correspondent on CBS SUNDAY MORNING. Jamie always had an eye for talent!

And last but certainly not least, on December 4, 2000, Tony Award WinnerDaisy Eagan brought along her friend Clarke Thorell to accompany her at the West Bank Café’s Laurie Beechman Theater singing Lucy Simon’s Wynken, Blynken and Nod, that she had recorded for Jamie’s CD The Child in Me, Volume 2.

The musical directors on this episode include: Rod Hausen, Paul Balfour, Christopher Denny, Lanny Meyers and Clarke Thorell. The performances were filmed over many years starting in 1985 at Upstairs at Greene Street, Steve McGraw’s, Don’t Tell Mama, Metropolitan Room and Laurie Beechman Theater.

Jamie deRoy & friends is directed by Barry Kleinbort and videotaped by Russell Bouthiller.

Jamie deRoy & friends will air on Spectrum Channel 56, RCN Channel 83, and Verizon FIOS Channel 34, as well as on East Hampton LTV Channel 20 later on multiple dates.

7:30pm: Mahaiwe Performing Arts Center: Moving People, Moving Mountains 15th Anniversary Virtual Party featuring Brian Stokes Mitchell, Roseanne Cash, Michael Feinstein, Paul Taylor Dance Co, John Pizzarelli & Jessica Molaskey, Jason Danieley and many more. Appearances by Annette Bening, Judy Collins, Beanie Feldstein, Chris Noth, Bernadette Peters, Yo-Yo Ma . . . honoring founder Lola Jaffe. Produced, directed by Jeremy Handleman.  The event is Free. 

7:30: Donizetti’s Don Pasquale A runaway success since its premiere in 1843, Donizetti’s boisterous comedy charts a buffoonish old man’s marriage to a clever young widow who outsmarts him at every turn. The opera, a touchstone of the bel canto style, showcases many of the composer’s most charming melodies, and has also become a particular favorite of bass singers, who are handed a deliciously hammy and expansive title role. 

8pm: What Else? A reading of a new play by Donald Wollner, benefiting New Dramatists! When Matt and Sam, two 60-something standup comics, meet for their weekly brunch the zingers fly. But when Matt interjects a surprise into the proceedings, he puts the brunch and the whole relationship at risk. Starring Mark Linn-Baker and Lee Wilkof

Keala Settle

8pm: The Seth Concert Series hosts Keala Settle Keala Settle received world-wide attention for portraying Lettie Lutz, a bearded lady, in 2017’s musical film The Greatest Showman, alongside stars Hugh Jackman, Zac Efron, and Zendaya. The song “This Is Me” from the film, principally sung by Settle, won the 2018 Golden Globe Award for Best Original Song, and was nominated for the Academy Award for Best Original Song.

Keala originated the role of Norma Valverde in Hands on a Hardbody, which ran on Broadway in 2013, and was nominated for the Outer Critics Circle Award, Drama Desk Award, and Tony Award for Best Featured Actress in a Musical. She was also awarded the Theatre World Award for Outstanding Broadway or Off-Broadway debut performance during the 2012-13 theatrical season. She has also been featured on Broadway as Madame Thenardier in the 2014 revival of Les Misérables, and originated the role of Becky in the 2016 musical Waitress, after premiering with the original cast at the American Repertory Theater in 2015. She made her Broadway debut in 2011’s Priscilla, Queen of the Desert as Shirley and in the ensemble. Keala performed in the 2013 Encores! concert staging of Violet with Sutton Foster, but did not move on to the Broadway revival due to taking the role Madame Thénardier in the revival of Les Misérables. She played the role of Tracy Turnblad in the national tour of Hairspray, and appeared in the national tour of the Lincoln Center production of South Pacific as Bloody Mary. Other notable roles include Mrs. Fezziwig in the Pioneer Theatre Company production of the musical A Christmas Carol, the Narrator in Joseph and the Amazing Technicolor Dreamcoat at the Ogunquit Playhouse.

Keala was born in Hawaii, and is a graduate of Kahuku High School, and an alumna of Southern Utah University. She began her singing career as a studio vocalist and one time backup singer for Gladys Knight in Las Vegas. The same week as The Greatest Showman film’s U.S. release in December 2017, Settle released her debut EP as Keala, titled “Chapter One,” a set of contemporary R&B-infused covers which landed on Billboard’s Heatseekers Albums chart. The follow-up, Chapter Two, arrived shortly thereafter in March 2018. NBC used “This Is Me” as an anthem for their 2018 Winter Olympics coverage.

Seth Rudetsky’s internationally acclaimed Broadway concert series that first began in Provincetown at The Art House in 2011 will debut as a weekly virtual series entitled The Seth Concert Series. Presented by Mark Cortale the series premiered ten years ago and is currently housed in more than a dozen major venues worldwide. In its new format, the series will continue to offer viewers a seamless mix of behind-the-scenes stories prompted by Rudetsky’s insightful, funny and revealing questions – and the music from the artists’ stellar careers.

8pm: Rule of 7×7: October Edition By The Tank  RULE OF is an ongoing series that premieres 7 brand-new 10 minute plays by 7 different writers. For each show, every playwright comes up with one rule, then the 7 playwrights create new plays using all 7 rules. Hosted and produced by Brett Epstein.

RSVP is required to attend Virtual 7×7. 

8pm: Divas for Democracy: United We Slay Stars from the Broadway and drag scenes will come together with a common goal October 18 for Divas for Democracy: United We Slay. The streaming variety show will promote voter mobilization and awareness of issues affecting the LGBTQIA+ community during the 2020 election.

Click here for tickets. The stream will begin on StageIt at 8 PM ET; tickets are “donate what you can” (beginning at $5), with proceeds going to Drag Out the Vote.

Keltie Knight and RuPaul’s Drag Race alum Nina West will co-host the event, in which the Broadway stars will perform musical theatre standards as drag counterparts offer their own lip synced interpretation.

Among the theatre names taking part are Tony winners Chita Rivera, Stephanie J. Block, Lea Salonga, Nikki M. James, Beth Leavel, and Annaleigh Ashford, as well as Shoshana Bean, Eden Espinosa, Jenn Colella, Chilina Kennedy, Keala Settle, Tamika Lawrence, L Morgan Lee, and Our Lady J.

Drag Race veterans Peppermint (a Broadway alum herself), Alaska, Jinkx Monsoon, Jujubee, Valentina, Cynthia Lee Fontaine, Shuga Cain, Honey Davenport, and Brita Filter are also on the roster (Filter joins as a Drag Out the Vote co-chair alongside Marti Gould Cummings and Pixie Aventura).

Also scheduled to make appearances are Tony winners Cyndi Lauper, Harvey Fierstein, and James Monroe Iglehart, Drag Race judge Michelle Visage, former competitors Shangela and Bianca Del Rio, Cheyenne Jackson, Oscar winner Allison Janney, Mila Jam, and LGBTQ elected officials Sam Park (Georgia State House representative) and Ritchie Torres (New York City Council).

Broadway choreographers Josh Rhodes and Lee Wilkins co-direct the event, with Stephen Oremus serving as music supervisor.

8pm: Waiting for the Host Marc Palmieri’s Waiting for The Host, a full-length play composed for an online experience, will make its international premiere in Singapore at Pangdemonium Theatre.

Directed by Tracie Pang, the cast will feature Mina Kaye, Neo Swee Lin, Petrina Kow, Adrian Pang, Gavin Yap, Keagan Kang, and Zachary Pang.

Waiting for The Host begins on the last night of Passover in April 2020. While theatres, playgrounds, schools, and houses of worship are shuttered by a modern plague, the rector of a small church seeks to record a theatrical reading of the story of the Passion for the church website.

For ticket information, click here

8pm: Brian Nash has been a proud member of the Duplex staff since 2003. Brian works extensively on the Broadway and off-Broadway theater scene, and is the Music Director and Orchestrator of the off-Broadway hit, SILENCE! The Musical. He was a producer on Bare: The Musical for its recent revival off-Broadway and is a resident music director and performer for Atlantis Events worldwide. His cabaret work with Natalie Joy Johnson has earned them recognition from the Village Voice and has been named one of the Top 10 Cabaret Acts by TimeOut New York. Brian has also music directed for Andy Bell of Erasure, Tonya Pinkins, Julia Murney, Rob Evan, Mandy Gonzales, Michael McElroy, Jonathan Hellyer, Trevor Ashley, and many others. His piano playing was recently extensively featured on alternative pop band Boys Like Girls 2012 album, Crazy World (Columbia Records). Other recent theater projects include The Last 5 Years (Asolo Rep) , A Night In Seville (Epic Theater Ensemble), Crossing Brooklyn (Transport Group), Writing Arthur and Something’s Wrong With Amandine at TheatreWorks New Works Festival in Palo Alto, CA, Writing Arthur at NAMT with Kelli O’Hara and Ana Gasteyer, The Unauthorized Musicology of Ben Folds I and II and But I’m A Cheerleader for the New York Musical Theatre Festival, and A Broadway Diva Christmas, starring Ellen Greene and Kathy Brier. Other NYC and regional credits include Songs for a New World, The Sexless Years, Red, Lend Me a Tenor, Jesus Christ Superstar, and The Rocky Horror Show. Brian has produced albums for singer/songwriters Justin Tranter, Shanna Sharp, and Stacy Allyn Baker, recently performed at Town Hall, the Kennedy Center, Jazz at Lincoln Center, and Birdland with Natalie Douglas, and produced and produced Kate Pazakis’ debut album, Unzipped: Live at the Zipper for PS Classics. Brian is in extensive demand as a pianist and singer throughout NYC and has played sold out concerts of the music of Tori Amos; he is also been a featured performer on Rosie and Kelli O’Donnell’s r family vacations cruises. His first songs were written for two recent editions of TheATrainPlays, and were featured on NPR’s All Things Considered. Brian holds a Bachelor’s of Music degree from Boston Conservatory and studied record production at Berklee College of Music. For more info, please visit BrianJNash.com.

8:30pm: Vineyard Theatre: Lessons in Survival

9pm: Sex and Consequences by Isabella Rossellini Sex and Consequences is a 40-minute comical, absurd, and scientifically accurate show on biodiversity and the multiple ways animals reproduce. The show, created by Rossellini with the support of Paul Magid, is a way to re-create the theatrical experience from home. The engine for this creative attempt is to satisfy the very human wish to be together and laugh, even during these challenging circumstances. 

The show will be streaming live from Rossellini’s farm, and will feature some of the many animals call her farm home and will be available to stream worldwide. The show will also feature videos from Isabella’s award-winning series of shorts, Green PornoSeduce Me, and Mammas

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Broadway

Music For A Summer Night With The Connector, Here We Are, The Heart of Rock and Roll, Hell’s Kitchen, Fangirls and Parting Gift: The Songs of Gerald Ginsburg

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One of my favorite musical last year was Jason Robert Brown’s The Connector. Concord Theatricals Recordings has released the original cast recording of MCC Theater’s acclaimed world premiere production. The album is now available on digital platforms worldwide. Digital sheet music for the songs, published by Concord Music Publishing and released by Hal Leonard, is also available today.

Stream or download the album, as well as purchase digital sheet music, Here.

Watch Hannah Cruz, Scott Bakula and the cast record “The Whole World Changed” Here.

Watch Ben Levi Ross sing “See Yourself” Here.

The album is produced by four-time Emmy® Award-winner Jeffrey Lesser and three-time Tony Award-winner Brown (Parade, The Bridges of Madison County), who also serves as arranger, orchestrator and pianist. Three-time GRAMMY® Award-winner Sean Patrick Flahaven, Chief Theatricals Executive for Concord, is the album’s co-producer. The album was recorded by Isaiah Abolinand mastered by Oscar Zambrano with art direction by Derek Bishop.

With a book by Jonathan Marc Sherman and conceived and directed by Daisy Prince, this timely new musical tells the story of two talented young journalists: a fast-rising writer who must confront how far he’ll go for the ultimate scoop, and an editor who must decide how far she’ll go to stop him. The Connector’s world premiere production from MCC Theater ran in a limited engagement from January 12 through March 17, 2024.

The album features original cast members Scott Bakula, Max Crumm, Hannah Cruz, Ashley Pérez Flanagan, Danielle Lee Greaves, Mylinda Hull, Daniel Jenkins, Jessica Molaskey, Fergie Philippe, Eliseo Román, Ben Levi Ross, Ann Sanders and Michael Winther.

Tom Murray is the album’s music director and Kristy Norter is music coordinator. The band includes Brown, Jamie Eblen, Hidayat Honari, Adam Kaufman, Randy Landau, Todd Reynolds and Alison Shearer.

Complete production credits can be found in the album booklet HERE.

The company of Here We Are. Photo by Emilio Madrid.

I don’t know how this happened but the original cast recording Here We Are the last musical with music and lyrics by Stephen Sondheim featuring Francois Battitse, Tracie Bennett, Bobby Cannavale, Micaela Diamond, Amber Gray, Jin Ha, Rachel Bay Jones, Denis O’Hare, Steven Pasquale, David Hyde Pierce, and Jeremy Shamos is on YouTube. Click here to listen. What a great summer treat.

The The Heart of Rock and Roll may be closing but the Original Broadway Cast Recording of the Broadway musical The Heart of Rock and Roll is out and available on all music streaming services.

The album is produced by Huey Lewis, Brian Usifer and Will Van Dyke with Hunter Arnold, Tyler Mitchell and Kayla Greenspan serving as Executive Producers.

Joy Machine Records is a new venture from Ian Kagey, Sonny Paladino, Brian Usifer and Will Van Dyke. The record label was formed in 2023 to bring an artist-driven approach to the recorded music industry by using the theatrical principles of collaboration and community. Their focus is on providing services that amplify the voices of new artists within the field of musical theater, releasing cast albums for Broadway and Off-Broadway shows, as well as collaborating on solo albums with established theater performers. The label’s services seek to support a developing musical from inception to its Broadway cast album.

The album will include the original cast of The Heart of Rock and Roll including Corey Cott, McKenzie Kurtz, Josh Breckenridge, F. Michael Haynie, Zoe Jensen, Tamika Lawrence, Raymond J. Lee, John-Michael Lyles, Orville Mendoza, Billy Harrigan Tighe and John Dossett.

The Heart of Rock and Roll, the new musical inspired by the iconic songs of Huey Lewis and The News, opened on Broadway on April 22, 2024 at The James Earl Jones Theatre (138 W 48th St, New York, NY)

The Original Broadway Cast Recording for critically acclaimed new Broadway musical, currently nominated for 13 Tony Awards, the most of any new musical this season, Hell’s Kitchen is available now via Alicia Keys Records/Interscope Records on streaming and digital platforms worldwide with a physical release to follow. Additionally, the official music video for “If I Ain’t Got You” featuring Brandon Victor Dixon and Maleah Joi Moon is out now and can be found here.

Ghostlight Records has announced the release of the new single “Learning to Be Lonely” from Fangirls the multi-award-winning, smash-hit musical with book, musical and lyrics by wunderkind Yve Blake. The song is available in both vocal and instrumental versions. Following unprecedented sell-out success across Australia, a brand-new production of FANGIRLS is being mounted in London as a co-production between Sonia Friedman Productions and the Lyric Hammersmith Theatre, premiering on July 13. Tickets are available Here.

Shereen Ahmed, Mikaela Bennett, Philip Chaffin, Will Chase, Victoria Clark, Jason Danieley, Adrienne Danrich, Jordan Donica, Colin Donnell, Telly Leung, Paul Lincoln, Patti Murin, Kelli O’Hara, Elena Shaddow, Nathaniel Stampley, Elizabeth Stanley, and Lauren Worsham come together to record some of the most beautiful music never before heard on disc. The collection highlights the composer’s lifelong work, a style he dubbed “theater lieder.” Two dozen musical settings of poetry by such luminaries as W. B. Yeats, Edna St. Vincent Millay, and E. E. Cummings are being unveiled for the first time. The songs are orchestrated by Jonathan Tunick, Doug Besterman, Larry Hochman, Michael Starobin, Chris Jahnke, and John Baxindine, among others, and performed by an orchestra of 17 under the baton of Richard Carsey. The album is produced by Tommy Kraskerand Bart Migal.

Gerald Ginsburg — born in Lincoln, Nebraska, in 1932 — attended Oberlin College and the Manhattan School of Music before embarking on a career as a composer. But after a lauded debut at Carnegie Hall in 1974, self-doubt led Ginsburg to keep much of his music to himself, although he continued to compose for the remainder of his life. When he died in 2019, the full evidence of his years of solitary work was revealed: an archive of highly lyrical, emotionally moving and entertaining songs. PS Classics is proud to present Parting Gift: The Songs of Gerald Ginsburg, the legacy of an under-recognized composer who channeled his emotions into the intersection of poetry and music — and left behind something glorious.

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The Glorious Corner

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G.H. Harding

GIAMATTI’S TREK — (via DEADLINE) Paul Giamatti has joined the cast of the upcoming Paramount+ original series Star Trek: Starfleet Academy in a recurring role. He will play the Season 1 villain, a man with an ominous past connected to one of our cadets.

“Sometimes you’re lucky enough to discover that one of the greatest actors alive is also a huge Star Trek fan, and meeting Paul was one of those miraculous moments for us. The sheer delight with which he dove in on Starfleet Academy is only surpassed by the gratitude we feel about him joining our incredible cast,” shared co-showrunners and executive producers Alex Kurtzman and Noga Landau in a joint statement.

He joins previously announced Holly Hunter, who will star in the series as the captain and chancellor of Starfleet Academy. The series will begin production later this summer.

Star Trek: Starfleet Academy follows a young group of cadets who come together to pursue a common dream of hope and optimism. Under the watchful and demanding eyes of their instructors, they discover what it takes to become Starfleet officers as they navigate blossoming friendships, explosive rivalries, first loves and a new enemy that threatens both the Academy and the Federation itself.

Alex Kurtzman and Noga Landau serve as co-showrunners and executive producers of the series alongside executive producers Gaia Violo, Aaron Baiers, Olatunde Osunsanmi, Jenny Lumet, Rod Roddenberry, Trevor Roth, Frank Siracusa and John Weber. The series premiere episode is written by Gaia Violo.

Star Trek: Starfleet Academy is produced by CBS Studios in association with Secret Hideout and Roddenberry Entertainment and is distributed by Paramount Global Content Distribution.

HEART STOPPED — (Via Deadline) The Heart of Rock and Roll, the struggling musical built around the hits of Huey Lewis, will play its final performance at a matinee on Sunday, June 23. The show will have played 24 previews and 72 performances.

In a statement, producer Hunter Arnold said, “It was pure joy working on the show with the team of creatives headed by writer Jonathan A. Abrams, director Gordon Greenberg, choreographer Lorin Latarro, music arranger and orchestrator Brian Usifer and special gratitude to the support and participation of the iconic music legend Huey Lewis.

The musical began previews on March 29 and opened on April 22.

“We were honored,” he continued, “to have an amazing cast and crew who brought their immense enthusiasm, commitment and talent to each and every performance. With our original cast album just released and talks underway for a national tour and international productions, the musical will continue to delight audiences for years to come.”

The musical, received by critics with lukewarm reviews, did not received any Tony Award nominations and has been struggling at the box office, sometimes with the James Earl Jones Theatre just more than half-full with audience members. For the week ending June 9, the show grossed a tiny $272,051.

SHORT TAKES — Francis Ford Coppola’s Megalopolis will be released through Lionsgate. Tepid reviews? Not really. Face it, Coppola’s a genius. Check out Roger Friedman’s (SHOWBIZ 411) take: https://www.showbiz411.com/2024/06/17/coppola-leases-megalopolis-to-lions-gate-for-september-release-in-distribution-only-deal

Darius Rucker said that the bandmates in Hootie and the Blowfish tried to outparty each other? Interesting. Check this out here: https://www.yahoo.com/entertainment/darius-rucker-says-hootie–the-blowfish-bandmates-tried-to-outparty-each-other-that-was-just-how-we-lived-214135068.html

Add one more Jon Bon Jovi-intervene to the list. NBC’s Sunday With Willie Geist. Was good, but nothing on Richie Sambora and nothing new. He’s not going to tour; he wants to tour; a surprise gig in Nashville ….

Micky Dolenz and Michael Stip (R.E.M.)

what’s going on? More kudos for his PR-man Brad Cafarelli … Congrats to R.E.M. on their Songwriters Hall of Fameinduction … HAPPY BDAY Michelle Toscas!

NAMES IN THE NEWS — Tom & Lisa Cuddy; Mark Adelman; Christine Nagy; Race Taylor; Anthony Noto; Robert Funaro; Al Roker; Tony LoBianco; Les Moonves; Les Schwartz; Marion Perkins; Mary Wilson; Tony Seidel; Bob Schartoff; Julie Laufer; Liza Lillien; Richie Ridge; William Schill; Dan Zelinski; Carol Ross; Gary Gershoff; David Adelson; Roy Trakin; Lee Jeske; Anthony Mason; and BELLA!

Images on this page have been licensed under the Creative Commons Attribution-Share Alike 4.0 International license.

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And The Winners Of The 77th Tony Awards Are: The Outsiders, Merrily We Roll Along, Stereophonic and Appropriate

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Hillary Clinton did show and the Tony’s gave her a standing ovation, but against all odds the best musical of the year The Outsiders won. I have never been so happy to be wrong in my predictions as The Outsiders was my favorite show this year. I am so proud of this industry for honoring this amazing production.

Merrily We Roll Along, Stereophonic, Sarah Paulson, Appropriate, Maleah Joi Moon and so many other predicted choices took home the coveted award.

Ariana DeBose hosted the night, where the surprises were Jeremy Strong, Danya Taymor for The Outsiders, Kecia Lewis for Hell’s Kitchen.…yeah! 

The playbill for the night and the 77th Tony Awards, had speeches that were powerful. Especially in Act One. The theatre before the event.

In the show a tribute to Chita Rivera, Chita you will be missed.

Here is the list of the winning shows and performers:

BEST MUSICAL: The Outsiders

Daniel Radcliffe, Jonathan Groff, and Lindsay Mendez in NYTW’s Merrily We Roll Along. Photo: Joan Marcus.

BEST MUSICAL REVIVAL: *Merrily We Roll Along

BEST ACTRESS (MUSICAL): *Maleah Joi Moon, Hell’s Kitchen

BEST ACTOR (MUSICAL): *Jonathan Groff, Merrily We Roll Along. 

BEST FEATURED ACTRESS (MUSICAL):***Kecia Lewis — Hell’s Kitchen

BEST FEATURED ACTOR (MUSICAL): *Daniel Radcliffe, Merrily We Roll Along

BEST DIRECTOR (MUSICAL): ***Danya Taymor — The Outsiders. This win gives me such hope as Danya Taymor directs with heart. Her directorial performance in Jonah also was a tour de force. Taymor makes you feel.

BEST BOOK Of A MUSICAL: *Shaina Taub for Suffs

BEST MUSICAL SCORE: * Shaina Taub for Suffs

BEST ORCHESTRATIONS: *Jonathan Tunick, Merrily We Roll Along

BEST CHOREOGRAPHY: *Justin Peck, IIinoise

SCENIC DESIGN (MUSICAL): Tom Scutt — Cabaret at the Kit Kat Club

COSTUME DESIGN (MUSICAL): *Linda Cho, The Great Gatsby 

LIGHTING DESIGN (MUSICAL): ***Brian MacDevitt and Hana S. Kim — The Outsiders

SOUND DESIGN (MUSICAL): ***Cody Spencer — The Outsiders

PLAYS

Tom Pecinka and Sarah Pidgeon Photo by Julieta Cervantes

BEST PLAY: * Stereophonic

Sarah Paulson and Elle Fanning in 2ST’s Appropriate. Photo by Joan Marcus.

BEST PLAY REVIVAL: *Appropriate 

BEST ACTRESS (PLAY): *Sarah Paulson, Appropriate

BEST ACTOR (PLAY): Jeremy Strong — An Enemy of the People

BEST FEATURED ACTRESS (PLAY): *Kara Young, Purlie Victorious

BEST FEATURED ACTOR (PLAY): **Will Brill, Stereophonic. Thrilled for this win. One of my favorite performances of the year.

BEST DIRECTOR (PLAY): *Daniel Aukin, Stereophonic

BEST SCENIC DESIGN (PLAY): David Zinn, Stereophonic

BEST COSTUME DESIGN (PLAY): *Dede Ayite, Jaja’s African Hair Braiding 

BEST LIGHTING DESIGN (PLAY): Jane Cox — Appropriate

BEST SOUND DESIGN (PLAY): *Ryan Rumery, Stereophonic

Audra McDonald

Given special awards were: The Wilma Theatre Outstanding Regional Theatre,

lifetime Achievement to George C. Wolfe, Excellence in Theatre Education to CJay Philip

Harvey Fierstien

lifetime Achievement to Jack O’Brien

Brian Stokes Mitchell and Billy Porter

Isabelle Stevenson Award Billy Porter

*our prediction to win.

** our prediction to what should win

*** our prediction for Best but we did not think would win

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James Monroe Iglehart At The Drama Desk and A Rap For A Wonderful World: The Louis Armstrong Musical

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T2C was at the Drama Desk Awards and talked to our friend James Monroe Iglehart. Years ago I learned that James could make up raps instantaneously, so I had him do one at the Hamilton opening night for Lin Manuel Miranda. Since James is opening up in October in A Wonderful World: The Louis Armstrong Musical, I ask him to do a rap to plug his show. This is the result.

James’s new musical is about the life and loves of Louis Armstrong and Tony Award® winner James Monroe Iglehart is the legendary American icon. A Wonderful World charts Armstrong’s incredible journey from the birth of jazz in his native New Orleans through his international stardom. It features beloved songs recorded and made popular by Armstrong, including favorites like “What a Wonderful World” and “When You’re Smiling,” among many other standard favorites.

The show is conceived by Tony Award® nominee and Drama Desk Award winner Christopher Renshaw (Broadway’s The King and I, Taboo), and novelist Andrew Delaplaine. Book by Aurin Squire (“This is Us,” “The Good Fight”). Directed by Renshaw, with choreography by Rickey Tripp (Associate Choreographer for Broadway’s Hell’s Kitchen, Once on This Island, and Choir Boy). Featuring classic songs from Armstrong’s catalogue.

We look forward to seeing James and this new musical.

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Who Should/Will/Did Win a 2024 Tony Award? Predictions and Actual Winners.

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Here’s my list of who I think will win, who I think should win, and who ended up winning on June 11th, Tony night, as I like to call it. There are a number of obvious choices, but a few races that are difficult to call. Like the Jessica Vs Sarah American Horror alumn battle, or the emotional contest of Best New Musical. Here are mine.

Below is the full list of winners (🏆), my predictions (⭐️), who I think should win (👍), and all of the nominations:

Here goes nothing.

⭐️= Who I think Will Win

👍= Who I Think Should Win

🏆= Who Did in the End Win (stay tuned Sunday, June 11th, 2023 from the United Palace Theatre in NYC)

Best Book of a Musical

Hell’s Kitchen – Kristoffer Diaz

The Notebook – Bekah Brunstetter

The Outsiders– Adam Rapp and Justin Levine

👍 ⭐️ Suffs – Shaina Taub

Water for Elephants – Rick Elice

Best Original Score (Music and/or Lyrics) Written for the Theatre

Days of Wine and Roses – Music & Lyrics: Adam Guettel

Here Lies Love – Music: David Byrne and Fatboy Slim – Lyrics: David Byrne

👍 The Outsiders – Music & Lyrics: Jamestown Revival (Jonathan Clay and Zach Chance) and Justin Levine

Stereophonic – Music & Lyrics: Will Butler

⭐️ Suffs – Music & Lyrics: Shaina Taub

Jeremy Strong in An Enemy of the People – Photo by Emilio Madrid.

Best Performance by an Actor in a Leading Role in a Play

William Jackson Harper, Uncle Vanya
Leslie Odom, Jr., Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
Liev Schreiber, Doubt: A Parable
👍 ⭐️ Jeremy Strong, An Enemy of the People
Michael Stuhlbarg, Patriots

This is a hard one, but I’m leaning on the overall effect of the riveting An Enemy of the People leading Strong to a Tony victory. Stuhlbarg was excellent in the lesser excellent Patriots. Odom and Harper are two good actors who I believe underperformed, and I’m hoping their star-power doesn’t push them over the winning line.

Best Performance by an Actress in a Leading Role in a Play

Betsy Aidem, Prayer for the French Republic
Jessica Lange, Mother Play
Rachel McAdams, Mary Jane
👍 ⭐️ Sarah Paulson, Appropriate
Amy Ryan, Doubt: A Parable

Although everyone here excelled, particularly Aidem and Ryan, I do believe Paulson delivered something more profound and detailed than Lange, probably because the play gave her so many more complex opportunities which she gobbled up fantastically for our pleasure.

Sarah Paulson and Elle Fanning in 2ST’s Appropriate. Photo by Joan Marcus.

Best Performance by an Actor in a Leading Role in a Musical

Brody Grant, The Outsiders
👍 ⭐️ Jonathan Groff, Merrily We Roll Along
Dorian Harewood, The Notebook
Brian d’Arcy James, Days of Wine and Roses
Eddie Redmayne, Cabaret at the Kit Kat Club

No shocker here. This is Groff’s moment, even though I loved Grant and Redmayne in their lesser received shows. James was also good, vocally, in a musical that I just didn’t connect to, so I wasn’t as connected to him or his performance. The same can be said of O’Hara. I just didn’t care, even within the dramatic ending.

Best Performance by an Actress in a Leading Role in a Musical

👍 Eden Espinosa, Lempicka
⭐️ Maleah Joi Moon, Hell’s Kitchen
Kelli O’Hara, Days of Wine and Roses
👍 Maryann Plunkett, The Notebook
Gayle Rankin, Cabaret at the Kit Kat Club

I think the new kid on the block might take home the prize, although I would not be disappointed if either Espinosa or Plunkett jumped to the front of the Hell’s Kitchen train.

Eden Espinosa in Lempicka. Photo: MATTHEW MURPHY AND EVAN ZIMMERMAN

Best Performance by an Actor in a Featured Role in a Play

👍 Will Brill, Stereophonic
⭐️ Eli Gelb, Stereophonic
Jim Parsons, Mother Play
Tom Pecinka, Stereophonic
Corey Stoll, Appropriate

Such a hard call, but I fully believe that, as in many categories including this one, it will be a winning Stereophonic night. Some say Stoll might snatch it up, but I’d be very surprised.

Best Performance by an Actress in a Featured Role in a Play

Quincy Tyler Bernstine, Doubt: A Parable
👍 Juliana Canfield, Stereophonic
Celia Keenan-Bolger, Mother Play
👍 Sarah Pidgeon, Stereophonic
⭐️ Kara Young, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch

Gosh. Young was, for me, by far the best thing in this revival elevating it spectacularly leaving everyone, including the bland Odem, Jr. At the bottom of the hill.

Leslie Odom, Jr. and Kara Young in PURLIE VICTORIOUS – Photo by Marc J. Franklin.

Best Performance by an Actor in a Featured Role in a Musical

Roger Bart, Back To The Future: The Musical
👍 Joshua Boone, The Outsiders
Brandon Victor Dixon, Hell’s Kitchen
Sky Lakota-Lynch, The Outsiders
👍 ⭐️ Daniel Radcliffe, Merrily We Roll Along
Steven Skybell, Cabaret at the Kit Kat Club

I’ll be cheering for Radcliffe when he wins the Tony for his performance in this stellar production, but I did love The Outsiders maybe more than most, and Boone really gave the new musical its solid emotional heart.

Best Performance by an Actress in a Featured Role in a Musical

Shoshana Bean, Hell’s Kitchen
Amber Iman, Lempicka
Nikki M. James, Suffs
Leslie Rodriguez Kritzer, Monty Python’s Spamalot
👍 ⭐️ Kecia Lewis, Hell’s Kitchen
Lindsay Mendez, Merrily We Roll Along
👍 Bebe Neuwirth, Cabaret at the Kit Kat Club

What an amazing group, and I’d really be happy anyway this one went, but Neuwirth feels so damn perfect in the part, and Lewis made me cry, so there’s that….

Steven Skybell and Bebe Neuwirth in CABARET at the Kit Kat Club at the August Wilson Theatre. Photo by Marc Brenner.

Best Scenic Design of a Play

dots, Appropriate
dots, An Enemy of the People
Derek McLane, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
David Zinn, Jaja’s African Hair Braiding
👍 ⭐️ David Zinn, Stereophonic

Conrad Ricamora (Ninoy Aquino – left), Arielle Jacobs (Imelda Marcos – right), and the cast of Here Lies Love in the Broadway Theatre.
Photo Credit: Billy Bustamante, Matthew Murphy and Evan Zimmerman (2023)

Best Scenic Design of a Musical

AMP featuring Tatiana Kahvegian, The Outsiders
Robert Brill and Peter Nigrini, Hell’s Kitchen
Takeshi Kata, Water for Elephants
David Korins, Here Lies Love
Riccardo Hernández and Peter Nigrini, Lempicka
Tim Hatley and Finn Ross, Back To The Future: The Musical
👍 ⭐️ Tom Scutt, Cabaret at the Kit Kat Club

Best Costume Design of a Play

Dede Ayite, Appropriate
⭐️ Dede Ayite, Jaja’s African Hair Braiding
👍 Enver Chakartash, Stereophonic
Emilio Sosa, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
David Zinn, An Enemy of the People


Eddie Redmayne (center) and the cast of CABARET at the Kit Kat Club at the August Wilson Theatre. Photo by Marc Brenner.

Best Costume Design of a Musical

Dede Ayite, Hell’s Kitchen
Linda Cho, The Great Gatsby
David Israel Reynoso, Water for Elephants
👍 Tom Scutt, Cabaret at the Kit Kat Club
⭐️ Paul Tazewell, Suffs

Best Lighting Design of a Play

Isabella Byrd, An Enemy of the People
Amith Chandrashaker, Prayer for the French Republic
👍 ⭐️ Jiyoun Chang, Stereophonic
Jane Cox, Appropriate
👍 Natasha Katz, Grey House

The cast of The Outsiders. Photo by Matthew Murphy.

Best Lighting Design of a Musical

Brandon Stirling Baker, Illinoise
⭐️ Isabella Byrd, Cabaret at the Kit Kat Club
Natasha Katz, Hell’s Kitchen
Bradley King and David Bengali, Water for Elephants
👍 Brian MacDevitt and Hana S. Kim, The Outsiders

Best Sound Design of a Play

Justin Ellington and Stefania Bulbarella, Jaja’s African Hair Braiding
Leah Gelpe, Mary Jane
Tom Gibbons, Grey House
Bray Poor and Will Pickens, Appropriate
👍 ⭐️ Ryan Rumery, Stereophonic

The cast of Stereophonic on Broadway. Photo by Julieta Cervantes.

Best Sound Design of a Musical

M.L. Dogg and Cody Spencer, Here Lies Love
👍 Kai Harada, Merrily We Roll Along
Nick Lidster for Autograph, Cabaret at the Kit Kat Club
⭐️ Gareth Owen, Hell’s Kitchen
Cody Spencer, The Outsiders

Best Direction of a Play

👍 ⭐️ Daniel Aukin, Stereophonic
Anne Kauffman, Mary Jane
Kenny Leon, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
Lila Neugebauer, Appropriate
Whitney White, Jaja’s African Hair Braiding

Gabriel Olivera de Paula Costa and Wade McCollum in WATER FOR ELEPHANTS – Photo by Matthew Murphy.

Best Direction of a Musical

👍 ⭐️ Maria Friedman, Merrily We Roll Along
Michael Greif, Hell’s Kitchen
Leigh Silverman, Suffs
👍 Jessica Stone, Water for Elephants
Danya Taymor, The Outsiders

Friedman, in a way, did the impossible with this formerly problematic musical so her win is well deserved. But Stone also delivered a spectacular worthy of the Water for Elephants story it told.

Best Choreography

Annie-B Parson, Here Lies Love
Camille A. Brown, Hell’s Kitchen
👍 Rick Kuperman and Jeff Kuperman, The Outsiders
⭐️ Justin Peck, Illinoise
Jesse Robb and Shana Carroll, Water for Elephants

Ricky Ubeda and Ben Cook of Broadway’s Illinoise. Photo by Liz Lauren.

Best Orchestrations

Timo Andres, Illinoise
👍 Will Butler and Justin Craig, Stereophonic
Justin Levine, Matt Hinkley and Jamestown Revival (Jonathan Clay and Zach Chance), The Outsiders
Tom Kitt and Adam Blackstone, Hell’s Kitchen
⭐️ Jonathan Tunick, Merrily We Roll Along

Best Play

Jaja’s African Hair Braiding – Author: Jocelyn Bioh

Mary Jane – Author: Amy Herzog

Mother Play – Author: Paula Vogel

Prayer for the French Republic – Author: Joshua Harmon

👍 ⭐️ Stereophonic – Author: David Adjmi

No contest. Really. And that’s no slight to the other wonderfully written plays in this group.

Kecia Lewis and Maleah Joi Moon in Hell’s Kitchen on Broadway. Photo by Marc J. Franklin.

Best Musical

⭐️ Hell’s Kitchen

Illinoise

👍 The Outsiders

Suffs

👍 Water for Elephants

This is a hard call cause none of them are perfect yet all deliver something pretty special. And unique. I loved The Outsiders, more than I imagined I would. Its heart beats the strongest for me, but I think Keys will triumph for expanding the genre and the audience up so many floors.

Natalie Gold, Alyssa Emily Marvin, Michael Esper, Sarah Paulson, and Corey Stoll in 2ST’s Appropriate. Photo by Joan Marcus.

Best Revival of a Play

⭐️ Appropriate – Author: Branden Jacobs-Jenkins

👍 An Enemy of the People – Author: Amy Herzog

Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch

An Enemy of the People is solid and as strong as its Strong star, but Appropriatedelivers in so many unexpected ways it’s impossible not to be taken in completely, laughing in its uncomfortableness and its tense emotional turmoil.

Best Revival of a Musical

Cabaret at the Kit Kat Club

Gutenberg! The Musical!

👍 ⭐️ Merrily We Roll Along

The Who’s Tommy

Another no-contest win. But I also loved Cabaret far more than your average critic. And I’m still a little surprised by that.

Daniel Radcliffe, Jonathan Groff, and Natalie Wachen in Merrily We Roll Along. Photo by Mathew Murphy.

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