What To Watch October 5th To Take Away The Blues
1pm: Kids and Yiddish: The Reunion Special By National Yiddish Theatre Folksbiene. “Welcome to Our Suke/Sukkah”, a four-day festival of family-friendly performances during Chol Hamoed (the intermediary days of Sukkos) from October 5th to 8th. The presentations include Kids and Yiddish: The Reunion Special (October 5th); Tatiana Wechsler Concert (October 6th); Budd Mishkin’s interview with the Grammy Award-winning Klezmatics; and, Bisl Borscht: A Tribute to Mickey Katz, starring Ben Liebert (Motl from Folksbiene’s Fiddler on the Roof in Yiddish) (October 8th) with Special Guests.
The National Yiddish Theatre Folksbiene presents Kids and Yiddish: The Reunion Special. The beloved family show returns in an online production featuring original Off-Broadway cast members as well as new voices. This can be viewed only through October 9th at 1:00 PM Eastern Time.
3pm: The Seth Concert Series hosts Orfeh & Andy Karl! The Tony-nominated Broadway couple performs songs from Legally Blonde, Pretty Woman, Rocky, and more.
The Seth Concert Series is hosted by Sirius XM host and Playbill contributor Seth Rudetsky. While normally held in Provincetown, Massachusetts, under the Broadway @ Art House banner, the performances will be held indoors from the stars’ homes due to the COVID-19 pandemic.
7pm: Juilliard Virtual Gala Juilliard will present a virtual gala. The event will feature performances and appearances by such alums as Philip Glass, Nico Muhly, and Lorraine Toussaint, as well as highlights of past events, including a February 2020 master class led by Renée Fleming, the Juilliard Orchestra virtual performance of “Nimrod” from Elgar’s Enigma Variations conducted by Itzhak Perlman, and a behind-the-scenes look at Larry Keigwin and Nicole Wolcott’s collaboration Bolero Juilliard.
7pm: Working Theater: American Dreams. American Dreams invites YOU to participate in the newest game show sensation – where you, the audience, decide who wins the ultimate prize: citizenship to “the greatest nation on earth.” Redefining online theater, this is a participatory performance which changes every night.
American Dreams captivates you, while simultaneously exploring how we navigate between fear, security, and freedom; who and what we choose to believe—and how those choices come to shape who we are as citizens, and as a nation.
American Dreams premiered to great acclaim at Cleveland Public Theatre for live audiences. This fall, the show launches as a national virtual theater production. This ground-breaking online tour will “travel” across the U.S., inviting audiences into playful, timely engagement and dialogue around what it means to be a citizen of this country.
7:30: RemarkaBULL Podversation: I Hate the Moor by Patrick Page By Red Bull Theater. Celebrated Shakespearean actor and Tony Award-nominee Patrick Page will join host Nathan Winkelstein, Red Bull’s Associate Artistic Director, for a conversation focused on Iago’s speech from the first act Shakespeare’s Othello.
Page performed Iago opposite Avery Brooks in 2005 at The Shakespeare Theatre Company under the direction of Michael Kahn. He’ll read passages from the play and discuss his approach to the text and character. They’ll take your questions through Facebook LIVE and YouTube.
7:30: Wagner’s Wagner’s Tristan und Isolde Met audiences were fascinated by Mariusz Treliński’s gripping, visionary production of Wagner’s epic opera. In the daunting title roles of the doomed lovers, Nina Stemme and Stuart Skelton are passionate, overwhelming, and heartbreaking as they battle every obstacle that separates them from their true destiny. René Pape is King Marke, betrayed not only by Isolde but by Tristan, the man he most trusts and loves like a son. With Ekaterina Gubanova as Isolde’s confidante Brangäne and Evgeny Nikitin as Kurwenal, Tristan’s loyal lieutenant. Simon Rattle conducts a surging, shimmering account of Wagner’s monumental score.
8pm: Stars in the House: Guest Host Brenda Braxton and friends
8pm: Jim Caruso’s Pajama Cast Party Join the next episode of Jim Caruso’s Pajama Cast Party on YouTube with special guests tfeature theater singer Jenna Pastuszek, French musical theater star Marie Oppert (The Umbrellas of Cherbourg), from Broadway’s Hadestown Kimberly Marable, pop singing sensation Nestor Martinez, and husband and wife Broadway songwriting team Nell Benjamin and Laurence O’Keefe (Legally Blonde).
The NYC open mic night has moved online due to the ban on mass gatherings caused by the COVID-19 pandemic.
8pm: Bindlestiff Open Stage Variety Show: Quarantine Edition Bindlestiff Family Variety Arts, Inc. is a nonprofit performing arts organization dedicated to increasing the knowledge, understanding, and appreciation of circus, sideshow, vaudeville, and related arts through performances, lectures, media, and workshops for the general public, and through the creation of opportunities for cultural exchange and community among performing artists. Through performance, teaching, and outreach, Bindlestiff preserves, contemporizes, and enriches the cultural heritage of the variety arts.
The circus and variety arts have the power to lift our spirits, bring people together, and create moments of joy. The Bindlestiff Family Cirkus needs your help to continue our work creating spectacles that delight, programs that foster youth development, and opportunities for emerging performers.
We invite you to support our mission to cultivate, develop, and sustain the variety arts by making a tax-deductible donation. Your support makes it possible to do what we do. Thank you.
8:30pm: Reflecting Shakespeare TV By The Old Globe Discover William Shakespeare’s text and characters as a launch point for self-reflection to create community and reduce isolation.
Reflecting Shakespeare TV, The Old Globe’s program originally created for people experiencing incarceration, invites you to keep journaling along to its second season.
9pm: Mondays for Biden Presents Dancing for Democracy Mondays for Biden, a group conceived by Broadway alum Jeffrey Schecter, announces their virtual fundraising event “Dancing for Democracy” on Monday October 5th at 9:00pm EST.
The event, hosted by Schecter and fellow Broadway alum, J. Elaine Marcos, will feature performances and testimonials by some of Broadway and Hollywood’s most popular performers.
Click here to sign up. While free to enjoy, donations are encouraged to support Biden’s election campaign.
Special guests include: Tony Winners Annaleigh Ashford, Laura Benanti, Nikki M. James, Jerry Mitchell, and Sergio Trujillo; Tony Nominees Adrienne Barbeau, Danny Burstein, Charlotte d’Amboise, Marcia Milgrom Dodge, Beth Malone, Terrence Mann, Rory O’Malley, and Valarie Pettiford; as well as Jessica Lee Goldyn, JoAnn M. Hunter, Jess LeProtto, Gerry McIntyre, Stephanie Pope, Josh Walden, and choreographer James Kinney, among others.
Dance In Times Square Today
Ailey comes to Times Square for a series of free outdoor dance classes led by Ailey Extension instructors and NYC dance artists. Classes are open to people of all ages and all levels of dance experience!. These dance workshops are presented by Ailey Extension and one will happen today June 2 at 5pm, Broadway & 46th St. The class is Broadway Jazz with Judine Somerville to register click here.
On Wednesday, June 7 at 6pm, at Broadway & 46th St LiveDance /Time: Study III with Bill T. Jones/Arnie Zane Company co-presented with New York Live Arts
Culminating its 40th Anniversary celebration, the world renowned Bill T. Jones/Arnie Zane Company makes its Times Square debut with /Time: Study III. This piéce d’occasion, featuring the outstanding performers of the company and guest musicians, marks the third annual New York Live Arts presentation in Times Square.
Midnight Moment: The Doors: Lizard Kings
From June 1–30, 2023 | Nightly 11:57pm – 12am metallic crystal-ridged lizards prowl and skitter across the screens of Times Square in The Doors: Lizard Kings by Zach Blas. Featuring five fantastical computer-generated creatures choreographed across 63 distinct channels, June’s Midnight Moment stems from Blas’s 2019 immersive media installation The Doors, a work exploring psychedelia, drug use, artificial intelligence, and Silicon Valley’s connections to California counterculture from the 1960s.
The Doors: Lizard Kings also nods to the contemporary psychedelic trends of microdosing LSD and psilocybin mushrooms, as well as taking nootropics. Blas suggests that this new drug culture, popularized in the tech industry, re-engineers psychedelic experience to optimize labor, promising to “unlock” doors of the mind for workers to labor faster and more efficiently. The Doors: Lizard Kings proposes a new generation of Barbaturex morrisoni, computational symbols for a 21st century psychedelia predicated on worker productivity, smart drugs, and AI hallucinations.
Zach Blas, The Doors: Lizard Kings 2019 / 2023
Originally commissioned by Edith-Russ-Haus für Medienkunst, Oldenburg, Germany; de Young Museum, San Francisco, US; and Van Abbemuseum, Eindhoven, Netherlands
- Computer Graphics Supervisor: Harry Sanderson
- Animation: Mikkel Aabenhuus Sørensen
- Animation Assistant: Yan Eltovsky
- Modeling and Visual Effects: Dayne Kolk
- Simulation Assistant: Aslak Kjølås-Sæverud
- Compositing: Felix Lee
- Video Editor: Martin Gajc
- Project Manager: Talia Golland
- Project Assistant: Audrey Amman
The original presentation of The Doors featured an aural accompaniment that oscillates between abstract soundscapes and poetry spoken in AI generated voice resembling Jim Morrison’s.
- Machine Learning Engineers (video and poetry): Ashwin D’Cruz and Christopher Tegho
- Machine Learning Engineers (voice and music): Sam Parke-Wolfe and Cameron Thomas
- Musicians: xin and Aya Sinclair
- Supervising Sound Editor: Tom Sedgwick
- Mix Engineer: Ben Hurd
Zach Blas (b. Point Pleasant, West Virginia) is an artist, filmmaker, and writer whose practice spans moving image, computation, theory, performance, and science fiction. Blas engages the materiality of computational technologies while also drawing out the philosophies and imaginaries lurking in artificial intelligence, biometric recognition, predictive policing, airport security, the Internet. Blas has exhibited, lectured, and held screenings at venues internationally, including the 12th Berlin Biennale, Walker Art Center, Tate Modern, British Art Show 9, 12th Gwangju Biennale, de Young Museum, the 68th Berlin International Film Festival, Los Angeles County Museum of Art, ICA London, Van Abbemuseum, e-flux, ZKM Center for Art and Media, and Australian Centre for Contemporary Art. His practice has been supported by a Creative Capital award in Emerging Fields, the Arts Council England, Edith-Russ-Haus für Medienkunst, and the UK Arts and Humanities Research Council. His work is in the collections of Museo Universitario Arte Contemporáneo, National Museum of Modern and Contemporary Art, Seoul, and Whitney Museum of American Art. Blas’s practice has been written about and featured in Artforum, Frieze, ArtReview, BBC, The Guardian, and The New York Times. His 2021 artist monograph Unknown Ideals is published by Sternberg Press. Blas is an Assistant Professor of Visual Studies in the Daniels Faculty of Architecture, Landscape, and Design at the University of Toronto.
Out of Town
A Dancing Dolly
Hello, Dolly! is a 1964 musical with lyrics and music by Jerry Herman and a book by Michael Stewart, based on Thornton Wilder’s 1938 farce The Merchant of Yonkers, which Wilder revised and retitled The Matchmaker in 1955. The musical follows the story of Dolly Gallagher Levi, a strong-willed matchmaker, as she travels to Yonkers, New York, to find a match for the miserly “well-known unmarried half-a-millionaire” Horace Vandergelder. The show, directed and choreographed by Gower Champion and produced by David Merrick, moved to Broadway in 1964, winning 10 Tony Awards, including Best Musical. These awards set a record which the play held for 37 years. The show album Hello, Dolly! An Original Cast Recording was inducted into the Grammy Hall of Fame in 2002. There is no denying that Jerry Herman never wrote a bad song and that you will go home singing at least one if not several of these wonderfully tuneful songs.
In this neck of the woods, Stephen Casey is well-known for his high- stepping choreography and in the Act II production of Hello, Dolly!, he does not disappoint. Everyone in this show dances. The dance numbers are many and lengthy. And The Waiters Gallop number at the Harmonia Gardens Restaurant is especially applause worthy. The pared down chorus is just as proficient at singing as they are at dancing. And the small stage at Act II is ingeniously used to give an appearance of a much bigger space. Jenny Eisehower is a very lively and likeable Dolly Levi, in contrast to Scott Langdon’s delightfully cantankerous Mr. Vandergelder. Ms. Eisenhower’s statuesque height plays well off the shorter Mr. Langdon.We know she is a woman who is always in control. Elyse Langley displays a mature soprano rendering of “Ribbons Down my Back” as Irene Malloy. Lee Slobotkin is quite endearing as Barnaby Tucker and Jeremy Konopka is a young Tommy Tune with his longer than you can believe it legs.
The costumes by Millie Hiibel were bright and playful and worked in tandem with the simple set design by Dirk Durossette. The score is fully orchestrated though, unfortunately it’s in the “can” which for me takes away from the excitement you get from a live musical.
Unfortunately, I did not enjoy the show as much as I would have had the minor characters not been instructed or simply encouraged to mug to the audience. Every time this happened it brought me right out of the show. In 1812’s producton of The Play That Goes Wrong many of the actors were mugging their pants off and playing it over the top — but they were forgiven because they were supposed to be a terrible community theatre company.
And yet, if you like Jerry Herman and a lot of dancing you will enjoy this show and understand why it’s been revived so many times.
Tickets are available online at act2.org, by calling the Act II Box Office at 215-654-0200, or in-person at the Box Office at 56 E. Butler Ave., Ambler, PA. The Box Office is open Mon-Sat, 2 p.m. – 6 p.m. Student tickets are $15 and group discounts are available.
Hello, Dolly! Directed and Choreographed by Stephen Casey. Running now through June 18, 2023 at Act II Playhouse 56 E. Butler Ave., Ambler, PA 19002
League of Professional Theatre Women’s 10th Annual Women Stage The World March
The League of Professional Theatre Women (LPTW) will hold its 10th Annual “Women Stage the World March” — a Suffragette-inspired project to educate the public about the role of women in the theatre industry — on Saturday, June 17. The march will begin at noon, at Shubert Alley and weave through Times Square and the Broadway Theatre District, wrapping up at about 2 p.m.
“The event is FREE and LPTW invites all theatre women and allies to join us as we increase awareness, lift our voices, and advocate for more opportunities for women in theatre,” said Ludovica Villar-Hauser, Co-President of LPTW.
“The Women Stage the World March is designed to educate the public about the role women play in creating theatre and the barriers they face as men continue to outnumber women by 4 to 1 in key roles such as playwright, director and designers. Women buy 67% of the tickets and represent 65% of the audience, yet 80% of the storytelling on stage is shaped by men’s voices,” said Katrin Hilbe, Co-President of LPTW.
Handouts during the March will prompt ticket-buyers to ask three questions as they make buying decisions: (1) Who wrote, directed and designed this play? (2) What is this theatre’s track record in giving opportunities to women? (3) How can you spread the word and promote women’s voices?
“All participants are encouraged to dress as their favorite historical theatre woman, or dress all in white. March participants will gather at Shubert Alley starting at 11:30 AM, in preparation for the start of the march at noon. Women Stage the World sashes and signs will be provided, as supplies last,” noted Penelope Deen, LPTW member and organizer of the event. Those interested in participating in the event please R.S.V.P. at: https://www.theatrewomen.org/women-stage-the-world or contact Penelope Deen at: Womenstagetheworld@Theatrewomen.org
LPTW Co-President Ludovica Villar-Hauser added: “The League of Professional Theatre Women stands alongside the Writers Guild of America (WGA) as they demand fair wages and take action to ensure more protections for artists. We encourage LPTW members to find a time to join the WGA on the picket lines this month as the strike continues. Women writers are the future of the film and television industry, just as they lead the way in theatre. LPTW supports the women on the frontlines of this movement as they call for long overdue change. We are stronger together.”
For the past 10 years LPTW members, affiliated union members, theatre artists and their allies have hit the streets in a March reminiscent of the Suffragette parades of the early 20th Century, with some marchers dressed in traditional suffrage garb and colors. Like the Suffragettes before them, participants in the Women Stage the World March empower women and men to become aware, take action and influence others.
The League of Professional Theatre Women (LPTW) is a membership organization championing women in theatre and advocating for increased equity and access for all theatre women. Our programs and initiatives create community, cultivate leadership, and increase opportunities and recognition for women working in theatre. The organization provides support, networking and collaboration mechanisms for members, and offers professional development and educational opportunities for all theatre women and the general public. LPTW celebrates the historic contributions and contemporary achievements of women in theatre, both nationally and around the globe, and advocates for parity in employment, compensation and recognition for women theatre practitioners through industry-wide initiatives and public policy proposals. LPTW is celebrating its 40th Anniversary in 2023.
The Mayor of Motivation interviews Ramon Hervey, Manager & Publicist to the Famous
Ramon Hervey has earned global recognition as a highly regarded entertainment manager, brand consultant & publicist who has represented Richard Pryor, Bette Midler, Paul McCartney, the Bee Gees, Muhammad Ali, Caitlyn Jenner, Quincy Jones, Vanessa Williams, The Commodores with Lionel Richie, the Jacksons with Michael Jackson and a whole lot more A Listers. He is the author of the book…The Fame Game: An Insider’s Playbook for Earning Your 15 minutes.
After having invested 4 decades in playing the fame game, Ramon and I sat down to talk on The Motivation Show podcast.
Ramon, why do you call fame a “game” and why did you choose that word for your book title? “Fame is unpredictable, just as are the results in a game. Everyone has failures. You hope to win, but it is not guaranteed. Only .0065% of over 7 billion people in the world are famous. There are a lot of successful people in the world that never become famous. Fame and success don’t come with a warranty.”
What does Ramon feel about luck playing a role in success and fame? “I think there is a certain amount of luck in what I do. A lot of it is timing. Timing is a form of luck.” One example Ramon gives is when Starbucks started to introduce music in it’s cafes. The first one was Ray Charles, who died shortly thereafter, which skyrocketed sales of his music. That sales surge is what Ramon attributed to luck.
The pursuit of fame…is it mostly a positive goal? “Most people don’t know what fame is til they already become famous. A lot of stars change their mind about what they thought fame was going to be. A lot of people don’t like all the baggage that comes with being famous. The lack of privacy. In my time on the planet, it has definitely changed dramatically over the past ten years.” Ramon points to Social Media and it’s impact on more people having an opportunity to become famous in different ways than were available previously.
Why did Richard Pryor, at the height of his fame, attempt suicide & what was the famous incident which almost killed him that he later confessed to as a suicide attempt? “I managed all of Richard’s missteps. He was probably the #1 black entertainer in the world at that time. It’s not my fame. It’s their fame. I think Richard always felt guilty about his fame. He didn’t think he could live up to the level of fame that he achieved. That created an albatross around his neck. It made him rely on more substances to sedate him and calm himself. He reached the point that he did not want to become that person anymore. For the longest time he said that he didn’t (try to commit suicide), he said it was an accident. Richard always found a way to market his vulnerability. All of his comedy focused on all of his missteps. He had shot all four tires on his Mercedes and told his wife during a fight that you are not going to leave in that car. He put that into his comedy. He did it the exact opposite way of what we would advise which would be to put the incidences behind you. I don’t know anyone else that was as successful as him in marketing all of the things he did wrong.”
When asking Ramon about what type of confident personality one has to have to become famous he says, “I do believe you have to have a big ego and a certain amount of self confidence to be successful. Every famous person I met took a different path to get it and they all loss some level of fame at some point.”
Can you give us an example of someone you managed very well? “I am very proud of my relationship with Bette Midler. She helped to blossom my career. I was never her manager, but I was her publicist. I did work in a management capacity…she didn’t have a manager. I have a great appreciation and fondness for her. Also, working with my ex-wife Vanessa Williams on her crisis management. I did not know her at the time she was embroiled in the Miss America controversy. She resigned here title and I am glad she did. We got married and had three kids together and I managed her career. It took ten years for her to get her life back after she resigned from the Miss America pageant where she was just called Vanessa Williams without alluding to any prior controversy.”
In discussing his earlier years, Ramon shares two musical giants that helped shape his career. “In my book, I try to enlighten people about the trajectory of my own fame. My first client I got to work with was Paul McCartney. My initial task was to put together a press kit. That shaped my next 4 or 5 years when I got an opportunity to work with Quincy Jones who is the first client I brought to Rogers & Cowan who I was working with at the time. He was someone I treasured to be in his presence because he had so many great stories and so much great insight.”
Ramon muses in his book about fame, that the more you get, the harder it is to manage. I asked him if there are any other examples like that. “Probably the worst case scenario was Rick James. He had a very troubled childhood. For him, fame meant he put himself above people. He created a lot of bad blood. The way that he treated people. A lot of people did not want him to win. He always had a great fan base, but I think his fame was toxic for him. He self-destructed. He was obsessed with fame and all the hoopla and perks. He loved being the king of everything. He was very demanding. He did not know how to manage his fame.”
In closing, I ask Ramon, what he is most proud of. “I am proud of my reputation. I have never been sued. I’ve always approached business with a great deal of integrity. I’ve always worked really hard. I’ve always tried to be honest with my clients. Authentic and transparent. I think that is much better than being a yes man.”
So when I think of fame, I think of getting the best table in the best restaurants. I think about people idolizing me. I also think about people interrupting my conversation and my meal for photos and autographs. Do I really want that…or do I just want a nice, quiet, peaceful meal. Hmmm…some food for thought. How about you? Do you want to be part of the Fame Game?
You can listen to Eli’s podcast The Motivation Show on any podcast listening app or use this Spotify link: https://open.spotify.com/show/3NVmTDAvGbzooN8TCW7tuN. To contact Eli or to have him speak at your event, email email@example.com.
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