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What To Watch September 24th To Take Away The Blues

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9am: Transformation 2020: Popular Democracy Defined The Center for Popular Democracy (CPD) and Level Forward are bringing a variety of Broadway creative talent and energy to the three day summit Transformation 2020: Popular Democracy Defined September 24-26. The event aims to get out the vote and focus beyond the ballot.

In addition to performers and performances from plays including Cadillac CrewWhat the Constitution Means to MeSanctuary City, and Slave Play, as well as musicals Oklahoma!Jagged Little Pill1776Jeannette, and Letters to the President talk forward panels and keynotes, and a special session with the Broadway Advocacy Coalition, attendees will also have the opportunity to attend “Creativity In Action” sessions that pair talented guests with issue experts from a variety of organizations. Topics include:

“LGBTQIA+ Identities and Activism” with Lauren Patten, NYC Human Rights Commissioner Carmelyn P. Malalis, and the organization Craft Your Truth

“Creating a Culture of Consent” with Kathryn Gallagher, Celia Rose Gooding, and Ilse Knecht from the Joyful Heart Foundation

“Mobilizing The Power of Black Expression” with Joaquina Kulakango, Jakeem Dante Powell, and LaTosha Brown from Black Voters Matter

“Human or Nah? Racism and Anti-Blackness in Arts & Real Life” with Laurel Harris, Daniel J. Watts, and Latrina Kelly-James from the Center for Popular Democracy

12pm: Harvey Granat Presents: Jerry Herman By 92 Y. Jerry Herman electrified Broadway with Mame, Milk and Honey and Mack and Mabel in addition to winning two Tony Awards for Hello Dolly! and La Cage Aux Folles. A lifetime of achievement culminated in a Tony Award for lifetime achievement in theater and a Kennedy Center honor as well as his songs being known around the world. Join Harvey Granat and special guests Laurence Maslon, Jason Danieley, and Mark Nadler to explore this special composer. 

1pm: Living Room Concerts: Songs from The Golden Land National Yiddish Theatre Folksbiene (Folksbiene)—led by Zalmen Mlotek, Artistic Director, and Dominick Balletta, Executive Director .

3pm: Jack Was Kind All for One Theater Through October 10
Tracy Thorne wrote and performs this “intimate, confessional play examines long-seated issues of privilege and complicity.” The production will be presented live on Zoom, four times a week, Wednesday-Saturday through October 10 for limited audiences.

4pm–9:30pm: Marie’s Crisis Virtual Piano Bar Tonight’s scheduled pianists are Alex Barylski (@Alexander-Barylski) and Adam Michael Tilford (@Adam-Tilford-1).

Tanya Pinkins 

6pm: Classic Conversations: Tanya Pinkins By Classic Stage Company The series continues with The New York Times’ Co-Chief Theater Critic Ben Brantley, who recently announced he was stepping down from his post in October. Tony winner Tonya Pinkins, who won in 1992 for Jelly’s Last Jam. More recently, the star played the title role in original Broadway production of Caroline, or Change. Her additional credits include Radio GolfRasheeda Speaking, and Holler If Ya Hear Me

6pm: Here We Are Theatre for One Every Thursday starting today, Christine Jones’ company will offer one-on-one performances of “micro-plays” by the following eight playwrights: Jaclyn Backhaus, Lydia R. Diamond, Lynn Nottage, Stacey Rose, Nikkole Salter, DeLanna Studi, Regina Taylor, and Carmelita Tropicana. Each audience member signs up for a specific date and time and then gets to see at least one play, performed live! You need to sign up here in advance and to learn details. 

6:45, 7:45 and 9pm: Miranda: A Steampunk Opera LUMA, the country’s growing festival for art, tech and storytelling, will leverage its worldwide network of talent to reimagine how musical theater and opera are presented live in the era of COVID-19. 

Debut a fully immersive production of Kamala Sankaram’s dystopian courtroom drama Miranda: A Steampunk Opera streaming live in two distinct formats: through a fully immersive VR theatre app built for Vive/Oculus headsets and via real-time computer animated film streamed live through YouTube. The production is co-created by Tri-Cities Opera and co-presented by Opera Omaha. 

Miranda transports us to a dark American future where growing class disparities have reached epic proportions and the criminal justice system serves only as a parody of what it once represented. A wealthy socialite has died and three suspects’ lives are on the line. They’ll each testify in aria for a chance at freedom. The live audience serves as judge and jury–but can they even accept their own role at face value? Or has the game been rigged from the start? 

Sankaram’s score balances apocalyptic pop beats with the lush lyricism of classic opera, adding a rich texture to a tale that explores themes of class, bureaucracy and self-determination. The work is being directed and adapted from its original 2013 production by Alison Moritz (Washington National Opera, Opera Omaha, Tanglewood Festival), working with lead designer Diego Martinez and Co-Executive Producer Tice Lerner. The production concept was developed by LUMA’s Joshua Bernard and Tri-Cities Opera’s John Rozzoni. 

The show’s leading cast members sing live as their full bodies are motion-captured in real time and mapped onto meticulously crafted digital avatars designed for this groundbreaking production. 

Miranda: A Steampunk Theatre Experience combines the quality of performance and broad accessibility of a large Broadway theatre with the emotional connection that can only be achieved in a small, immersive production. The style of production also creates the possibility for live theatre to incorporate cinema-scale effects typically impossible to replicate on-stage. To present Miranda, Enhance VR and LUMA have developed an original live theater framework application built on industry-standard 3D gaming tools including Unity and Photon. 

7pm: Irish Repertory Theatre: Belfast Blues a tapestry of autobiographical stories told from Geraldine Hughes’s perspective as a little girl coming of age in the war-torn Belfast of the 1980s. These stories bear insightful witness to the many faces of “trying to live a normal life” amidst the violence born of the longstanding conflict between Catholics and Protestants.

Hughes staged her final performances of Belfast Blues at The Lyric Theatre in a 2019 co-production presented by herself, Brassneck Theatre Company, and the Lyric Theatre as part of West Belfast’s Féile an Phobail. Irish Repertory Theatre will open its digital fall season with the never-before-seen video captured last year during those final performances of this autobiographical play.

The stage production of Belfast Blues is directed by Emmy winner Carol Kane.

7pm: BPN Town Hall: My Broadway Memory with guests Mary Testa and Jackie Hoffman By Broadway Podcast Network My Broadway Memory, a new live, visual podcast — a celebration of memorable experiences at the theatre with Broadway’s biggest names. During each episode, a guest will choose a Playbill from their collection at random and take a trip down memory lane. In addition to discussing the actual show, Michael, Brian, and guests will discuss the headshots, ads, and other traits that make a Playbill a time capsule of Broadway history.

Michael and Brian are calling out to theatre fans everywhere to join in on the fun by creating their own My Broadway Memory videos and sharing them to Instagram or Facebook. Be sure to tag @MyBroadwayMemory and use use the hashtag #MyBroadwayMemory to have a chance at being featured on the Broadway Podcast Network site.

7pm: The Silverfish Urban Stages until September 27
Meghan Loughran’s play starring Holly Davis, Nikki M. James, George Salazar and Kate Wetherhead tells the story of a young, broke couple in love thrown a curveball, and come up with a plan. “It might not be a plan that “good people” would go for, but when you’re young and in love and desperate and poor, the word “good” can mean a lot of things.”

7pm: To Protect, Serve and Understand Irondale Theater. A series of monologues that are the outgrowth of a workshop involving police an civilians. Before the show, a police offer and a civilian will be paired up with one another and taken through a guided interview. From that, they will each write a monologue of the others perspective and perform it, stepping into the others shoes to begin the process of understanding the other

7pm: Virtual Masterclass: Story through Song with Kevin McAllister

ArtsCentric Artistic Director Kevin McAllister (Signature’s BlackbeardAin’t Misbehavin’Titanic) discusses the intricacies of weaving a story and creating a universe through a single song. Join him for a vocal coaching session with pre-selected students as Kevin’s style, grace, and focused direction mentors young local performers through songs of their choices.

Click here to sign up. This observational masterclass is appropriate for general audiences and students.

7pm: Quarantine Cabaret and Cocktails produced and hosted by entertainer and LML Music founder, Lee Lessack, and actor and frequent SNL regular, Robert Bannon. The duo hosts a star-studded group of performers every week with laughs, music, and stories. 

7:30pm: Puccini’s Madama Butterfly Anthony Minghella’s exquisite production—an instant classic at the Met since its 2006 premiere—provides an evocative setting for this tragedy about a noble but naive geisha awaiting the return of her American Navy lieutenant. Key to the staging are symbolic visuals that tap into traditional Japanese culture while honoring the searching, timeless beauty of Puccini’s mid-career masterpiece. The production never distracts from the heartrending tragedy; instead, it complements the composer’s powerful score at every turn.

8pm: MIT’s Playwrights Lab: A Futile System by Jake Kinney ’20. Life in the medieval kingdom of Mundar is usually pretty chill, and capable Lady Galloway is able to handle the wacky hijinks of the King and the rest of his court. But when an upstart lord leads a rebellion against the capital, will Lady Galloway be able to take on the challenge, or will bumbling King Maximus doom the realm?

Directed by Jaclyn Biskup, with Maurice Emmanuel Parent, Jennifer Lim, Paul Iacono, Clifton Duncan, and Alex Mickiewicz, and stage managed by Marci Skolnick

8pm: Playbill Social Selects: A Chorus Crime (From Seize the Show) Travel back in time to 1976 to help detective Sydney Styles solve a murder mystery in A Chorus Crime, a digital theatrical experience presented by Playbill Social Selects and Seize the Show September 24 at 8 PM ET.

Broadway’s favorite time-traveling detective is once again on the case as Sydney Styles, gossip columnist and amateur sleuth, finds herself in the middle of another murder when a costume mistress is killed by a chorus girl—but which one? Now it’s up to you, Styles’ loyal assistant, to help her crack the case.

As you make your way through acting classes, voice lessons—and even the gym—you are given the chance to question each suspect. In addition, for each dance move, acting tip, and vocal scale you master, you will unlock even more information that will help you reveal the killer.

8pm: Stars in the House: JULI TURNS 20!!!  A celebration for Juli with special surprise guests to join for her birthday milestone!

8:30pm: The Living Room Play Workshop By The Old Globe Learn how to write, develop, design, direct, and present your own “Living Room”-inspired short plays in a final live-streamed site-specific presentation.

9pm: Pandora By TheatreWorks Silicon Valley streams a benefit online workshop reading of Pandora, a new work by playwright Laurel Ollstein.

In this new play, Ollstein investigates the Pandora’s box myth, delving into the world-changing curiosity and hope resulting from one woman’s fateful actions.

This streamed performance features a cast of actors assembled from across the country and was recorded over Zoom under the direction of TheatreWorks Artistic Associate and Director of New Works Giovanna Sardelli.

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Off Broadway

Gun & Powder is a Powerful Piece of Musical Theatre

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Over at Paper Mill Playhouse there is a new powerhouse musical that opened last night. Gun & Powder is the true story of Mary and Martha Clarke, African American twin sisters who, pass as white to settle their mother’s sharecropper debt. In the meantime they learn to love who they are, celebrate their history and bloodline.

The direction of this show by Stevie Walker-Webb features a superb cast, a compelling story, and possibly one of the best new scores to come along in awhile, sung to perfection.

Liisi LaFontaine Photo by Jeremy Daniel

Set in 1893 Texas the show is centered on the book writer and the lyricists Angelica Chéri great- great aunts Mary and Martha Clarke (the incomparable Ciara Rene and Liisi LaFontaine who sing and act these roles flawlessly). Born into slavery, their mother Tallulah Clarke (Jeannette Bayardelle) had the girls with a Caucasian man so they are light skinned. When they are penalized for not reaching their quota of cotton, they will lose everything unless they come up with $400. Mary and Martha decide to leave posing for white. Martha is given a gun by her mother and when she finds the power that gun affords her, the two ended up robbing to get ahead. They ended up in a saloon owned by Jesse (Hunter Parrish) and Mary falls in love and ends up marrying him, but that is when the real action begins.

Sonya Love and Aurelia Williams Photo by Jeremy Daniel

There are also the two housemaids of the Salon, Flo and Sissy (Sonya Love and Aurelia Williams) who almost steal the show with their attitude and killer vocals in “Dirty Shame”. Also standing out are Aaron James McKenzie as Elijah a black servant who falls in love with Martha and sings “Invisible”. His duet with LaFontaine “Under a Different Sun” is in a word, gorgeous. The fabulous Katie Thompson, plays Fannie Porter a white saloon singer who sings “Frenchman Father” and makes you really listen.

Katie Thompson Photo by Jeremy Daniel

The star of this show is Chéri’s lyrics and composer Ross Baum’s music. From Jazz, to Gospel, to Spirituals to blues, to Broadway, this score soars. It is like going to musical theatre church. From the “Prologue”, to “Wide Open Plains” until “All of Me,” this score captures you heart, mind and soul. The orchestrations by John Clancy, just enhance the whole experience.

Hunter Parrish Photo by Jeremy Daniel

Tiffany Rea-Fisher’s choreography keeps the show in a profound transformation.

The scenic design by Beowulf Boritt is simple yet effective. The lighting design by Adam Honor really makes the set come to life and the costume design by Emilio Sosa keeps us in the period.

Gun & Powder and Chéri and Baum are a show and a team of writers to keep your eye on. I predict big things for both.

This musical is fresh and exciting and if it doesn’t make it to Broadway next year I would be surprised.

Make sure you get your tickets. You will not be disappointed.

Gun & Powder: Paper Mill Playhouse, 22 Brookside Dr, Millburn, NJ until May 5th.

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Broadway

Lempicka Brings An Artist Work Back To Life

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In 1984, I saw the interactive show Tamara based on the life of the artist Tamara de Lempicka in LA and fell in love with it, so much so that it has stayed one of my favorites to this day. Lempicka is a new musical based more on her sexual choices than her stylized Art Deco portraits that changed and inspired generations. She was one of the first feminists, as Tamara choose art, sexual freedom and a lifestyle in a time of war and destruction.


The musical starts out on a park bench in LA as an older Tamara (Eden Espinosa) reflects on her life. Flash back to Warsaw, Poland as Tamara is to be wed to Lempicka (Andrew Samonsky) an aristocrat and is to live a life of luxury. Then the Bolshevik’s in prison her husband, she uses sexual favors to free him and they flee to Paris with their daughter. When her husband is unwilling to work she becomes a painter and uses the name Lempicka. There she is befriended by a wealthy art patron (Nathaniel Stampley) and his wife (Beth Leavel), is influenced by Marinetti (George Abu), the founder of the Futurist art movement, and is inspired and in love with Rafaela (Amber Iman). Both Lempicka and the musical come alive at this point. Tamara finds friendship and solace with a nightclub owner, Suzy (Natalie Joy Johnson), who gives her and others like her a refuge, until the Nazi’s invade. In the end, while breaking ground Lempicka’s life style becomes rather self centered or should I say one of self preservation as she loses her husband, her daughter and her lover.

Amber Iman, Eden Espinosa Photo by Matthew Murphy/Evan Zimmerman

Matt Gould’s music and Carson Kreitzer’s lyrics are well sung and the show sounds glorious. This is a new take on pop music. The problem here is the minor characters get the songs that make the show come alive. Iman, Abu and Johnson almost steal the show with their numbers. Level gets the 11 O’Clock number and breaks our hearts. Though Espinoza has some good numbers and sells them, none of them really stand out.

George Abud photo by Matthew Murphy/Evan Zimmerman)

Kreitzer also conceived the book and wrote it with Gould. Again the show does and doesn’t work. Instead of focusing on Lempicka’s art, the changing world around her and the fact that she was one of the first feminists, the story is more focused on lesbian repression. The show is billed as a triangle of love, but her husband once they get to Paris is in his own world until she gets together with Rafaela a prostitute. Rachel Chavkin’s direction makes the scenes between Rafaela and Lempicka beautiful and in a strange sense if feels a little like Indecent, however the show as a whole doesn’t jell.

Photo by Matthew Murphy/Evan Zimmerman

I did like Raja Feather Kelly’s choreography that seemed to evoke the changing world around.

Riccardo Hernández’s set of steel, seems like the world is on the verge of collapse and rebuilding. The lighting by Bradley King and projections by Peter Hylenski and Justin Stasi added to that effect. Paloma Young’s costumes missed the mark and seemed like they were in two different stories.

The reason to see Lempicka is it is sung and acted gloriously.

Once you see Lempicka, you will realize how much Tamara de Lempicka’s art change and influenced the world of art. This was a woman who survived at all costs and that should always be admired.

Lempicka: Longacre Theatre, 220 West 48th Street.
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Celebrity

The Glorious Corner

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Kjersti Long (David Kaptein)

G.H. Harding

GO LONG —- We’ve spoken before of 17-year-old Kjersti Long – on Origin Entertainment/ModSquad (ADA) Records. Her latest single “Sad Song” has become a digital-hit and a new album (her second) is in the works.

She’ll also be in NYC for June’s Tribeca Festival and a prominent agency is stepping up to rep her and her play Relative Space is prepping for an opening in the West End.

Said NEW HD’s Zach Martin: “Kjersti Long, at just 17, stands as a beacon of talent and ambition in the music industry. Her journey from a prodigious debut at the tender age of 11 with the album “Stronger Than You Think I Am” on Broadway Records to becoming a significant influencer on platforms like Instagram and TikTok, Kjersti’s career trajectory is nothing short of remarkable​​. Her engagement with her fans and the music community through platforms like Instagram and TikTok, where she has garnered over 50 million views and more than 160,000 new followers, underscores her magnetic appeal and the resonant connection she forges through her music​​.”

She also has a song on the new Vanessa Williams album, “Legs.” Williams’ official video will be out April 26, but here’s an update on her from LifeMinute TV:https://www.youtube.com/watch?v=eD-Okb_T8CM

www.kjerstilong.com


RASCAL-ING AROUND —
(Via Forgotten Hits) Look for a new Rascals box set coming out May 31st.

The 7-disc set encompasses their entire recorded output with Atlantic Records, 1965 – 1971, including mono and stereo copies of their albums, special singles mixes and some previously unreleased tracks.  (I remember shelling out big bucks for an earlier CD edition of this set … but I’ve gotta tell you, this one has got the COOLEST looking cover!!!).

“The Rascals:  It’s Wonderful: The Complete Atlantic Studio Recordings features 152 remastered songs, including 14 previously unreleased tracks. The first four albums are presented in both stereo and mono, along with significant single edits and foreign language versions. The collection includes a 60-page booklet with detailed notes and rare illustrations from The Rascals archives.

Amazon’s got it for $69.99 (I paid 2 ½ times that much way back when for the original!) so pre-order now.  This is quite the collection!

Interesting that this box set is from the UK-based Cherry Red Records. Founded by Iain McNay in 1978, Cherry Red Records has continued to uphold the same fiercely independent values since day one. Check them out here: https://www.cherryred.co.uk/about

And don’t forget about Felix Cavaliere and Gene Cornish and The Rascals at SONY Hall on May 17.

https://www.amazon.com/Complete-Atlantic-Recordings-Rascals/dp/B0CZ3NHLGG?crid=3S8UG8TZCIC3M&dib=eyJ2IjoiMSJ9.fcz-QxVsrVNGCoS-EbSPkg.htVhtZLFLUN8n9NrR1H-6rJi5fsjLvQexjIPS6c2Ges&dib_tag=se&keywords=B0CZ3NHLGG&qid=1712320481&s=music&

Micky Dolenz at Troubadour (Stevo Rood)

SHORT TAKES — Check out Tone Scott’s review of Micky Dolenz at LA’s Troubadour in Goldmine: https://www.goldminemag.com/columns/micky-dolenz-songs-and-stories-raises-the-roof-off-the-troubadour-all-for-make-a-wish#gid=ci02dac725a00025c5&pid=thumbnail-3

RIP Eleanor Coppola, wife of Francis Ford Coppola at 87. Years ago, I was at a screening of Roman Coppola’s A Glimpse Inside the Mind Of Charles Swan with Charlie Sheen. I loved the movie and at a post-screening event, I met Francis Ford Coppola, who could not have been more approachable.

He invited me to sit at his table with his wife Eleanor. Both were terrific. She’ll be much-missed by the film community as well. From Deadline: https://deadline.com/2024/04/eleanor-coppola-dead-hearts-of-darkness-francis-coppola-wife-1235883537/Happy Bday Brit Brashear.

NAMES IN THE NEWS — Melinda Newman; Barry Fisch; Toby Rasmussen; Roy Trakin; Joel Diamond; Fred Armisen; Tom & Lisa Cuddy; Richie Kaczor; Jim Burgess; Tom Scott; Steve Walter; Dan Zelinski; Herb Alpert; Hubert Laws; Eppy; Craig Newman; Jane Blunkell; John Billings; Lora Evans; Andrew Sandoval; Chris Carter; Wen Fernandez; and ZIGGY!

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Broadway

Ken Fallin’s Broadway: The Outsiders

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These boys are taking Broadway by storm Jason Schmidt, Sky Lakota-Lynch, and Brody Grant. In Tulsa, Oklahoma, 1967, the hardened hearts and aching souls of Ponyboy Curtis, Johnny Cade and their chosen family of “outsiders” are in a fight for survival and a quest for purpose in a world that may never accept them. A story of the bonds that brothers share and the hopes we all hold on to, this gripping new musical reinvigorates the timeless tale of “haves and have nots”, of protecting what’s yours and fighting for what could be.

The Outsiders opened on Broadway at the Bernard B. Jacobs Theatre, 242 W 45th Street.

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Broadway

We Say Good Bye To Costume Designer Extraordinaire Carrie Robbins

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I met Carrie Robbins at an art gallery with Louis St Louis, Baayork Lee and Judy Jacksina. The four of us stayed well into the morning talking, laughing and having a fabulous time. Carrie and I bonded after that as she turned to playwriting. It broke my heart to learn that on the evening of April 12, 2024 Costume Designer extraordinaire Carrie Robbins passed away.

Carrie’s work has been featured in over 30+ Broadway shows, including Class Act, Grease (original), Agnes of God, Yentl, Octette Bridge Club, Sweet Bird of Youth (Lauren Bacall), Frankenstein, Happy End (Mary Streep), Boys of Winter, Cyrano (Frank Langella), & Shadow Box (Mercedes Ruehl).

Her awards and nominations included: 2012 recipient of the Irene Sharaff Lifetime Achievement Award presented by the Theatre Development Fund & the tdf/Costume Collection with the support of the Tobin Theatre Arts Fund. 2 Tony (Noms.), 5 Drama Desks, Maharam, USITT/Prague International, L.A. Dramalogue, Henry Hughes, F.I.T-Surface Design, & Audelco, among others.

Robbins’ costumes for the Irving Berlin musical White Christmas played major cities in the USA, Broadway, and Great Britain. Her regional work included M. Butterfly and On the Verge, for director Tazewell Thompson (Arena Stage) and the Gershwin musical American in Paris by Ken Ludwig for director Gregory Boyd (Alley Theatre, Houston) as well as The Tempest (Anthony Hopkins as Prospero) & Flea in Her Ear (director Tom Moore at Mark Taper Forum), many productions for the Guthrie (MN), Williamstown, and many others from Alaska to Buffalo.


Locally, in NYC, Robbins designed for many productions for The Lincoln Center Repertory Theatre, Chelsea Theatre at BAM, Acting Company at Juilliard and NY Shakespeare Festival.

She also designed for the Opera and they included Death in Venice for Glimmerglass (’08 Prague International Design Exhibit), Samson et Dalila (San Francisco Opera, Houston Grand, more), and many productions for Sarah Caldwell’s Opera Company of Boston. Her work has also been seen at the Hamburg StatsOper.

For film Robbins designed the movie “In The Spirit” (Elaine May, Peter Falk, Marlo Thomas); TV design included: Saturday Nite Live, PBS Arts in America, & several unseen pilots.

Robbins has designed clothes for several seasons of Queen Esther Marrow and The Harlem Gospel Singers’ European Tour. She also did the designs for The Cincinnati Ballet’s new Nutcracker, in December of 2011

Robbins was an MFA grad from the Yale School of Drama and was Master Teacher of Costume Design at the NYU Tisch School of the Arts for many years. She is extremely proud of the extraordinary number of award-winning, successful young costume designers and costume teachers across the country who came out of her classes.

Besides being a costume designer Carrie also was a playwright. In August 2010, her play, The Death & Life of Dr. Cutter, a Vaudeville, based on the true stories told by her husband Dr. R.D.Robbins, had its 4th reading at the Snapple Theatre Center; it was chosen by Abingdon Theatre Co, NYC, to be part of its First Readings Series in Fall, 2009. In 2011-12 the  League of Professional Theatre Women chose The Dragon Quartet as part of its 30th year anniversary celebration. In 2012-13, La MaMa (oldest off-off-Broadway theater in NYC at 51 years) chose The Diamond Eater for its “Concert Reading Series”. In 2013: TACT (The Actors Company Theatre, chose Sawbones for part of its newTACTics New Play Festival. In 2014 both The Diamond Eater and Sawbones  received 6 Nominations from N.Y. Innovative Theatre Awards (the most nominations given out in the 2014 season). In 2015, Le Wedding Dress, was a semi-finalist in NYNewWorks Theatre Festival. In 2016: Obsessions Of An Art Student chosen by NYNewWorks Theatre Festival. In 2016, The Actress, was a finalist in NY Thespis Summer Festival. In 2017, My Swollen Feet, chosen by NY Summerfest Theatre Festival/ Hudson Guild Theatre. In 2018 The Diamond Eater , semi-finalist at the 14th St. Y competition War + Peace/2018/19 season and The Dragon Griswynd, was chosen by Theater for the New City for its “Dream-Up Festival” In 2019 Pie Lessons, was invited by Crystal Field, Exec. Artistic Director of Theater for the New City, to be part of “Scratch Night at TNC”.

The last thing Carrie was working on was For The Lost Children Of Paris. This play was about how the Nazis, with help from the Vichy Government, collected French-Jewish schoolchildren and delivered them to Auschwitz. Excellent German record-keeping revealed 11,400 children were taken. At the liberation, only 200 were found alive. This is the story of one classroom’s collection day and its aftermath.

She did this play using puppets as the children.

Carrie had a voice that she used in a multiple of ways. She was a caring friend, a dedicated teacher, a prolific writer and costume designer, who always cared about others first. Carrie you will be missed.

 





 

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