Why Are We Not Screaming About All The Pork?
“I don’t have to tell you things are bad. Everybody knows things are bad. It’s a depression. Everybody’s out of work or scared of losing their job. The dollar buys a nickel’s worth. Banks are going bust. Shopkeepers keep a gun under the counter. Punks are running wild in the street and there’s nobody anywhere who seems to know what to do, and there’s no end to it. We know the air is unfit to breathe and our food is unfit to eat, and we sit watching our TVs while some local newscaster tells us that today we had fifteen homicides and sixty-three violent crimes, as if that’s the way it’s supposed to be.
We know things are bad – worse than bad. They’re crazy. It’s like everything everywhere is going crazy, so we don’t go out anymore. We sit in the house, and slowly the world we are living in is getting smaller, and all we say is: ‘Please, at least leave us alone in our living rooms. Let me have my toaster and my TV and my steel-belted radials and I won’t say anything. Just leave us alone.’
Well, I’m not gonna leave you alone. I want you to get MAD! I don’t want you to protest. I don’t want you to riot – I don’t want you to write to your congressman, because I wouldn’t know what to tell you to write. I don’t know what to do about the depression and the inflation and the Russians and the crime in the street. All I know is that first you’ve got to get mad. (shouting) You’ve got to say: ‘I’m a human being, god-dammit! My life has value!’
So, I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now and go to the window. Open it, and stick your head out, and yell: ‘I’m as mad as hell, and I’m not gonna take this anymore!’
I want you to get up right now. Sit up. Go to your windows. Open them and stick your head out and yell – ‘I’m as mad as hell and I’m not gonna take this anymore!’ Things have got to change. But first, you’ve gotta get mad!…You’ve got to say, ‘I’m as mad as hell, and I’m not gonna take this anymore!’ Then we’ll figure out what to do about the depression and the inflation and the oil crisis. But first, get up out of your chairs, open the window, stick your head out, and yell, and say it: ‘I’m as mad as hell, and I’m not gonna take this anymore!’
Howard Beale, Network.
The term pork in politics refers to spending which is intended to benefit constituents of a politician in return for their political support, either in the form of campaign contributions or votes.
The 2020 COVID Relief Bill is 5,593 pages that are earmarked for the following:
$1.3 billion for the Egyptian Army. Isn’t this a conflict of interest? If each army member was given a check that would be $1,670,951 per person.
$1 billion for the Smithsonian. For what? We are in a pandemic.
$505 million for Belize and Costa Rica. If you add up the population and divide the money that is $93,831 per person.
$500 million for Israel’s Iron Dome. Again conflict of interest.
The Iron Dome developed by Rafael Advanced Defense Systems and Israel Aerospace Industries is designed to intercept and destroy short-range rockets and artillery shells fired from distances of 4 kilometres (2.5 mi) to 70 kilometres (43 mi) away and whose trajectory would take them to an Israeli populated area. The Iron Dome is part of a future multi-tiered missile defense system.
$250 million for Palestine. That is $4.569 per person.
$134 million for Burma. That is $2,495 per person .
$130 million for Nepal. That is $4,498 per person.
$85.5 million for Cambodia. That is $5,230 per person.
$40 million for the Kennedy Center’s Maintenance Staff. https://www.govinfo.gov/content/pkg/GAOREPORTS-GGD-98-56/html/GAOREPORTS-GGD-98-56.htm
$25 million for Gender Studies in Pakistan. Seriously?????
An unspecified dollar amount applied to the Resource Study of a Springfield, Illinois Race Riot that occurred in 1908. Notice from the year 1908!
And these are the ones I know about!
And we get a lousy $600.00 or at the most $2,000.00?
One has to ask what did these Congress People and Senators get for selling us out!
Why aren’t we screaming our heads off?????????????????
My View: “Because I Have A Story With Each And Every One Of You”…Richard Jay-Alexander
If you never heard of a restaurant/bar called Milady’s on Prince Street, you’ll know it now! That’s where Richard Jay-Alexander chose to celebrate his 70th Birthday and it was truly a WOWZA evening…the setting, the food, the peonies, the curated music PLAYLIST (assembled by longtime friend and assistant, Nellie Beavers), the craft cocktails and even a film crew (led by longtime pal, Brian Morgan) in the back, taping BRAVO-style “confessionals” with each guest, about the BIRTHDAY BOY. The guests in attendance ranged in age and interests, like a perfect jambalaya of an accomplished life. Even friends from his High School, in Solvay, NY! The most impressive part of who Richard is was quickly revealed in his post “blowing out the candles of his cake” moment when he looked around the room (clearly moved) and explained that the reason we were all there was, “because I have a story with each and every one of you.” Needless to say, there was much talent present throughout the room and plenty of legendary New Yorkers, raising a glass to a pretty special guy. In reality, it is he that entered into our lives and our stories and happily so. This is how you do it!
Ken Fallin’s Broadway: The World Says Good-Bye To Tina Turner
Tina Turner, the Queen of Rock ‘n’ Roll has died, after a long illness at 83. Turner was diagnosed with intestinal cancer in 2016 and underwent a kidney transplant in 2017.
Her life story was told in the 1993 smash film What’s Love Got to Do with It and in the 2019 Broadway musical Tina – The Tina Turner Musical, starring Adrienne Warren in a career-making performance.
Born Anna Mae Bullock on November 26, 1939, in Nutbush, TN, Turner became famous in the late 1960s as the singer of the Ike & Tina Turner Revue. Their major hits included: “River Deep – Mountain High” and “Proud Mary.”After leaving husband Ike Turner following years of physical and emotional abuse, she staged what remains one of the greatest comebacks in pop music history, scoring massive hits in the 1980s such as “What’s Love Got To Do With it”, “Private Dancer” and “The Best,” with an estimated 180 million albums sold worldwide, 12 Grammy Awards won and sold-out stadium tours around the world.
Turner scored another smash single in 1985 with “We Don’t Need Another Hero, from the Mel Gibson-George Miller threequel Mad Max Beyond Thunderdome. She played the ruthless leader of Bartertown in the movie and delivered the memorable line, “Welcome to another edition of Thunderdome!”
She returned to the Top 20 later that year with “It’s Only Love,” a duet with Bryan Adams from his Reckless album, and also was part of the global smash “We Are the World.” That 1985 famine-relief single — written by Michael Jackson and Lionel Richie, produced by Quincy Jones and credited to USA for Africa.
Turner also appeared at the intercontinental charity concert Live Aid that summer, performing a raucous, sexually charged duet with Mick Jagger in Philadelphia on a medley of his solo single “State of Shock” and the Rolling Stones’ “It’ Only Rock and Roll (But I Like It).”
Turner’s status as a musical pioneer extended to 1980s television when she became a staple of MTV.
A private funeral ceremony is expected for family and close friends and family.
My View: It’s Richard Jay-Alexander’s Birthday!
If there’s anyone who deserves to be featured in TIMES SQUARE CHRONICLES, on this particular day, May 24, it would be this guy, Richard Jay-Alexander. Born in 1953, today he turns 70 years old, here in New York City. He has walked these city streets more than most, as he pursued and has enjoyed a 49 year career, working on Broadway, in most theaters, clubs and majestic musical institutions, such as Carnegie Hall and The MET. He’s touched many, many lives and has a passion for this business that continues to burn and just this past Sunday, he helmed a thrilling evening, celebrating BroadwayWorld.com‘s 20th Anniversary, at midtown’s historic Sony Hall. On the eve of his birthday, he attended his favorite Tuesday night happening, Susie Mosher’s The LINEUP at Birdland Theatre, and treated the audience to a couple stories, observations on this important birthday and then, with Billy Stritch at the piano, John Miller on Bass and Clint De Canon on drums, performed a moving and heartfelt (THEY LONG TO BE) CLOSE TO YOU by Burt Bacharach and Hal David. There wasn’t a dry eye in the house. Richard clearly has a gift and a passion for the stage and for music and we are all the better for it, on the receiving end.
Happy Birthday, Young Man! Here’s to many more.
My View: A Glamorous Celebrity Filled Night With Lorna Dallas at The Laurie Beechman Theatre
It was a celebrity filled audience last night and the glamor of Manhattan Cabaret nightlife was in abundance for Lorna Dallas and her show at the Laurie Beechman Theatre titled “Glamorous Nights and Rainy Days
Ms. Dallas returned to New York City with a wonderful new show. This was Ms. Dallas’ first appearance in this town since she performed at the Bistro awards prior to the lockdown of 2020. The three years respite has done nothing to dim the luster of Ms Dallas’ exceptional instrument. She stayed in fine voice all evening long. But she is more than just an excellent vocalist. She is also a compelling actress. Her show, skillfully crafted by director Barry Kleinbort, and sensitively accompanied by one of this city’s best musical directors, Christopher Denny, was a joy from start to finish. The star studded audience at the Laurie Beechman theater responded heartily to every one of Lorna’s numbers. Evening high points ran the gamut, from standards like “I Have Dreamed,” to “When the Sun Comes Out;” from an hilarious “By Strauss” by the Gershwin’s to a dramatic “Silent Spring” by Harold Arlen and Yip Harburg. She also premiered a new song written especially for her by Ann Hampton Callaway and Amanda McBroom, “In My Dreams,” which wowed the savvy New York crowd. Hopefully, Lorna Dallas will return to these shores on a more regular basis. Three years is too long a wait for this powerful soprano’s next appearance..
My View: David Yazbek and Norbert Leo Butz at 54 Below
Tony, Grammy, and Emmy award winning composer/writer/musician David Yazbek and his band were on the stage of 54 Below last night playing some of his new songs from an upcoming album. They also played some great music from the Yazbek songbook and from his Broadway musicals.
In addition to being an award winning composer and lyricist David Yazbek is a formidable pianist possessing a fearless technique generating an extraordinary combination of intoxicating melodious dissonance. . A highlight of the evening for me was when he displayed his unique harmonic and rhythmic pianistic concepts on the Great American Songbook Standard “Over The Rainbow”. Norbert Leo Butz also starred in the the 54 evening titled “David Yazbek and The Bludgeoneers” and he brought the house to it’s feet with the “Dirty Rotten Medley”
The Band: Javier Diaz (Percussion), Tony Orbach (Sax), Sam Sadigursky (Clarinet), Dean Sharenow (Drums), Chris Tordini (Bass), Paul Vercesi (Sax)
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